257 Best Movies From United States of America On Netflix UK (Page 15)

Staff & contributors

I watch many movies and the great majority of them leave little impression on me. They are fun and entertaining, but quickly forgettable. Not Disconnect, though. This is a powerful and provocative film that not only keeps you pinned to your seat but also makes you think about the consequences of your actions. It should certainly be a required viewing not only for young people but also for any one who uses social media or communicates via the Internet. Disconnect is a timely, well-written, well-acted, and well-paced movie that stays with you long after you finish watching it. I was also pleased by the fact that the director and writer did not take the easy way out. No glib, predictable solutions here, which is one reason why the film's events linger in your mind.

Genre: Drama, Mystery, Thriller

Actor: Alexander Skarsgård, Andrea Riseborough, Antonella Lentini, Cole Mohr, Colin Ford, Ella Lentini, Erin Wilhelmi, Frank Grillo, Haley Ramm, Hope Davis, Jason Bateman, John Sharian, Jonah Bobo, Kasi Lemmons, Kevin Csolak, Marc Jacobs, Max Thieriot, Michael Nyqvist, Norbert Leo Butz, Paula Patton, Tessa Albertson

Director: Henry Alex Rubin

Rating: R

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Even if it follows nearly every trick in the playbook, American Underdog positions itself on a big enough scale that makes it work like a charm anyway. Following the story of legendary undrafted NFL quarterback Kurt Warner (Zahcary Levi), the film elevates its familiar beats through stunning, wide-angle football sequences that make the sport feel as thrilling as ever, and a particularly solid performance from Anna Paquin, as Warner's long-suffering partner. But what ultimately becomes American Underdog's real secret weapon is the fact that this isn't a sports movie about skill, strategy, or success; Warner becomes an inspiring figure because of how long he had to persevere with his dream just barely out of reach.

Genre: Drama, Family

Actor: Aaron J. Brooks, Adam Baldwin, Anna Paquin, Beau Hart, Bruce McGill, Chance Kelly, Cindy Hogan, Collin Taylor, Dennis Quaid, Jason Allen Wear, SerDarius Blain, Steven Chester Prince, Trisha Zarate, Zachary Levi

Director: Andrew Erwin, Jon Erwin

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An innocent-fun movie, Always Be My Maybe is a lovely thing to turn your brain off to. Sasha and Marcus are high-school best friends who dated briefly and went their separate ways. 16 years later, they meet again - Sasha is a famous chef, and Marcus is still living with his dad.

What really makes this movie is the writing from Ali Wong and Randall Park, who also play the two leads. The dialogue is sharp, believable and smart - going as far as covering themes of gender and parenting. But also, because a rom-com about two Asians from San Francisco is not exactly a common occurrence, the characters are fresh, the jokes are fresh - everything is fresh.

Watch out for the character who plays Marcus' dad, he plays the character of an overly honest Korean dad perfectly. And also watch out for Keanu Reeves, he plays a crazy version of himself!

Genre: Comedy, Romance

Actor: Adam Farnsworth-Lautsch, Ali Wong, Ashley Liao, Brian Cook, Byron Noble, Casey Wilson, Charlyne Yi, Chris Hlozek, Corey Seaver, Daniel Dae Kim, Eddie Flake, Ellen Ewusie, Emerson Min, Emilio Merritt, Jackson Geach, Jagen Johnson, James Saito, Jason Canela, JayR Tinaco, Johnny Walkr Jr., Karan Soni, Karen Holness, Keanu Reeves, Kenan Zeigler-Sungur, Kipp Glass, Latonya Williams, Maddie Dixon-Poirier, Marcella Bragio, Marco Soriano, Michelle Buteau, Miya Cech, Neil Webb, Nevin Burkholder, Oliver Rice, Omar Khan, Panta Mosleh, Peggy Lu, Peter New, Randall Park, Raymond Ma, Sean Amsing, Simon Chin, Sonia Beeksma, Steven E. Rudy, Susan Park, Tana Yu, Tyler McConachie, Vivian Bang, Xiao Qing Li, Yaroslav Poverlo

