1861 Best Movies to Watch From United States of America (Page 124)

Ricky Stanicky has all the ingredients of a zany romp: an insane premise, a cast of well-oiled comedians, and most notably, a veteran of the game, Peter Farrelly (Dumb and Dumber, There’s Something About Mary), at the helm of it all. And yet Ricky Stanicky falls unbelievably flat. For starters, there is zero chemistry between the trio who we’re supposed to believe are lifelong friends. And despite his Rolodex of disguises, John Cena is a one-trick pony here who can’t carry this film on his own. The joke is that he’s big and scary but can act pretty soft, but it gets tiring eventually. If I were you, I’d save myself some time and watch this SNL skit where Emma Stone plays a serious actress hoping to make her big break in a porn video instead. It captures the essence of what Ricky Stanicky wants to be, but the difference is, it’s actually funny.

Genre: Comedy

Actor: Andrew Santino, Anja Savcic, Apple Farrelly, Brian Jarvis, Debra Lawrance, Francesca Waters, Heather Mitchell, Jackie Flynn, Jackson Tozer, Jane Badler, Jeff Ross, Jermaine Fowler, Jim Knobeloch, John Cena, Lex Scott Davis, Nathan Jones, Ruben Francis, Sean Gildea, William H. Macy, Zac Efron, Zen Gesner

Director: Peter Farrelly

Rating: R

If you’re looking at posters and stills of this film thinking, “I know exactly what will happen here,” you’re right. Whatever it is, you’re right. Mother of the Bride is the type of vacation-wedding movie that’s been done a thousand times better before. But a generic premise is one thing; it’s easy to forgive cliches when you’re doing it right and giving the audience something else to look forward to, be it hilarity or romance. Being generic and lazy, however, is a different and less forgivable thing. Brooke Shields is the only one who feels like she’s truly acting here as she physically and emotionally throws herself into a character who is, sadly, too thinly written to deserve this much effort. If you’re still wondering whether the movie’s worth playing for the sake of Mother’s Day, just know that you’re better off reading Hallmark cards—they’re way less sappy and require only half the effort to go through.

Genre: Comedy, Romance

Actor: Benjamin Bratt, Brooke Shields, Chad Michael Murray, Dalip Sondhi, Michael McDonald, Miranda Cosgrove, Rachael Harris, Sahajak Boonthanakit, Sean Teale, Tasneem Roc, Wilson Cruz

Director: Mark Waters

Rating: PG

There is a clear and wide gap between what Maximum Truth wants to be and what it actually is. What it wants to be is a silly but smart sendup of right-wing activism and the rampant disinformation the movement propels. What it ends up being is an occasionally funny but mostly tiresome film that falls flat thanks to caricature performances and flimsy arguments that essentially work against the film's supposed ideals. In a self-contradictory twist, it actually helps the conservatives it claims to poke fun at by proving just how dumb liberal humor can be. The running gag about Rick being in the closet feels outdated at best and offensive at worst, while Simon being the typical airheaded jock does nothing to subvert the trope. It’s baffling that a film like this could come out in 2023; ultimately it just seems like a terrible waste of everyone’s time. 

Genre: Comedy

Actor: Andrew Friedman, Andrew Lopez, Beth Grant, Blake Anderson, Brandon Wardell, Brenda Koo, Brianna Baker, David Stassen, Dylan O'Brien, Ike Barinholtz, Ithamar Enriquez, Jena Friedman, Jon Barinholtz, Josh Meyers, Kelvin Yu, Kiernan Shipka, Mark Proksch, Matt Corboy, Max Minghella, Mia Serafino, Robert Belushi, Scott MacArthur, Seth Rogen, Sunil Narkar, Tiya Sircar

Director: David Stassen

Rating: R

In the decades since pioneer pilot Amelia Earhart disappeared from the face of the Earth, countless theories have emerged to fill in the gaps of her still-unknown whereabouts. Historians generally agree she crashed into the ocean, but that’s not dramatic enough, isn’t it? Some people believe she was captured by the Japanese, others believe she turned into a spy. Even others think she assumed a whole new identity. But among the more plausible theories is that she crashed into an airbase in Rabaul, New Britain. This is what Finding Amelia tries to prove true, and up to the task are two independent enthusiasts—one an aviation historian, the other a lawyer. Their insight is interesting enough, except they’re not treading new ground. All of what they say has been explored in previous documentaries both worse and better, so you’re left with nothing more than reminders and weak What Ifs. There is also a sense that some of the parts are staged, which is fine if you’re trying to recreate important but dangerous encounters, but at least make them feel real.

