192 Best Movies From United Kingdom On Itunes Australia (Page 6)

This crazy heist movie is told in a very original way. Because it's based on a true story, the movie (with actors and a story) is sometimes interrupted by the people it's about. The opening scene even reads: "this movie is not based on a true story, it is a true story". Two friends decide to rob their local library from rare books worth millions. They're driven by money but also by wanting something different than their monotonous everyday lives in Kentucky. The need for a change is a big theme in this movie, but the story and the way it's told never cease to be breathtakingly thrilling. American Animals stars amazing actors like Barry Keoghan (Dunkirk), Evan Peters (Kick-Ass), and many more; but perhaps equally as notable is the director: Bart Layton, who is fresh from his amazing 2012 sleeper-hit The Imposter.

Genre: Crime, Documentary, Drama, Mystery

Actor: Al Mitchell, Ann Dowd, Barry Keoghan, Ben McIntire, Blake Jenner, Bobby Akers, Debby Handolescu, Dorothy Reynolds, Drew Starkey, Elijah Everett, Eric Borsuk, Evan Peters, Fedor Steer, Gary Basaraba, Gretchen Koerner, Jack Landry, Jane McNeill, Jared Abrahamson, Jason Caceres, JD Demers, Josh Jordan, Josh Royston, Karen Wheeling Reynolds, Kelly Borgnis, Kevin L. Johnson, Lara Grice, Lauran Foster, Marlo Scheitler, Pamela Bell Mitchell, Pamela Mitchell, Spencer Reinhard, Steven 'Trainset' Curtis, Udo Kier, Warren Lipka, Wayne Duvall, Whitney Goin, William Cowboy Reed

Director: Bart Layton

Rating: R

Based on the book by John Le Carre, this slow-burning thriller tells the story of a half-Chechen, half-Russian immigrant suspected of terrorism, who is suddenly spotted in a big German city trying to get his hands on money that was left to him. Gunter (played by Philip Seymour Hoffman) is the head of an international counter-terrorism unit created after 9/11 to spot threats like these early on. Whether this man is a terrorist or not, what he is doing in Germany, how he fits in the grand scheme of things, and whether Gunter will succeed in his efforts - all of these are questions you will be begging to find answers for. Witty, supremely acted, and with a very provocative story line, A Most Wanted Man is perfect if you're in the mood for a sharp thriller.

Genre: Drama, Thriller

Actor: Bernhard Schütz, Corinna Kropiunig, Daniel Brühl, Derya Alabora, Franz Hartwig, Grigoriy Dobrygin, Herbert Gronemeyer, Homayoun Ershadi, Imke Büchel, Kostja Ullmann, Martin Wuttke, Max Volkert Martens, Mehdi Dehbi, Neil Malik Abdullah, Nina Hoss, Philip Seymour Hoffman, Rachel McAdams, Rainer Bock, René Lay, Robin Wright, Tamer Yiğit, Ursina Lardi, Uwe Dag Berlin, Vedat Erincin, Vicky Krieps, Willem Dafoe

Director: Anton Corbijn

Rating: R

Perfect for Halloween marathons with friends, The Return of the Living Dead treads the now well-worn template of zombie apocalypse movies with outstanding practical effects and a refreshingly unserious attitude. What the film might lack in terms of character writing or deeper themes, it more than makes up for with a relentless forward momentum. There isn't any grand mission to be accomplished when these morticians collide with a group of young punks, other than understanding what drives the undead creatures outside in order to survive the night. As a result, this is a movie that lives firmly in the moment, with thrills aplenty and its greatest moments found in the freaked-out reactions of its ensemble cast. The late James Karen, with his hilariously exaggerated hollering and whimpering, only nearly steals the show from the film's wonderful animatronics and disgusting prosthetic makeup. It's a great zombie movie for the reluctant horror newbie.

Genre: Comedy, Drama, Horror

Actor: Allan Trautman, Beverly Randolph, Brian Peck, Cathleen Cordell, Cherry Davis, Clu Gulager, David Bond, Don Calfa, Drew Deighan, James Dalesandro, James Karen, Jewel Shepard, John Durbin, John Philbin, Jonathan Terry, JR, Linnea Quigley, Mark Venturini, Michael Crabtree, Miguel A. Núñez, Miguel A. Núñez, Jr., Robert Craighead, Thom Mathews

Director: Dan O'Bannon

Renowned British director Ken Loach’s signature traits are present in The Old Oak: simple, humanistic, and unapologetically hopeful. But this time, we see things unfold through the eyes of Turner’s TJ and Ebla Mari’s Yara, whose endearing friendship anchors the film. They prove that seemingly conflicting things can coexist, like workers’ and immigrants’ rights, local and newcomer needs, old and new ideals. Loach hones in on his characters’ rich and specific lives so that his message doesn’t come across like an advocacy poster, but a richly woven tapestry filled with beautiful and complex meanings. Because it tackles heavy themes, The Old Oak might sound like it’d be heavy to watch, but as in most of the director’s work, you’ll no sooner be uplifted by an outpouring of hope and love.

