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While many homophobic people like to think otherwise, there have been gay people all throughout history, some that have survived war and pandemics and persecution and even became widely renowned. Gods and Monsters is a more speculative than accurate biopic about Hollywood director James Whale, who was actually out during his career. That being said, it’s astounding how writer-director Bill Condon and lead Ian McKellen created such a bittersweet examination of the Lost Generation, not just of the loves that were lost but of the lives that could not be lived, the longing that could not be actualized. And the film takes a risky, but nuanced subversion in the way it examines the Hollywood system, subverting the roles Whale and Boone have placed on others and on themselves. It’s a daring portrayal of both homosexuality and of the film industry, one that’s emotionally poignant and ahead of its time.

Genre: Drama

Actor: Amir Aboulela, Arthur Dignam, Brendan Fraser, Celeste Lecesne, Cornelia Hayes O'Herlihy, Curtis Harrington, David Dukes, David Fabrizio, David Millbern, Ian McKellen, Jack Betts, Jack Plotnick, Jesse James, John Gatins, Judson Mills, Kent George, Kevin J. O'Connor, Lisa Darr, Lolita Davidovich, Lynn Redgrave, Mark Kiely, Martin Ferrero, Matt McKenzie, Michael O'Hagan, Owen Masterson, Pamela Salem, Rosalind Ayres, Sarah Ann Morris, Todd Babcock

Director: Bill Condon

Rating: R

Ernest is an old bear and Celestine a young mouse; he lives above ground, while she lives underground. Their kinds fear one another, and borders are set in place so that they never intermingle, but despite all the odds, Ernest and Celestine form a bond—they share one similarity, after all, which is that they’re both outcasts. 

Ernest & Celestine is a classic buddy tale of outsiders finding their place in the world. The story and its messages of acceptance and equality are already charming and weighty on their own, but the hand-drawn and watercolored animation gives the film an extra rush of nostalgia and delight. Beautifully made and surprisingly relevant, it's a children’s film for all ages. It makes sense that it was nominated for Best Animation in the 86th Academy Awards (what doesn't is it losing to Frozen).  

An English dub is available on most streaming platforms, but we highly recommend watching it in French, how it’s originally meant to be heard.

Genre: Adventure, Animation, Comedy, Drama, Family

Actor: Adeline Chetail, Anne-Marie Loop, Brigitte Virtudes, Colleen O'Shaughnessey, Dominique Maurin, Emmanuel LeMire, Féodor Atkine, Forest Whitaker, Jacques Ciron, Jennifer Fauveau, Lambert Wilson, Lauren Bacall, Léonard Louf, Mackenzie Foy, Maxime Bailleul, Michel Elias, Nathalie Homs, Patrice Dozier, Patrice Melennec, Paul Giamatti, Pauline Brunner, Perrette Pradier, Pierre Baton, Spike Spencer, Vincent Grass

Director: Benjamin Renner, Stéphane Aubier, Vincent Patar

Rating: PG

You live in a strange world. Or at least, that's what the generation before you thinks. Eight Grade is a movie that follows a girl going through her generation's strange world. Social media, selfies, Youtube; you name it. But also, the weight of her expectations (as shaped by the internet) versus her reality. Written and directed by famous comedian Bo Burnham, it's a gentle and often funny look at our anxieties and how they shape our growth. Prepare for a lot of cringes.

Genre: Comedy, Drama

Actor: Andrew Geher, Brenna Parker, Catherine Oliviere, Daniel Zolghadri, Deborah Unger, Dylan Vonderhorst, Elsie Fisher, Emily Robinson, Frank Deal, Fred Hechinger, Gerald Jones, Greg Crowe, Imani Lewis, J. Tucker Smith, Jake Ryan, Jalesia Martinez, Josh Hamilton, Kendall Seaman, Kevin R. Free, Kylie Seaman, Luke Mulligan, Luke Prael, Marguerite Stimpson, Missy Yager, Natalie Carter, Nora Mullins, Phoebe Amirault, Shacha Temirov, William Koo

