2423 Best Drama Movies to Watch (Page 105)

Staff & contributors

In life and cinema, drama is everywhere. You’ll find it in thrillers, animations, romances, you name it. For entertainment that explores the human experience with sensitivity and sincerity, here’s a mixed bag of the best dramas to stream now.

Told in a playful mockumentary format, Pinball: The Man Who Saved the Game delivers precisely what the title promises and a bit more. Apart from imparting interesting information about pinball's complicated past (it was only declared legal in New York as recently as 1976), the film doubles as a touching family drama and a fun experiment on genre. As Robert Sharpe, the real-life games expert who helped decriminalize pinball, Mike Faist is winsome, compelling, and maybe the best thing about the film.

While Pinball could've leaned into its silliness more instead of just dipping its toes in avant-garde territory, the film is pleasant enough with plenty of fun and tender moments to enjoy. 

Genre: Comedy, Drama, History, Romance

Actor: Bryan Batt, Christopher Convery, Connor Ratliff, Crystal Reed, Damian Young, Dennis Boutsikaris, Donna Del Bueno, Eric William Morris, Hope Blackstock, Jake Regal, Kenneth Tigar, Michael Kostroff, Mike Doyle, Mike Faist, Rosa Arredondo, Supriya Ganesh, Toby Regbo, Zac Jaffee

Director: Austin Bragg, Meredith Bragg

Read also:

Pee Mak is a hilarious and heartwarming comedy that blends horror, romance, and slapstick humor with Thai folklore. The story follows a group of friends who return from war to a remote village, only to realize the village folks now fear Mak’s beautiful wife, believing she is now a ghost. The film's clever and witty dialogue and its eerie and suspenseful moments create a unique and memorable experience. Even with all of its cliche horror-comedy tropes, it’ll be hard not to enjoy all the heartfelt ridiculousness pulled off so well.

Genre: Comedy, Drama, Horror, Romance

Actor: Attharut Kongrasri, Chatpong Nattapong, Davika Hoorne, Jongruay Somjinna, Kantapat Permpoonpatcharasuk, Mai Davika Hoorne, Mario Maurer, Nattapong Chartpong, Nattapong Chatpong, Nimit Luksameepong, Pongsatorn Jongwilak, Pongsatorn Jongwilas, Satdha Sutdhathip, Sean Jindachot, Sirinuch Petchurai, Wiwat Kongrasri

Director: Banjong Pisanthanakun

Rating: N/A

Read also:
As a comedy made in the 80’s all about a gay couple, viewers not familiar with this indie film might expect something tragic, raunchy, or insensitive, but Parting Glances is surprisingly understated. The main relationship is refreshingly treated with the same domesticity as a straight couple would, and the main conflict isn’t concerned with acceptance– after all, Michael and Robert were already accepted by their urban Manhattan community. In writing this, first-time director Bill Sherwood is able to focus on the upcoming long-distance relationship, Michael realizing Robert wants the distance, while Robert feels uncertain over Michael’s feelings for his ex dying from AIDS. The film doesn’t shy away from the touching, but even with the difficult pain of losing parts of the community, it’s still straightforward, unsentimental, and so funny with the witty repartee between the well-written characters. Parting Glances is a true gem.

Genre: Comedy, Drama

Actor: Adam Nathan, Bob Koherr, Cam Brainard, John Bolger, Kathy Kinney, Michael Medeiros, Nicholas Hill, Patrick Tull, Richard Ganoung, Steve Buscemi, Victor Rivers, Yolande Bavan

Director: Bill Sherwood

Rating: NR

Read also:

Before “burnout,” “bullshit jobs,” and “quiet quitting” became part of our everyday lexicon, there was a film in the ‘90s that prophesied the rise of these workplace problems. Office Space follows three co-workers who, having had enough of their dreary low-paying jobs, fight back against their company via an embezzlement scheme. 

Office Space makes the most out of its indie budget as it mostly takes place in the cramped quarters of a company, effectively bottling us into the cubicled windowless world of the characters. But the real beauty of the film is in the details, from its quick zingers and thoughtful takes on the essence of work down to its elaborate “planning to plan” scheme in the background and the employees’ forced politeness singing happy birthday to their boss. Modern viewers will notice that Office Space sits right in between the dystopian thriller Severance and the beloved sitcom The Office—a dark comedy that highlights the necessity of humanity in everyday work. 

Genre: Comedy, Drama

Actor: Ajay Naidu, Alexandra Wentworth, Ali Wentworth, Barbara George-Reiss, Cassie Townsend, Charissa Allen, David Herman, Diedrich Bader, Gabriel Folse, Gary Cole, Greg Pitts, Heath Young, Jack Betts, Jackie Belvin, Jennifer Aniston, Jennifer Jane Emerson, Jesse De Luna, Joe Bays, John C. McGinley, Josh Bond, Justin Possenti, K. Todd Lytle, Kinna McInroe, Kyle Scott Jackson, Linda Wakeman, Michael McShane, Mike Judge, Orlando Jones, Paul Willson, R.C. Keene, Richard Riehle, Ron Livingston, Rupert Reyes, Samantha Inoue Harte, Spencer Kayden, Stephen Root, Todd Duffey, Tom Schuster

Director: Mike Judge

Rating: R

Read also:
During wartime, war supersedes everything, including love. Wartime would have people ending relationships, forgoing potential dates, and seducing enemies to lead them to downfall, all in order to win, but sometimes, this rarely goes as planned. Lust, Caution is one such story, with the novella’s emotional repression making it a great match for director Ang Lee, main actor Tony Leung Chiu-wai as Japanese informant, and main actress Tang Wei, who made her breakthrough here. It’s not an easy watch. There are moments that falter and the film is a tad too long. But the smoldering stares shared by the two leads, with the lush production design and the beautiful direction, makes Lust, Caution a difficult contemplation of love and sexuality as Wang’s, and the nation’s, double-edged sword.

