627 Best Movies From United States of America On Itunes Canada (Page 8)

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In his debut feature, Jonathan Glazer masterfully subverts our expectations of heist movies to thrilling effect: what should be a perfunctory moment — the classic recruitment scene — is stretched out into nearly an entire film of its own here, and we’re not off the edge of our seat for even a second of it.

All retired Cockney gangster Gal (Ray Winstone) wants to do is lounge around the pool of his Spanish villa with beloved wife Deedee (Amanda Redman). But now there’s a spanner in the works: an unhinged old acquaintance, Don Logan (Ben Kingsley, never better), has unexpectedly rocked up at Gal's hacienda to enlist him for a big job on behalf of the London underworld’s top brass. Don is the type of man you just don’t say “no” to, but the pull of Gal’s idyllic retirement is so powerful that he does just that, a narrative swerve that spins this film off the well-worn (but still enjoyable) track we expected it to follow. Directed with cool assurance, full of unforgettable set-pieces, overflowing with style, and even further distinguished by some surreal touches that really get under the skin, this is one of the slickest, funniest, and most exhilarating crime movies ever.

Genre: Comedy, Crime, Drama, Thriller

Actor: Álvaro Monje, Amanda Redman, Andy Lucas, Ben Kingsley, Cavan Kendall, Chris Webb, Desirée Erasmus, Eddie O'Connell, Gérard Barray, Ian McShane, James Fox, Julianne White, Ray Winstone, Rocky Taylor, Terence Plummer

Director: Jonathan Glazer

A flawless Daniel Day‑Lewis stars in this thought-provoking romance. He plays a successful dressmaker in post-second-World-War London who falls for a waitress while on an excursion to the countryside. It's hard to tell you what this movie is about without ruining the story for you but I can tell you how it made me feel: it kept me guessing the whole time. Day-Lewis' character is so masterfully played that I felt that every move he made was calculated and that every line meant something. Plus, expect stunning dresses, beautiful country-side sequences, and an all-around gorgeous aesthetic experience.

Genre: Drama, Romance

Actor: Amber Brabant, Amy Cunningham, Brian Gleeson, Camilla Rutherford, Charlotte Melen, Daniel Day-Lewis, Dave Simon, David Charles-Cully, Emma Clandon, Eric Sigmundsson, Evie Wray, George Glasgow, Gina McKee, Harriet Leitch, Harriet Sansom Harris, Ian Harrod, Ingrid Sophie Schram, Jane Perry, Jordon Stevens, Joshua Tomkins, Julia Davis, Julie Vollono, Lesley Manville, Louis Hannan, Lujza Richter, Martin Dew, Michael Gabbitas, Nicholas Mander, Niki Angus-Campbell, Pauline Moriarty, Philip Franks, Phyllis MacMahon, Richard Graham, Silas Carson, Steven F. Thompson, Tim Ahern, Vicky Krieps, Zarene Dallas

Director: Paul Thomas Anderson

Rating: R

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Before The Silence of the Lambs and Anthony Hopkins’ Hannibal, there was Manhunter and Brian Cox’s deeply unnerving Dr. Lecktor. Michael Mann’s neon-lit serial-killer thriller follows Will Graham (William Petersen), a retired FBI agent lured back to work by a psychotic mass murderer whom no one at the Bureau can catch. But Will has something no one else on the force does: he was so committed to tracking down the now-imprisoned Lecktor that he developed an ability to warp his mind into that of a deranged killer, seeing a kind of logic in their madness that allows him to hunt them down. 

While that’s a professional superpower of sorts, it’s also a point of insecurity and a source of deep torture for Will, who struggles with the burden of his extraordinary empathy. Manhunter is thus a different kind of psychological thriller: while its dive into the depraved minds of Lecktor and the Tooth Fairy is certainly disturbing, it’s the obsessive, sanity-smashing effect the investigation has on Will that is most terrifying. Add to that Dante Spinotti’s impossibly vivid cinematography, Tom Noonan’s shudder-inducing performance as the voyeuristic Tooth Fairy, and the film’s surprisingly layered treatment of the murderer, and this is the serial-killer movie to end all others.

