84 Best Movies From United Kingdom On Netflix Australia (Page 6)

Staff & contributors
The story of how Dave Kroupa excitedly joined online dating sites only to meet a murderous stalker is both distressing and fascinating. You feel for the guy and wonder how a person could commit such heinous crimes. That in itself is a feat: to be genuinely shocked despite the prevalence of true crime documentaries. But Lover, Stalker, Killer takes way too long to get to the point. For a good chunk of the documentary, you’re left wondering how the pieces will fall into place, all while the interviewees are hyping it up to be something truly horrific as if it were a movie or a game, and not an actually traumatic moment that forever altered the course of Kroupa and his family’s life. It’s good that we get a first-hand account of the case from Kroupa himself because otherwise, this would be another case of desensitized, sensationalized fare. The central story is interesting to be sure, but a lack of technical flare and in-depth questioning makes it, overall, flimsy and overlong.

Genre: Crime, Documentary

Actor: Cari Farver, Chris Maher, Dave Kroupa, Ryan Avis

Director: Sam Hobkinson

Rating: R

The Beautiful Game starts off with a hilarious, brilliantly written opening sequence that should have set the tone for the film. Then almost immediately, we're met with some shoddy writing, and in a strange way, that is what sets the tone for the film, instead. This film presents the story of the Homeless World Cup and how it empowers those who feel they have no direction, and so naturally we want to feel their triumph. But the film seems to want to cross over the jovial and wholesome line and deeper into the characters' struggles, and while some characters only need a glimpse of it, it generally comes across like a jarring lack of commitment. The film isn't carrying home any writing gold, but it's not really about winning, is it?

Genre: Drama

Actor: Anna Maria Everett, Aoi Okuyama, Bill Nighy, Callum Scott Howells, Colin Azzopardi, Cristina Rodlo, Daniel Attwell, Gabriel Akuwudike, James McNicholas, Jessye Romeo, Kazuhiro Muroyama, Kit Young, Layo-Christina Akinlude, Massimo Scola, Micheal Ward, Robin Nazari, Shane Casey, Sheyi Cole, Sian Reese-Williams, Susan Wokoma, Tom Vaughan-Lawlor, Valeria Golino

Director: Thea Sharrock

Rating: PG-13

Pain Hustlers is based on a 2018 New York Times article of the same name exposing a drug company that marketed a fentanyl-based drug. Zanna, the on-screen pharmaceutical start-up, is modelled after Insys: the actual company who pushed a fentanyl-based spray for pain management with the help of sales reps who particularly appeal to a certain male gaze. A DIY scheme of bribing doctors through "speaker programs"—or recurring, debaucherous parties—gets Zanna off the ground, catapulting stripper-turned-manager Liza Drake (Emily Blunt) to a much-yearned financial stability. Together with the coked-up COO (magnificently played by Chris Evans), Liza puts her street smart potential to work; she goes all in, until it all crashes and burns. It's cynical how predictable the plot of such a film can be, mainly because the only character development we see is in Liza's sudden moral spark at the sight of drug abuses and overdoses. Pain Hustlers tries really hard to build a hero, tear her down, and then rehabilitate her status, but to what end? The film ends up using the fentanyl crisis as a narrative drive, a highly dubious move when you're supposed to be spreading awareness. 

 

Genre: Crime, Drama

Actor: Adrian Eppley, Alex Klein, Amit Shah, Andy Garcia, Aubrey Dollar, Avis-Marie Barnes, Becca Breitfeller, Brian d'Arcy James, Britt Rentschler, Catherine O'Hara, Chloe Coleman, Chris Evans, Emily Blunt, Erin Ownbey, Greyson Chadwick, Jay Duplass, Josh Ventura, Mandi Christine Kerr, Mary Ann Hagan, Michael Kosta, Michael Lowry, Nicholas Christopher McNeil, Omer Mughal, Pat Dortch, Quinn Bozza, Rowan Joseph, Samantha Kacho, Selena Anduze, Sharon Conley, Tris Marie, Valerie LeBlanc, Willie Raysor

Director: David Yates

Rating: R

With every new Aardman production, their stop motion animation technique becomes more and more seamless, looking practically indistinguishable from the work being put out by other animation studios that use CG. However, Chicken Run: Dawn of the Nugget also threatens to flatten into the same kind of entertainment churned out by other studios at a faster rate. There isn't as much personality to either the story or the art direction—which gave the first Chicken Run film such a sense of urgency—and any ideas about how one's radical beliefs are tested with age never really get off the ground. And yet, what Aardman is able to do with actual tactile models will never not be impressive, these rebellious chickens standing as a tribute to handcrafted storytelling that will never be replaced.