Genre: Action, Drama, Romance, Thriller

Actor: Akiko Takeshita, Anupam Kher, Cheng Yu-Lai, Chih-ying Chu, Chin Ka-lok, Chung Hua Tou, Hayato Fujiki, He Saifei, Jacqueline Zhu Zhi-Ying, Joan Chen, Johnson Yuen, Johnson Yuen Tak-Cheung, Kar Lok Chin, Ko Yu-Luen, Lawrence Ko, Lawrence Ko Yu-Luen, Lee Hom Wang, Leehom Wang, Lisa Lu, Liu Jie, Saifei He, Song Ruhui, Tang Wei, Tony Chiu-Wai Leung, Tony Leung Chiu-Wai, Tou Chung-Hua, Tou Tsung-Hua, Ven Kao, Vince Kao, Wang Lin, Wei Tang, Yan Su, Ying-hsien Kao

Director: Ang Lee

Rating: NC-17

Read also:

The title says it all: this is a story of love and basketball, one where the two intertwine and excitedly inform one another. Two childhood friends with a passion for ball develop deep feelings for one another. They have ambitions to go pro, but as Monica discovers how uneven the playing field really is for female athletes, and as Quincy grapples with his own needs and career, they reconsider their relationship both to each other and to the game they so love. 

Love & Basketball is a beautiful and sensitive movie that breaks stereotypes about Black love, which exists here as soft and nuanced as any other expertly drawn pairings in movies, and about Black women; Monica gets angry, but also vulnerable, hardworking, and loving. The sports component of the movie is just as finely detailed, with the energy of the matches bouncing off the screen walls. Clearly ahead of its time, Love & Basketball gets at the core of the game without losing sight of its talented players. 

 

Genre: Action, Comedy, Drama, Romance

Actor: Al Foster, Alfre Woodard, Boris Kodjoe, Chick Hearn, Chris Warren, Christine Dunford, Colleen Matsuhara, Debbi Morgan, Dennis Haysbert, Erika Ringor, Gabrielle Union, Glenndon Chatman, Harry Lennix, James DuMont, Jesse Corti, Kyla Pratt, Monica Calhoun, Naykia Harris, Omar Epps, Regina Hall, Robin Roberts, Sanaa Lathan, Shar Jackson, Tyra Banks

Director: Gina Prince-Bythewood

Rating: PG-13

Read also:

Low-budget but imagination-rich, this singular sci-fi crosses a vintage found-footage aesthetic with an inspired time-travel concept. It’s 1938, and two brilliant sisters — Thomasina (Emma Appleton) and Martha (Stefanie Martini) — have invented a machine that can anticipate future radio and television broadcasts. The device (named Lola) allows them to support themselves with bullseye bets on upcoming horse races, as well as revel in the cultural output of the decades to come. When WW2 strikes, however, Lola takes on life-saving potential.

As with every time-travel story, there’s the domino effect to be considered. Lola ends the Blitz, but its timeline-meddling paves the way for a darker future — chillingly realized by the film’s clever manipulation of real archival footage — and an ideological schism between the sisters. The movie’s tight runtime doesn’t allow for full exploration of this emotional fallout, but the actors fill in the outlines enough to make this flaw less gaping than niggling.

Shot with vintage film cameras, the movie looks like a product of its setting, but it absorbs some of the modernism of the contraption's intercepted broadcasts — and it's this beguiling anachronism (plus its narrative ingenuity) that ultimately win out to make Lola a fascinating sci-fi, despite some tantalizingly unrealized potential. 

Genre: Drama, Science Fiction, War

Actor: Aaron Monaghan, Adolf Hitler, Ayvianna Snow, David Bowie, Emma Appleton, Eva O'Brien, Francesca Brabazon Legge, Franklin D. Roosevelt, Gerald Tyler, Hugh O'Conor, Ian Toner, Joseph P. Kennedy Sr., Lorcan Cranitch, Neil Hannon, Nick Dunning, Oswald Mosley, Richard Elfyn, Rory Fleck Byrne, Stefanie Martini, Theodora Brabazon Legge, Winston Churchill

Director: Andrew Legge

Read also:
Food can warm you, can nourish you, and can make you feel so much better. Food is also the way people can keep their culture, with techniques and knowledge passed down by generations to better make use of the ingredients in the country. However, in Like Water for Chocolate, food is the means for rebellion, for breaking free from tradition, with Tita, who’s stuck in the kitchen by her mom, infusing her creations with so much emotion that the rest of her family is compelled to find a love just as passionate as hers is for Pedro. It’s a passionate adaptation made by director Alfonso Arau for his wife and the novel’s author Laura Esquivel, and it’s just so well done that it’s easy to be swept up in the family’s unfulfilled desires.

Genre: Drama, Romance

Actor: Ada Carrasco, Andrés García Jr., Arcelia Ramírez, Claudette Maillé, Lumi Cavazos, Marco Leonardi, Margarita Isabel, Mario Iván Martínez, Regina Torné, Yareli Arizmendi

Director: Alfonso Arau

Rating: R

Read also: