Genre: Drama, Fantasy, Romance
Actor: Augustine Frizzell, Barlow Jacobs, Brandi Price, Brea Grant, Carlos Bermudez, Casey Affleck, Chris Gardner, David Lowery, David Pink, Giovannie Cruz, Grover Coulson, Jonny Mars, Kenneisha Thompson, Kesha, Kesha Rose Sebert, Liz Cardenas, Liz Cardenas Franke, Liz Franke, McColm Cephas Jr., Nikita Patel, Rob Zabrecky, Rooney Mara, Sonia Acevedo, Will Oldham, Yasmina Gutierrez
Director: David Lowery
Although Who We Are is essentially a professionally recorded masterclass interspersed with additional interviews, it only emphasizes Jeffery Robinson's skill as an orator and his compassion as a teacher. In a clear and levelheaded manner, he lays out how even the historical documents that formed the blueprint of the United States are exclusionary in key ways. Robinson does this not to condemn his country, but to challenge the way we view traditions as sacred, and to see how modern-day white nationalism is upheld by these institutions, intentionally or not. The new interviews that accompany Robinson's talk take these lessons on the road, reminding us of those who are directly affected by these centuries-old decisions.
Genre: Documentary
Actor: Jeffery Robinson, Martin Luther King Jr.
Director: Emily Kunstler, Sarah Kunstler
Among the sea of class satires released in the last year, Triangle of Sadness is one of the better ones. Directed by Ruben Östlund (The Square, Force Majeure), the film follows an ultra-rich group of people who get stranded on an island after their luxury cruise ship sinks. The social pyramid that has long favored them suddenly turns upside down when a crew member (a glowing Dolly de Leon) effectively runs the group of sheltered castaways.
Triangle of Sadness may not be as sharp as Östlund’s previous work, and it may not add anything particularly new to the saturated discussions of social class, but it remains a darkly humorous and engaging watch, masterfully helmed by a strong script and ensemble.
Genre: Comedy, Drama
Actor: Alex Schulman, Alicia Eriksson, Amanda Schulman, Amanda Walker, Arvin Kananian, Beata Borelius, Camilla Läckberg, Carolina Gynning, Charlbi Dean, Christina Saliba, Dolly de Leon, Emma Warg, Fredrik Quinones, Fredrik Wikingsson, Hanna Oldenburg, Harris Dickinson, Hedda Rehnberg, Henrik Dorsin, Iris Berben, Jean-Christophe Folly, Karin Myrenberg, Linda Anborg, Malte Gårdinger, Nana Manu, Oliver Ford Davies, Ralph Schicha, Shaniaz Hama Ali, Stefan Godicke, Sunnyi Melles, Vicki Berlin, Woody Harrelson, Zlatko Burić
Director: Ruben Östlund
That one of 1990’s scariest movies is a kids’ movie makes sense when you know it’s an adaptation of a Roald Dahl story (and directed by horror legend Nicolas Roeg, no less). The Witches dispenses with most of the trappings of kids’ films, swapping bright bubbliness and cute animal CGI for macabre thrills and uncanny valley puppetry courtesy of Jim Henson. It’s astonishingly scary, given its PG certification — not just for its intended audience but for adults, too. Death, grief, and evildoers who prey on children all make an early appearance and never leave the film’s frame, stalking young Luke (Jasen Fisher) and his grandmother (Mai Zetterling) across countries as they try to make a new start in England following a family tragedy in Norway. In typical Dahl style though, The Witches — with its creepy premise and high camp touches — finds a clever balance between being nightmare-inducing and deliciously fun, a tonal blend that harks back to the twisted appeal of traditional fairy tales.
Genre: Comedy, Family, Fantasy, Horror
Actor: Angelique Rockas, Anjelica Huston, Annabel Brooks, Anne Lambton, Anne Tirard, Arvid Ones, Bill Paterson, Brenda Blethyn, Brian Hawksley, Charlie Potter, Darcy Flynn, Debra Gillett, Emma Relph, Grete Nordrå, Jane Horrocks, Jasen Fisher, Jenny Runacre, Jim Carter, Leila Hoffman, Mai Zetterling, Michael Palin, Nicolas Roeg, Nora Connolly, Ola Otnes, Roberta Taylor, Rosamund Greenwood, Rose English, Rowan Atkinson, Serena Harragin, Sukie Smith, Sverre Røssummoen, Vincent Marzello
Director: Nicolas Roeg
The Painter and the Thief opens with a great hook: an artist tracks down and confronts the man who stole her painting. In a surprising turn, the two become close and develop an intimacy that deepens when she begins to paint the troubled man.