Genre: Crime, Drama, Horror, Thriller

Actor: Alexandra Neil, Annie McEnroe, Benjamin Hendrickson, Bill Cwikowski, Bill Smitrovich, Brian Cox, Chris Elliott, Cynthia Chvatal, Dan Butler, David Allen Brooks, David Seaman, Dennis Farina, Elisabeth Ryall, Frankie Faison, Garcelle Beauvais, Jim Zubiena, Joan Allen, Joanne Camp, John Posey, Ken Colquitt, Kim Greist, Kin Shriner, LA Winters, Marshall Bell, Michael D. Roberts, Michael Talbott, Michele Shay, Norman Snow, Pat Williams, Patricia Charbonneau, Paul Perri, Peter Maloney, Robin Moseley, Stephen Lang, Tom Noonan, William Petersen

Director: Michael Mann

There is so much power to this story based actor Shia Laboeuf’s life. As a kid, he lived with his father on the road during the filming of Even Stevens and other star-making roles. His dad was a war veteran who goes to bikers’ AA meetings and who had a brief acting career himself.  He was full of anger that made Laboeuf later suffer from PTSD, but which he was able to perceive in a fascinating way. 

Putting Laboeuf’s fame aside, this is an incredible movie on emotionally abusive parent-child relationships. It’s a universal story. With Shia Laboeuf as his father and Lucas Hedges as current-day Laboeuf. 

 

Genre: Drama

Actor: Al Burke, Ben Maccabee, Byron Bowers, Clifton Collins Jr., Craig Stark, Dorian Brown Pham, Eli Santana, FKA Twigs, Giovanni Lopes, Graham Clarke, Greta Jung, Kara C. Roberts, Kingston Vernes, Laura San Giacomo, Leana Chavez, Lucas Hedges, Ludwig Manukian, Maika Monroe, Martin Starr, Natasha Lyonne, Noah Jupe, Paulina Lule, Sandra Rosko, Shia LaBeouf

Director: Alma Har'el, Alma Har'el

Rating: R

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The self destructive, substance abusing history teacher Dan (Ryan Gosling) works in a Brooklyn middle-school and is constantly at odds with the curriculum, preferring to teach 13 year old kids Marxist theory in class. Meanwhile, his student Drey (Shareeka Epps) has to go through struggles of her own, her brother being in jail on drug charges and her single mother having to work long hours to make ends meet. Slowly, an unlikely and tender friendship between teacher and student evolves, in which it becomes less and less clear who of them is the adult part. Steering away from cliches, Half Neslon is not your typical social drama. Its intelligent plot twists, great cast (with outstanding performances by both Gossling and Epps) and slow, non dramatic storytelling makes this a highly underestimated movie that, although treating depressive topics without any easy relief for the viewer, will leave with an inner smile, albeit a sad one.

Genre: Drama

Actor: Adepero Oduye, Anthony Mackie, Collins Pennie, Deborah Rush, Deidre Goodwin, Denis O'Hare, Eleanor Hutchins, Jay O. Sanders, Jeff Lima, Karen Chilton, Katie Nehra, Leslie Eva Glaser, Matt Kerr, Monique Gabriela Curnen, Nathan Corbett, Nicole Vicius, Raymond Anthony Thomas, Ron Cephas Jones, Ryan Gosling, Sebastian Sozzi, Shareeka Epps, Sharon Washington, Starla Benford, Stephanie Bast, Thaddeus Daniels, Tina Holmes, Tristan Mack Wilds

Director: Ryan Fleck

Rating: R

Fire of Love is a documentary that follows Maurice and Katia Krafft, a scientist couple who’ve dedicated their entire professional lives to studying (and marveling at) volcanoes. The two met at university and have been inseparable ever since, chasing explosions around the world until their death at the Mount Unzen eruption in 1991. 

The fiery passion the title refers to is as much about Maurice and Katia as it is about their dedication to volcanoes. Like any love story, it tracks how they were first wonderstruck by the formation and how that awe shaped their lives and led them to each other, as well as how they came to discover hard truths about it and dealt with the heartbreak that soon followed. 

Combining the breathtaking footage the couple left behind with lovely writing and artful animation, director Sara Dosa creates a moving documentary about passion, adventure, and the world itself. 

