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The idea of representation in movies is often limited to superficial gestures of putting on screen people who look a certain way. Kokomo City is a reminder of cinema's possibilities when one really tries to queer filmmaking itself, with genuine queer voices driving a production. This documentary is messy and incredibly playful in its style—in ways that might read to some as lacking cohesiveness, or as tonally inconsistent. But the way director D. Smith is able to capture the dynamic energy of a series of conversations makes these powerful, funny, tragic anecdotes and dialogues feel truly grounded in people's everyday experiences, and makes the plea for protection of trans lives all the more urgent.

Throughout Kokomo City, this collection of individuals goes off on various tangents that never become difficult to follow. They speak about the nature of sex work, hidden desires felt by traditionally masculine male clients, and various degrees of acceptance within the Black community. And between these statements alternating from impassioned to emotional to humorously candid, Smith injects cheeky cutaway footage, layers text on screen, and plays an eclectic rotation of music throughout. It's about as real and as three-dimensional as these trans lives have ever been shown on screen.

Genre: Documentary

Actor: Daniella Carter, Dominique Silver, Koko Da Doll, Liyah Mitchell, XoTommy

Director: D. Smith

Rating: R

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If Katrina Babies seems like a somewhat disjointed account of the myriad responses to Hurricane Katrina and the U.S. government's horrible, anti-poor response to the disaster, director Edward Buckles Jr. uses this structure with much more intent. For once this is a documentary that feels like citizen reporting and not a sanitized report from experts who have little to no real personal stake in the subject. As the film swings from one talking point to the next, you get the sensation of just how much the people of New Orleans are still trying to comprehend; the loose structure brings to this film a sense of helplessness that, for some, just can't be overcome.

Genre: Documentary

Actor: Arnould Burks, Calvin Baxter, Cierra Chenier, Damaris Calliet, Quintina Thomas Green

Director: Edward Buckles

Rating: R

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At the height of the 1997 Asian financial crisis, a small Singaporean family scrambles to keep their middle-class status afloat. The parents shave their expenses and work extra-long hours, but their busyness causes them to neglect their misbehaved son. When his misdemeanors prove to be too much, the mother is forced to hire a stay-at-home nanny, and her presence (along with other external pressures) brings about a change in the house. Suddenly, everyone becomes a bit more aware of their limitations and potential, and from this, a shared empathy grows. In other hands, this story might come off as bare and forgettable, but under first-time-feature director Anthony Chen’s helm, Ilo Ilo comes to life in rich detail, thoughtful shots, and captivatingly natural performances. Despite its many heartbreaking scenes, the film rarely dwells in sentiment, and it's this restraint that makes Ilo Ilo all the more gripping to watch. 

Genre: Drama, Family

Actor: Angeli Bayani, Chen Tian Wen, Chen Tianwen, Jialer Koh, Jo Kukathas, Koh Jia Ler, Peter Wee, Stephanie Kiong, Tian Wen Chen, Yann Yann Yeo, Yeo Yann Yann

Director: Anthony Chen

Rating: Not Rated, PG-13

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Rather than talking about what it takes to get to the other side of the border, Identifying Features instead focuses its attention back home. It’s part of the reason why the film actually highlights how difficult this actually is– Before even reaching it, people hoping to enter America go through a dangerous journey, many of whom disappear without any resolution for the loved ones left behind. But in focusing on what happens back behind the border, the social issue drama becomes more compelling, as the mystery of what happened to the son that left easily strikes a cord and drives the plot forward rather than straightforwardly talking about the journey. As she does so, writer-director Fernanda Valadez sets a spine-tingling mood, with striking, cryptic shots paired with the sober, difficult explanations the loved one who have been left behind with her have tried to formulate. Sin Señas Particulares captures that painful story in such a bold and thoughtful debut.

Genre: Drama

Actor: Ana Lauda Rodríguez, Armando García, David Illescas, Juan Jesús Varela, Mercedes Hernández

Director: Fernanda Valadez

Rating: NR

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For the longest time, American media coverage was skewed to justify the presence of US forces in Arab states. Control Room unveils that bias by following Al Jazeera at the start of the Iraq War in 2003. One of the biggest Arab media outlets at the time, Al Jazeera dared to cover both sides of the war, but by doing so put a target on its back. It was vilified by both the US government, which called it an Osama mouthpiece and the Arab world, which called it a Bush ally. 

Control Room shows the difficulty (if not sheer impossibility) of achieving journalistic balance, objectivity, and integrity. Through interviews with Al Jazeera reporters and US military officers, we witness how lines are blurred, loyalties are tested, and purpose is shifted in a state of war. A seminal work on media bias and press control, Control Room is vital and enlightening, a must-watch to understand the inner workings of the fourth estate. 