Director: Bo Burnham

Rating: R

In this 3D documentary, Werner Herzog takes a dive into the Chauvet Cave in Southern France. From archaeology and anthropology to master perfumery, scientists across disciplines have studied the cave with a palpable enthusiasm—making their best guesses about each cave drawing, based on the data that can be collected without destroying the site. It’s fascinating to hear how they hypothesize where they can find new entrances, or how prehistoric humans could have made music. Cave of Forgotten Dreams turns a regular documentary into a profound meditation about the human soul, creation, and human history. Herzog compiles clips of his interviews with the scientists alongside footage of the cave itself and his own narration, and mixes it with an ethereal score to turn this exploration into a religious epiphany.

Genre: Documentary, Drama

Actor: Charles Fathy, Dominique Baffier, Jean Clottes, Volker Schlöndorff, Werner Herzog

Director: Werner Herzog

Rating: G

Often considered Claire Denis’ best film, Beau Travail is an epic exploration of both masculinity and colonialism. Inspired by Melville’s Billy Budd, she transplants the story to Djibouti where the French Foreign Legion run seemingly aimless drills in an arid desert landscape while largely alienated from the local community. Denis inverts the male gaze and imbues charged eroticism to the bodies in motion as the men train and wrestle. Accompanied by the music of Britten’s Billy Budd opera, these movements transform into a breathtaking modern dance. Underneath her jaw-dropping direction is a cutting allegory on repression, desire, and violence, working on both the individual and geopolitical level. This incredible tale is capped off by one of the best end credit sequences of all time.

Genre: Drama

Actor: Adiatou Massudi, Bernardo Montet, Dan Herzberg, Denis Lavant, Gianfranco Poddighe, Giuseppe Molino, Grégoire Colin, Marc Veh, Michel Subor, Mickael Ravovski, Nicolas Duvauchelle, Richard Courcet

Director: Claire Denis

Rating: Unrated

Although it opens on Janet Frame’s first steps as a baby, this Jane Campion-directed biopic of the celebrated New Zealand writer doesn’t take an exhaustive approach to its subject’s life. We frequently only learn of milestones — the many awards she won, the death of her mother — later on and in passing. In a beautiful gesture that feels like a tiny righting of the many wrongs done to Janet, it’s her perspective that guides the film. 

That embedded approach also makes the emotions that come with her heartbreaking yet uplifting story more profound. And there is much heartbreak here: alongside the several tragic losses Janet experienced as a child, she was misdiagnosed as schizophrenic as a young woman and spent eight harrowing years in psychiatric hospitals. Throughout all of this, she wrote fiction and poetry, work that saved her life in more ways than one: as well as being a rare constant source of joy, it won her a literary prize just days before she was scheduled for a lobotomy, prompting her doctors to reconsider. Neither Campion nor Janet allowed this experience to define her, however, and the film empathetically grants her real moments of joy and choice throughout — making for a deeply sensitive and uplifting watch.

Genre: Drama

Actor: Alexia Keogh, Alison Bruce, Alistair Douglas, Andrew Robertt, Brenda Kendall, Brian Flegg, Celia Nicholson, Collette Cooper, David Letch, David Stott, Edith Campion, Elizabeth McRae, Faye Flegg, Fiona Kay, Francesca Collins, Gerald Bryan, Iris Churn, Jessie Mune, Jim Rawdon, Julia Calvo, Karen Fergusson, Katherine Murray-Cowper, Kerry Fox, Kevin J. Wilson, Lilian Enting, Mark Clare, Mark Morrison, Martyn Sanderson, Melina Bernecker, Natasha Gray, Paul Norell, Peter Needham, Robert Jayne, Ruth Dudding, Sarah Smuts-Kennedy, Sheryl Stewart, Tiffany de Castro, Timothy Bartlett, Willa O'Neill

