651 Best Movies From United States of America On Itunes Canada (Page 34)

One wouldn't expect to see Count Dracula's youthful-looking helper at your local 12-step self-help group for people in codependent relationships, but Renfield holds more than one surprise up its sleeve. By translating the working relationship (or master-slave, since the latter doesn't get any pay) into the vocabulary of common relationship counselling parlance, the film actually elevates its symbolic status. Even more, I'd dare call it a hoot. Not that many vampire films have managed to make a proper comedy out of the figure in question, and Renfield with its simplistic appeal puts to shame even the artsy Netflix production El Conde, which also came out earlier this year. With Awkwafina in the mix and iconic lines such as "I don't want your murder cookies", how can you resist?

Genre: Comedy, Fantasy, Horror

Actor: Adrian Martinez, Anil Bajaj, Awkwafina, Ben Schwartz, Bess Rous, Betsy Borrego, Brandon Scott Jones, Brian Egland, Camille Chen, Caroline Williams, Chloe Adona, Christopher Winchester, Derek Russo, Gabriel 'G-Rod' Rodriguez, James Moses Black, Jenna Kanell, Joshua Mikel, Keith Brooks, Lacey Dover, Lena Clark, Lucy Faust, Marcus Lewis |, Marvin Ross, Mike Harkins, Nicholas Hoult, Nicolas Cage, Rhonda Johnson Dents, Shohreh Aghdashloo, Stephen Louis Grush, Susan McPhail, T.C. Matherne, William Ragsdale

Director: Chris McKay

Rating: R

While it plays the standard beats of the musician biopic, Ray is a fairly entertaining biopic centered on Ray Charles, the man that pioneered soul music, mixing in rhythm and blues, jazz, and gospel into a brand new sound. It goes through plenty of the melodramatic moments familiar to the genre– the prior hardships, the drug addiction, and of course, the moments of musical bliss– and there are some fictionalized moments, but Jamie Foxx’s excellent portrayal and Charles’ tunes are able to carry the film all the way through. Though the way Charles was parented in childhood is a tough watch, and isn't the best way to parent, Ray sticks true to the singer’s life, with every scene personally approved by the legend before his death.

Genre: Drama, Music

Actor: Aunjanue Ellis-Taylor, Bokeem Woodbine, Carol Sutton, Chris Thomas King, Clifton Powell, Curtis Armstrong, David Krumholtz, Denise Dowse, Gary Grubbs, Harry Lennix, Jamie Foxx, Jedda Jones, Kerry Washington, Kurt Fuller, Larenz Tate, Patrick Bauchau, Paula Jai Parker, Regina King, Richard Schiff, Rick Gomez, Robert Wisdom, Sharon Warren, Tequan Richmond, Terrence Howard, Thomas Jefferson Byrd, Warwick Davis, Wendell Pierce

Director: Taylor Hackford

Rating: PG-13

Irish director Lorcan Finnegan's follow-up to the social dystopia Vivarium, too, centers around the trials and tribulations of a nuclear family. Overwhelmed by work and struck by an inexplicable disease, Christine (played by Eva Green) seems to have forgotten she employed a caretaker for her daughter Bobs. The plot thickens when a Filipino woman named Diana rings the door bell: what kind of mother forgets something like that? What follows is as nightmarish as it sounds, the film's visual potency summoning one's deepest fears and anxieties about reality slipping away. Green and Chai Fonacier (Diana) play an exquisite game of cat and mouse, but even the psychological thrill of that chase is not significant enough to overthrow the dubious racial politics at play. By the end, Nocebo makes an effort to position itself on the right side of history, but the power of its political critique wanes and wanes.

Genre: Horror, Mystery, Thriller

Actor: Anthony Falcon, Billie Gadsdon, Cathy Belton, Chai Fonacier, Eva Green, Mark Strong

Director: Lorcan Finnegan

It’s easy enough to pitch Moonstruck with the promise of Cher and a young Nicolas Cage getting hot and heavy in 80s New York, but it’s so much more than its two outsized leads. Loretta (Cher) is on track to marry Johnny (Danny Aiello) when he tasks her with inviting his brother Ronny (Nicolas Cage) to their wedding. Before long Loretta and Ronny are having a whirlwind affair that threatens to derail everything. 