Genre: Documentary, Drama

Actor: Alka Balbir, Guillaume Tremblay, Katia Krafft, Maurice Krafft, Miranda July

Director: Sara Dosa

Rating: PG

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Told with grace and maturity without sensationalizing its subject matter, Dead Man Walking expertly walks the line between taking a moral stand and keeping the messy humanity of its characters intact. Though it may seem just like a legal drama or prison film on the surface, writer/director Tim Robbins weaves in commentary on class and the role religion is expected to play in middle class Southern communities—especially in the context of justice and crime. Sean Penn and Susan Sarandon (in the role that won her her Oscar) play every side to this drama with remarkable control, building an unlikely rapport that culminates in a finale that's as moving as any great tear-jerker. It may be tough to watch at times, given the raw emotions that are laid bare, but Dead Man Walking remains relevant even today.

Genre: Drama

Actor: Adam Nelson, Adele Robbins, Anthony Michael Frederick, Arthur Bridgers, Barton Heyman, Celia Weston, Clancy Brown, Codie Scott, Cortez Nance Jr., Dennis Neal, Eva Amurri Martino, Helen Prejean, Jack Black, Jack Henry Robbins, Jenny Krochmal, Jeremy Knaster, Joan Glover, Jon Abrahams, Kevin Cooney, Larry Pine, Lenore Banks, Lois Smith, Marcus Lyle Brown, Margo Martindale, Michael Cullen, Miles Robbins, Missy Yager, Molly Bryant, Nesbitt Blaisdell, Pamela Garmon, Pete Burris, Peter Sarsgaard, R. Lee Ermey, Ray Aranha, Raymond J. Barry, Robert Prosky, Roberta Maxwell, Scott Sowers, Scott Wilson, Sean Penn, Steve Boles, Steve Carlisle, Susan Sarandon, Thomas McGowan

Director: Tim Robbins

How do you get rid of an irremovable stain? In Lodge Kerrigan’s psychological thriller, characters shave the dirt off in hopes of returning things to their original pristine state. In the process of doing so, however, permanent damage is incurred, which begs the question: is the eradication of filth correspond to cleansing?

Through erratic editing and an unsettling sound design, not only does Clean, Shaven put its audience in the disturbed mind of the protagonist Peter Winter, it also effectively depicts his struggle (and inability) to retain sanity amidst a prejudiced society. The film contrasts post-Cold War paranoia with the nobility of paternal love, and finds tragedy in Peter’s futile attempts to prove his “cleanliness” in a world intent to brand him as dirty.

Genre: Crime, Drama, Thriller

Actor: Alice Levitt, Eliot Rockett, Ismael Ramirez, J. Dixon Byrne, Jennifer MacDonald, Karen MacDonald, Molly Castelloe, Peter Greene, Peter Lucas, Rob Benevides, Robert Albert

Director: Lodge Kerrigan

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Bad Lieutenant is no misnomer: Harvey Keitel’s policeman really is one of NYPD’s worst. Already corrupt, abrasive, and abusive at the film’s outset, the movie chronicles his coked-out descent into total depravity after he’s called to investigate a heinous crime amid rapidly worsening personal circumstances. The brilliance of Bad Lieutenant is therefore a counterintuitive one: as awful as the Lieutenant is, we can’t help but feel emotionally involved because, in Keitel’s bravura performance, we can see the glint of pain — and thus of a person — within.

Always one for provocation, director Abel Ferrara pushes our empathy to — and maybe even beyond — its natural limits, only to break with the film’s hitherto unrelenting grit and dangle the glinting possibility of transcendent redemption in front of us. Anyone familiar with Catholic guilt cinema (movies like Martin Scorsese’s Who’s That Knocking At My Door and Mean Streets) will instantly recognize the same undercurrent running through Bad Lieutenant — even if Ferrara takes the idea of juxtaposing the profane with the sacred to the extreme here.

Genre: Crime, Drama

Actor: Bianca Hunter, Bo Dietl, Bob Murphy, Brian McElroy, Dana Dee, Darryl Strawberry, Ed Kovens, Eddie Daniels, Frank Adonis, Frankie Acciarito, Frankie Thorn, G. Elvis Phillips, Gene Canfield, Harvey Keitel, Heather Bracken, Iraida Polanco, Jaime Sánchez, John Steven Jones, Larry Mullane, Leonard L. Thomas, Minnie Gentry, Nicholas De Cegli, Paul Calderon, Paul Hipp, Peggy Gormley, Penelope Allen, Phil Neilson, Robin Burrows, Stella Keitel, Stephen Chen, Victor Argo, Victoria Bastel, Vincent Laresca, Zoë Lund

Director: Abel Ferrara

Not much happens in Women Talking, but what it lacks in action it more than makes up for in message. As the wronged women of an insular Christian colony decide whether they should leave or stay in their community, valuable points on each side are raised and debated fiercely. Are the men at fault or is there a bigger problem at hand? Is it sacrilegious to refuse forgiveness? Will leaving really solve anything? 