Director: Nahnatchka Khan

Rating: PG-13

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Unfrosted is the kind of bonkers treat filled with movie references, physical gags, and too-many-to-count stars that’s easy to sink your teeth into and enjoy for what it is—in the beginning, that is. It’s helped by snappy visuals and a colorfully accurate rendering of the ‘60s too. But then it wears you down with the same jokes and flimsy story, until eventually, you can’t help but ask: are you really dedicating an hour and a half of your life to watching *check notes* a Pop Tart get made? The filmmakers don’t make it any deeper than that sounds, sadly, even though there’s more drama and flavor involved in the real-life competition between Post and Kellogs. I’m not saying Unfrosted is a bad film—to be honest, I laughed out loud in many parts—just that you won’t be able to get over how overbudgeted and ultimately hollow it is.

Genre: Comedy, History

Actor: Adrian Martinez, Alex Edelman, Ali Wentworth, Amy Schumer, Andy Daly, Aparna Nancherla, Bailey Sheetz, Beck Bennett, Bill Burr, Bill J. Stevens, Bobby Moynihan, Catherine Last, Cedric the Entertainer, Cedric Yarbrough, Chris Rickett, Christian Slater, Dan Levy, Darrell Hammond, Dean Norris, Drew Tarver, Earthquake, Eleanor Sweeney, Felix Solis, Fred Armisen, George Wallace, Gregory Burke, Hugh Grant, Isaac Bae, Jack McBrayer, Jack Murillo, James Marsden, Jaxy Boyd, Jeff Lewis, Jerry Seinfeld, Jessica Seinfeld, Jim Gaffigan, John Forest, John Slattery, Jon Hamm, Ken Narasaki, Kue Lawrence, Kyle Dunnigan, Kyle Mooney, Lauren Peters, Maria Bakalova, Mark Kwak, Max Greenfield, Melissa McCarthy, Mikey Day, Nelson Franklin, Patrick Warburton, Peter Dinklage, Rachael Harris, Ronny Chieng, Sarah Burns, Sarah Cooper, Sasheer Zamata, Sebastian Maniscalco, Shane Carpenter, Spike Feresten, Susan Elle, Tad Griffith, Thomas Lennon, Thomas Silcott, Tony Hale, Will Allan, Winter Bassett

Director: Jerry Seinfeld

Rating: PG-13

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Straight to the point and without any overly elaborate set-ups or personal anecdotes, Shane Gillis' Beautiful Dogs is a sort of back-to-basics approach to stand-up comedy that proves surprisingly effective. Over the course of about 50 minutes, Gillis' jokes move smoothly and freely—loose in structure but still clearly centering around very American notions of authority and masculinity (revolving around the military and U.S. history), which the comedian is quick to poke holes in. Gillis' humor is definitely of the lowbrow variety though, and while this in itself isn't a bad thing, a number of his jokes begin to repeat their point to no additional effect, usually relying on low-hanging fruit. Gillis skirts and occasionally dips into offensive territory, which he fully acknowledges. And while some of the stuff in this special is a little tasteless, at least Gillis is sheepishly honest about it.

Genre: Comedy, Documentary

Actor: Shane Gillis

Director: John McKeever

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After Nimona's long journey to the big screen (involving the shutdown of animation studio Blue Sky, and Disney's resistance to LGTBQ+ themes), the fact that the movie has been completed and allowed to tell its story at all is something to be celebrated. The film itself is pretty standard fare for American children's animation, with a script that spends far too much time on quips, and visuals that don't take advantage of the movie's science-fantasy world. But if you can get beyond its more ordinary aspects, Nimona becomes a surprisingly thorough metaphor of Otherness and queerness—best represented in the title character's shapeshifting abilities, and how people fear and become violent with her before even trying to understand her. It's a film that's sadly become more relevant than ever now, addressing how prejudice is something that's taught and passed down, packaged in an easy, entertaining manner for younger audiences.

