503 Best Movies to Watch From United Kingdom (Page 14)

In this 3D documentary, Werner Herzog takes a dive into the Chauvet Cave in Southern France. From archaeology and anthropology to master perfumery, scientists across disciplines have studied the cave with a palpable enthusiasm—making their best guesses about each cave drawing, based on the data that can be collected without destroying the site. It’s fascinating to hear how they hypothesize where they can find new entrances, or how prehistoric humans could have made music. Cave of Forgotten Dreams turns a regular documentary into a profound meditation about the human soul, creation, and human history. Herzog compiles clips of his interviews with the scientists alongside footage of the cave itself and his own narration, and mixes it with an ethereal score to turn this exploration into a religious epiphany.

Genre: Documentary, Drama

Actor: Charles Fathy, Dominique Baffier, Volker Schlöndorff, Werner Herzog

Director: Werner Herzog

Rating: G

Argentina, 1985 is a legal drama about how a prosecutor and his young team were able to mount evidence—despite all threats and odds—against the officials behind a brutal military dictatorship. The public trial is supposedly the first of its kind in Latin America, a marker of true democracy that made a hero out of Julio Strassera and Moreno Ocampo, who both led the case.

Despite the presence of very serious themes, there are moments of lighthearted humor here that work to stress the film’s underlying message of goodwill and perseverance. Argentina, 1985 competed at major festivals this 2022, and it’s Argentina’s official entry at the 2023 Academy Awards.

Genre: Crime, Drama, History

Actor: Agustín Rittano, Alejandra Flechner, Alejo Garcia Pintos, Antonia Bengoechea, Brian Sichel, Carlos Portaluppi, Claudio Da Passano, Fernando Contigiani García, Francisco Bertín, Gina Mastronicola, Héctor Díaz, Laura Paredes, Norman Briski, Peter Lanzani, Pietro Gian, Ricardo Darín, Susana Pampín, Toto Rovito, Walter Jakob

Director: Santiago Mitre

Rating: R

Although it opens on Janet Frame’s first steps as a baby, this Jane Campion-directed biopic of the celebrated New Zealand writer doesn’t take an exhaustive approach to its subject’s life. We frequently only learn of milestones — the many awards she won, the death of her mother — later on and in passing. In a beautiful gesture that feels like a tiny righting of the many wrongs done to Janet, it’s her perspective that guides the film. 

That embedded approach also makes the emotions that come with her heartbreaking yet uplifting story more profound. And there is much heartbreak here: alongside the several tragic losses Janet experienced as a child, she was misdiagnosed as schizophrenic as a young woman and spent eight harrowing years in psychiatric hospitals. Throughout all of this, she wrote fiction and poetry, work that saved her life in more ways than one: as well as being a rare constant source of joy, it won her a literary prize just days before she was scheduled for a lobotomy, prompting her doctors to reconsider. Neither Campion nor Janet allowed this experience to define her, however, and the film empathetically grants her real moments of joy and choice throughout — making for a deeply sensitive and uplifting watch.

Genre: Drama

Actor: Alexia Keogh, Alison Bruce, Alistair Douglas, Andrew Robertt, Brenda Kendall, Brian Flegg, Celia Nicholson, David Letch, David Stott, Elizabeth McRae, Faye Flegg, Fiona Kay, Francesca Collins, Gerald Bryan, Iris Churn, Jessie Mune, Jim Rawdon, Julia Calvo, Karen Fergusson, Katherine Murray-Cowper, Kerry Fox, Kevin J. Wilson, Lilian Enting, Mark Clare, Mark Morrison, Martyn Sanderson, Melina Bernecker, Paul Norell, Peter Needham, Robert Jayne, Ruth Dudding, Sheryl Stewart, Tiffany de Castro, Timothy Bartlett, Willa O'Neill

Director: Jane Campion

Rating: R

TV’s Alan Partridge — Steve Coogan’s brilliant skewering of small-time celebrity vanity — gets the big-screen treatment in this suitably parochial action thriller. The premise feels like the kind of ridiculous scenario the radio DJ would fantasize about in between songs: Pat (Colm Meaney), an ex-employee of North Norfolk Digital, returns to the station armed and takes his former colleagues hostage, refusing to negotiate with anyone but Alan. Those familiar with Coogan’s painfully self-absorbed character will foresee that going straight to his already delusions-of-grandeur-filled head, and it does; as one character puts it, he’s like a puffed-up robin.