Yet, director Benjamin Ree pushes past where other documentarians would have been content to stop, and instead begins to deconstruct the very narrative we’ve followed up till now. At its core, this is a film about the way we tell stories about ourselves and others, and how often people don’t fit into the neat categories we set out for them.
Genre: Documentary, Drama
Actor: Bjørn Inge Nordland, Karl-Bertil Nordland
Director: Benjamin Ree
Robert Pattinson and Willem Dafoe are the only two actors starring in this eccentric movie, and they deliver such grand performances that it feels like another actor would have been one too many.
They star as lighthouse keepers in the 19th century, left on an island to interact only with each other and their rock. It's a fascinating premise of how these men, left on their own, deal with boredom, loneliness, and being annoyed with one another.
Incredible performances, an interesting aspect ratio, and perhaps excessive weirdness, make this movie unforgettable.
Genre: Drama, Fantasy, Horror, Thriller
Actor: Jeff Cruts, Kyla Nicolle, Logan Hawkes, Pierre Richard, Preston Hudson, Robert Pattinson, Shaun Clarke, Valeriia Karamän, Valeriia Karamän, Valeriia Karaman, Willem Dafoe
Director: Robert Eggers
If you’ve seen his stand-up, you’ll know that Pete Davidson likes to make fun of himself. But it’s also true that Davidson is honest. He speaks openly about his childhood traumas and mental health struggles, and this film about his life is no different than his live performances. It's darkly funny and deeply personal, this time plumbing new depths of his life with the help of director (and patron saint of comedians) Judd Apatow.
Here, Apatow allows Davidson to hell his story in his own irreverent flavor, all while boosting him with directorial flair and his trademark balance of humor and humanity. A triumphant collaboration between Apatow and Davidson, King of Staten Island is rich with nuanced performances and relatable insights into the life of someone slowly but surely healing from pain and coming into his own.
Genre: Comedy, Drama
Actor: Action Bronson, Alexis Rae Forlenza, Anthony Lee Medina, Bel Powley, Bill Burr, Bonnie McFarlane, Carly Aquilino, David S. Lomax, Derek Gaines, Domenick Lombardozzi, Gina Jun, Hank Strong, Jack Hamblin, Jessica Kirson, Jimmy Tatro, Keith Robinson, Ken Holmes, Kevin Corrigan, Laurence Blum, Liza Treyger, Lou Wilson, Luke David Blumm, Lynne Koplitz, Machine Gun Kelly, Marilyn Torres, Mario Polit, Marisa Tomei, Maude Apatow, Meredith Handerhan, Michelle Sohn, Mike Vecchione, Moises Arias, Nana Mensah, Nils Johnson, Nina Hellman, Nyla Durdin, Pamela Adlon, Pauline Chalamet, Pete Davidson, Rafael Poueriet, Rich Vos, Ricky Velez, Robert Smigel, Steve Buscemi, Teodorina Bello
Director: Judd Apatow
The late, great William Friedkin’s final film is staged with all the military precision of its naval court setting. We never leave the courtroom from the moment we’re plunged into it — the first minute — meaning the contentious action around which the film revolves happens only in our imagination, spurred on by the competing accounts of Lieutenant Maryk (Jake Lacy) and Commander Queeg (Kiefer Sutherland). Maryk is accused of mutiny, but, as he tells it, he only seized command from Queeg during a typhoon because he feared that the Commander was experiencing an episode of mental instability that would endanger the lives of everyone onboard.
The lack of flashbacks to this crucial moment places the burden of bearing out the truth on the cast, which includes Jason Clarke as Maryk’s lawyer, Monica Raymund as Queeg’s counsel, and Lance Reddick — the naturally authoritative late actor to whom the film is dedicated — as the judge. The film's lack of visual pizzazz is to its advantage, then, because it allows this excellent cast (and Friedkin’s searing script) to flex under the full, burning gaze of the spotlight. Clarke, in particular, emerges as the standout as the reluctant navy lawyer — a man caught between the impulse to expose one truth and conceal another.