Genre: Adventure, Animation, Comedy, Family

Actor: Alison Dowling, Amy McAllister, Bella Ramsey, Daniel Mays, David Bradley, David Brooks, Harry McEntire, Imelda Staunton, Jane Horrocks, Josie Sedgwick-Davies, Julia Sawalha, Kate Harbour, Lynn Ferguson, Miranda Richardson, Naomi McDonald, Nick Mohammed, Peter Serafinowicz, Ramanique Ahluwalia, Rebecca Gethings, Romesh Ranganathan, Sam Fell, Sam Wilkinson, Sarah Counsell, Shobu Kapoor, Sudha Bhuchar, Tamaryn Payne, Thandiwe Newton, Tim Bentinck, Tom Doggart, William Vanderpuye, Zachary Levi

Director: Sam Fell

Rating: PG

Just in time for Halloween, Netflix has shelled out for a new, high production value doc about demonic possession. It has all the right ingredients: a true story (that of Arne Cheyenne Johnson, also known as the "Devil Made Me Do It" case of 1981), some convincing re-enactments, the air of exclusivity (use of real archives), but it still feels like a let-down to the true horror buffs who'd tune in expecting something fresh. After all, Netflix has been in the game for a while and it's not a good look to settle for something as mediocre. For The Devil on Trial, it seems like the execs have just upped the budget on a regular cable-TV-haunted-house after hours special and then patted themselves on the back. Even the interviews featured are full of cliches, which strips down the horrifying potential of authenticity.

Genre: Documentary

Actor: Arne Cheyenne Johnson, Tony Spera, Victor Serfaty

Director: Chris Holt

Rating: R

With the rise of fascism globally, and concerns about an upcoming world war, depictions of World War II have become popular, with the most notable being Christopher Nolan’s Oppenheimer. Einstein and the Bomb instead takes a look at the prominent scientist, whose theory of relativity made the atomic bomb possible, who had a personal stake in ensuring the Nazis were defeated, but who also had to reckon with the horrific consequences in pursuing the West’s promises of peace. It’s a needed perspective, and director Anthony Philipson pulls from Einstein’s very words, his own ideas about the society at the time eerily echoing the concerns about today’s society. However, there’s something off about the way these ideas are presented, as it feels like the film was less interested in Einstein as a man, and more interested in using him as a spokesperson, using his image to cry over today’s conflicts.

Genre: Documentary, Drama

Actor: Adolf Hitler, Aidan McArdle, Albert Einstein, Andrew Havill, Gethin Alderman, Helena Westerman, James Musgrave, Jonathan Rhodes, Leo Ashizawa, Rachel Barry, Simon Markey, Toby Longworth

Director: Anthony Philipson

The messy, non-linear process of grieving is always tough to capture meaningfully on screen—and there are definitely parts of Good Grief that trail off without much feeling or go on for too long without making new points. But the good still outweighs the bad in Dan Levy's directorial debut, with the inherent impracticality of death taking center stage. At a certain age when one has too much going on in life, grief can become just another responsibility that needs to be managed, that often clashes with the priorities of one's friends. The film just falls short of making truly astute insights into loss or crafting complete characters, but it's reassuring all the same in how ordinarily it views something so tragic.

Genre: Comedy, Drama, Romance

Actor: Arnaud Valois, Celia Imrie, Cyrielle Debreuil, Dan Levy, David Bradley, Emma Corrin, Himesh Patel, Jamael Westman, Kaitlyn Dever, Luke Evans, Mehdi Baki, Nigel Lilley, Ruth Negga, Yoli Fuller, Zoé Bruneau

Director: Dan Levy

Rating: R

This is your bare minimum, bog-standard Netflix true crime documentary covering the infamous Jennifer Pan case. The film focuses on Pan's interrogation tapes, with detectives walking us through their thought process at the time, providing evidence and chilling head nods in reaction to her statements. The value of the film is its micro dissection of the tapes, examining it minute by minute, even line by line, which is an interesting way to learn about the case for the first time. But it feels so banally straightforward without adding anything new or being more informative, that it feels like it was just made to dig up old bones and make a bloated made-for-Netflix docu.

Genre: Crime, Documentary

Actor: Alan Cooke, Bill Courtice, Deborah Gladding, Fernando Baldassini, Samantha Chang

Director: Jenny Popplewell

Rating: R

Jack Whitehall definitely has funny observations to make about life around him, and he clearly has a writer's ear for detail-oriented jokes. But he hardly allows his jokes to breathe during this special, constantly over-explaining the point or killing the momentum of a really smart, clever punchline with so many more unnecessary lines after the fact. This is really just Whitehall's style at this point, and those who already find his dorkiness endearing (which it really can be) should enjoy most of this. But for this writer, his jokes are just far too obvious and feel far too "performed." It feels like he's speaking at an audience, rather than for them.

Genre: Comedy

Actor: Jack Whitehall

Director: Chris Howe

Rating: R