Genre: Action, Adventure, Animation, Comedy, Family, Fantasy, Sci-Fi & Fantasy, Science Fiction

Actor: Beck Bennett, Chloë Grace Moretz, Cindy Slattery, Eugene Lee Yang, Frances Conroy, Indya Moore, Jarrett Bruno, Julio Torres, Karen Ryan, Lorraine Toussaint, Matthew J. Munn, ND Stevenson, Nick Bruno, Riz Ahmed, RuPaul, Sarah Sherman, Tim Nordquist, Troy Quane

Director: Nick Bruno, Troy Quane

Rating: PG

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From the moment it begins, The Monkey King hardly pauses to take a breath. The characters are always frantically jumping into the next scene, the action is nonstop, and the jokes, though juvenile, arrive one after the other. This is okay if you’re looking for a brisk viewing experience, but not so if you’re prone to vertigo. It moves at a relentless pace, which doesn’t just make the film a dizzying watch; it also robs the animation’s beautiful details of the time it needs to be appreciated. The movie’s core message, too, is buried under all the film’s pizzaz, which is a shame considering its refreshing pragmatism. When all the other kids’ movies are promoting courage and confidence, The Monkey King actually warns against the dangers of an inflated ego. The Monkey King is passable entertainment for the family, but with a better pace, it could’ve been great. 

Genre: Adventure, Animation, Comedy, Family, Fantasy, Kids

Actor: Andrew Kishino, Andrew Pang, Artemis Snow, BD Wong, Bowen Yang, David Chen, Dee Bradley Baker, Hoon Lee, James Sie, Jimmy O. Yang, Jo Koy, Jodi Long, Jolie Hoang-Rappaport, Kaiji Tang, Mark Benninghoffen, Robert Wu, Ron Yuan, Sophie Wu, Stephanie Hsu, Vic Chao

Director: Anthony Stacchi

Rating: PG

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Depressingly, Scout's Honor isn't necessarily an exposé about the crimes of the Boy Scouts of America because—as the documentary reminds us—this institution has been caught red-handed many times over since its inception, and yet it evades real accountability. The film is more like a renewed call for justice, with its approach being one of blunt force. This means that the documentary can be sloppy, piling on one case after another without much synthesis, and taking out its anger on one current representative of the Boy Scouts, whom the filmmakers constantly interrupt and interrogate during his interview, That said, it's also hard to object to this kind of approach, as the patterns of abuse become too damning to ignore. Maybe a different film will be able to unpack the systems that allow the Boy Scouts to get away with this, but for now this cry of rage is enough.

Genre: Crime, Documentary

Director: Brian Knappenberger

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The Beautiful Game starts off with a hilarious, brilliantly written opening sequence that should have set the tone for the film. Then almost immediately, we're met with some shoddy writing, and in a strange way, that is what sets the tone for the film, instead. This film presents the story of the Homeless World Cup and how it empowers those who feel they have no direction, and so naturally we want to feel their triumph. But the film seems to want to cross over the jovial and wholesome line and deeper into the characters' struggles, and while some characters only need a glimpse of it, it generally comes across like a jarring lack of commitment. The film isn't carrying home any writing gold, but it's not really about winning, is it?

Genre: Drama

Actor: Anna Maria Everett, Aoi Okuyama, Bill Nighy, Callum Scott Howells, Colin Azzopardi, Cristina Rodlo, Daniel Attwell, Gabriel Akuwudike, James McNicholas, Jessye Romeo, Kazuhiro Muroyama, Kit Young, Layo-Christina Akinlude, Massimo Scola, Micheal Ward, Robin Nazari, Shane Casey, Sheyi Cole, Sian Reese-Williams, Susan Wokoma, Tom Vaughan-Lawlor, Valeria Golino

Director: Thea Sharrock

Rating: PG-13

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Nostalgia is a powerful emotion, and it’s the main reason why filmmakers keep cashing in with old media franchises. Archie has been reimagined before, with the bewildering twists and turns of the CW’s Riverdale, but this time, it’s India’s turn with the franchise, and Graphic India and Tiger Baby Films partnered with the original publication to reimagine the town as an Anglo-Indian community in The Archies. The production design is undoubtedly stunning, with the maximalist Bollywood spectacle borrowing from 60’s Americana, and the musical numbers aren't half bad either. However, it’s the story and characterization that falters, as it feels like the leads are just going through the motions of the familiar love triangles. The film is still fun to watch, but ultimately, it feels like The Archies relies on spectacle to make up for its shortcomings.