Genre: Drama, TV Movie, War
Actor: Dale Dye, Denzel Johnson, Elizabeth Anweis, Francois Battiste, Gabe Kessler, Gina Garcia, Jake Lacy, Jason Clarke, Jay Duplass, Kiefer Sutherland, Lance Reddick, Lewis Pullman, Monica Raymund, Stephanie Erb, Tom Riley
Director: William Friedkin
An arguably tough watch, The Accused fluctuates between crime and courtroom drama, eschewing any kind of sentimentality in its storytelling. No place for pity where trauma reigns: the fact that the film is based on a real case of as gang rape means little in a world were that's still a daily occurrence. The Accused knows it well and invests its two protagonist with all the anger in the world, hoping the justice system will be on the right side of history at once: that of women. Two amazing leads set the bar very high: Jodie Foster and Kelly McGillis who plays prosecutor Kathryn Murphy. Together, they make a powerful duo of heated performances that embody the contradictions of being a woman under patriarchy.
Genre: Crime, Drama
Actor: Allan Lysell, Andrew Kavadas, Ann Hearn, Antony Holland, Babs Chula, Bernie Coulson, Carmen Argenziano, Christianne Hirt, Dana Still, David Sheridan, Denalda Williams, Deryl Hayes, Frances Flanagan, Freda Perry, Garry Chalk, Garwin Sanford, Jerry Wasserman, Jodie Foster, Kelly McGillis, Kevin McNulty, Kim Kondrashoff, Leo Rossi, Linda Darlow, Marsha Andrews, Michele Goodger, Mike Winlaw, Pamela Martin, Peter Bibby, Peter Van Norden, Rebecca Toolan, Rose Weaver, Scott Paulin, Stephen Dimopoulos, Stephen E. Miller, Steve Antin, Terry David Mulligan, Tom Heaton, Tom McBeath, Tom O'Brien, Veena Sood, Walter Marsh, Woody Brown
Director: Jonathan Kaplan
Genre: Comedy, Drama, Family
Actor: Adam Ozturk, Adrian Pasdar, Billy Joe Shaver, Brian Stanton, Christian Kane, Dameon Clarke, Deirdre O'Connell, Deirdre OConnell, Emmanuelle Vaugier, Eric Balfour, Eugene Osment, Haley Joel Osment, Jason Douglas, Jennifer Stone, Jo Harvey Allen, Joe Stevens, Josh Lucas, Kanin Howell, Kevin Haberer, Kyra Sedgwick, Marc Musso, Michael Caine, Michael O'Neill, Mitchel Musso, Morgana Shaw, Nick Price, Nicky Katt, Rick Dial, Robert Duvall, Rory Thost, Travis Willingham
Director: Tim McCanlies
The '80s saw an influx of coming-of-age dramas, with John Hughes’ “Brat Pack” films reigning supreme. For better or worse, their most iconic scenes are embedded in pop culture, like students dancing in detention in The Breakfast Club or Sixteen Candles’ belated birthday cake. Perhaps the most iconic '80s movie moment comes not from Hughes, but from Cameron Crowe’s Say Anything…: Lloyd Dobler (John Cusak) in a trenchcoat, blue Malibu parked behind him, boombox raised over his head in defiant loyalty.
On their last day of high school, Lloyd Dobler resolves to ask out the class valedictorian Diane Court (Ione Skye). Their summer-long relationship is awkward, intense, tender—and familiar to anyone who has ever opened themselves up to falling in love. Say Anything… emotionally outclasses its contemporaries, as Crowe’s writing lends itself to two authentic characters fleshed out beyond caricatures. And as Lloyd crushes hard on Diane, it’s hard not to feel like you’re falling in love with each of them, too.
Genre: Comedy, Drama, Romance
Actor: Amy Brooks, Bebe Neuwirth, Bill Stevenson, Chynna Phillips, Dan Castellaneta, Don Wilson, Eric Stoltz, Glenn Walker Harris Jr., Gloria Cromwell, Gregory Sporleder, Ione Skye, Jason Gould, Jeremy Piven, Jerry Ziesmer, Jim Ladd, Joan Cusack, Joanna Frank, John Cusack, John Hillner, John Mahoney, Johnny Green, Jonathan Chapin, Judy Prescott, Kim Walker, Lili Taylor, Lisanne Falk, Lois Chiles, Loren Dean, Montrose Hagins, Pamela Adlon, Patrick O'Neill, Philip Baker Hall, Polly Platt, Richard Portnow, Stephen Shortridge, Stone Gossard
Director: Cameron Crowe
A quirky little movie about a reporter trying to get a story about a man who posted an ad looking for someone to travel in time with. The movie's main strength is the fantastic casting of talents that usually live in the series world (Jake M. Johnson from New Girl, Aubery Plaza from Parcs and Recreation, Mark Duplass), and although it might seem a little bit slow at the beginning, it is worth every second spent watching it.