Much of the hilarity comes from the way Alan’s obvious glee at the heroic position he’s found himself in distracts him from actually saving the day, but there is equally sharply drawn satire in the supporting characters, too. Favorites from the TV series, like Alan’s put-upon assistant Lynn (Felicity Montagu) — herself a brilliant feat of perceptive comedy — make welcome returns here, but, like Alan, their eccentricities are made accessible enough that Partridge virgins won’t feel their ignorance. With all the original writers back onboard (including Armando Iannucci, the comedy genius behind The Death of Stalin and Veep), Alpha Papa is another reliably hilarious entry in the Partridge canon. Back of the net.

Genre: Comedy

Actor: Alan Rothwell, Anna Maxwell Martin, Anna Stockton, Colm Meaney, Dan Mersh, Darren Boyd, Diane Morgan, Dustin Demri-Burns, Eleanor Matsuura, Elizabeth Berrington, Felicity Montagu, Jayne Secker, Jessica Knappett, John Boyd, Karl Theobald, Kieran Hodgson, Lucy Briers, Martin Glyn Murray, Monica Dolan, Nigel Lindsay, Peter Singh, Phil Cornwell, Rita Davies, Robert Whitelock, Sean Pertwee, Simon Delaney, Simon Greenall, Simon Kunz, Steve Coogan, Tim Key

Director: Declan Lowney

Rating: PG-13

Horror movies have always been creepier to me when they play on our fear of the “unknown” rather than gore. Under The Shadow does exactly that. The story is based around the relationship of a woman, Shideh, and her daughter, Dorsa, under the backdrop of the Iran-Iraq war. As widespread bombings shake the ground beneath their feet, the two grapple with a more insidious evil that is faceless and traceless, coming and going only with the wind. The movie’s dread-effect plays strongly on feelings of isolation and helplessness. The scares are slow and it’s obvious the director takes great care in making every single second count and in raising the unpredictableness of the action. Like the bombs, the audience never knows when or how the next apparition will materialize. The former is always on the edge of fear, wondering what is no doubt there, but is yet to be shown on the frame. In terms of significance, Under The Shadow features too many symbolisms to count and will most likely resonate with each person differently. But one thing remains relatively unarguable: this is a wonderful movie.

Genre: Drama, Horror, Thriller, War

Actor: Amir Ranjbar, Aram Ghasemy, Arash Marandi, Avin Manshadi, Babak Anvari, Behi Djanati Atai, Bijan Daneshmand, Bobby Naderi, Hamid Djavadan, Hamidreza Djavdan, Houshang Ranjbar, Nabil Koni, Narges Rashidi, Ray Haratian, Sajjad Delafrooz, Soussan Farrokhnia

Director: Babak Anvari

Rating: PG-13

2005 was a banner year for British period dramas, apparently: first, there was Joe Wright’s Pride & Prejudice (still arguably the genre’s crowning achievement), and then came Under the Greenwood Tree, a delightful made-for-Christmas-TV romance loosely based on the eponymous Thomas Hardy novel. Anyone familiar with the author’s typically tragedy-tinged stories — think Tess of the D'Urbervilles and Far From the Madding Crowd — will find themselves surprised by the light, pleasant tone of this one, in which the closest anyone gets to violent revenge is sabotaging a church organ by pouring a flagon of cider into it.

The romance here is threefold: when Keeley Hawes’ spinster schoolteacher Fancy Day (genuinely her name) arrives in an English village, she ignites a rivalry between wealthy farmer Shiner (Steve Pemberton), haughty clergyman Parson Maybold (Ben Miles), and James Murray’s die-hard romantic Dick Dewy (again: the names in this are a choice). The trio’s simultaneous attempted courting of Fancy doubles as both the entertaining will-she-won’t-she stuff of romantic dramas and a conduit through which the movie explores the class dynamics in England during the 19th century. It’s this deft intertwining of satisfying romantic period drama tropes with genuine reflection on the historical period itself — all while remaining lighthearted — that makes this underseen adaptation worth watching.

Genre: Drama, Romance, TV Movie

Actor: Ben Miles, James Murray, Keeley Hawes, Richard Leaf, Steve Pemberton, Terry Mortimer, Tom Georgeson, Tony Haygarth

Director: Nicholas Laughland

Among the sea of class satires released in the last year, Triangle of Sadness is one of the better ones. Directed by Ruben Östlund (The Square, Force Majeure), the film follows an ultra-rich group of people who get stranded on an island after their luxury cruise ship sinks. The social pyramid that has long favored them suddenly turns upside down when a crew member (a glowing Dolly de Leon) effectively runs the group of sheltered castaways.

Triangle of Sadness may not be as sharp as Östlund’s previous work, and it may not add anything particularly new to the saturated discussions of social class, but it remains a darkly humorous and engaging watch, masterfully helmed by a strong script and ensemble.