Genre: Comedy, Drama, Music, Romance

Actor: Aditi Saigal, Agastya Nanda, Alyy Khan, Ankur Tewari, Ashok Banthia, Avan Contractor, Delnaaz Irani, Dianne Commissariat, Dot., Farhan Akhtar, Kamal Sidhu, Khushi Kapoor, Koel Purie, Luke Kenny, Mihir Ahuja, Nikos Andritsakis, Prerana Poddar, Puja Sarup, Satyajit Sharma, Sheena Khalid, Suhaas Ahuja, Suhana Khan, Tara Sharma, Vedang Raina, Vikram Kapadia, Vinay Pathak, Yuvraj Menda

Director: Zoya Akhtar

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An unsung hero of the civil rights movement gets the customary Oscar bait treatment in this biopic. Though he was instrumental in organizing the historic March on Washington — which helped force the US government to enshrine civil rights — gay Black activist Bayard Rustin isn’t the household name his peers are. In an inversion of that narrative, figures like Martin Luther King appear here as supporting characters to Colman Domingo’s Bayard.

Domingo’s energetic, commanding performance holds the center of the film, but he’s ill-served by the formulaic approach to storytelling that unfolds around him. More than a few scenes feel like they were written, directed, and performed with an eye to making awards ceremony clips, giving the film a disjointed, self-aware air. And yet, for all the limits of its by-the-numbers approach, Rustin does manage to pack in glints of insight. By virtue of who he was, Bayard will never not make for a compelling central figure — so even lackluster filmmaking can’t sap this inherently radical material of all its power. Though not without its flaws, then, the film is valuable for the light it sheds on the polarising effect Bayard's identity as a gay Black man had within the movement and the intersectional depths he nevertheless brought to it. 

Genre: Drama, History

Actor: Adrienne Warren, Aml Ameen, Audra McDonald, Ayana Workman, Bill Irwin, Carra Patterson, CCH Pounder, Chanel Minnifield, Chris Rock, Collin Antrim Miller, Colman Domingo, Cotter Smith, Da'Vine Joy Randolph, Dan Sauer, Daniel Johnson, Frank Harts, Glynn Turman, Grantham Coleman, Gus Halper, Hope Clarke, Ivan Moore, Jeff Hochendoner, Jeffrey Wright, Johanna McGinley, Johnny Ramey, Jordan Aaron Hall, Jules Latimer, Kevin Mambo, Lilli Kay, Maxwell Whittington-Cooper, Michael Potts, Rashad Edwards, Robert F. Kennedy, Scott Deal, Zuri Starks

Director: George C. Wolfe

Rating: PG-13

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Between the film’s non-existent marketing and Hollywood's ongoing writers' strike, I knew not to expect much from Heart of Stone, Netflix’s latest direct-to-streaming outing. And sure enough, the spy thriller proved to be a mediocre watch. The plot is facile and generic, another one of those attempts at justifying AI and government data breaches. The acting is subpar, which is expected from the ever-stoic Gal Gadot. About the only good thing you can say about it is that it has entertaining action sequences. Gadot is precise and terrifying, a stunt wonder made for the genre. Now if only the acting matched the action, then maybe the film wouldn’t feel as plain and wooden. 

Genre: Action, Drama, Thriller

Actor: Alia Bhatt, Archie Madekwe, BD Wong, Enzo Cilenti, Gal Gadot, Giulia Innocenti, Glenn Close, Jamie Dornan, Jing Lusi, Joe Reisig, Jon Kortajarena, Jónas Alfreð Birkisson, Luca Fiamenghi, Mark Ivanir, Matthias Schweighöfer, Neran Persaud, Paul Ready, Roy Sampson, Sophie Okonedo, Thomas Arnold

Director: Tom Harper

Rating: PG-13

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True crime stories set in the world of crypto are still relatively unexplored and therefore have a real contemporary edge to them; they feel more relatable because these criminals share the same online spaces we do. Bitconned taps into this with a more casual, carefree energy, but it also brings up the same concerns—namely: how helpful is it, really, to give this much attention to a con artist currently running free? The film spends most of its time explaining how its main characters built their scam then failed spectacularly at covering their tracks, but after a while even the entertainment of others' mistakes needs to be supported by more thorough analysis, which this documentary doesn't provide.

