676 Best Movies From United States of America On Itunes (Page 23)

Remarkably, Steven Soderbergh was only 26 years old when he directed this coolly assured debut, the searingly candid script of which he also wrote in just eight days. Despite the pornographic implications of its title, this is more concerned with exploring whether honesty — not sex — is the means to real intimacy. In fact, the only nakedness glimpsed here is of the emotional kind, as twenty-something drifter Graham’s (James Spader) total aversion to lying has an infectious influence on everyone around him.

The primary recipient of that disarming effect is Ann (Andie MacDowell), the wife of Graham’s old college buddy who is blasé about sex and neurotic about everything else. Talking to Graham has a therapeutic effect on her, but he takes something else away from conversation: chronically impotent, he simulates the sexual experience by conducting erotically themed interviews with women on videotape. Preferring to sublimate his desires through his camcorder, Spader’s physically aloof character is a disturbingly prescient one for what it suggested then about technology’s future impact on human relationships. That Soderbergh managed to conduct such a complex psychosexual drama all through dialogue — on his first feature, no less — makes him exceedingly worthy of the record this earned him of the youngest solo Palme d’Or-winning director ever.

Genre: Drama

Actor: Alexandra Root, Andie MacDowell, David Foil, Earl T. Taylor, James Spader, Laura San Giacomo, Peter Gallagher, Ron Vawter, Steve Brill, Steven Brill

Director: Steven Soderbergh

Rating: R

Science Fair is simultaneously a feel-good documentary and a feel-bad one: while inspiring and reassuring for all the brilliant young minds it spotlights, it also has the potential to make your own life accomplishments look paltry in comparison. The former effect is the strongest, though — because you can’t watch high schoolers as young as 14 present pioneering, disease-curing research and inventions and not feel like the future is in good hands.

Science Fair is light on the actual science, which makes it an accessible watch and prevents the film’s focus from mimicking the cutthroat nature of ISEF, the international competition it follows. With a grand prize of $75k and lots of college application-boosting medals up for grabs, the competition amongst the kids is fierce, but Science Fair instead takes an empathetic, celebratory approach so that all of the kids feel like deserved winners. That’s especially true of the more disadvantaged teens: though the competition itself might not take into account all the hurdles they’ve had to overcome even just to get in the room, this compassionate doc definitely does. Even if the science is all Greek to you, it’s impossible not to appreciate and be moved by the determination and resilience of these kids.

Genre: Documentary

Director: Cristina Costantini, Darren Foster

Rating: PG

If you were on the Internet around 2015, you might be familiar with the viral phenomenon that is Wakaliwood, a “slum” neighborhood of Kampala, Uganda from where self-taught director Isaac Nabwana churns out bombastic DIY action comedies. Though they rack up online views in the millions, Isaac’s low-budget films weren’t money-makers due to a lack of proper distribution — something Alan Hofmanis, a Wakaliwood superfan and well-meaning New York-based publicist, wanted to help change.

Once Upon a Time chronicles the ups and somewhat perplexing downs of Isaac and Alan’s partnership, but their murky beef doesn’t detract too much from the documentary’s greatest strength, which is its showcasing of the scrappy spirit shared by Isaac and his volunteer collaborators: the actors who gleefully throw themselves in the mud for him, the “voice jokers” who provide riotous live narration at his screenings, and the props man who can jerry-rig just about anything his scripts call for. As Isaac points out, filmmaking is a business in the rest of the world — in Wakaliwood, it’s a passion. If Once Upon a Time does one thing, it’s faithfully transmit Isaac’s pure love for the craft — and, in doing so, reinvigorate us with the infectious joy that animates all of his movies.

Genre: Documentary, Drama

Actor: Alan Hofmanis, Nabwana IGG, V.J. Emmie

Director: Cathryne Czubek

It's difficult to portray Cinderella stories nowadays without making them feel cliche and irrelevant, but Mrs. Harris Goes to Paris seems to have achieved the impossible: it tells a well-worn tale without losing any of its charms, and Lesley Manville is the person to thank for this surprising triumph. As the titular Mrs. Harris, Manville is so sweet and likable —thoroughly convincing in her rags-to-riches journey—that it's impossible to watch her without grinning from ear to ear. Sure, the beats are predictable, polished to a fault even, but Manville makes every scene worth it. This is a feel-good movie if ever there was one, made even more enjoyable for fans of earnest performances, beautiful dresses, and clean, straightforward storytelling.