Director: Jane Campion

Rating: R

On the one hand, American Fiction is a razor-sharp satire that pokes fun at the hypocrisy of the literary and entertainment industry. It's only when Monk (Wright), a genius but esoteric writer, decides to pander and give in to what publishers have come to expect from Black authors (that is: trauma porn) that he is finally celebrated for his work. But on the other hand, the film is also a tender family drama. Monk sells out, as it were, partly because he’s fascinated by the stupidity of decision-makers and supposed intellectuals, but mostly because he needs to pay for his ailing mother’s care. His relationship with his siblings and deceased father likewise informs much of his character, and they complicate what could’ve been just an intellectual approach to a social issue. This is an educational and entertaining film, yes, one that looks at the complex intersection between identity, craft, and profit. But it’s also an empathetic film, told with a big heart and a surprisingly light touch.

Genre: Comedy, Drama

Actor: Adam Brody, Alexander Pobutsky, Bates Wilder, Becki Dennis, Carmen Cusack, Celeste Oliva, David De Beck, Dustin Tucker, Erika Alexander, Greta Quispe, Issa Rae, J. C. MacKenzie, Jeffrey Wright, Jenn Harris, John Ales, John Ortiz, Kate Avallone, Keith David, Leslie Uggams, Michael Cyril Creighton, Michael Jibrin, Michael Malvesti, Miriam Shor, Myra Lucretia Taylor, Neal Lerner, Okieriete Onaodowan, Patrick Fischler, Raymond Anthony Thomas, Skyler Wright, Sterling K. Brown, Tracee Ellis Ross

Director: Cord Jefferson

Rating: R

Even when it necessarily tackles the difficulties that are part and parcel of same-sex love in the 20th century, there’s something pleasant about the way A Secret Love is told. The documentary puts Terry and Pat’s love above all else, so even though we hear about how they had to tear the bottom pages of their letters to avoid getting caught, or how they had to split from close family members after coming out, things never feel too heavy or dire because at the end of the day, they’re still together, their decades-old companionship a beautiful example of how love wins. And aside from giving us an intimate look at this rare win for elderly closeted couples, A Secret Love serves as an insightful portrait of elderly life. Terry and Pat, with their perseverance and unyielding support, make aging look beautiful rather than scary. 

Genre: Documentary

Actor: Chris Bolan, Diana Bolan, Jack Xagas, John Byrd, Kim Donahue, Marge Summit, Pat Henschel, Tammy Donahue, Terry Donahue, Yvonne Zipter

Director: Chris Bolan

Rating: N/A

Teenagers forced to grow up quickly and spend their prime years wiling away at garment factories sounds like a grim reality, and it is, but in Youth (Spring), Chinese documentarist Wang Bing captures more than just the inherent tragedy of young labor. Here, they build friendships, find love, discover an affinity for their craft, stand up for themselves against exploitative bosses, and look for ways to have fun. Even if it’s just as simple as eating street food, spending the night at an internet cafe, or finding nice clothes, we’re with them in every way. Though it’s never explicitly political, the documentary makes you think about the conditions that put the kids there in the first place, such as our insatiable need for cheap and trendy clothes, governments turning a blind eye to child labor, and a skewed system that favors these above people’s—especially young people’s—well-being and welfare.

Genre: Documentary

Director: Wang Bing

Although Who We Are is essentially a professionally recorded masterclass interspersed with additional interviews, it only emphasizes Jeffery Robinson's skill as an orator and his compassion as a teacher. In a clear and levelheaded manner, he lays out how even the historical documents that formed the blueprint of the United States are exclusionary in key ways. Robinson does this not to condemn his country, but to challenge the way we view traditions as sacred, and to see how modern-day white nationalism is upheld by these institutions, intentionally or not. The new interviews that accompany Robinson's talk take these lessons on the road, reminding us of those who are directly affected by these centuries-old decisions.

Genre: Documentary

Actor: Jeffery Robinson, Martin Luther King Jr.