The women of this ultraconservative and anti-modern community may not know how to read or write, but years of toiling away on land, family, and faith have made them wise beyond their years, which makes their discussion all the more captivating and powerful. Relevant themes, coupled with director Sarah Polley’s poetic shots and the cast’s all-around stellar performances, make Women Talking a uniquely compelling and timeless watch.

Genre: Crime, Drama

Actor: August Winter, Ben Whishaw, Caroline Gillis, Claire Foy, Eli Ham, Emily Mitchell, Frances McDormand, Jessie Buckley, Judith Ivey, Kate Hallett, Kira Guloien, Liv McNeil, Lochlan Ray Miller, Marcus Craig, Michelle McLeod, Nathaniel McParland, Rooney Mara, Shannon Widdis, Shayla Brown, Sheila McCarthy, Vivien Endicott Douglas, Will Bowes

Director: Sarah Polley

Rating: PG-13

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Even a straightforward documentary on the New York East Village visual artist David Wonjarowicz (pronounced VOY-nuh-ROH-vitch) would be thrilling, given the energy and the irreverence of his artworks especially during the AIDS epidemic from the 1980s to the 1990s. But director Chris McKim goes above and beyond, essentially imagining how Wojnarowicz would have directed his own film. McKim treats the movie like a collage in itself, expertly blending footage and sound together not just to capture the artist's fury, but to remember how deeply he loved, transcending space and sickness. As an account of the underground New York art scene at the time, a profile on a supposed enfant terrible, and a tribute to all those who lost their lives to a disease accelerated by discrimination, Wojnarowicz is a beautiful, complex tapestry.

Genre: Documentary

Actor: David Wojnarowicz, Fran Lebowitz, Nan Goldin

Director: Chris McKim

If you’ve never seen Walk Hard before but still get déjà vu from just its first 10 minutes, that's the point. This riotous pastiche parodies every musician biopic ever made — and even many that came after it. Its ability to predict the future is thanks to its sharp observation of all the clichés that are typically wheeled out when a musical artist’s life story gets the big screen treatment. Walk Hard skewers everything from the tropes of preternatural musical abilities and galvanizing childhood trauma to the formulaic three-act structure that follows the musician’s rise, inevitable fall, and triumphant rise again.

Absolutely no chances are left unseized to lampoon the genre: the film is told in an incredibly long flashback, for example, and features multiple groan-including moments in which characters say the movie’s title out loud, all but winking at the camera. The danger with a parody is that the joke can get old quickly, but Walk Hard is blessedly full of laughs that would stand up even outside of the spoof framework, displaying incredible devotion to even the most throwaway of jokes (as when The Temptations make a cameo for one five-second gag). Not just a brilliant satire, then, but a terrific comedy of its own.

Genre: Comedy, Drama, Music

Actor: Adam Herschman, Amber Hay, Angela Little, Cheryl Ladd, Cheryl Tiegs, Chris Parnell, Clement Blake, Conner Rayburn, Craig Robinson, David Doty, David Krumholtz, E.J. Callahan, Ed Helms, Eddie Vedder, Frankie Muniz, Gerry Bednob, Gerry Black, Ghostface Killah, Gregg Lee, Harold Ramis, Ian Roberts, Jack Black, Jack Kehler, Jack McBrayer, Jack White, Jackson Browne, Jacques Slade, Jane Lynch, Jason Schwartzman, Jenna Fischer, Jewel, John C. Reilly, John Ennis, John Maynard, John Michael Higgins, Jonah Hill, Justin Long, Kristen Wiig, Lyle Lovett, Margo Martindale, Martin Starr, Matt Besser, Molly C. Quinn, Morgan Fairchild, Nat Faxon, Neil Ironfield, Odette Annable, Patrick Duffy, Patrick Faucette, Patrick J. Adams, Paul Bates, Paul Feig, Paul Rudd, Philip Rosenthal, Rae Sunshine Lee, Rance Howard, Raymond J. Barry, Ron Tyson, Serria Tawan, Simon Helberg, Skyler Gisondo, Stacey Scowley, Steve Bannos, Terrence Beasor, Tim Bagley, Tim Meadows, Tyler Nilson, Willow Geer