Genre: Drama

Actor: Chris McGlade, Claire Rodgerson, Col Tait, Dave Turner, Debbie Honeywood, Ebla Mari, Lorenzo McGovern Zaini, Neil Leiper, Rhys Mcgowan, Rob Kirtley, Trevor Fox

Director: Ken Loach

The Last Duel propped high expectations as the Closing Film at the 2021 Venice Film Festival, but its theatrical release later that year proved to be a flop. Ridley Scott blamed it on millennials, but both critics and streaming audiences have been much more favorable than moviegoers. As a film, it's a rather monumental project: quite a dark period piece set in Medieval France, dealing with harsh and offensive themes. Or better said, it deals with ethics and morality through these harsh and offensive themes. There are many ways where this could have gotten wrong—and it's evident from the labels that have been circulating from the very beginning, that Scott has made his "MeToo" movie—but the truth is much more nuanced. From Eric Jager's 2004 book to a script co-written by Ben Affleck, Matt Damon, and (most importantly) the astute Nicole Holofcener, The Last Duel is really the best of both worlds: action-packed and devoted to the right side of history.

Genre: Action, Drama, History

Actor: Adam Driver, Adam Nagaitis, Alex Lawther, Ben Affleck, Bosco Hogan, Brian F. Mulvey, Brontis Jodorowsky, Bryony Hannah, Caoimhe O'Malley, Chloe Harris, Christian Erickson, Clare Dunne, Clive Russell, Harriet Walter, Ian Pirie, Jodie Comer, John Kavanagh, Julian Firth, Marton Csokas, Matt Damon, Michael McElhatton, Nathaniel Parker, Oliver Cotton, Paul Bandey, Peter Hudson, Sam Hazeldine, Serena Kennedy, Shane Lynch, Simone Collins, Stephen Brennan, Tallulah Haddon, Thomas Silberstein, Tyrone Kearns, William Houston, Zeljko Ivanek, Zoé Bruneau

Director: Ridley Scott

Rating: R

Ralph Fiennes plays a mild-mannered British diplomat in Kenya who is stunned by the news of his wife Tessa’s (Rachel Weisz) sudden death while in the company of another man. He sets off to investigate the suspicious death––and secret life–-of his late wife, within a tangle of personal betrayals, political threats, and corporate conspiracies. This film presents an exquisite contrast between Justin’s (Fiennes) gentle, contemplative demeanor and the progressively gripping details he uncovers; between rapturous romanticism and darkly corrupting interests. It’s a touching, smart, and suspenseful feast of a movie.

Genre: Drama, Mystery, Thriller

Actor: Anneke Kim Sarnau, Archie Panjabi, Bill Nighy, Danny Huston, Donald Apiyo, Donald Sumpter, Gerard McSorley, Hubert Koundé, Jeffrey Caine, John Keogh, Juliet Aubrey, Nick Reding, Pete Postlethwaite, Peter King Nzioki, Rachel Weisz, Ralph Fiennes, Richard McCabe, Rupert Simonian, Sidede Onyulo, Teresa Harder, Thomas Chemnitz

Director: Fernando Meirelles

Rating: R

This animated movie is absolutely wonderful. It’s an Irish production, and the drawings/graphics are so beautiful and different from what you usually see in this genre. This alone, along with the music, would be good reasons to watch this.

But what really makes this worth your time is the story – it’s about a boy dealing with the loss of his mother. He embarks on an adventure into a parallel world of feelings to save his sister.

I found it to be refreshingly original, sometimes quite intense (I cried, but I easily cry), and heartwarming. The details are great. And I love the way the story was interwoven with Irish mythology, making it magical.

Genre: Animation, Family, Fantasy

Actor: Brendan Gleeson, Colm ÓSnodaigh, Colm O'Snodaigh, David Rawle, Fionnula Flanagan, Jon Kenny, Kevin Swierszcz, Liam Hourican, Lisa Hannigan, Lucy O'Connell, Pat Shortt, Paul Young, Tomm Moore, Will Collins

Director: Tomm Moore

Rating: PG

Man on Wire is a true technical masterpiece. You can almost feel the director telling the cameraman what angle to choose, or thinking about the questions that will generate the most resounding answers. However, this does not diminish the story this documentary tells one bit. It’s one that is glorious, riveting, and fun. It’s one where you feel like an insider to a world lived on and below wires, with high-stake risks. Hopefully the edge of your seat is comfortable, because this is where the movie will keep you till the very end.

