41 Best Movies to Watch From Norway (Page 2)

Staff & contributors

This Oscar-nominated drama tells the story of the events leading up to the Srebrenica massacre, in which 8372 Bosnian Muslims were killed. It focuses on one U.N. worker who was caught between trying to protect her family, herself, and helping people in need.

The film is as horrific as it is relevant: up until the actual killing starts, people are constantly being assured that everything is under control and that there is no reason to panic. This gives an eerie feeling of resemblance to the tone many minorities in distress receive nowadays.

Still, Quo Vadis, Aida? stops at depicting any of the acts that were committed that day. Instead, it focuses on Aida’s unrelenting race against the clock to save whatever she can.

Genre: Drama, History, War

Actor: Alban Ukaj, Boris Isaković, Boris Ler, Dino Bajrović, Dražen Pavlović, Emina Muftić, Emir Hadžihafizbegović, Ermin Bravo, Ermin Sijamija, Izudin Bajrović, Jasna Đuričić, Job Raaijmakers, Joes Brauers, Johan Heldenbergh, Juda Goslinga, Micha Hulshof, Raymond Thiry, Reinout Bussemaker, Rijad Gvozden, Sanne den Hartogh, Sol Vinken, Teun Luijkx

Director: Jasmila Žbanić

As courageous now as it was when it was first released domestically in the Philippines, Aswang stands as an essential act of bearing witness to a "war on drugs" that the government continues to deny or justify to this day. Director Alyx Arumpac remains firmly by the side of these ordinary people who have to live through the nightmare of their friends, relatives, and neighbors being slaughtered in the streets. There seems to be little editorializing on the part of the filmmakers, as they allow the people to walk us through their own stories—even if larger powers would have us believe that the poor are dangerous, volatile, and in need of disciplining through death. It's a harrowing watch that presents on-the-ground stories with clarity, tenacity, and a surprising level of polish to boot.

Genre: Documentary

Actor: Ciriaco Santiago III, Ezra Acayan, Jomari, Orly Fernandez, Vincent Go

Director: Alyx Ayn Arumpac

This gorgeous Scandinavian movie is based on a true story and stars the ever-reliable Stellan Skarsgard.

He plays the governor of a strict youth correctional facility in Norway in 1915. The arrival of a feared kid kickstarts events that are very famous in Norway but little-known elsewhere: an uprising within the facility that will eventually require the army to get involved. A strong movie with stellar (Stellan) performances.

Genre: Action, Drama

Actor: Benjamin Helstad, Ellen Dorrit Petersen, Frank-Thomas Andersen, Kimmo Rajala, Kristoffer Joner, Magnar Botten, Martin Slaatto, Per Gørvell, Stellan Skarsgård, Trond Nilssen

Director: Marius Holst

Rating: Not Rated

Filmed as a “found footage” of a Norwegian college film crew investigating local poachers, this movie really surprised me. To be fair, I didn’t really know what to expect. But I definitely didn’t expect to like this movie as much as I did. The pacing is on point. The suspense hits you at just the right times. There are a few drops of humour trickled throughout to keep a smile on your face. And that’s how my face stayed when the credits rolled.

Genre: Action, Comedy, Drama, Fantasy, Horror

Actor: André Øvredal, Anton Yelchin, Eirik Bech, Glenn Erland Tosterud, Hans Morten Hansen, Inge Erik Henjesand, Johanna Mørck, Johanna Mørck, Kelsey Grammer, Knut Nærum, Knut Nærum, Lexi Medrano, Otto Jespersen, Robert Stoltenberg, Tomas Alf Larsen, TomTom Jorgensen, Torunn Lødemel Stokkeland, Urmila Berg-Domaas

Director: André Øvredal, André Øvredal

Rating: PG-13

The Painter and the Thief opens with a great hook: an artist tracks down and confronts the man who stole her painting. In a surprising turn, the two become close and develop an intimacy that deepens when she begins to paint the troubled man.

Yet, director Benjamin Ree pushes past where other documentarians would have been content to stop, and instead begins to deconstruct the very narrative we’ve followed up till now. At its core, this is a film about the way we tell stories about ourselves and others, and how often people don’t fit into the neat categories we set out for them.

Genre: Documentary, Drama

Actor: Bjørn Inge Nordland, Karl-Bertil Nordland

Director: Benjamin Ree

In 1994, Danish auteur Lars von Trier came up with a TV series called The Kingdom, an absurd supernatural comedy that takes place in a rundown hospital in Copenhagen. The show was well-received enough to warrant a second season, but just as von Trier was polishing up the third and final installment, the deaths of more than one lead actor pressed pause on the project, till now.

More than 10 years in the making, The Kingdom part III, also called Exodus, is still very much centered on the weird patients and staff members that populate the Riget hospital, as well as the possible evil buried beneath it. The comedy/horror has a robot dishwasher and a giant head. Danes and Swedes are perennially at war with each other. Willem Dafoe and Alexander Skarsgard make odd cameos.

I’m not sure it’s possible to write a coherent synopsis without sounding like I’ve fallen off the rails, but know that it is a unique headscratcher of a show, more interesting as an experience than anything else. Von Trier was also openly inspired by Twin Peaks, in making it, so David Lynch fans in particular will truly enjoy diving into this world.

Genre: Comedy, Drama, Fantasy, Horror, Mystery, Thriller, TV Movie

Actor: Annevig Schelde Ebbe, Baard Owe, Benny Hansen, Benny Poulsen, Birgitte Raaberg, Birte Tove, Claus Nissen, Claus Strandberg, Danica Curcic, Dick Kaysø, Else Petersen, Erik Wedersøe, Ernst-Hugo Järegård, Finn Nielsen, Ghita Nørby, Gordon Kennedy, Helle Virkner, Henning Jensen, Henrik Koefoed, Holger Juul Hansen, Holger Perfort, Jens Okking, Julie Wieth, Kirsten Rolffes, Kurt Ravn, Lars Lunøe, Lars von Trier, Laura Christensen, Lene Vasegaard, Lise Schrøder, Mette Marckmann, Mette Munk Plum, Michael Moritzen, Morten Eisner, Nis Bank-Mikkelsen, Ole Boisen, Ole Dupont, Otto Brandenburg, Paul Hüttel, Peter Gilsfort, Peter Mygind, Solbjørg Højfeldt, Solveig Sundborg, Søren Elung Jensen, Søren Hauch-Fausbøll, Søren Pilmark, Søren Steen, Thomas Bo Larsen, Tove Maës, Udo Kier, Ulrik Cold, Vic Carmen Sonne, Vita Jensen, Willem Dafoe

Director: Lars von Trier, Morten Arnfred

Rating: TV-MA

The Innocents is a Norweigan thriller that follows four kids who discover they have supernatural powers over the summer. They play around and experiment in the woods nearby, but what begins as harmless fun quickly develops into something much more disturbing and sinister.

This unnerving film, a blend of fantasy and horror, doesn't waste time explaining the origins of its mysticism. Instead, it goes straight into action—bending, twisting, and splitting open anything and anyone that gets in its way. This kind of rawness is shocking given the age range of the characters, but it also works to subvert what we've come to expect from kids, youth, and goodness. The Innocents isn't for the faint of heart, but if you can manage some bloody and unhindged scenes, then it's sure worth checking out. Directed by Eskil Vogt, co-writer of critically-acclaimed films like Thelma and The Worst Person in the World

Genre: Drama, Fantasy, Horror, Thriller

Actor: Alva Brynsmo Ramstad, Ellen Dorrit Petersen, Irina Eidsvold Tøien, Lisa Tønne, Marius Kolbenstvedt, Mina Yasmin Bremseth Asheim, Morten Svartveit, Rakel Lenora Fløttum, Sam Ashraf

Director: Eskil Vogt

One woman’s main character syndrome reaches shocking lows in this vicious Norwegian satire of social-media-era narcissists. Signe (Kristine Kujath Thorp) and her artist boyfriend Thomas (Eirik Sæther) are a deeply toxic couple who torture everyone around them with their constant, petty one-upmanship. When he lands a flashy magazine spread, though, Signe’s usual tactics for slyly redirecting attention her way don’t cut it anymore, and so this compulsive liar takes drastic action and begins overdosing on pills banned for their serious dermatological side effects.

Signe's Munchausen-esque actions have their desired effect: the physically dramatic results instantly make her the center of attention — but not indefinitely. As she craves increasingly bigger spotlights, the film toggles between reality and scenes from her imagination, including a morbid sexual fantasy in which her funeral proves so popular the priest becomes a bouncer, turning away sobbing mourners whom Signe noticed hadn’t visited her in hospital. The rampant narcissism on display here is at turns hilarious and excruciating: Sick of Myself’s sharp social observation skills make it feel, in places, like a movie by cringe-master Ruben Östlund. That stomach-turning effect carries through to the ending, which darkly suggests that, for someone like Signe, even narcissism itself is a condition that can be weaponized for attention.

Genre: Comedy, Drama

Actor: Anders Danielsen Lie, Andrea Bræin Hovig, Erlend Mørch, Fredrik Stenberg Ditlev-Simonsen, Henrik Mestad, Ingrid Vollan, Kristine Kujath Thorp, Kristoffer Borgli, Robert Skjærstad, Sarah Francesca Brænne, Seda Witt, Steinar Klouman Hallert, Terje Strømdahl

Director: Kristoffer Borgli

This coming-of-age story starts in the present time, where Elle Marja, now a grandmother, reluctantly goes to her sister's funeral held by her old indigenous Sámi community in Northern Sweden. Understanding her reluctance requires going back to when Elle Marja was 14 and was preparing to go to boarding school with her little sister. These schools were racist establishments meant to integrate the Sámi children into Swedish culture and language, while at the same time limiting their prospects of seeking further education. Elle Marja and her sister chose to respond to this discrimination in two completely different ways that this movie explores without judgment. The central performance of the young girl is incredible.

Genre: Drama

Actor: Ánne Biret Somby, Maj-Doris Rimpi, Olle Sarri

Director: Amanda Kernell

, 2021

Gunda offers an empathetic look at the lives of farm animals with its minimalist approach to the nature doc. Director Victor Kossakosvsky films without a sentimental score or voice-over narration, and shoots in a sparse yet striking black and white. This decision gives the film an intimacy often missing from more traditional modes. 

We watch a sow named Gunda, her piglets, and a few other animals through their daily routines. Long natural sequences allow the viewer to sink into the zen of the animals’ natural rhythms. The result is an astounding and bittersweet film that hints at the brutalities of factory farming without ever stepping foot in a slaughterhouse.

Genre: Documentary, Drama

Director: Viktor Kossakovsky

, 2014

I always seek out Icelandic films; something about the quality of light and quirky sensibility that appeal to me. Having developed a fondness for sheep on a recent Welsh trek, "Rams" had a double attraction. A tale of brothers divided by life but ultimately united in and by their deep, tender, inspiring love of their rams. Close to perfection. Sigurdur Sigurdurjonsson is luminous in the lead role.

Genre: Drama

Actor: Þorleifur Einarsson, Charlotte Bøving, Charlotte Bøving, Gunnar Jonsson, Ingrid Jonsdottir, Jon Benonysson, Jorundur Ragnarsson, Sigurður Sigurjónsson, Sigurður Sigurjónsson, Sveinn Olafur Gunnarsson, Theodór Júlíusson, Thorleifur Einarsson, Þorsteinn Gunnar Bjarnason

Director: Grímur Hákonarson

Rating: R

Somehow an art house film, horror, and romance all in one, Let the Right One In explores the boundaries of its genres with unprecedented finesse, and offers a stunning alternative for those disappointed with recent vampire love stories. From its haunting minimalist imagery to its incredible score, it is persistently beautiful. The film follows twelve-year-old Oskar and Eli, drawing on numerous aspects of traditional undead lore, and still manages an impressive feat in feeling entirely fresh and devoid of cliche. Those in search of a terrifying movie might need to look elsewhere, but if what you're looking for is simply a great watch, don't pass this one up.

Genre: Drama, Horror

Actor: Anders T. Peedu, Henrik Dahl, Ika Nord, Johan Sömnes, Kåre Hedebrant, Karin Bergquist, Karl-Robert Lindgren, Lina Leandersson, Malin Cederblad, Mikael Rahm, Pale Olofsson, Patrik Rydmark, Per Ragnar, Peter Carlberg, Tom Ljungman

Director: Tomas Alfredson

Rating: R

Nisha, the daughter of conservative Pakistani immigrants in Oslo, finds ways to secretly go out with her Norwegian friends. She goes to parties, plays basketball, and dates.

One day, Nisha’s father catches her with a boy, bringing what he perceives as a great shame to the family. Nisha’s delicate balance is broken, and her family acts drastically: without telling her about their plans, they move her to Pakistan.

What Will People Say is based on its director and writer Iram Haq’s own experience being kidnapped to Pakistan and going back to Norway at age 16.

Genre: Drama

Actor: Adil Hussain, Assad Siddique, Ekavali Khanna, Farrukh Jaffar, Jan Gunnar Røise, Jannat Zubair Rahmani, Kjersti Elvik, Lalit Parimoo, Maria Bock, Maria Mozhdah, Rohit Saraf, Sara Khorami, Sheeba Chaddha, Sunakshi Grover, Trine Wiggen

Director: Iram Haq

Rating: 12

If you like: weird movies and / or Scandinavian mythology, this movie is for you. It's about unusual looking border agent with super-human abilities (such as smelling fear and shame) who meets someone like her for the first time There is a big revelation in Border that I can't share but while this movie was directed by an Iranian (Ali Abbasi), it's deeply rooted in Swedish folklore. Themes of identity, gender, and otherness intersect through a thrilling script and beautifully-shot nature scenes.

Genre: Crime, Drama, Fantasy

Actor: Andreas Kundler, Ann Petrén, Åsa Janson, Donald Högberg, Eero Milonoff, Eva Melander, Henrik Johansson, Ibrahim Faal, Jörgen Thorsson, Josefin Neldén, Kardo Razzazi, Kjell Wilhelmsen, Krister Kern, Matti Boustedt, Natalie Minnevik, Rakel Wärmländer, Robert Enckell, Sten Ljunggren, Tomas Åhnstrand, Viktor Åkerblom, Viktor Åkerblom-Nilsson

Director: Ali Abbasi

Rating: R