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Told in a playful mockumentary format, Pinball: The Man Who Saved the Game delivers precisely what the title promises and a bit more. Apart from imparting interesting information about pinball's complicated past (it was only declared legal in New York as recently as 1976), the film doubles as a touching family drama and a fun experiment on genre. As Robert Sharpe, the real-life games expert who helped decriminalize pinball, Mike Faist is winsome, compelling, and maybe the best thing about the film.

While Pinball could've leaned into its silliness more instead of just dipping its toes in avant-garde territory, the film is pleasant enough with plenty of fun and tender moments to enjoy. 

Genre: Comedy, Drama, History, Romance

Actor: Bryan Batt, Christopher Convery, Connor Ratliff, Crystal Reed, Damian Young, Dennis Boutsikaris, Donna Del Bueno, Eric William Morris, Hope Blackstock, Jake Regal, Kenneth Tigar, Michael Kostroff, Mike Doyle, Mike Faist, Rosa Arredondo, Supriya Ganesh, Toby Regbo, Zac Jaffee

Director: Austin Bragg, Meredith Bragg

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We’ve already seen the coming-of-age conflict presented in Música in other films– namely, where parents, society, and loved ones expect things from a male protagonist, but he has a passion for his creative endeavors, only awakened by a gorgeous girl that recognizes his talent. It’s a cliché storyline, even for a musical, but we’ve never heard it this way before, the way Rudy Mancuso takes in the day-to-day noise of his Brazilian neighborhood in Newark and turns it into a musical soundscape paired with rhythmic dancing, theatrical set pieces, and a metanarrative portrayed by his puppets that he says is unfortunately real. There’s something special in the way Mancuso’s directorial debut unfolds, so visually and sonically creative, with a lot of heart that we’ve been missing.

Genre: Comedy, Music, Romance

Actor: Andy Grotelueschen, Andy Muschietti, Bia Borin, Bianca Comparato, Camila Mendes, Camila Senna, Francesca Reale, Gregory Jones, J.B. Smoove, JB Smoove, José Báez, Maria Mancuso, Milly Guzman, Regina Schneider, Rudy Mancuso

Director: Rudy Mancuso

Rating: PG-13

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Hassan Fazili and Nargis Fazili are two filmmakers who, faced with death threats, escape their home in Afghanistan and start a journey to Europe that millions of others have taken over the past few years. But unlike most others, the Fazilis filmed everything on their way.

The result is not only a portrayal of the dangers they go through but it's also about less obvious and possibly more common aspects of the refugee experience. It's about the wait in refugee centers (that can last many years), the anticipation and also what it means to do all of this with children. Because watch out for the little Fazilis, who travel with their parents, for they will steal your heart.

Genre: Documentary

Director: Hassan Fazili

Rating: Not Rated

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The title says it all: this is a story of love and basketball, one where the two intertwine and excitedly inform one another. Two childhood friends with a passion for ball develop deep feelings for one another. They have ambitions to go pro, but as Monica discovers how uneven the playing field really is for female athletes, and as Quincy grapples with his own needs and career, they reconsider their relationship both to each other and to the game they so love. 

Love & Basketball is a beautiful and sensitive movie that breaks stereotypes about Black love, which exists here as soft and nuanced as any other expertly drawn pairings in movies, and about Black women; Monica gets angry, but also vulnerable, hardworking, and loving. The sports component of the movie is just as finely detailed, with the energy of the matches bouncing off the screen walls. Clearly ahead of its time, Love & Basketball gets at the core of the game without losing sight of its talented players. 