Despite the somewhat risque premise, Moonstruck is a lighthearted, sentimental, romance fit for the holidays. A big cast playing the warm-hearted family rounds things out, and some of the best moments are digressions that explore the romantic entanglements outside of the central couple.  At times Moonstruck feels a bit too big, too over-the-top, too cheesy, but it’s a New York slice cheesy, it’s a ‘That’s Amore’ cheesy, it’s a cheesy that tucks you in at night after a  helping of manicotti and a big bottle of wine.

Genre: Comedy, Drama, Romance

Actor: Al Therrien, Amy Aquino, Anita Gillette, Ann McDonough, Antonia Minella, Betty Orsatti, Catherine Scorsese, Cathy Ladman, Charles Scorsese, Cher, Curt Hayward, Cynthia Dale, Danny Aiello, David Hummel, David S. Howard, Feodor Chaliapin Jr., Frank Gio, Gina DeAngeles, Helen Hanft, Helen Proimos, Joe Grifasi, John Christopher Jones, John Mahoney, Julie Bovasso, Leonardo Cimino, Lisa Howard, Lou Pitoscia, Louis Di Bianco, Louis Guss, Matt Myers, Mimi Cecchini, Mimi Lizio, Nada Despotovich, Nicholas Pasco, Nicolas Cage, Olympia Dukakis, Paul Benedict, Paula Trueman, Peter Austin Noto, Robert Weil, Robin Bartlett, Sonny Bono, Stephany Hitchcock, Tim Koetting, Tommy Hollis, Tony Azito, Vincent Gardenia

Director: Norman Jewison

Albert Maysles’ penultimate film celebrates fashion icon Iris Apfel, who charms everyone with her quick wit, no-nonsense attitude, and love for the craft. There’s something brilliant in the way the movie starts not by rehashing facts about her, but with Apfel herself going through the process of choosing what to wear. She's doesn't just pick clothes; there’s a kind of careful consideration made with each item she chooses, that she remembers every detail about (from where she got them, to the culture and history behind them), and that she intentionally picks in the name of joy. While the documentary doesn’t dive too deep into Apfel’s life, the woman is just undeniably cool. Simply going through her processes and listening to her talk is already an inspiration.

Genre: Documentary, Drama

Actor: Bill Cunningham, Bruce Weber, Carl Apfel, Iris Apfel, Tavi Gevinson

Director: Albert Maysles

Rating: PG-13

Bearing pretty much every trademark you've come to expect from a sports drama, Hoosiers might not bring as many surprises to the formula but it still makes all its moves with a surplus of heart. Elevating the already entertaining basketball footage is Gene Hackman's uncommonly hotheaded coach and (Oscar-nominated) Dennis Hopper's town drunk—both of whom deepen this film's story of hometown pride into one of midlife redemption. Hickory, Indiana comes to life as a character in itself, where local sports are treated with as much reverence as politics and religion, which makes every basket feel that much more like a victory lap.

Genre: Drama, Family

Actor: Barbara Hershey, Chelcie Ross, David Neidorf, Dennis Hopper, Eric Gilliom, Fern Persons, Gene Hackman, Gloria Dorson, Michael O'Guinne, Michael Sassone, Robert Swan, Sheb Wooley

Director: David Anspaugh

Following is the first movie Christopher Nolan ever directed, a mesmerizing low-budget effort that introduced the world to the genius who will later give us Memento, Inception, The Dark Knight, and many other classics. Shot in "extreme" conditions to quote Nolan himself, for just over £3000, it had to be filmed in the span of a year on Saturdays only and in friends' houses. But almost none of that is visible in the sharp camera work, the magnificent acting (most of it was first or second takes), and the twisted script. It tells the story of an unsuccessful writer (The Young Man) who tries to find inspiration in following random people in the street, and doing it via strict rules. One day he follows a man in a suit (Cobb), who catches him and becomes intrigued by him. It turns out that Cobb has his own fascination with people's intimate lives, of criminal nature, which he lets The Young Man into. Using the same non-linear plot technique as in Memento, this movie is halfway between a thriller and a film noir. The inspiration for it came when Nolan's own apartment in London was robbed, and he was fascinated by the act of strangers going through his personal items. If you take into consideration the conditions of its making, this movie is a masterpiece.