Genre: Comedy, Drama

Actor: Alex Schulman, Alicia Eriksson, Amanda Schulman, Amanda Walker, Arvin Kananian, Beata Borelius, Camilla Läckberg, Carolina Gynning, Charlbi Dean, Christina Saliba, Dolly de Leon, Emma Warg, Fredrik Quinones, Fredrik Wikingsson, Hanna Oldenburg, Harris Dickinson, Hedda Rehnberg, Henrik Dorsin, Iris Berben, Jean-Christophe Folly, Karin Myrenberg, Linda Anborg, Malte Gårdinger, Nana Manu, Oliver Ford Davies, Ralph Schicha, Shaniaz Hama Ali, Stefan Godicke, Sunnyi Melles, Vicki Berlin, Woody Harrelson, Zlatko Burić

Director: Ruben Östlund

Rating: R

In this documentary by Bianca Stigter, a three-minute home video of a nondescript Jewish town in Poland is examined in great detail to reveal the history and humanity behind it. Taken just before the Holocaust, it’s one of the few remaining proofs of life the town has before its population was decimated in the war. And so the footage is repeated and stretched in this documentary, because as the narrator puts it, “as long as we are watching, history is not over yet,” and the people have yet to be gone.

Glenn Kurtz, the grandson of the person who shot the home video, takes it upon himself to investigate the history of the town and its citizens: what they were and what became of them. The results are often grim and unsettling, and the eerie editing matches them with great effect. But when it's not haunting, the film is oddly hopeful—for a future that remembers its past and preserves it in meaningful ways. Couple this sentiment with the narrator’s own poetic observations, and you get a powerfully moving elegy about loss and memory. 

Genre: Documentary, Drama, History

Actor: Helena Bonham Carter

Director: Bianca Stigter

Shaun (Thomas Turgoose) is a 12-year-old kid fueled by rage because of his father’s death. Over the course of the summer in good ole’ Northern England, he befriends a group of local skinheads and instantly feels at home – with the mischief-making still partially at bay then. This was prior to meeting Combo, the most ill-bred of the gang, and being led down a path of greater danger. Dubbed as director Shane Meadows’s best work, it’s easy to pick this one off a list and give it all the praise, depicting England perfectly in a coming-of-age approach you otherwise would’ve paid no mind to.

Genre: Crime, Drama

Actor: Andrew Ellis, Andrew Shim, Chanel Cresswell, Danielle Watson, Frank Harper, George Newton, Hannah Walters, Jack O'Connell, Jack O'Connell, Jo Hartley, Joseph Gilgun, Kieran Hardcastle, Kriss Dosanjh, Michael Socha, Perry Benson, Rosamund Hanson, Stephen Graham, Terry Haywood, Thomas Turgoose, Vicky McClure

Director: Shane Meadows

Rating: Not Rated, Unrated

That one of 1990’s scariest movies is a kids’ movie makes sense when you know it’s an adaptation of a Roald Dahl story (and directed by horror legend Nicolas Roeg, no less). The Witches dispenses with most of the trappings of kids’ films, swapping bright bubbliness and cute animal CGI for macabre thrills and uncanny valley puppetry courtesy of Jim Henson. It’s astonishingly scary, given its PG certification — not just for its intended audience but for adults, too. Death, grief, and evildoers who prey on children all make an early appearance and never leave the film’s frame, stalking young Luke (Jasen Fisher) and his grandmother (Mai Zetterling) across countries as they try to make a new start in England following a family tragedy in Norway. In typical Dahl style though, The Witches — with its creepy premise and high camp touches — finds a clever balance between being nightmare-inducing and deliciously fun, a tonal blend that harks back to the twisted appeal of traditional fairy tales.

Genre: Comedy, Family, Fantasy, Horror

Actor: Angelique Rockas, Anjelica Huston, Annabel Brooks, Anne Lambton, Anne Tirard, Arvid Ones, Bill Paterson, Brenda Blethyn, Brian Hawksley, Charlie Potter, Darcy Flynn, Debra Gillett, Emma Relph, Grete Nordrå, Jane Horrocks, Jasen Fisher, Jenny Runacre, Jim Carter, Leila Hoffman, Mai Zetterling, Michael Palin, Nicolas Roeg, Nora Connolly, Ola Otnes, Roberta Taylor, Rosamund Greenwood, Rose English, Rowan Atkinson, Serena Harragin, Sukie Smith, Sverre Røssummoen, Vincent Marzello

Director: Nicolas Roeg

Rating: PG