 

Genre: Action, Comedy, Drama, Romance

Actor: Al Foster, Alfre Woodard, Boris Kodjoe, Chick Hearn, Chris Warren, Christine Dunford, Colleen Matsuhara, Debbi Morgan, Dennis Haysbert, Erika Ringor, Gabrielle Union, Glenndon Chatman, Harry Lennix, James DuMont, Jesse Corti, Kyla Pratt, Monica Calhoun, Naykia Harris, Omar Epps, Regina Hall, Robin Roberts, Sanaa Lathan, Shar Jackson, Tyra Banks

Director: Gina Prince-Bythewood

Rating: PG-13

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At first, Little Forest seemed to just be a gentle film extolling the beauty of the countryside. Many a story has been based on that idea, and sure enough, the film does have aesthetic, gorgeous shots of the orchard, the lake, and the garden Hye-won ran back to, albeit with much more delicious food making scenes. But, as we get to learn more about her, the script subtly unfolds to reveal a personal family drama at the center. Moving back home, therefore, isn’t just to take a vacation– it becomes a meditative break for Hye-won to recreate, and thus, understand the choices her mother made, and it becomes a potent reminder of not just the pain, but also the good things that she left behind. Little Forest has plenty of the familiar countryside virtues of self-sufficiency, mindfulness, and community, but it approaches these themes in a more compelling way.

Genre: Drama

Actor: Jeon Guk-hyang, Jin Ki-joo, Jung Jun-won, Kim Tae-ri, Moon So-ri, Ok Su-boon, Park Won-sang, Ryu Jun-yeol

Director: Yim Soon-rye

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A wonderful homage to the woman, actress, and mother based largely on her own archives and interviews with her four children. Bergman was an avid photographer, filmographer and letter writer. What emerges is a loving portrait of an adventurous, driven, complex, and loving woman. Not to be missed.

Genre: Documentary, History

Actor: Alan Marshal, Alberto Sordi, Aldo Fabrizi, Alfred Hitchcock, Alicia Vikander, Alma Reville, Anatole Litvak, Anna Magnani, Anthony Perkins, Cary Grant, Cecil Parker, Clark Gable, Ed Sullivan, Ernest Borgnine, Fiorella Mariani, Gregory Peck, Humphrey Bogart, Ingmar Bergman, Ingrid Bergman, Isabella Rossellini, Isotta Rossellini, Jack Weston, Jean Renoir, Jeanine Basinger, Jennifer Jones, Liv Ullmann, Lyle Talbot, Mel Ferrer, Merv Griffin, Mervyn LeRoy, Pia Lindström, Robert Capa, Roberto Rossellini, Sigourney Weaver, Spencer Tracy, Victor Fleming, Ward Bond, Yul Brynner

Director: Stig Björkman

Rating: Not Rated

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With plenty of old men having extramarital affairs, taking advantage of younger women and leaving them forlorn in love, it can feel deceptively easy to take sides in the first forty minutes of He Loves Me... He Loves Me Not. Who wouldn’t side with Angélique, especially with the innocent, childlike face of Audrey Tautou? And yet, when the twist occurs, the film fills the gaps in totally unexpected ways, gradually escalating to a terrible and sad conclusion about this seemingly romantic girl. It’s hard to further talk about He Loves Me... He Loves Me Not without getting into spoiler territory, so if this is the first time you’ve heard of the movie, go and watch it without any context.

Genre: Drama, Romance, Thriller

Actor: Audrey Tautou, Clément Sibony, Élodie Navarre, Eric Savin, Isabelle Carré, Samuel Le Bihan, Sophie Guillemin, Vania Vilers

Director: Laetitia Colombani

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Though it's still very much a product of a time of certain jokes that haven't aged well, it's still remarkable how the humor and the satirical edge of this mockumentary has remained so current. As a very-low budget mockumentary of a still-young American hip hop scene, there's so much more effort that goes into these fake songs and music videos than you'd expect. But the film doesn't stop at simply poking fun at the rappers and hip hop artists of the era; the jokes always circle back around to the racism of the time and the self-seriousness of the culture in the music industry. It's a hilarious time capsule with some brutally incisive lines in practically every scene.

Genre: Comedy, Mockumentary, Music

Actor: Barry Shabaka Henley, Deezer D, Devin Kamin, Don Reed, Faizon Love, G. Smokey Campbell, Homeselle Joy, Kasi Lemmons, Larry B. Scott, LaVerne Anderson, Mark Christopher Lawrence, Monique Gabrielle, Penny Johnson Jerald, Rose Jackson, Rusty Cundieff

Director: Rusty Cundieff

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Richard Linklater’s spiritual successor to Dazed and Confused invites you back to 1980 with a group of college freshmen discovering and navigating their first taste of young adulthood. Linklater is best known for balancing authentic dialogue and earnest performances, both of which shine in this movie. Notable performances are given by all in this ensemble cast, whose chemistry is electric and infectiously light-hearted. Everybody Wants Some!! is as fun, loud, and wild as any good night you don’t want to forget.

