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After the critical and commercial success of Concrete Utopia, it makes sense for Lotte Entertainment to turn it into a franchise. Badland Hunters is a more action-focused spinoff, with that dystopian world looking like a wild, wild Seoul and Ma Dong-seok as its lone ranger. Compared to its predecessor, the commentary is scant, the plot is thin, and the only thing that connects it is the apartment. But even with the B-movie mad scientist plot, long-time stunt coordinator Heo Myung-haeng makes his directorial debut wildly entertaining, with solid action that doesn’t depend too much on CGI. Human reptiles aside, Badland Hunters is just so fun to watch.

Genre: Action, Drama, Science Fiction

Actor: Ahn Ji-hye, Ahn Seong-bong, Hong Yi-joo, Jang Young-nam, Jeong Gi-seop, Jung Young-ju, Kim Young-sun, Lee Han-joo, Lee Hee-jun, Lee Jun-young, Ma Dong-seok, Park Hyo-joon, Park Ji-hoon, Roh Jeong-eui, Seong Byeong-suk

Director: Heo Myeong-haeng

Rating: R

Frankly, it’s a bad idea to rush into a marriage for a financial incentive, but there’s something sweet about A Soweto Love Story with the way the plot plays out. As the brothers race to win the family home, there’s the standard romcom shenanigans where secrets are revealed and sabotage happens, but the brothers never go too far, and the way they play out is just the right amount of playful and serious. And as they do so, it’s sweet to see the three relationships bloom without the problematic, not well-thought-out issues that plague these kinds of ensemble romance films. That being said, it would have been even better if they established a close, familial chemistry between the brothers, but the way it plays out isn’t too bad. A Soweto Love Story isn’t particularly unique or deep, but if you’re looking for a simple, lighthearted romcom to watch, this isn’t a terrible choice.

Genre: Comedy, Romance

Actor: Duduzile Ngcobo, Lunga Shabalala, Motsoaledi Setumo, Ray Neo Buso, Sparky Xulu

Director: Rolie Nikiwe

From the moment it begins, The Monkey King hardly pauses to take a breath. The characters are always frantically jumping into the next scene, the action is nonstop, and the jokes, though juvenile, arrive one after the other. This is okay if you’re looking for a brisk viewing experience, but not so if you’re prone to vertigo. It moves at a relentless pace, which doesn’t just make the film a dizzying watch; it also robs the animation’s beautiful details of the time it needs to be appreciated. The movie’s core message, too, is buried under all the film’s pizzaz, which is a shame considering its refreshing pragmatism. When all the other kids’ movies are promoting courage and confidence, The Monkey King actually warns against the dangers of an inflated ego. The Monkey King is passable entertainment for the family, but with a better pace, it could’ve been great. 

Genre: Adventure, Animation, Comedy, Family, Fantasy, Kids

Actor: Andrew Kishino, Andrew Pang, Artemis Snow, BD Wong, Bowen Yang, David Chen, Dee Bradley Baker, Hoon Lee, James Sie, Jimmy O. Yang, Jo Koy, Jodi Long, Jolie Hoang-Rappaport, Kaiji Tang, Mark Benninghoffen, Robert Wu, Ron Yuan, Sophie Wu, Stephanie Hsu, Vic Chao

Director: Anthony Stacchi

Rating: PG

A deadpan anthology of three interconnected stories set in a run-down hotel in Memphis, Tennessee. The film's deliberate pacing, minimalist approach, and observational style are present throughout, capturing the essence of each character and their encounters with the city. 

Director Jim Jarmusch's indie film displays its characters' quirks and desires, all underlined with a love letter to Elvis Presley. Each unique segment has some charm, humor, and soundtrack that creates a palpable sense of time and place even if the sum displaces the overall narrative.

Genre: Comedy, Drama

Actor: Calvin Brown, Cinqué Lee, Elizabeth Bracco, Jim Stark, Jodie Markell, Joe Strummer, Masatoshi Nagase, Nicoletta Braschi, Richard Boes, Rick Aviles, Rockets Redglare, Rufus Thomas, Sara Driver, Screamin' Jay Hawkins, Steve Buscemi, Sy Richardson, Tom Noonan, Tom Waits, Vondie Curtis-Hall, Youki Kudoh

Director: Jim Jarmusch

Being bitten by a zombie is quite troublesome, but more so if you happen not to turn completely into the creature, keeping human sanity while still trying not to succumb to the creature’s hunger. While this premise isn’t totally original, we haven’t seen this in a steampunk version of Japan, where their successful industrial revolution and urbanification has been halted due to the zombies, named as Kabane here. It’s an interesting end to the alternate history franchise, made much more exciting with bloody fight scenes and intriguing reimaginings of the country, but viewers new to the franchise would be going in blind, and would likely be puzzled with the inconsistency and pacing.

Genre: Action, Animation, Drama, Science Fiction

Actor: Eiji Hanawa, Hideaki Tezuka, Kanae Oki, Kensuke Sato, Maaya Uchida, Mariya Ise, Maxwell Powers, Rikako Aida, Ryota Osaka, Sayaka Senbongi, Shin-ichiro Miki, Shin'ichirō Miki, Tasuku Hatanaka, Toshiki Masuda

Director: Tetsuro Araki

Rating: R

The atmosphere communicated within the title Hurricane Season comes off incredibly clearly on screen: this is a film that just feels humid and full of foreboding for a coming storm, with people feeling all manner of guilt while secluded in their own homes. Cinematographer María Secco's gorgeous colors and brown tones fill the 4:3 aspect ratio nicely, and director Elisa Miller lets events unfold with the stately pace of a long novel. There's something fascinating here about how each new "chapter" or perspective doesn't really lead to more answers, but simply to more anguish closing in from all sides.