Director: Jake Kasdan

Rating: R

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Based on a true story, The Whistleblower is the biography of a once Nebraskan police officer who volunteers for the U.N. peacekeeping mission in post-war Bosnia. Once there, she uncovers a human trafficking scandal involving peacekeeping officials, and finds herself alone against a hostile system in a devastated country. Rachel Weisz plays the whistleblower in a powerful lead role, but the true star of the movie is its director, Larysa Kondracki, who thanks to near documentary-style film-making delivers a perfectly executed political thriller with utmost authenticity.

Genre: Crime, Drama, Mystery, Thriller

Actor: Adriana Butoi, Alexandru Potocean, Alin Panc, Anca Androne, Anna Schafer, Benedict Cumberbatch, Bryan Jardine, Catherine McNally, Coca Bloos, Danny John-Jules, David Hewlett, David Strathairn, Dorotheea Petre, Florin Busuioc, Geoffrey Pounsett, Ionut Grama, Jeanette Hain, Liam Cunningham, Luke Treadaway, Monica Bellucci, Nikolaj Lie Kaas, Paul Jerricho, Paula Schramm, Pilou Asbæk, Rachel Weisz, Radu Bânzaru, Rayisa Kondracki, Rosabell Laurenti Sellers, Roxana Condurache, Roxana Guttman, Sergej Trifunović, Stuart Graham, Vanessa Redgrave, Victoria Raileanu, Vlad Ivanov, William Hope

Director: Larysa Kondracki

Rating: R

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Every once in a while there are movies that expand the definition of quality film-making. This is one of those movies.

Here is an incredible, yet delicate film that follows three children from poor families who are stuck living in subpar motels. Their lives and friendships are portrayed with honesty and precise aesthetics. It’s a story that at first seems as plot-free as life itself.

It succeeds in capturing an innocence that is usually reserved to a child’s imagination: a precarious living condition full of adventures and fun. It’s hard to describe it beyond that; it’s the kind of film that must be seen to be fully understood.

And it ends on a very high note.

Genre: Drama

Actor: Aiden Malik, Andrew Romano, Bria Vinaite, Brooklynn Prince, Caleb Landry Jones, Cecilia Quinan, Christopher Rivera, Edward Pagan, Gary B. Gross, Giovanni Rodriguez, Hannah Peterson, Jim R. Coleman, Josie Olivo, Karren Karagulian, Lauren O'Quinn, Macon Blair, Marisol Rivera, Mela Murder, Sabina Friedman-Seitz, Shih-Ching Tsou, Valeria Cotto, Willem Dafoe

Director: Sean Baker

Rating: R

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After the successful run of the first instalment, The Conjuring 2 brings back lead couple Ed and Lorraine Warren for yet another real life-based case of demonic possession. This time, it's the Enfield poltergeist, a case which gained popularity in the London Borough of Enfield between 1977 and 1979, and while the Warrens in the film show reluctance to take on a new job amongst growing skepticism, we're so glad they did so in the end. The franchise's second chapter is perfectly built: a good amount of character establishment, a fair bit of rekindling allegiance with the Warrens, and a lot of ingenious scaries. What makes The Conjuring 2 a pitch-perfect horror of its kind is precisely this multivalence, combining empathetic characters and well-crafted, yet extremely disturbing visuals. When the supposedly simple case becomes a fight between good and proper evil, the film shifts gear to an obscenely dark, vengeful mode. You can't tell from its beginning, but the second Conjuring is even more proficient, deeply troubling, and most of all, bold in the way it renders the possession horror genre a canonical must.

Genre: Horror, Thriller

Actor: Abhi Sinha, Annie Young, Benjamin Haigh, Bob Adrian, Bonnie Aarons, Emily Brobst, Emily Tasker, Frances O'Connor, Franka Potente, Jason Liles, Javier Botet, Jennifer Collins, Joseph Bishara, Kate Cook, Lauren Esposito, Madison Wolfe, Maria Doyle Kennedy, Nancy DeMars, Patrick McAuley, Patrick Wilson, Robin Atkin Downes, Shannon Kook, Simon Delaney, Simon McBurney, Sterling Jerins, Steve Coulter, Vera Farmiga

Director: James Wan

Rating: R

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