Genre: Documentary, War

Actor: Abdul Jabbar Al-Kubeisi, Donald Rumsfeld, George W. Bush, Hassan Ibrahim, Josh Rushing, Muafak Tawfik, Nabeel Khoury, Omar Al-Issawi, Samir Khader, Tom Mintier

Director: Jehane Noujaim

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In Lyon, the second biggest city in France after Paris, a man confronts the church about a prominent priest who sexually assaulted him and his friends when they were young. The man, being religious, wanted to keep the issue within the church. He only asked that the pedophile’s priesthood be revoked so that he doesn’t assault more children. When it becomes clear that the church will not act, he considers legal action, even though the statute of limitations has expired. But, as is usual in these cases, he was far from being the only victim.

Genre: Drama

Actor: Éric Caravaca, Alexandre Steiger, Amélie Daure, Amélie Prevot, Arnaud Viard, Aurélia Petit, Aurelia Petit, Baya Rehaz, Bernadette Le Saché, Bernard Verley, Chloé Astor, Christian Sinniger, Damien Jouillerot, David Geselson, Denis Ménochet, Denis Ménochet, Denis Simonetta, Éric Caravaca, Fayçal Safi, Fejria Deliba, Frédéric Pierrot, François Chattot, François Marthouret, François Chattot, François Marthouret, Frédéric Pierrot, Hélène Vincent, Hélène Vincent, Jeanne Rosa, John Sehil, Josiane Balasko, Jules Gauzelin, Julie Duclos, Juliette Moreaud, Laurence Roy, Lilly Rose Debos, Martine Erhel, Martine Schambacher, Max Libert, Melvil Poupaud, Nicolas Bauwens, Nicolas Bridet, Patrick Zimmermann, Pauline Ziadé, Philippe Legros, Pierre Lottin, Sébastien Lozach, Sébastien Pouderoux, Serge Flamenbaum, Stanislas Stanic, Stéphane Brel, Swann Arlaud, Timi-Joy Marbot, Vincent Berger, Xavier de Guillebon, Zuri François

Director: François Ozon, François Ozon

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Filmed in Paul Greengrass' signature documentary style, Bloody Sunday captures one of the worst tragedies in Northern Ireland's recent history with stunning attention to detail and a single-minded focus that most thrillers only dream of having. But this film doesn't dress up its violence with Hollywood flashiness or contrived suspense. Everything is presented in a matter-of-fact way (and over the course of just one day), emphasizing how unjust the balance of power was between the Irish citizens and the British Army. It's a remarkably realistic reenactment that should inspire plenty of angry tears, having already made a mark by winning the prestigious Golden Bear at the 2002 Berlin International Film Festival.

Genre: Drama, History

Actor: Allan Gildea, Carmel McCallion, Christopher Villiers, David Clayton Rogers, David Pearse, Gerard Crossan, Gerard McSorley, James Hewitt, James Nesbitt, Kathy Kiera Clarke, Mary Moulds, Nicholas Farrell, Tim Pigott-Smith

Director: Paul Greengrass

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Even if you’re a huge Broadway fan, you’ve probably never heard of the “industrial musical." While it no longer exists in practice, in the 1970s industrial musicals were shows that corporations commissioned for some of the biggest Broadway names to produce. The script would be based on the company’s offerings and history, and privately performed by real Broadway actors to audiences made up exclusively of company and factory staff.

Now, a documentary about industrial shows doesn’t scream “entertaining,” but to describe Bathtubs Over Broadway in such a manner would be selling it way short. It’s really about Steve Young, a comedy writer for David Letterman, and how his life changed when he found his first industrial musical LP when leafing through a crate of old records for a Late Night segment he was working on.

Ultimately, what makes this such an enjoyable watch is the protagonist’s enduring passion over what at first appears to be nothing but a niche obsession. But with time, as he connects with other collectors and the people who were involved in the original industrial musical productions, his passion breeds community and lifelong bonds. Even if you’re no fan of Broadway, this makes for a great pop culture documentary and an unexpectedly touching story of human connection.

Genre: Comedy, Documentary, Drama, Music

Actor: Chita Rivera, David Letterman, Don Bolles, Florence Henderson, Jello Biafra, Martin Short, Melody Rogers, Sheldon Harnick, Steve Young, Susan Stroman

Director: Dava Whisenant

Rating: PG-13

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On one level, Alcarràs is a story about land, about how inextricable it is to livelihood, about how ownership of it has bred conflict since time immemorial. Director Carla Simón emphasizes this even more by hiring actual Catalan farmers as the leads. We’re not just watching the Solés sing and fight for their land, but Alcarràs natives who are also very much at risk of losing what’s theirs in real life. The acting comes off as natural because it is. But on another level, Alcarràs is also a story about family, in particular about how family ties run so deep, they’re bound to coil around each other under the ground they’re rooted in. Like a family portrait come to life, Alcarràs shows us the beauty and the peril of loving your family and the legacy they leave behind as much as the Solés do.