Genre: Adventure, Documentary, History

Actor: Amelia Earhart, Michael Carra, Morgan Spector

It's admirable how A Taste of Love keeps to the gentle pace of a slice-of-life story instead of blowing things up with unnecessary drama, but it's ultimately just too thinly drawn for any of its moments to become charming in their simplicity. There's nothing particularly wrong with any of its plot threads—emotionally they're all pretty level-headed and easy to understand—they just don't seem to coexist for any reason, or within any larger framework. As a result, spending time with this film doesn't just feel like hanging out with total strangers, but hanging out with people who are strangers to each other as well.

Genre: Comedy, Romance, TV Movie

Actor: Adam Hose, Ashley Dulaney, Darla Delgado, Demi Castro, Erin Cahill, Gina Yeena Salas, Jeremy King, Jesse Kove, Jim R. Coleman, Jody Pucello, Lily Jane, Martin Kove, Meghan Colleen Moroney, Rod Grant, Sasha Andreev, Steve Heinz, Susan Gallagher, Tymberlee Hill

Director: Conrad de la Torres III, Michael E. Brown

Rating: G

With uninteresting characters and an aggressively bland story right from the start, Choose Love fails to establish any stakes worth caring about, no matter what choices we make throughout. Any sense of novelty from playing this choose-your-own-romcom vanishes once you notice how certain decision points lead to the exact same idea, or are blatantly disregarded by the character you "control" anyway. Choice is a complete illusion here, and the fact that we're only asked to participate when it comes to some of the most inane dilemmas only highlights how the film's protagonist isn't acting like a rational, adult human being with any self-respect or regard for others. Sure, people are inherently flawed and it can be fun to see how disastrous this situation can get through our own manipulation, but by the end there's still no believable spark to be found. It feels like a cop-out no matter what.

Genre: Comedy, Drama, Romance

Actor: Avan Jogia, Benjamin Hoetjes, Blair Strang, Jack Bright, Jacque Drew, Jesse Griffin, Jordi Webber, Laura Marano, Lucy Wigmore, Lynette Forday, Megan Smart, Nell Fisher, Scott Michael Foster

Director: Stuart McDonald

Though it tries to root itself in the relatable situation of comparing oneself to others amid the often forced positivity of the Christmas season, Best. Christmas. Ever!'s disparate parts are so carelessly thrown together that it's hard to take any of it seriously. Potential conflicts in the marriages of its two central couples are tonally incompatible with the film's corny humor and a Miracle on 34th Street-esque subplot about the adults' children trying to prove that Santa is real. This is a totally mixed stew of Christmas movie tropes without rhyme or reason, which would have had a chance to at least be campy if its actors weren't phoning it in either.

Genre: Comedy, Family

Actor: Abby Villasmil, Allan Groves, Brandy Norwood, Camille Cadarette, Chase Ramsey, Heather Graham, Janet Lo, Jason Biggs, Madison Skye Validum, Matt Cedeño, Paul Kiernan, Wyatt Hunt

Director: Mary Lambert

Rating: PG

Though it'll likely have more to offer for those who enjoyed the original Nickelodeon series that ran from 2014 to 2018, The Thundermans Return still does mournfully little with its feature length. There are some promising ideas here relating to what one's responsibility should be as members of a family, but any heart in the story is buried underneath weak attempts at action and painfully stilted humor—which is only made worse by the laugh track running through much of the film. Even in the oversaturated arena of American superhero movies, this one doesn't have relatable enough characters for teenagers and older kids to relate to, nor does it have enough mindless, poorly shot action for the younger kids.

Genre: Action, Action & Adventure, Comedy, Family, Kids, Science Fiction, TV Movie

Actor: Adam Kulbersh, Addison Riecke, Anushka Rani, Aubrey K. Miller, Audrey Whitby, Brady Amaya, Brandon Papo, Brittany Bardwell, Chevonne Hughes, Chris Tallman, Christina Correll, Christina Offley, Dana Snyder, Daniele Gaither, Diego Velázquez, Fletcher Sheridan, Guy Moon, Harvey Guillén, Helen Hong, Jack Griffo, Jake Borelli, James Hong, Jamie Kaler, Jamieson Price, Jeff Meacham, Jennifer Hale, John Sanders, Kenny Ridwan, Kira Kosarin, Laura Louise, Malcolm Foster Smith, Maya Le Clark, Michael Wayne Foster, Paul F. Tompkins, Robin Atkin Downes, Rosa Blasi, Tanner Stine, Valerie Loo

Director: Trevor Kirschner

An interesting premise quickly sputters out in Fool’s Paradise, writer-star Charlie Day’s misfire of a directorial debut. Day plays a down-and-out Charlie Chaplin-esque mute who happens to be a dead ringer for a difficult method actor (also Day) who’s stalling production on a Billy the Kid remake — and so he’s brought in by the movie’s producer (Ray Liotta) to star instead. 