So it would be understandable if some may be put off by how unrelentingly dark Hurricane Season is, especially as the trans woman whose death becomes the central event never enjoys the kind of characterization everybody around her gets. Apart from how the film illustrates that discrimination against women, against repressed "taboo" sexuality, and against access to proper reproductive health only threatens to grow under poverty, it can be difficult to grasp what point the movie is trying to make. Social realism certainly has its place in cinema, but the different perspective in this particular film still don't add up to more than the sum of its parts.

Genre: Crime, Drama, Thriller

Actor: Andrés Cordaz, Edgar Treviño, Flor Eduarda Gurrola, Guss Morales, Kat Rigoni, Mónica Martínez​, Norma Reyna, Paloma Alvamar, Rodrigo Corea, Said Sandoval

Director: Elisa Miller

Rating: R

Diane von Furstenberg has no doubt lived a rich, fascinating life, but the documentary struggles to strike a balanced tone and instead comes off as an advertisement of DVF’s (admittedly beautiful) dresses. It’s not that the designer doesn’t merit the glowing praise given to her by friends, family, and experts in the documentary, but that the other side of the coin is never explored in depth. The creases to her character (and there are plenty) aren’t given any airtime as von Furstenberg is portrayed as an admirable albeit flat role model. The only exception here is when daughter Tatiana recalls the time her mother has been absent virtually all throughout her childhood, but even then, the documentary just glosses over this thorny part of their past. The film is fun and aspirational, loaded with delightful collages of home videos and designer clothes, but it’s hardly inspiring or relatable. Even in her old age, von Furstenberg seems to admit that she carries no business sense, and only stumbles into financial success with luck and plenty of help. Thankfully, she doesn’t feign ignorance about her privilege, even if the directors bafflingly insist on a rags-to-riches narrative.

Genre: Documentary

Actor: Diane von Fürstenberg, Gloria Steinem, Hillary Clinton, Marc Jacobs, Oprah Winfrey

Director: Sharmeen Obaid-Chinoy, Trish Dalton

Rating: R

The level of access that A Thousand Cuts gets to both the side of the press and of the administration is ultimately what makes it valuable. By being on the ground with journalists doing honest-to-goodness hard work, the film reframes Duterte's war on drugs (really a campaign to terrorize the poor into submission) as an information war between news outlets and government propaganda. Unfortunately, in the process, the film also winds up excluding the voices of working class people and how they both engage and are engaged by all this information. There should be a way to honor the work of these journalists without accidentally positioning them above the public they serve.

Genre: Documentary

Actor: Amal Clooney, George Clooney, Leni Robredo, Maria Ressa, Patricia Evangalista, Pia Ranada

Director: Ramona S. Diaz

With the high-caliber list of actors starring in The Instigators, you’d think the movie would be better—not necessarily novel or smart, but funny or entertaining, at least. You keep waiting for that moment to happen, but it never comes. If there are jokes, they're delivered in a deadpan manner that doesn’t seem to fit with the movie’s tone. The Instigators is an okay film to put on when you’re scrambling to look for something to watch with your dad. He’ll recognize more than a few faces and enjoy the banter between hardcore Bostonians Damon and Affleck (the other one). Backed by Apple’s deep pockets, it’s also a spectacle of an action film, with explosions and car crashes to spare. Just don’t expect anything more than that, then you should be able to sit through the movie.

Genre: Action, Comedy, Crime

Actor: Alfred Molina, André De Shields, Billy Smith, Casey Affleck, David Gborie, Don DiPetta, Hong Chau, Jack Harlow, Jason Furlani, Matt Damon, Michael Rodrick, Michael Stuhlbarg, Mike Bash, Natalie Carter, Paul Walter Hauser, Richie Moriarty, Rob Gronkowski, Robert Harvey, Ron Perlman, Shawn Fitzgibbon, Slate Holmgren, Toby Jones, Toby Onwumere, Tom Mariano, Tommy Nohilly, Ving Rhames

Director: Doug Liman

Rating: R

Transporting the Henry James novella to the nightclub, The Beast in the Jungle turns the Edwardian era story into a surreal, escapist drama spanning the last decades of the 20th century. As John and May wait for that all-important event, they lose the importance of everything else, like love, friendship, and family, all to the decadence they only acknowledge as patience. This concept paired with the visuals are interesting, especially since the film also makes the viewer wait with them, drawing out the existential frustration, the fear of a life not lived, and the self-absorption, but the film struggles with the historical events, haphazardly inserting tragedies like the AIDS epidemic for what seems to be no reason.

Genre: Drama

Actor: Anaïs Demoustier, Bachir Tlili, Béatrice Dalle, Mara Taquin, Martin Vischer, Tom Mercier

Director: Patric Chiha

Despite the fact that this isn't the light fantasy romcom it seems to present itself as at the onset, Paging Mr. Darcy nevertheless becomes a breezy, likable little TV movie because it allows its main characters to be adult human beings. The story is still mostly fluff that ends far too abruptly, but for the most part, watching these two walk around and flirt from the very beginning makes for pleasant viewing. There isn't any pressure placed on these people to fabricate some sort of will-they-won't-they dynamic or to act accordingly to Jane Austen's work, and the result is a romance that feels so much simpler and so much more authentic than a Hallmark movie probably deserves.

Genre: Comedy, Romance, TV Movie

Actor: Benjamin Ayres, Carolyn Scott, David Pinard, David Rosser, Jinny Wong, Lillian Doucet-Roche, Mallory Jansen, Steven Vlahos, Will Kemp

Director: Peter Wellington

Rating: G