Genre: Drama

Actor: Ainet Jounou, Berta Pipó, Jordi Pujol Dolcet, Josep Abad, Xenia Roset

Director: Carla Simón

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As heartbroken as you will be after watching this movie, you will feel nothing but triumph in the main actor's debut role. This movie has very little hope to offer the viewer, except the small amount felt every time the main character, Marina, gets up again to fight another day. This film depicts grief in such a profound and personal way within a character who must remain relatively silent and alone most of the movie. You will quickly know why the film is called "A Fantastic Woman".

Genre: Drama

Actor: Alejandro Goic, Aline Kuppenheim, Amparo Noguera, Antonia Zegers, Bárbara Mundt, Cristián Chaparro, Daniela Vega, Eduardo Paxeco, Erto Pantoja, Fabiola Zamora, Francisco González Hermosilla, Francisco Reyes, José Antonio Raffo, Loreto Leonvendagar, Luis Gnecco, Marcial Tagle, Moisés Angulo, Nestor Cantillana, Nicolas Saavedra, Pablo Cerda, Pablo Greene, Paola Lattus, Paulina Hunt, Roberto Farías, Senén Selim, Sergio Hernández, Trinidad González

Director: Sebastián Lelio

Rating: 15, R

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Young Woman and the Sea is a neatly told, inspiring story about a woman who went against the tide to cement her legacy as one of the most fearless athletes to exist. The movie is polished and nicely detailed, anchored by winning performances and a triumphantly dramatic script—basically everything you’d expect from a Disney movie. And like many Disney movies, Young Woman and the Sea can sometimes be too on-the-nose about its advocacies, but it's hard to deny its charm. The movie is a treat to watch, and an especially nice segue into the upcoming Olympics.

Genre: Drama, History

Actor: Alex Hassell, Alexander Karim, Bashar Rahal, Brian Caspe, Christopher Eccleston, Daisy Ridley, Derek Morse, Dimo Alexiev, Ethan Rouse, Euan Macnaughton, Glenn Fleshler, Hyoie O'Grady, Ivan Panev, J.R. Esposito, Jeanette Hain, John Carew, JR Esposito, Kim Bodnia, Lilly Aspell, Meglena Karalambova, Nicholas Colicos, Olive Elise Abercrombie, Sebastian Griegel, Sian Clifford, Stephen Graham, Tessa Bonham Jones, Tilda Cobham-Hervey, Trevor Van Uden, Velizar Binev

Director: Joachim Rønning

Rating: PG

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Michael Douglas plays Grady Tripp, a craggy, lovable English professor struggling to finish the follow-up to a very successful first novel. It has taken him 7 years, and it's an obvious metaphor for his ridiculous life. The character navigates various tragicomic dilemmas with a stellar supporting cast including Frances McDormand, Tobey Maguire, and Katie Holmes. His editor is Robert Downey Jr. and his nemesis is Rip Torn. Bob Dylan wrote the theme song. How do you not love this movie? It's one of those films that feels like a warm, cozy house (despite the fact that it takes place in a Pittsburgh winter), and it's a great blend of humor and drama.

Genre: Comedy, Drama

Actor: Alan Tudyk, Bingo O'Malley, Charis Michelsen, Elisabeth Granli, Frances McDormand, George Grizzard, James Ellroy, James Kisicki, Jane Adams, John W. Iwanonkiw, Katie Holmes, Kelly Bishop, Lenora Nemetz, Michael Cavadias, Michael Douglas, Philip Bosco, Richard Knox, Richard Thomas, Rip Torn, Rob McElhenney, Robert Downey Jr., Sean King, Tobey Maguire, Victor Quinaz, Yusuf Gatewood

Director: Curtis Hanson

Rating: R

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This movie originally caught my eye for all the attention it got at the Cannes festival, but I assure you, all of the hype is more than warranted. Two Days, One Night takes you on an emotional journey with Sandra, recovering from depression and ready to get back to work, when she discovers that her co-workers, having to choose between receiving a bonus and Sandra keeping her job, hold her fate in their hands. And thus, barely convinced herself and with her husband as her only support, she sets out on an unlikely mission to convince the people to vote against the bonus so that she still has a salary. This movie will strike a chord for anyone who has encountered depression or even simply tried to understand the abstract concept that it is. Marion Cotillard flawlessly portrays through Sandra the desperate struggle of having to put up a fight despite the utter hopelessness that she finds herself drowning in. At strife with herself, watching her try even though every cell in her body has given up, is gut-wrenching and awe-inspiring at the same time. Before long Sandra's fight on the lay-off and on her own hopelessness seem to blur together. Whether she wins, is what keeps you hooked to the very end.

Genre: Drama

Actor: Alain Eloy, Baptiste Sornin, Batiste Sornin, Ben Hamidou, Catherine Salée, Christelle Cornil, Christelle Delbrouck, Fabrizio Rongione, Laurent Caron, Marion Cotillard, Morgan Marinne, Myriem Akeddiou, Myriem Akheddiou, Olivier Gourmet, Philippe Jeusette, Pili Groyne, Simon Caudry, Tom Adjibi, Yohan Zimmer

Director: Jean-Pierre Dardenne, Luc Dardenne

Rating: PG-13

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