Genre: Comedy, Drama, History

Actor: Alba Baptista, Anna Chancellor, Barnabás Réti, Ben Addis, Bertrand Poncet, Christian McKay, Csémy Balázs, Declan Hannigan, Delroy Atkinson, Ellen Thomas, Freddie Fox, Guilaine Londez, Harry Szovik, Igor Szász, Isabelle Huppert, Jade Lopez, Jason Isaacs, Jeremy Wheeler, Lambert Wilson, Lesley Manville, Lucas Bravo, Panka Murányi, Philippe Bertin, Rose Williams, Roxane Duran, Saruul Delgerbayar, Vincent Martin, Wayne Brett, Zsolt Páll

Director: Anthony Fabian

As the third instalment in Paul Schrader's "man in a room" trilogy after First Reformed (2017) and The Card Counter (2021), Master Gardner rounds up the issues at stake in a most profound way. For anyone who's seen a film either scripted by Schrader (such as Taxi Driver) or directed by him, there will be no surprises here: lost men, despairing men, men who are desperate to believe in something. But the salvation of love lurks around the corner and the new film makes no exception. An unconventional couple, Joel Edgerton and Quintessa Swindell (as Maya) make up the beating heart of this suspenseful drama with an emotional push and pull delivered in small doses. What could have been a kitschy, insensitive work blossoms into a treatise on how gentle the harshness of life can be. 

Genre: Drama, Romance, Thriller

Actor: Amy Le, Eduardo Losan, Esai Morales, Ja'Quan Monroe-Henderson, Jared Bankens, Joel Edgerton, Matt Mercurio, Quintessa Swindell, Rick Cosnett, Sean Richmond, Sigourney Weaver, Suzette Lange, Timothy McKinney, Victoria Hill

Director: Paul Schrader

Rating: R

Stressed by adolescence, 16-year-old Craig Gilner checks himself into a mental-health clinic. Unfortunately, the youth wing is closed, so he must spend his mandated five-day stay with adults. One of them, Bobby, quickly becomes his mentor -- and him his protege, while Craig finds himself drawn to a fellow teen, Noelle, who just may be the cure he needs to forget an unrequited crush. Starring Keir Gilchrist and Zack Galifianakis, It's kind of a Funny Story is based on a novel of the same name.

Genre: Comedy, Drama

Actor: Aasif Mandvi, Adrian Martinez, Alan Aisenberg, Ato Blankson-Wood, Bernard White, Billy McFadden, Dana DeVestern, Daniel London, Emma Roberts, Jared Goldstein, Jeremy Davies, Jim Gaffigan, Karen Chilton, Keir Gilchrist, Lauren Graham, Leo Allen, Lou Myers, Macintyre Dixon, Matthew Maher, Molly Hager, Morgan Murphy, Roddy Skeaping, Rosalyn Coleman, Stewart Steinberg, Thomas Mann, Viola Davis, Zach Galifianakis, Zoë Kravitz, Zoe Kravitz

Director: Anna Boden, Ryan Fleck

Rating: PG-13

Of the many violence-inflected black comedies that Pulp Fiction spawned, Grosse Pointe Blank ranks among the best. Though it’s patently inspired by Tarantino’s magnum opus — John Cusack plays a sardonic, amoral hitman, and the film features bursts of stylized violence and a retro soundtrack — it never feels derivative. The film finds its own identity as a quirky romcom when Cusack’s character, Martin Blank, returns to his hometown for a 10-year high-school reunion on the advice of his terrified therapist (Alan Arkin).

Martin is experiencing professional disillusionment as part of the quarter-life crisis that often takes hold when one realizes it’s been a whole decade since high school. His profession puts a darkly comic spin on that convention, but the film doesn’t treat that element entirely flippantly. Unlike Martin — and so many of the film’s Pulp Fiction-inspired brethren — Grosse Pointe Blank isn’t nihilistic, but quite sincerely romantic. Its hybrid nature and surprising heart come to the fore in Martin’s renewed relationship with the girlfriend he jilted at prom: Debi (Minnie Driver), now a ska-loving radio DJ. Cusack and Driver have sparkling chemistry, which makes the sincerity with which their characters grapple with the possibility of a second chance at happiness all the more absorbing to watch.