Genre: Crime, Documentary

Actor: Damian Williams, Ray Trapani, Robert Farkas, Sam Bankman-Fried, Sohrab Sharma

Director: Bryan Storkel

Rating: R

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Set at a time when humans can travel as far into space as Jupiter, Spaceman looks delightfully retro-futuristic. It’s as if the people and tech of the ‘60s were transported to a faraway future where things like long-haul space flights and nebulous pink clouds exist, and so visually, Spaceman is not tiring to look at. Unfortunately, the same cannot be said about most of the film’s other elements, including its dialogue and story. Jakub is sent to space to collect mysterious ancient dust, but since we never know why he should exactly, it never feels consequential if at all necessary. In fact, this is less about his mission than it is about coming to terms with existential truths like pain, loss, and love. And what better way to confront all that than with a wise primordial arachnid? Now, the idea of a therapy session between a spaceman and a spider sounds intriguing enough, and with strong enough writing, it could fly. But the dialogue is too sparse to be thought-provoking. The main message, that you should appreciate what you have while you have it, is also too simple to carry the weight of this expansive film, especially since we have very few details about the story and character to go on with. But Sandler, Carrey Mulligan (who plays his wife), and even Paul Dano (who voices the spider) do the best with what they can, and if anything, you leave the film stunned by the visuals and moved by their empathetic performances.

Genre: Adventure, Drama, Science Fiction

Actor: Adam Sandler, Carey Mulligan, Isabella Rossellini, Jessica Bechyňová, John Flanders, Kunal Nayyar, Lena Olin, Marian Roden, Mikuláš Čížek, Paul Dano, Sinéad Phelps, Sunny Sandler, Zuzana Stivínová

Director: Johan Renck

Rating: R

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Pain Hustlers is based on a 2018 New York Times article of the same name exposing a drug company that marketed a fentanyl-based drug. Zanna, the on-screen pharmaceutical start-up, is modelled after Insys: the actual company who pushed a fentanyl-based spray for pain management with the help of sales reps who particularly appeal to a certain male gaze. A DIY scheme of bribing doctors through "speaker programs"—or recurring, debaucherous parties—gets Zanna off the ground, catapulting stripper-turned-manager Liza Drake (Emily Blunt) to a much-yearned financial stability. Together with the coked-up COO (magnificently played by Chris Evans), Liza puts her street smart potential to work; she goes all in, until it all crashes and burns. It's cynical how predictable the plot of such a film can be, mainly because the only character development we see is in Liza's sudden moral spark at the sight of drug abuses and overdoses. Pain Hustlers tries really hard to build a hero, tear her down, and then rehabilitate her status, but to what end? The film ends up using the fentanyl crisis as a narrative drive, a highly dubious move when you're supposed to be spreading awareness. 

 

Genre: Crime, Drama

Actor: Adrian Eppley, Alex Klein, Amit Shah, Andy Garcia, Aubrey Dollar, Avis-Marie Barnes, Becca Breitfeller, Brian d'Arcy James, Britt Rentschler, Catherine O'Hara, Chloe Coleman, Chris Evans, Emily Blunt, Erin Ownbey, Greyson Chadwick, Jay Duplass, Josh Ventura, Mandi Christine Kerr, Mary Ann Hagan, Michael Kosta, Michael Lowry, Nicholas Christopher McNeil, Omer Mughal, Pat Dortch, Quinn Bozza, Rowan Joseph, Samantha Kacho, Selena Anduze, Sharon Conley, Tris Marie, Valerie LeBlanc, Willie Raysor

Director: David Yates

Rating: R

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