Genre: Comedy

Actor: Adriene Mishler, Alexandria Payne, Anna Vanston, Asjha Cooper, Austin Amelio, Beau Smith, Blake Jenner, Bonnie Gayle, Christina Burdette, Courtney Tailor, Cyndy Powell, Devin Bonnée, Diane Selken, Dora Madison, Forrest Vickery, Glen Powell, J. Quinton Johnson, Jason Liebrecht, Jenna Saab, Jessi Mechler, Jonathan Breck, Justin Alexio, Juston Street, Kaleb King, Kay Epperson, Laura Ritz, Lizzy Pop Muro, Lynden Orr, Michael Monsour, Olivia Griswald, Paula Marcenaro Solinger, Rene Rhi, Ryan Guzman, Sadie Brook, Shailaun Manning, Sophia Ali, Tanner Kalina, Taylor Ashley Murphy, Temple Baker, Tess Cline, Tory Taranova, Tyler Hoechlin, Vanessa Amaya, Will Brittain, Wyatt Russell, Zoey Deutch

Director: Richard Linklater

Rating: R

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While Shakespeare has written most of the romantic plays that dominate theater today, there was one play from across the English Channel that also keeps its hold in the public consciousness, namely Cyrano de Bergerac by Edmond Rostand. Cyrano, My Love depicts the process of creating the iconic play a la Shakespeare in Love, that is, by taking the actual play’s history and jumbling it up with the plot of Cyrano, with art reinventing life and vice versa. It’s a bit of a corny approach, but the way writer-director Alexis Michalik adapts his play is entertaining, leaning more on the frenzy of creation and collaboration rather than cramming Rostand’s romance with his wife into a cinematic plot. This makes Edmond a much more dynamic profile of the titular playwright.

Genre: Comedy, History

Actor: Alexis Michalik, Alice de Lencquesaing, Antoine Duléry, Bernard Blancan, Blandine Bellavoir, Clémentine Célarié, Constance Labbé, Dominique Besnehard, Dominique Pinon, Guillaume Bouchède, Igor Gotesman, Jean-Michel Martial, Jeanne Arènes, Lionel Abelanski, Lucie Boujenah, Marc Andréoni, Marc Citti, Mathilde Seigner, Maud Baecker, Micha Lescot, Nicolas Briançon, Olivier Gourmet, Olivier Lejeune, Simon Abkarian, Sophie de Fürst, Thomas Solivérès, Tom Leeb

Director: Alexis Michalik

Rating: R

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The sooner you accept that Bottoms is not, in fact, rooted in reality in any way, the easier it should become to get on its wavelength for its uniquely absurd brand of comedy. This is ostensibly a satire, though it isn't totally clear what exactly the film is trying to comment on. And its loosely defined world makes it challenging to get emotionally invested in any of the characters' failures or victories. But it does—more than any comedy we'll probably get in a while—capture this feeling of high school being its own heightened, insulated world, where the class system of strict high school stereotypes clashes with the unchecked id and ego of teenagers who think they're more grown-up than they really are. Director and co-writer Emma Seligman gives this movie a certain sheen that you rarely find in comedies this lowbrow (care of lush cinematography by Maria Rusche, and a bumping electronic score by Leo Birenberg and pop star Charli XCX). This contrast between polished exteriors and unapologetically raunchy content makes the jokes all the more startling—which are delivered by a cast clearly having great fun. Rachel Sennott and Ayo Edebiri stick to their cringe-comedy skill set to great effect, while Ruby Cruz and Havana Rose Liu shine with deceptively tricky material, and Nicholas Galitzine gets to be a himbo for the ages.