Genre: Action, Comedy, Drama, Romance, Thriller

Actor: Alan Arkin, Ann Cusack, Barbara Harris, Belita Moreno, Benny Urquidez, Bill Cusack, Bobby Bass, Carlos Jacott, Dan Aykroyd, David Barrett, Doug Dearth, Hank Azaria, Jenna Elfman, Jeremy Piven, Joan Cusack, John Cusack, K. Todd Freeman, Michael Cudlitz, Minnie Driver, Mitchell Ryan, Steve Pink

Director: George Armitage

British director Adrian Lyne (9 1/2 Weeks) is famous for his uncompromising treatment of seedy eroticism and charged stories. Fatal Attraction is a staple of the erotic thriller genre and with good reason, it's steamy and very 1980s in the best possible way. Like a good vintage, it has the whiff of old times, but with the pleasure of a spectacle that belongs to the past. That's the lens through which you can view the story of a deranged mistress who won't stop at anything to ruin your life and marriage, and still savour some sanity in the 21st century. Seen from a slightly removed perspective, the film becomes a stylized variation on conservative AIDS panic and a provocation to conservative heteronormativity. It has to be said that not all of the film has aged well, especially the gender politics at play. But if you can soothe yourself with a revisionist reading, it pairs well with Paul Verhoeven's Basic Instinct: the things Michael Douglas's characters do for (extramarital) thrills...

Genre: Drama, Thriller

Actor: Anna Thomson, Anne Archer, Barbara Harris, Carol Schneider, Christine Farrell, Christopher Rubin, David McCharen, Ellen Foley, Ellen Hamilton Latzen, Faith Geer, Fred Gwynne, Glenn Close, Greg Rhodes, J.D. Hall, J.J. Johnston, James Eckhouse, Jan Rabson, Jane Krakowski, Judi M. Durand, Justine Johnston, Larry Moss, Lois Smith, Lynnanne Zager, Marilyn Schreffler, Mary Joy, Meg Mundy, Michael Arkin, Michael Douglas, Mike Nussbaum, Rocky Krakoff, Sam Coppola, Stuart Pankin, Tom Brennan, Vladimir Skomarovsky

Director: Adrian Lyne

Rating: R

You can tell Drugstore Cowboy was written by someone who has been through drug abuse and incarceration himself. This is the kind of film that has to be lived, not researched. It’s realistic, sure, and it gets at the interiority of a drug user with ease. But there is no judgment to be found here, no preachy criticism or misguided glorification of a hardened lifestyle. Bob (Matt Dillon) and his wife Dianne (Kelly Lynch) have created a nomadic, transient life that allows them to live on drugstore lootings one district at a time, while looking out for each other and the other couple they live with, Rick (James LeGros) and Nadine (Heather Graham). They chose this outlaw life, and because of the agency the film affords them, there is joy to be found despite their difficulties. It’s an authentic story, elevated by imaginative editing, a jazzy, heart-thumping score, and believable performances by a quartet of capable actors.

Genre: Crime, Drama

Actor: Beah Richards, Eric Hull, George Catalano, Grace Zabriskie, Gus Van Sant, Heather Graham, James Le Gros, James Remar, Kelly Lynch, Matt Dillon, Max Perlich, Michael Parker, Ray Monge, Ted D'Arms, William S. Burroughs

Director: Gus Van Sant

Rating: R

The film for which Kristen Stewart became the first American actress to win the César Award. The Twilight star turned indie prodigy plays next to another award favorite, Juliette Binoche, as her assistant. When rehearsing for the play that launched her career many years earlier, Binoche's character, Maria, blurs the line between fiction and reality, her old age and her assistant's young demeanor, and the romance story portrayed in the play and her own life. The movie itself is stylized as a play, adding another interesting layer of artistic creativity to the complex plot line. A film for film lovers.

Genre: Drama

Actor: Aljoscha Stadelmann, Angela Winkler, Ben Posener, Benoit Peverelli, Brady Corbet, Caroline De Maigret, Chloë Grace Moretz, Claire Tran, Gilles Tschudi, Hanns Zischler, Jakob Köhn, Jerry Kwarteng, Johnny Flynn, Juliette Binoche, Kristen Stewart, Lars Eidinger, Luise Berndt, Nora von Waldstätten, Nora Waldstätten, Ricardia Bramley, Sean McDonagh, Steffen Mennekes, Stuart Manashil

Director: Olivier Assayas

Rating: R