Genre: Drama, Mystery, Thriller

Actor: Alex Haw, Barbara Stepansky, David Julyan, Dick Bradsell, Emma Thomas, Gillian El-Kadi, Jennifer Angel, Jeremy Theobald, John Nolan, Lucy Russell, Nicolas Carlotti, Paul Mason, Rebecca James

Director: Christopher Nolan

Rating: R

This twisted movie is actually two movies, the credits even roll in between. The first half is gorgeous: talented dancers get together for a party and perform beautiful contemporary dance sequences. They introduce themselves through their audition tapes to join the dance group, but also through conversations at the party. The second half is less fun. It turns out someone had laced the sangria they've been drinking with a psychedelic drug. Not for the faint of heart or anyone who didn't like director Gaspar Noé's past movies (Enter the Void, I Stand Alone, etc).

Genre: Drama, Horror, Music

Actor: Adrien Sissoko, Alaia Alsafir, Alexandre Moreau, Alou Sidibé, Ashley Biscette, Claude Gajan Maude, Claude Gajan Maull, Claude-Emmanuelle Gajan-Maull, Gaspar Noé, Giselle Palmer, Kendall Mugler, Kiddy Smile, Lakdhar Dridi, Lea Vlamos, Mamadou Bathily, Mounia Nassangar, Romain Guillermic, Sarah Belala, Sharleen Temple, Sofia Boutella, Souheila Yacoub, Strauss Serpent, Taylor Kastle, Thea Carla Schøtt, Thea Carla Schott, Tiphanie Au, Vince Galliot Cumant

Director: Gaspar Noé

Rating: R

Though it only really serves as a recounting of events from 1971 rather than a much thorough analysis, Attica is a great example of that type of documentary that can be incredibly difficult to pull off well: that is, the archival documentary mainly told with already existing material. Thanks to plenty of detail (and the good instinct to know how to deploy these details), this documentary avoids feeling like a mere history lesson and begins to feel almost as dramatic as a radio play. And the film knows better than to be detached from its subject; it makes sure to characterize the inmates of Attica as an intelligent, passionate group that set aside their differences to stand up for their rights—and were summarily punished for it.

Genre: Documentary

Actor: Clarence Jones, Elizabeth Gaynes, Herman Schwartz, James Asbury, John Johnson, Nelson Rockefeller, Richard Nixon

Director: Stanley Nelson, Traci A. Curry

Wadjda is a smart, spirited 10-year-old girl who wants nothing more than to own her own bike, something that is frowned upon in the Saudi Arabian suburb where she lives. While it’s not technically illegal for women to own bikes, it is thought of as something that is “dangerous to a girl’s virtue,” and it’s worth noting that this is a society where women are also not allowed to drive their own cars. Wadjda devises numerous schemes to earn enough money to buy a bike (selling bracelets, making mixes of Western pop songs, delivering clandestine messages between men and women), before getting caught by the headmistress at her school. It is then that Wadjda hits on the ultimate money-making scheme: there is to be a Koran-reciting contest at her school with a hefty cash prize, and she’s determined to win. There is a subplot involving a growing rift between Wadjda’s parents; while there is clearly a lot of love between both parties, it becomes increasingly clear that her father may be leaving her mother for another woman who could potentially bear him a son (a common practice). This subplot is handled with respect and little judgement though, as it is simply the way things work in this culture. Yet, as Wadjda is coming-of-age and learning about the limitations placed on her as a girl, she is obviously negotiating ingenious ways of pushing back against those limitations. The film is subtle and humane in how it handles the slowly changing cultural and gender dynamics in a traditionally conservative, patriarchal society. It wouldn’t work without a strong central performance from first-time actor Waad Mohammed though -- she is never less than believable as a clever, determined and joyful 10-year-old, and her journey towards adulthood is both heartbreaking and inspiring.

Genre: Drama

Actor: Abdullrahman Al Gohani, Ahd, Ahd Kamel, Alanoud Sajini, Dana Abdullilah, Haifaa Al-Mansour, Rafa Al Sanea, Reem Abdullah, Sultan Al Assaf, Waad Mohammed

Director: Haifaa al-Mansour

Rating: PG