Director: Emily Kunstler, Sarah Kunstler

Studio Ghibli is best known for their fantastical worldbuilding, but on occasion, they veer into the mundane domestic day-to-day life that might not be as extravagant, but is no less emotionally resonant. At first glance, it seemed like When Marnie Was There would be that kind of small town drama. A young kid moves to the countryside, exploring the new place, seemed to be just another familiar Ghibli protagonist, albeit this time in the wetlands of Hokkaido. But, as Anna befriends another in an abandoned mansion, and keeps being found unconscious by the grass, writer-director Hiromasa Yonebayashi crafts a sense of mystery around her friend that eventually resolves Anna’s loneliness in an unexpected fantastical way. When Marnie Was There might not be one of Ghibli’s most known films, but it nonetheless holds its signature magic of cathartic cartoon animation.

Genre: Animation, Drama, Family, Mystery

Actor: Hana Sugisaki, Hiromasa Yonebayashi, Hiroyuki Morisaki, Hitomi Kuroki, Kasumi Arimura, Kazuko Yoshiyuki, Ken Yasuda, Nanako Matsushima, Ryoko Moriyama, Sara Takatsuki, Shigeyuki Totsugi, Susumu Terajima, Takuma Otoo, Toshie Negishi, Yo Oizumi, Yuhko Kaida

Director: Hiromasa Yonebayashi, James Simone

Rating: PG

Robert Pattinson and Willem Dafoe are the only two actors starring in this eccentric movie, and they deliver such grand performances that it feels like another actor would have been one too many.

They star as lighthouse keepers in the 19th century, left on an island to interact only with each other and their rock. It's a fascinating premise of how these men, left on their own, deal with boredom, loneliness, and being annoyed with one another.

Incredible performances, an interesting aspect ratio, and perhaps excessive weirdness, make this movie unforgettable.

Genre: Drama, Fantasy, Horror, Thriller

Actor: Jeff Cruts, Kyla Nicolle, Logan Hawkes, Pierre Richard, Preston Hudson, Robert Pattinson, Shaun Clarke, Valeriia Karamän, Valeriia Karamän, Valeriia Karaman, Willem Dafoe

Director: Robert Eggers

Rating: R

The curious link between smell and memory forms the basis of this intriguing — albeit uneven — exploration of the supernatural ties between mother and child. Eight-year-old Vicky (Sally Dramé), daughter of the unhappily married Joanne (Adèle Exarchopoulos) and Jimmy (Moustapha Mbengue), has a sense of smell so fine-tuned she can identify a catalog of notes in any scent. Smells are so evocative for Vicky that they can also send her hurtling into someone’s past, like her mother’s thorny teenage history with Jimmy’s sister Julia (Swala Emati).

The film makes mostly effective use of its fascinating premise and brilliant (partly non-professional) cast. Set in the glacial Alps, the film dives under icy exteriors to find the tension smoldering between the family and their tight-knit community. Like Céline Sciamma’s Petite Maman, it uses time-bending magical realism to articulate the elemental force of maternal bonds and a child’s shock at realizing their parents led a full life before them. It’s less illuminating about its central conceit, though, and some of the less fantastical elements are also underdone, coming off melodramatic in a way that clashes with its overall understatedness. Despite this, The Five Devils is a bewitching watch, particularly in its goosebump-inducing final shot.

Genre: Drama, Fantasy, Romance, Thriller

Actor: Adèle Exarchopoulos, Antonia Buresi, Daphne Patakia, Hugo Dillon, Merwan Rim, Moustapha Mbengue, Noée Abita, Patrick Bouchitey, Sally Dramé, Stéphanie Lhorset, Swala Emati

Director: Léa Mysius

The Earth Is Blue as an Orange chronicles the lives of a single mother and her four children as they live in the war-torn Donbas region of Ukraine. Despite the constant threat of violence, the family finds solace in the arts (more specifically in filmmaking). While striving for normalcy in these tumultuous times, they channel their efforts into creating a film about the effect of war on their family. Even as they try to lead individual lives, nurturing this collective project, bombs, debris, and their reality is unavoidable. 

This film is a moving testament to the power of art, creativity, and hope in the darkest times. 

Genre: Documentary, Drama

Director: Iryna Tsilyk