5 | agoodmovietowatch

Read also:

1. Undead Murder Farce, 2023

An oni/human hybrid, a severed head in a birdcage, and a bayonet-wielding maid step into a vampire's house to solve a murder.

And that is truly the essence of Undead Murder Face. Blending gothic with supernatural, creatures of global and Japanese lore converge in a turn-of-the-century historical anime. In only two episodes, the show establishes the Westernization of Japan and how it leads to erasing foundational parts of their culture while mixing in a unique fantasy element to the story. Most interestingly, the impressive animation (especially the transitions), eerie close-ups and ominous nightscapes are punctuated by curious moments of comedy. And it all accumulates into a sensational concept that's worth the watch.

Genre: Animation, Mystery, Sci-Fi & Fantasy

Actor: Hiro Shimono, Itaru Yamamoto, Maaya Uchida, Makoto Koichi, Mamoru Miyano, Masaki Aizawa, Reina Kondo, Saima Nakano, Sayumi Suzushiro, Shin-ichiro Miki, Soma Saito, Taku Yashiro, Tomokazu Sugita, Tomoyo Kurosawa, Wataru Yokojima, Yumiri Hanamori

Rating: TV-14

Read also:

2. The Promised Neverland, 2021

Intricately constructed and unbearably suspenseful from beginning to end, the first season of The Promised Neverland is a masterclass in using the episodic structure of TV to maximize the effect of a mystery-driven thriller. By placing us firmly within the perspective of its child protagonists (who are, to be fair, incredibly smart and determined), every step towards freedom still feels like a shot in the dark, and every setback becomes increasingly more devastating. Even as the season hurtles towards its conclusion, it never becomes clear how much its characters will succeed, if at all. Intelligent editing and animation that goes from ominous to fully grotesque ensures that something always feels off or too good to be true, no matter what.

And it says a lot about the sheer quality of the first season that it's still worth recommending despite a truly awful, rushed second season, which ignores its own themes and resorts to lazy animation just to get through the story faster. Viewed as a two-season series, The Promised Neverland can't help but look disappointing, squandering an exhilarating first half with developments that lead nowhere. But even on its own, season one stands tall as a stunning achievement in anime—a self-contained story of selflessness and hope in the face of dehumanization and despair.

Genre: Action & Adventure, Animation, Crime, Drama, Horror, Mystery, Sci-Fi & Fantasy, Thriller

Actor: Ai Kayano, Ari Ozawa, Erisa Kuon, Hiyori Kono, Lynn, Maaya Uchida, Mari Hino, Mariya Ise, Nami Fujita, Nao Fujita, Shinei Ueki, Shizuka Ishigami, Sumire Morohoshi, Yoshino Aoyama, Yuhko Kaida, Yuko Mori

Rating: TV-14, TV-MA

Read also:

3. The Boy and the Heron, 2023

	
The Boy and the Heron isn’t Hayao Miyazaki’s best film, nor is it his most accessible, seeing as the director himself has admitted to getting lost in the world he’s built here. But it is his most personal film to date (apparently he’s out of retirement!) and consequently, it’s one of the most complex Ghibli films to exist. It eschews structure for pure, raw emotion so instead of dialogue and plots, you get wonderfully abstract fantasy worlds and protagonists with near-imperceptible depths. You don’t have to get the story to understand the heaviness, grief, joy, and hope that Mahito, and in turn Miyazaki, feel. You only have to see the delicate turns in the characters’ expressions and their wildly imaginative adventures.Genre: Adventure, Animation, Drama, Family, Fantasy
Actor: Aimyon, Jun Fubuki, Jun Kunimura, Kaoru Kobayashi, Karen Takizawa, Keiko Takeshita, Ko Shibasaki, Masaki Suda, Sawako Agawa, Shinobu Otake, Shōhei Hino, Soma Santoki, Takuya Kimura, Yoshino Kimura
Director: Hayao Miyazaki
Rating: PG-13

Read also:

4. When Marnie Was There, 2014

	
Studio Ghibli is best known for their fantastical worldbuilding, but on occasion, they veer into the mundane domestic day-to-day life that might not be as extravagant, but is no less emotionally resonant. At first glance, it seemed like When Marnie Was There would be that kind of small town drama. A young kid moves to the countryside, exploring the new place, seemed to be just another familiar Ghibli protagonist, albeit this time in the wetlands of Hokkaido. But, as Anna befriends another in an abandoned mansion, and keeps being found unconscious by the grass, writer-director Hiromasa Yonebayashi crafts a sense of mystery around her friend that eventually resolves Anna’s loneliness in an unexpected fantastical way. When Marnie Was There might not be one of Ghibli’s most known films, but it nonetheless holds its signature magic of cathartic cartoon animation.Genre: Animation, Drama, Family, Mystery
Actor: Hana Sugisaki, Hiromasa Yonebayashi, Hiroyuki Morisaki, Hitomi Kuroki, Kasumi Arimura, Kazuko Yoshiyuki, Ken Yasuda, Nanako Matsushima, Ryoko Moriyama, Sara Takatsuki, Shigeyuki Totsugi, Susumu Terajima, Takuma Otoo, Toshie Negishi, Yo Oizumi, Yuhko Kaida
Director: Hiromasa Yonebayashi, James Simone
Rating: PG

Read also:

5. The Secret World of Arrietty, 2010

	
Arrietty may not be as epic as other Ghibli movies, both in the literal and figurative sense, but its tiny world is so richly detailed that you could spend hours studying a single frame of the film. In Arrietty’s lovely house-underneath-a-house, stamps are hung on the walls like paintings, a flowerpot serves as the hearth, a tea canister is a cabinet, an olive a chair, a sewing pin a sword, a clothespin a hair tie, and so on. The possibilities are endless, but the film tries to exhaust them as much as it can. This alone makes Arrietty a delightful watch, but the simple story at the heart of it—one of survival, empathy, and faith—elevates into a timeless classic.Genre: Animation, Family, Fantasy
Actor: Amy Poehler, Bridgit Mendler, Carol Burnett, David Henrie, Hiromasa Yonebayashi, Keiko Takeshita, Kirin Kiki, Mirai Shida, Moises Arias, Ryunosuke Kamiki, Shinichi Hatori, Shinobu Otake, Tatsuya Fujiwara, Tomokazu Miura, Will Arnett
Director: Hiromasa Yonebayashi
Rating: G

Read also: