118 Best Movies to Watch From South Korea (Page 2)

Read also:

16. Il Mare, 2000

While more people are familiar with its US adaptation, Il Mare is far more striking and emotionally resonant. The Korean romance, separated by timelines, depicts two lonely people who lived in the same seaside residence. They form a bond through the titular house’s mailbox, by sharing letters, voice recorders, and suggestions to deal with loneliness. As they receive each other’s messages, the film slowly reveals the reason for their loneliness– that they’ve been left behind. Matched with shots of creeping urbanization, migration, and the Y2K scare, Il Mare understands modern isolation, but it also underscores how solitude helps us connect with other people.

Genre: Drama, Fantasy, Romance

Actor: Cho Seung-yeon, Hong So-yeong, Ji-hyun Jun, Jun Ji-hyun, Jung-jae Lee, Kim Moo-saeng, Kim Mu-saeng, Lee Jung-jae, Mu-saeng Kim, Seung-yeon Jo

Director: Hyun-seung Lee, Lee Hyeon-seung, Lee Hyun-seung

Rating: N/A

Read also:

17. Lady Vengeance, 2005

This Park Chan-Wook classic is the third part of a trilogy of films around the theme of revenge, following Sympathy for Mr. Vengeance and Oldboy. While ultimately unique, Lady Vengeance is a thriller set in a prison, in the vein of films such as the Japanese action drama Female Prisoner #701: Scorpion. After being framed and wrongly convicted for murder, our protagonist seeks out the true perpetrator of the crime –– but more than anything else, she seeks vengeance.

This film’s run time is 115 minutes and every second is essential. There is often gratuitous violence perpetrated by men against women in film, however Lady Vengeance takes back control and for that reason it remains one of my favorite revenge films.

Genre: Drama, Thriller

Actor: Anne Cordiner, Bu-seon Kim, Byeong-ok Kim, Choe Hui-jin, Choi Hee-jin, Choi Jung-woo, Choi Min-sik, Go Su-hee, Ha-kyun Shin, Han Jae-duk, Hye-jeong Kang, Ji-tae Yu, Jin-Seo Yoon, Jin-seo Yun, Jun Sung-ae, Kang Hye-jeong, Kang Hye-jung, Kang-ho Song, Kim Bu-seon, Kim Byeong-Ok, Kim Byung-ok, Kim Jin-goo, Kim Keum-soon, Kim Shi-hoo, Kim Yoo-jung, Kim You-jung, Ko Chang-seok, Ko Su-hee, Koh Soo-hee, Kwon Yea-young, Lee Byung-joon, Lee Dae-yeon, Lee Seung-shin, Lee Yeong-ae, Lee Yong-nyeo, Lee Young-ae, Lim Su-gyeong, Min-sik Choi, Nam Il-woo, Oh Dal-su, Oh Gwang-rok, Oh Kwang-rok, Park Myung-shin, Ra Mi-ran, Ryoo Seung-wan, Seo Ji-hee, Seo Young-ju, Seung-Shin Lee, Seung-wan Ryoo, Shi-hoo Kim, Shin Ha-gyun, Shin Ha-kyun, Song Kang-ho, Su-hee Go, Toni Barry, Tony Barry, Won Mi-won, Yea-young Kwon, Yeong-ae Lee, Yoo Ji-tae, Yoon Jin-seo

Director: Chan-wook Park, Park Chan-wook

Rating: R

18. Decision to Leave, 2022

A twitchy, uncomfortable noir film for the digital age, Decision to Leave blends the trappings of a restless police procedural with an obsessive forbidden romance. Here, director Park Chan-wook flips every interrogation and piece of evidence on its head, pulling us away from the whodunit and towards the inherently invasive nature of a criminal investigation. It's a movie that remains achingly romantic even if everything about the central relationship is wrong. For detective Hae-jun and suspect Seo-rae (played masterfully by Park Hae-il and Tang Wei, respectively), the attraction between them is built entirely on distrust and suspicion—illustrating the danger of falling for the idea of someone rather than the person themself.

Genre: Crime, Drama, Mystery, Romance, Thriller

Actor: Ahn Seong-bong, Cha Seo-won, Choi Dae-hoon, Choi Sun-ja, Go Kyung-pyo, Go Min-si, Hwang Jae-won, Jeong Ha-dam, Jeong So-ri, Jin Yong-uk, Joo In-young, Jun Sung-ae, Jung Yi-seo, Jung Young-sook, Kim Do-yeon, Kim Mi-hwa, Kim Shin-young, Kwak Eun-jin, Kwon Hyuk, Lee Hak-joo, Lee Hak-ju, Lee Ji-ha, Lee Jung-hyun, Lee Yong-nyeo, Moon Jung-dae, Park Hae-il, Park Jeong-min, Park Yong-woo, Seo Hyun-woo, Shin An-jin, Tang Wei, Teo Yoo, Yoo In-hye, Yoo Seung-mok, Yoo Teo

Director: Park Chan-wook

Read also:

19. Train to Busan, 2016

A zombie virus breaks out and catches up with a father as he is taking his daughter from Seoul to Busan, South Korea’s second-largest city. Watch them trying to survive to reach their destination, a purported safe zone.

The acting is spot-on; the set pieces are particularly well choreographed. You’ll care about the characters. You’ll feel for the father as he struggles to keep his humanity in the bleakest of scenarios.

It’s a refreshingly thrilling disaster movie, a perfect specimen of the genre.

Genre: Action, Adventure, Drama, Horror, Science Fiction, Thriller

Actor: Ahn So-hee, An So-hee, Baek Seung-hwan, Cha Chung-hwa, Chang-hwan Kim, Choi Gwi-hwa, Choi Woo-shik, Choi Woo-sung, Dong-seok Ma, Eui-sung Kim, Gong Yoo, Han Ji-eun, Han Sung-soo, Jang Hyuk-jin, Jeon Ye-eun, Jeong Seok-yong, Jung Seok-yong, Jung Young-ki, Jung Yu-mi, Kim Chang-hwan, Kim Eui-sung, Kim Jae-rok, Kim Joo-heon, Kim Joo-hun, Kim Ju-hun, Kim Keum-soon, Kim Soo-ahn, Kim Soo-an, Kim Su-an, Kim Won-Jin, Lee Joo-sil, Lee Joong-ok, Ma Dong-seok, Park Myung-shin, Sang-ho Yeon, Seok-yong Jeong, Shim Eun-kyung, Sohee, Soo-an Kim, Soo-jung Ye, Terri Doty, Woo Do-im, Woo-sik Choi, Ye Soo-jung, Ye Su-jeong, Yeon Sang-ho, Yoo Gong, Yu-mi Jeong, Yu-mi Jung

Director: Sang-ho Yeon, Yeon Sang-ho

Rating: Not Rated

20. The Sympathizer, 2024

After the only war the Americans have lost, American post-Vietnam war portrayals tend to lean as patriotic revenge fantasies or romanticized disillusionment, but rarely do they portray the people caught in between. HBO’s The Sympathizer is an adaptation of the Pulitzer winning novel of the same name, and while it’s mainly an American production, Park Chan-wook and Robert Downey Jr.’s collaboration sticks to the Captain’s perspective, as the unnamed mole protagonist writes his confession years after from a jail in Vietnam. Chan-wook excellently mirrors his approach to Viet Thanh Nguyen’s agile storytelling, shifting time periods and languages the same way the Captain shifts perspectives, though Nguyen’s dry humor sometimes wavers when translated to the screen. Still, it’s certainly a well-crafted, ambitious depiction coming from a unique perspective.Genre: Comedy, Drama
Actor: Alan Trong, Duy Nguyen, Fred Nguyen Khan, Hoa Xuande, Kiều Chinh, Nguyễn Cao Kỳ Duyên, Phan Gia Nhật Linh, Robert Downey Jr., Sandra Oh, Toan Le, Vy Le
Rating: TV-MA

Read also:

21. Queenmaker, 2023

Full of twists and turns, Queenmaker is a corporate turned political K-drama where a corporate fixer plays campaign chess against her former employers and retail conglomerate the Eunsung Group. Centered on her and the earnest human rights lawyer she’s trying to get elected, the show has Do-hee mentoring Kyung-sook in the art of PR, this time for the good. Even as the show reuses the genre’s classic tropes, the series’ plot points are entertaining, with each new twist naturally occurring as each side tries to dig dirt on the other and use it for political clout. It’s one of the most intriguing K-dramas we’ve seen this year.

Genre: Drama

Actor: Hyun Bong-sik, Jin Kyung, Kim Hee-ae, Kim Sae-byuk, Lee Kyung-young, Moon So-ri, Ok Ja-yeon, Ryu Soo-young, Seo Yi-sook

Rating: TV-MA

22. Okja, 2017

Director Bong Joon-ho (Snowpiercer) does something quite amazing with the $50 million budget Netflix gave him: he makes a simplistic movie. But man, is it good. Okja tells the story of a “super pig” experiment that sends genetically modified pigs to top farmers around the world. In Korea, a farmer’s granddaughter forms a special relationship with one of these super pigs (Okja). When the company who originally ran the experiment want their pig back (performances by Jake Gyllenhaal and Tilda Swinton) – the two find an ally in an animal advocacy group led by Jay (Paul Dano). This is a straightforward movie, but nevertheless it is entertaining and full of thought-provoking themes and performances from an excellent cast.

Genre: Action, Adventure, Drama, Fantasy, Science Fiction

Actor: Adam Auslander, Ahn Seo-hyun, Ahn Seong-bong, Amber Snow, An Seo Hyun, Andreas Fronk, Ann Evans, Barbara Wallace, Bettina Skye, Boyd Ferguson, Byun Hee-bong, Byun Heebong, Carl Montoya, Cho Wan-ki, Choi Hee-seo, Choi Woo-shik, Colm Hill, Cory Gruter-Andrew, Daniel Henshall, David Bloom, Devon Bostick, Eha Urbsalu, Erik De Boer, Faith Logan, Giancarlo Esposito, Han Yi-jin, J. C. Williams, Jake Gyllenhaal, Jamar Greene, Kathryn Kirkpatrick, Kim Chul-moo, Kim Moon-hak, Kim Woo-hyeon, Kristoffe Brodeur, Kwak Jin-seok, Kyul Hwi, Lee Bong-ryeon, Lee Jung-eun, Lena Avgust, Lily Collins, Luis Javier, Lynn Marocola, Martin Lo Rimorin, Michael D. Joseph, Michael Mitton, Milo Shandel, Myles Humphus, Nancy Amelia Bell, Niall Cunningham, Park Jeong-gi, Park Ji-hoon, Park Keun-rok, Paul Dano, Pavla Tan, Phillip Garcia, Rebecca Husain, Rickland Powell, Seo-Hyun Ahn, Shirley Henderson, Steven Garr, Steven Yeun, Tilda Swinton, Waris Ahluwalia, Woo Shik Choi, Yoon Je Moon, Yoon Kyung-ho

Director: Bong Joon-ho, Joon-ho Bong

Rating: TV-MA

Read also:

23. My Love: Six Stories of True Love, 2021

This docuseries follows six couples from Japan, the U.S., Spain, Brazil, and India, as they share their stories of a lifelong partnership.

It might sound like any other Netflix Original, but there are no twists or turns, and it never feels forced or aimed at a trend. Instead, it’s a mirror of the peacefulness that the couples have built together: a tender and simple existence that’s impossible not to aspire to.

The first episode follows a couple in Vermont who maintained the last farm in their area until passing it on to their son. Once high-school sweethearts, Ginger and David went on to have six children, and stay married for 60 years.

This life of quiet doesn’t necessarily mean an easy life, especially as the two have to pick between expenses like affording care or getting their grandchildren birthday gifts. Their biggest concern at this point is making it easy for their children after their passing, which carries its own weight.

Genre: Documentary, Reality, Romance

Director: Carolina Sá, Chico Pereira, Deepti Kakkar, Elaine McMillion Sheldon, Fahad Mustafa, Hikaru Toda, Jin Mo-young

Rating: TV-PG

24. Move to Heaven, 2021

In Move to Heaven, a man and his son clean up after the dead—specifically, the dead who have no one else to look out for them. Believing that no one should be robbed of a respectable farewell, they piece together the deceased’s possessions and celebrate them postmortem. It’s a noble job, but its existence is threatened when the father passes away. It’s now up to the ruffian uncle with a heart of gold to continue the business and bond with his nephew, who himself struggles with Asperger's.

It’s easy for Move to Heaven to feel weighed down by all the important stories it tries to tackle; represented here are disabled people, depressed people, queer people, overworked people. But it breathes so much life into these stories that they hardly feel like the drag other shows and movies make them out to be. Tragedy here is expertly blended with humanity, and the result is a moving and compassionate series that stands out even in the saturated content space that is Netflix.

Genre: Drama, Family, Reality

Actor: Hong Seung-hee, Im Won-hee, Jeong Seok-yong, Ji Jin-hee, Jung Ae-yeun, Jung Young-joo, Lee Jae-wook, Lee Je-hoon, Lee Moon-sik, Tang Jun-sang

Director: Kim Sung-ho

Rating: Not Rated

Read also:

25. House of Hummingbird, 2019

It’s 1994, and Seoul is facing massive, rapid changes. The unrest is reflected by a lot of its residents, including Eun-hee, a disaffected teen with a less-than-stellar home and school life. She manages to get by with the help of friends and lovers, that is until they change too, and Eun-hee is forced to grapple with the volatility of it all.

Sensitively told and genuinely captivating, House of Hummingbird is a stellar debut by writer-director Kim Bo-ra. Her command shines in how young actress Park Ji-hoo dynamically portrays Eun-hee, in how the story meanders but never loses footing, and in how each frame displays a quiet gorgeousness as the primary colors of her youth pop against the faded backdrop of urbanized Seoul. The delicate balance of all these elements is sure to evoke a sincere, profound feeling in every viewer.

Genre: Drama

Actor: In-gi Jeong, Jeong In-gi, Jung In-gi, Kil Hae-yeon, Kim Jong-goo, Kim Mi-hyang, Kim Sae-byuk, Lee Jong-yoon, Lee Seung-yeon, Park Ji-hu, Park Seo-yoon, Park Soo-yeon, Park Yoon-hee, Seol Hye-in, Son Sang-yeon

Director: Kim Bora

26. Extraordinary Attorney Woo, 2022

Despite their rising popularity, K-dramas have sustained a reputation for being, at times, too sentimental for their own good. Extraordinary Attorney Woo is not exempt from that tendency, but when it does shoot for schmaltz, it makes sure to aim right at your heart. Thanks to clever twists and moving performances across the board, Extraordinary Attorney Woo is an excellently emotional series. Every romantic encounter will make you swoon, every courtroom scene will have you cheer, and every ending will leave you in tears.

Moreover, it’s not a show that simply happens to be about lawyers. It is a law procedural that deals with each new case with the utmost care. It’s smart and educational, with the proceedings and resolutions blending seamlessly into the characters’ own arcs.

There’s something for everyone in this series, and it’s sure to be an easy favorite for one reason or another.

