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Staff & contributors
The Boy and the Heron isn’t Hayao Miyazaki’s best film, nor is it his most accessible, seeing as the director himself has admitted to getting lost in the world he’s built here. But it is his most personal film to date (apparently he’s out of retirement!) and consequently, it’s one of the most complex Ghibli films to exist. It eschews structure for pure, raw emotion so instead of dialogue and plots, you get wonderfully abstract fantasy worlds and protagonists with near-imperceptible depths. You don’t have to get the story to understand the heaviness, grief, joy, and hope that Mahito, and in turn Miyazaki, feel. You only have to see the delicate turns in the characters’ expressions and their wildly imaginative adventures.

Genre: Adventure, Animation, Fantasy

Actor: Aimyon, Jun Fubuki, Jun Kunimura, Kaoru Kobayashi, Karen Takizawa, Keiko Takeshita, Ko Shibasaki, Masaki Suda, Sawako Agawa, Shinobu Otake, Shōhei Hino, Soma Santoki, Takuya Kimura, Yoshino Kimura

Director: Hayao Miyazaki

Rating: PG-13

Arrietty may not be as epic as other Ghibli movies, both in the literal and figurative sense, but its tiny world is so richly detailed that you could spend hours studying a single frame of the film. In Arrietty’s lovely house-underneath-a-house, stamps are hung on the walls like paintings, a flowerpot serves as the hearth, a tea canister is a cabinet, an olive a chair, a sewing pin a sword, a clothespin a hair tie, and so on. The possibilities are endless, but the film tries to exhaust them as much as it can. This alone makes Arrietty a delightful watch, but the simple story at the heart of it—one of survival, empathy, and faith—elevates into a timeless classic.

Genre: Animation, Family, Fantasy

Actor: Amy Poehler, Bridgit Mendler, Carol Burnett, David Henrie, Hiromasa Yonebayashi, Keiko Takeshita, Kirin Kiki, Mirai Shida, Moises Arias, Ryunosuke Kamiki, Shinichi Hatori, Shinobu Otake, Tatsuya Fujiwara, Tomokazu Miura, Will Arnett

Director: Hiromasa Yonebayashi

Rating: G