Genre: Comedy

Actor: Alyssa Matthews, Ayo Edebiri, Bruno Rose, Cameron Stout, Dagmara Domińczyk, Havana Rose Liu, Kaia Gerber, Krystal Alayne Chambers, Liz Elkins Newcomer, Marshawn Lynch, Miles Fowler, Nicholas Galitzine, Punkie Johnson, Rachel Sennott, Ruby Cruz, Ted Ferguson, Toby Nichols, Virginia Tucker, Wayne Pére, Zamani Wilder

Director: Emma Seligman

Rating: R

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When a film is about a person, most depictions would be presented in the best possible light, all to present them as a person to be admired. That being said, Barney’s Version does not do that. The novel does give the adaptation some trouble– after all, Barney is a guy that fell in love with a woman other than his wife on his wedding night– but while Barney isn’t exactly the best person you’d like to meet, the way the story is structured, Paul Giamatti’s sympathetic performance and the way Barney remains honest with himself and his desires all throughout life makes the title character easy to root for, even with all his blunt ways. Barney’s Version does take plenty of familiar tropes, sometimes stereotypical, but it handles this life drama with subtle comedy and excellent performances.

Genre: Comedy, Drama

Actor: Anna Hopkins, Arthur Holden, Atom Egoyan, Brittany Drisdelle, Bruce Greenwood, Clé Bennett, David Cronenberg, Denys Arcand, Dustin Hoffman, Ellen David, Harry Strandjofski, Harvey Atkin, Howard Jerome, Howard Rosenstein, Jake Hoffman, Larry Day, Linda Sorensen, Macha Grenon, Marina Eva, Mark Addy, Mark Camacho, Massimo Wertmüller, Maury Chaykin, Mélanie St-Pierre, Minnie Driver, Paul Giamatti, Paul Gross, Paula Jean Hixson, Pauline Little, Rachelle Lefevre, Rebecca Croll, Richard J. Lewis, Rosamund Pike, Saul Rubinek, Scott Speedman, Ted Kotcheff, Thomas Trabacchi

Director: Richard J. Lewis

Rating: R

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The only Kundera film adaptation frankly hasn’t disproven that the source novel is unfilmable, but The Unbearable Lightness of Being is a pretty decent attempt. While Kundera’s meditations aren’t tackled in full depth, director Philip Kaufman manages to retain enough of the novel’s images to rein in the unwieldy plot, such as Sabina with the mirror, Tereza’s nightmare of naked women, their photography around Sabina’s studio and the black-and-white moment of Prague Spring, where editor Walter Murch adeptly inserts Tereza and Tomas within the historical footage. These images, along with the excellent cast, keep the wistful feeling that haunts Kundera’s novel.

Genre: Drama, Romance

Actor: Anne Lonnberg, Bruce Myers, Clovis Cornillac, Consuelo De Haviland, Daniel Day-Lewis, Daniel Olbrychski, Derek de Lint, Donald Moffat, Erland Josephson, Hana Maria Pravda, Jacques Ciron, Jean-Claude Bouillon, Juliette Binoche, László Szabó, Lena Olin, Leon Lissek, Pascale Kalensky, Pavel Landovský, Pavel Slabý, Philip Kaufman, Stellan Skarsgård, Tomasz Borkowy, Vladimír Valenta

Director: Philip Kaufman

Rating: R

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How does a standout director follow up to a film like Eternal Sunshine of the Spotless Mind? With a more profound exploration of style, a further exploration of his originality. Gael Garcia Bernal (who you might know from Y Tu Mama Tambien) plays an imaginative but awkward kind of guy who falls for his cute neighbor, played Charlotte Gainsbourg. Bizarre and whimsical dream sequences follow and a sweet, if hesitant, love story unfolds. An eccentric, funny and very French movie (with most scenes in English).  

Genre: Comedy, Drama, Fantasy

Actor: Alain Chabat, Aurelia Petit, Charlotte Gainsbourg, Emma de Caunes, Eric Mariotto, Gael García Bernal, Jean-Michel Bernard, Miou-Miou, Pierre Vaneck, Sacha Bourdo, Stephane Metzger, Yvette Petit

Director: Michel Gondry

Rating: R

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