Genre: Comedy, Drama

Actor: Baek Ji-won, Ha Yoon-kyung, Im Sung-jae, Jeon Bae-soo, Jin Kyung, Joo Hyun-young, Joo Jong-hyuk, Kang Ki-young, Kang Tae-oh, Park Eun-bin

Director: Yoo In-sik

Rating: TV-14

Read also:

27. Snowpiercer, 2014

Snowpiercer is an under-the-rader post-apocalyptic thriller that offers the grittiness that many times only Asian cinema may achieve. South Korean director Joon-ho Bong forces audiences to forget that Chris Evans was ever a Marvel superhero, as he leads a revolt of his fellow “low-class” citizens against the self-appointed gentry in a train that contains all remaining members of the planet. With immersive environments and a layered script, this film melds together social commentary and moral discourse in a visually arresting and vastly entertaining package.

Genre: Action, Drama, Mystery, Science Fiction

Actor: Adnan Haskovic, Alison Pill, Chris Evans, Clark Middleton, Dana Green, Ed Harris, Emma Levie, Ewen Bremner, Go A-sung, Go Ah-sung, Griffin Seymour, Jamie Bell, Jim High, John Hurt, Joseph Bertót, Kendrick Roger Ong, Kenny Doughty, Ko A-sung, Ko Asung, Luke Pasqualino, Luna Sophia Bar-Cohen, Magda Weigertová, Marcanthonee Reis, Octavia Spencer, Parry Shen, Paul Lazar, Peter Hallin, Robert Russell, Sean Connor Renwick, Seisuke Tsukahara, Song Kang-ho, Stephen Park, Steve Park, Tilda Swinton, Tomáš Dianiška, Tómas Lemarquis, Tyler John Williams, Vlad Ivanov

Director: Bong Joon-ho

Rating: R

28. Marry My Husband, 2024

Abuse can manifest itself in subtle ways that can be hard to recognize, especially when you’re used to the behavior. Marry My Husband takes the familiar downtrodden female lead we’ve seen in K-dramas, but gives her a do-over, another chance to escape her abuse not just by romance, but by recontextualizing the Cinderella-esque hardships and allowing her, and us, to recognize abuse for what it is. The show is able to navigate all this without letting go of its breezy approach, and it’s just so satisfying to see Ji-won actively and successfully achieve her revenge.

Genre: Drama, Sci-Fi & Fantasy

Actor: Gong Min-jeung, Kwon BoA, Lee Gi-kwang, Lee Yi-kyung, Na In-woo, Park Min-young, Song Ha-yoon

Director: Park Won-gook

Read also:

29. Death’s Game, 2023

When life gets tough, especially without money or opportunities, it can be hard to cling onto life. There’s the real temptation to end it all, but what if Death is tired of this last resort? Death’s Game reimagines life after Choi’s suicide as a video game, whose limited lives function like reincarnation into different save points, and whose game over means eternal damnation in hell. With such an interesting premise from the popular webtoon, some of the best actors in Korea, and no way of being able to predict what would happen in Choi’s multiple, varied lives, Death’s Game reinvents plenty of today’s K-Drama tropes while possibly reconceptualizing how we feel about life and death… if it’s able to stick the landing when the second half drops this January.

Genre: Drama, Sci-Fi & Fantasy

Actor: Choi Si-won, Go Youn-jung, Jang Seung-jo, Kim Jae-wook, Kim Ji-hun, Kim Kang-hoon, Kim Mi-kyeong, Lee Do-hyun, Lee Jae-wook, Nam Kyung-eup, Oh Jung-se, Park So-dam, Seo In-guk, Sung Hoon, Yoo In-soo

Director: Ha Byung-hoon

30. Star Wars: Visions, 2023

More a showcase of various styles of animation than an expansion of Star Wars lore (and all the better for it), Visions finds some of the freshest expression for these tired tropes—rendered in what are easily the best visuals this franchise has ever seen. Across the 18 episodes of its first two seasons, the series communicates the mystical nature of this universe with much more ease than the live-action films do. And even as Visions begins to repeat some of the exact same ideas and story structures in multiple episodes, the repetition also begins to feel like the reinforcement of a universal narrative throughout time and space: there will always be light that will counter the darkness, often coming from the bonds between family and friends.

Genre: Action & Adventure, Animation, Sci-Fi & Fantasy

Read also:

1 2 3 4 5 6 … 8