Genre: Comedy, Drama, Romance, Science Fiction
Actor: Aubrey Plaza, Basil Harris, Colin Trevorrow, Eli Borozan, Jake Johnson, Jeff Garlin, Jenica Bergere, Karan Soni, Kristen Bell, Lauren Carlos, Lynn Shelton, Mark Duplass, Mary Lynn Rajskub, Tony Doupe, William Hall Jr.
Director: Colin Trevorrow
An instant essential film in the Jim Jarmusch catalog. In his traditional directing fashion, Paterson disregards plot and instead finds inspiration in deconstructing the seemingly mundane aspects of life. Adam Driver stars as a bus driver and amateur poet who leads a content life staying away from change as much as possible. His girlfriend, Laura (played by Iranian actress Golshifteh Farahani), is the complete opposite: eager to be creative, to explore new paths, and to decorate and design every object in her life. Jarmusch takes these two characters, adds only a few others, and makes a movie that celebrates similar so-called simple lives, reaching surprising levels of beauty. Again, not much happens in terms of plot, and the pace is slow. But if you are interested in the kind of movie that will let you into people's lives, you will love Paterson.
Genre: Comedy, Drama, Romance
Actor: Adam Driver, Barry Shabaka Henley, Brian McCarthy, Chasten Harmon, Frank Harts, Golshifteh Farahani, Helen-Jean Arthur, Jaden Michael, Jared Gilman, Johnnie Mae, Jorge Vega, Kara Hayward, Luis Da Silva Jr., Masatoshi Nagase, Method Man, Nellie, Owen Asztalos, Rizwan Manji, Sophia Muller, Sterling Jerins, William Jackson Harper
Director: Jim Jarmusch
The film that catapulted Kevin Costner to fame, No Way Out, is based on a novel by Kenneth Fearing, "The Big Clock", and is also preceded by a film adaptation of it, around 40 years prior. Director Roger Donaldson found himself in charge of a film, haunted by the Cold War and spy thriller tropes, but already aligning itself with the late 80s erotic thriller. In a way, No Way Back is a symbol of this transitional period, but by retaining the classic noir vibe (deception, fleeing, yearning), it becomes a tribute to the past. In the film's own past, a love triangle is taking shape in a rather unconventional way: layered with all three of the aforementioned dispositions. Two men want the same women, but their relationship is further complicated by professional hierarchies and the quest to own the past they both shared with Susan.
Genre: Thriller
Actor: Brad Pitt, Charles Walker, Chris D., David Armstrong, David Paymer, Dennis Burkley, Fred Thompson, Gene Hackman, George Dzundza, Howard Duff, Iman, Jason Bernard, John D'Aquino, Kevin Costner, Leo Geter, Leon Russom, Marshall Bell, Matthew Barry, Michael Shillo, Nicholas Worth, Peter Bell, Sean Young, Will Patton
Director: Roger Donaldson
Minari is a film written and directed by Lee Isaac Chung, about a Korean-American family in search of the so-called American Dream. It is an intimate drama that is powerful yet quiet, and filled with moments of innocence. With dreamlike scoring, unique characters, and a captivating climax, this movie tugs on the heartstrings, and serves as a great reminder of the beauty of gratitude.
Thanks to these, plus winning performances across the board, Minari earned plenty of nominations at the 2021 Oscars, with Youn Yuh-jung eventually bagging the Best Supporting Actress award—a monumental first for South Korea.
Genre: Drama, Family
Actor: Alan Kim, Ben Hall, Chloe Lee, Darryl Cox, Debbi Tucker, Ed Spinelli, Eric Starkey, Ernie Robinson, Esther Moon, Han Yeri, Jacob Wade, James Carroll, Jenny Phagan, Kaye Brownlee-France, Noel Kate Cho, Scott Haze, Skip Schwink, Steven Yeun, Tina Parker, Warren Lane, Will Patton, Youn Yuh-jung
Director: Lee Isaac Chung