IRA terrorists kidnap a British soldier to negotiate an exchange for one of their own imprisoned members. Among them is Fergus (Stephen Rea), whose ambivalence is amplified by his interactions with the hostage soldier Jody (Forest Whitaker) while guarding him. After the terrorists' plan goes awry, Fergus tracks down a woman Jody spoke of during his captivity, only to become confronted with even more complications.
The film, its cast and crew won a slew of awards and nominations in 1993, including the Academy award for Best Original Screenplay. It's a knockout. Each act presents an increasingly challenging psychological and emotional conflict for Fergus: conflicts that require him to question the choices he makes and his beliefs, even about himself. It’s a dark but deeply touching thriller that is ultimately unforgettable.
Moon is a sci-fi movie that doesn’t care that it’s a sci-fi movie. It’s not about space exploration or aliens. It’s about a man struggling to understand what and who he is and the dehumanizing effect of industrialization. Moon leaves you with a pit in your stomach and an incredible feeling of melancholy. It is perfectly acted by Sam Rockwell and the voice of Kevin Spacey. Moon keeps you guessing and deeply enthralled. A true masterpiece I would recommend to anyone, whether they are sci-fi nerds or just movie lovers.
It’s a near-impossible feat to turn something as tragic and devastating as the Chernobyl disaster into a gripping and enlightening tale, but the HBO miniseries does just that. Through insightful storytelling, affecting performances, and sharp dialogue, Chernobyl the show stuns viewers into awareness and, at its best, galvanizes them into action.
It’s a well-crafted five-hour series that does just enough in the way of humanizing a distorted reality, bringing to light the all-too-relevant consequences of power plays and placing the interests of the political elite and national image over real, human lives.
Asif Kapadia, the genius of biopics who gave us Senna, is back with this documentary on an even bigger sports personality: Argentinian soccer player Diego Armando Maradona. Considered as possibly the best soccer player of all time, Maradona's footage on the pitch is pure wizardry, and you'll feel that way whether you are a soccer fan or not. But that's not the focus of this documentary. What happens outside the pitch is more interesting: from Maradona's modest beginnings to the passionate hatred (and love) that entire countries develop of him. And it doesn't make his story less interesting that during his time in Naples he was affiliated with the mafia.
This is an excellent documentary that distills 500 hours of footage into 2, giving you all you need to know about a character who captured the imagination of a big part of the world for decades.
A dark and existential comedy, Wristcutters: A Love Story follows Zia (Patrick Fugit), a young man who commits suicide, only to find himself in a bleak afterlife filled with other suicide victims. He discovers that his former partner has just joined him in this dreary realm and sets out to find her. From there, the film transitions into a macabre road-trip film as Zia and several acquaintances strike out in a beat-up old car in the name of love and redemption. Based on a short story by award-winning Israeli writer Etgar Karet, Wristcutters is a stunningly original film that will haunt viewers forever.
An absolute delight of a gem starring a young Winona Ryder as well as an amazing cast. Arguably Jim Jarmusch's best film, it tells the story of 5 different places at night from the perspective of cab drivers and their passengers: Los Angeles, New York, Paris, Rome, and Helsinki. It's really hard to pick a favorite among the stories, from a messy tomboy having to deal with a busy businesswoman, to a blind woman in Paris making a frustrated driver from Ivory Coast go insane. But look out for Helmut and Yo-Yo, from the New York story. I've rarely seen anything in film as fun as their story.
Michael Douglas plays Grady Tripp, a craggy, lovable English professor struggling to finish the follow-up to a very successful first novel. It has taken him 7 years, and it's an obvious metaphor for his ridiculous life. The character navigates various tragicomic dilemmas with a stellar supporting cast including Frances McDormand, Tobey Maguire, and Katie Holmes. His editor is Robert Downey Jr. and his nemesis is Rip Torn. Bob Dylan wrote the theme song. How do you not love this movie? It's one of those films that feels like a warm, cozy house (despite the fact that it takes place in a Pittsburgh winter), and it's a great blend of humor and drama.
Jim Jarmusch’s latest film is the story of a pair of vampires, Adam and Eve (Tom Hiddleston and Tilda Swinton), married for thousand of years and living thousands of miles apart, subsequently reunited in modern-day Detroit to find Hiddleston in state of disrepair and depression. Their lives are shaken up by the sudden appearance of Swinton’s wayward young vampire sister Ava (Mia Wasikowska) that sets their lives into tumult. It's the type of evenly-paced and wryly amusing dramedy that only Jarmusch could craft. I loved the atmosphere and sensibility of this film, not to mention the various literary allusions along with the dark, somber soundtrack. Less of a narrative and more of a modern-day-vampire-slice-of-life, this is one of those films that gets under skin and stays awhile (and not in a bad way).
New Zealand comic Rose Matafeo directs, writes, and stars in this charming series about a regular woman who unwittingly spends the night with a film star. What was supposed to be a one-night stand hilariously evolves into something quite serious, with both leads learning to navigate the messy contours of modern love (think Notting Hill but with the roles reversed).
With only six episodes per season, each running at less than 30 minutes, this British romantic comedy series is a sweet and easy gulp; you'll find yourself alternating between sobs and chuckles throughout the inevitable binge.
A thrilling and fun film about a British working class bunch who find themselves in confrontation with the rich and powerful. This happens when their once-in -a-lifetime job lands them not on ly the expected money and jewelry, but documents with big secrets. The phrase "the good version of Jason Statham" applies not only to the actor but to the whole film - as it is enjoyable like all similar heist movies but adds that sadly forgotten thing called character. If you liked The Italian Job, The Town, or even films like Argo; you will love The Bank Job.