The rest of Fool’s Paradise follows in this vein, as things just happen to Latte Pronto (as he comes to be named). There’s wry satirical potential in this set-up: a lot can be revealed about someone (in this case, the self-serving stars, agents, and directors of Hollywood) by what they project onto a blank slate like Latte. The problem, however, is twofold: Fool’s Paradise doesn’t have anything especially sharp to say about the biz — and, in the absence of clever or indeed funny writing, the film’s weak center is exposed. Day’s wordless performance is understated to a fatal degree; presumably designed to highlight the ridiculousness of the Hollywood players he’s surrounded by, it only shows up the weakness of the material and the unfocusedness of some of the key supporting performances. Maybe the movie would’ve fared better had some of its other characters been silent instead.

Genre: Comedy

Actor: Adrien Brody, Aixa Maldonado, Alanna Ubach, Allison Paige, Andre Hyland, Andrew Leeds, Andrew Santino, Artemis Pebdani, Austin Zajur, Benito Martinez, Brett Wagner, Charles Grisham, Charlie Day, Christine Horn, Common, David Hornsby, Dean Norris, Drew Droege, Edie Falco, Eliza Coleman, Eric VanArsdale, George Lopez, Glenn Howerton, Harry Yi, Helen Geller, Jason Bateman, Jason Sudeikis, Jeremy Chu, Jillian Bell, Jimmi Simpson, John Ales, John Malkovich, Julia Cho, June Carryl, Justin Jedlica, Kate Beckinsale, Katherine McNamara, Ken Jeong, Lance Barber, Leandra Terrazzano, Leonora Pitts, Lindsay Musil, Lisa Schwartz, Luvh Rakhe, Lyndon Smith, Marilyn Giacomazzi, Mary Elizabeth Ellis, Moses Storm, Peter MacKenzie, Ray Liotta, Ricky Wang, Robert Belushi, Romel de Silva, Roy Jenkins, Scott Allen Perry, Scott Pitts, Shane Paul McGhie, Steve Coulter, Steve DeCastro, Talia Tabin, Thomas Vu, Tom Beyer

Director: Charlie Day

Rating: R

Despite a solid premise that should lead to compelling drama—about men scarred by war and the morally grey inner workings of the police—Confidential Informant devolves into a half-baked thriller that's as dull as its title. Flat direction, a lack of connective tissue between scenes, and an unfortunately visible lack of production resources suck the life out of the script and from the actors' performances. There's clearly a foundation to be built upon here, but the film makes a crucial mistake in trying to have its cake and eat it too: it wants to deliver all the (unsatisfying) thrills of an antihero police procedural, but it just doesn't have the money or the creativity to do this, on top of being a character drama. And so any tension that it tries to build up deflates by the end, its characters nothing but hollow shells, stuck in a story that that never gives them a chance to be anything more interesting.

Genre: Action, Crime, Mystery, Thriller

Actor: Arielle Raycene, Camila Savia, Dominic Purcell, Erik Valdez, Jon Lindstrom, Kate Bosworth, Meadow Williams, Mel Gibson, Nick Stahl

Director: Michael Oblowitz

Rating: R

If it's been said about one American stand-up comedian, it's been said about a dozen of them: just because a joke is edgy doesn't mean it's brave, nor does it mean it's actually a well-written joke. Throughout this hour-long special, Mike Epps rambles from one topic to another with little sense of direction, usually resorting to making fun of a vulnerable group, or making dull "observations" about relationships and everyday life when he hits a wall. There's no real perspective to what he says here, not even an attempt to criticize more progressive points of view. It's hard to see what's so funny about somebody stating the obvious loudly and arrogantly.

Genre: Comedy

Actor: Mike Epps

Director: Royale Watkins

Rating: R

If you’re reading this, I can only assume you’re looking to hate-watch something laughably terrible with your friends. If that’s the case, then you’re in luck: this is the film. Like Mea Culpa before it, Tyler Perry’s Divorce in the Black is filled with caricatures, cliches, and just generally awful filmmaking. In one scene, to show the passage of time, Perry literally keeps the camera on the clock and fades it into the next hour. But also like Mea Culpa, Divorce in the Black features an otherwise great performance from its leading woman—in this case, it’s Meagan Good. Good lends her abused character more complexity than the film deserves. Like plenty of victims, she’s both afraid of and in love with her despicable husband, though the film, unfortunately, refuses to dive into that nuance and instead chalks everything up to bad and good, Christian and un-Christian. Neither domestic abuse nor general filmmaking is taken seriously here, so there’s no reason to give this film the time of day too.

Genre: Drama, Mystery, Thriller

Actor: Cory Hardrict, Debbi Morgan, Joe Komara, Joseph Lee Anderson, Meagan Good, Richard Lawson, Taylor Polidore

Director: Tyler Perry

Rating: R