Genre: Documentary

Actor: Annie Allix, David Forman, Jean François Heckel, Jean-Louis Blondeau, Mark Lewis, Philippe Petit

Director: James Marsh

Rating: PG-13

Florence Pugh broke through with her powerhouse performance here as Katherine, a young woman who is “sold” into a coldly transactional marriage with a cruel and impotent merchant in 1800s Northern England. Lady Macbeth seems to begin as one thing — a gloomy period tale of oppression and feminist rebellion — but, on the strength of Pugh’s performance, pivots into an even bleaker subversion of that initial impression, the kind we haven’t really seen before.

When her disinterested husband takes a long leave of absence to tend to some business affairs, Katherine does more than just defy his command that she stay indoors: she begins an unabashed affair with one of her husband’s gruff groomsmen (Cosmo Jarvis), who ignites in her an obsessive passion that brings out her dark side. She’ll stop at nothing to remove any obstacles in the couple’s way — but, while her initial targets are arguably quite deserving of their fate, her scheme soon implicates the innocent. The creeping revelation that all the cruelty Katherine has been subjected to has brutalized her in turn comes as a shock, but this dramatic overturning of our expectations is made chillingly real by Pugh’s fierce, unfaltering performance.

Genre: Drama

Actor: Bill Fellows, Christopher Fairbank, Cliff Burnett, Cosmo Jarvis, David Kirkbride, Finn Burridge, Florence Pugh, Golda Rosheuvel, Ian Conningham, Kema Sikazwe, Naomi Ackie, Nicholas Lumley, Paul Hilton, Rebecca Manley

Director: William Oldroyd

Rating: R

In Ken Loach’s conspiracy thriller, an American human rights activist (Frances McDormand) and a no-nonsense UK police officer (Brian Cox) work tirelessly to uncover the truth behind a suspicious death — but this is no rousing triumph of good over evil, only a bitter pill about corruption and complicity. Human rights lawyer Paul (Brad Dourif) and girlfriend Ingrid (McDormand) are in Troubles-era Belfast wrapping up their report into the UK government’s shoot-to-kill policy when Paul is shot dead by mysterious assailants while on his way to speak to an informant. Police investigator Kerrigan (Cox) is flown in from England to look into the death; Cox plays him as a stickler for the rules and fierce agent of justice, inspired by a real-life official who was abruptly suspended from the police before he could deliver his findings into the UK government’s alleged death squad in Northern Ireland.

But the network of high-level corruption that Kerrigan and Ingrid uncover poses a direct challenge to those values, ultimately forcing him to choose between revealing the conspiracy — and risk destroying his life — or concealing the truth and betraying his ethics. A fascinating look at the slippery slope to complicity, this is a gripping, unabashedly ideological conspiracy thriller blending Hollywood polish with gritty reality.

Genre: Drama, Thriller

Actor: Bernard Archard, Bernard Bloch, Brad Dourif, Brian Cox, Brian McCann, Des McAleer, Frances McDormand, George Staines, Ian McElhinney, Jim Norton, John Benfield, John Keegan, Llew Gardner, Mai Zetterling, Maurice Roëves, Michelle Fairley, Oliver Maguire, Patrick Kavanagh, Paul Moriarty

Director: Ken Loach

Rating: R

While many homophobic people like to think otherwise, there have been gay people all throughout history, some that have survived war and pandemics and persecution and even became widely renowned. Gods and Monsters is a more speculative than accurate biopic about Hollywood director James Whale, who was actually out during his career. That being said, it’s astounding how writer-director Bill Condon and lead Ian McKellen created such a bittersweet examination of the Lost Generation, not just of the loves that were lost but of the lives that could not be lived, the longing that could not be actualized. And the film takes a risky, but nuanced subversion in the way it examines the Hollywood system, subverting the roles Whale and Boone have placed on others and on themselves. It’s a daring portrayal of both homosexuality and of the film industry, one that’s emotionally poignant and ahead of its time.

Genre: Drama

Actor: Amir Aboulela, Arthur Dignam, Brendan Fraser, Celeste Lecesne, Cornelia Hayes O'Herlihy, Curtis Harrington, David Dukes, David Fabrizio, David Millbern, Ian McKellen, Jack Betts, Jack Plotnick, Jesse James, John Gatins, Judson Mills, Kent George, Kevin J. O'Connor, Lisa Darr, Lolita Davidovich, Lynn Redgrave, Mark Kiely, Martin Ferrero, Matt McKenzie, Michael O'Hagan, Owen Masterson, Pamela Salem, Rosalind Ayres, Sarah Ann Morris, Todd Babcock

Director: Bill Condon

Rating: R

Although it opens on Janet Frame’s first steps as a baby, this Jane Campion-directed biopic of the celebrated New Zealand writer doesn’t take an exhaustive approach to its subject’s life. We frequently only learn of milestones — the many awards she won, the death of her mother — later on and in passing. In a beautiful gesture that feels like a tiny righting of the many wrongs done to Janet, it’s her perspective that guides the film. 

That embedded approach also makes the emotions that come with her heartbreaking yet uplifting story more profound. And there is much heartbreak here: alongside the several tragic losses Janet experienced as a child, she was misdiagnosed as schizophrenic as a young woman and spent eight harrowing years in psychiatric hospitals. Throughout all of this, she wrote fiction and poetry, work that saved her life in more ways than one: as well as being a rare constant source of joy, it won her a literary prize just days before she was scheduled for a lobotomy, prompting her doctors to reconsider. Neither Campion nor Janet allowed this experience to define her, however, and the film empathetically grants her real moments of joy and choice throughout — making for a deeply sensitive and uplifting watch.

Genre: Drama

Actor: Alexia Keogh, Alison Bruce, Alistair Douglas, Andrew Robertt, Brenda Kendall, Brian Flegg, Celia Nicholson, Collette Cooper, David Letch, David Stott, Edith Campion, Elizabeth McRae, Faye Flegg, Fiona Kay, Francesca Collins, Gerald Bryan, Iris Churn, Jessie Mune, Jim Rawdon, Julia Calvo, Karen Fergusson, Katherine Murray-Cowper, Kerry Fox, Kevin J. Wilson, Lilian Enting, Mark Clare, Mark Morrison, Martyn Sanderson, Melina Bernecker, Natasha Gray, Paul Norell, Peter Needham, Robert Jayne, Ruth Dudding, Sarah Smuts-Kennedy, Sheryl Stewart, Tiffany de Castro, Timothy Bartlett, Willa O'Neill

Director: Jane Campion

Rating: R

Horror movies have always been creepier to me when they play on our fear of the “unknown” rather than gore. Under The Shadow does exactly that. The story is based around the relationship of a woman, Shideh, and her daughter, Dorsa, under the backdrop of the Iran-Iraq war. As widespread bombings shake the ground beneath their feet, the two grapple with a more insidious evil that is faceless and traceless, coming and going only with the wind. The movie’s dread-effect plays strongly on feelings of isolation and helplessness. The scares are slow and it’s obvious the director takes great care in making every single second count and in raising the unpredictableness of the action. Like the bombs, the audience never knows when or how the next apparition will materialize. The former is always on the edge of fear, wondering what is no doubt there, but is yet to be shown on the frame. In terms of significance, Under The Shadow features too many symbolisms to count and will most likely resonate with each person differently. But one thing remains relatively unarguable: this is a wonderful movie.

Genre: Drama, Horror, Thriller, War

Actor: Amir Ranjbar, Aram Ghasemy, Arash Marandi, Avin Manshadi, Babak Anvari, Behi Djanati Atai, Bijan Daneshmand, Bobby Naderi, Hamid Djavadan, Hamidreza Djavdan, Houshang Ranjbar, Nabil Koni, Narges Rashidi, Ray Haratian, Sajjad Delafrooz, Soussan Farrokhnia

Director: Babak Anvari

Rating: PG-13

In this documentary by Bianca Stigter, a three-minute home video of a nondescript Jewish town in Poland is examined in great detail to reveal the history and humanity behind it. Taken just before the Holocaust, it’s one of the few remaining proofs of life the town has before its population was decimated in the war. And so the footage is repeated and stretched in this documentary, because as the narrator puts it, “as long as we are watching, history is not over yet,” and the people have yet to be gone.

Glenn Kurtz, the grandson of the person who shot the home video, takes it upon himself to investigate the history of the town and its citizens: what they were and what became of them. The results are often grim and unsettling, and the eerie editing matches them with great effect. But when it's not haunting, the film is oddly hopeful—for a future that remembers its past and preserves it in meaningful ways. Couple this sentiment with the narrator’s own poetic observations, and you get a powerfully moving elegy about loss and memory. 

Genre: Documentary, Drama, History

Actor: Helena Bonham Carter

Director: Bianca Stigter