61 Best Movies to Watch From Ireland (Page 4)

Based on the true story of Daniel “Rudy” Rettinger, this biographical movie follows young Rudy as he pursues his childhood dream of playing football for Notre Dame, despite significant obstacles and copious discouragement from those around him. The movie works not by hitching the action to any major sequences of ball play, but rather to the most remarkable feature of the story: the sheer determination of the title protagonist. The film’s success also largely comes down to a fantastically consistent and earnest performance by Sean Astin, who outshines a very talented supporting cast to the legendary, crowd-stirring end.

Genre: Crime, Drama, History, Romance, Thriller

Actor: Amy Pietz, Charles S. Dutton, Chelcie Ross, Christopher Erwin, Christopher Reed, David Anspaugh, Deborah Wittenberg, Forest Whitaker, Gerry Becker, Greta Lind, Jason Miller, Jim Broadbent, John Beasley, Jon Favreau, Kevin Duda, Lauren Katz, Lili Taylor, Luke Massery, Mary Ann Thebus, Miranda Richardson, Mitch Rouse, Ned Beatty, Ralph Brown, Robert J. Steinmiller Jr., Robert Prosky, Ron Dean, Scott Benjaminson, Sean Astin, Stephen Rea, Vince Vaughn

Director: David Anspaugh, Neil Jordan

Rating: PG

Irish director Lorcan Finnegan's follow-up to the social dystopia Vivarium, too, centers around the trials and tribulations of a nuclear family. Overwhelmed by work and struck by an inexplicable disease, Christine (played by Eva Green) seems to have forgotten she employed a caretaker for her daughter Bobs. The plot thickens when a Filipino woman named Diana rings the door bell: what kind of mother forgets something like that? What follows is as nightmarish as it sounds, the film's visual potency summoning one's deepest fears and anxieties about reality slipping away. Green and Chai Fonacier (Diana) play an exquisite game of cat and mouse, but even the psychological thrill of that chase is not significant enough to overthrow the dubious racial politics at play. By the end, Nocebo makes an effort to position itself on the right side of history, but the power of its political critique wanes and wanes.

Genre: Horror, Mystery, Thriller

Actor: Angie Ferro, Anthony Falcon, Billie Gadsdon, Carla Martinez, Cathy Belton, Chai Fonacier, Eva Green, Mark Strong

Director: Lorcan Finnegan

This  exploration of the complex and loving relationship between a mother and her son will take you through a variety of emotions: it's uplifting, disturbing, provocative, sad, and hopeful. We don't get many of these middle-class-budget films anymore, and this one might be one of the category's best.

A kidnapped girl (Brie Larson) has a son after being raped by her abductor. She tries to provide a "normal" environment for the kid in the room where they're being held captive until they can escape. Brie Larson won an Oscar for Best Actress in Room, so make sure to also check out Short Term 12, an equally impressive performance by her in an equally amazing movie.

Genre: Drama, Thriller

Actor: Amanda Brugel, Brie Larson, Cas Anvar, Chantelle Chung, Graeme Potts, Jack Fulton, Jacob Tremblay, Jee-Yun Lee, Joan Allen, Joe Pingue, Justin Mader, Kate Drummond, Katelyn Wells, Matt Gordon, Megan Park, Ola Sturik, Randal Edwards, Rodrigo Fernandez-Stoll, Rory O'Shea, Sandy McMaster, Sean Bridgers, Tom McCamus, Wendy Crewson, William H. Macy, Zarrin Darnell-Martin

Director: Lenny Abrahamson

Rating: R

With a great cast, a relevant story, and a stirring romance, The Boxer is all set to be a great film, but the resulting feature feels like a letdown. Irish director Jim Sheridan has teamed up with English actor Daniel Day Lewis for a feature depicting the Troubles in Northern Ireland, and for the most part, it’s decently made, but the film struggles to balance the romance and the politics of its story, with Day Lewis’ boxing lagging behind. There are plenty of interesting threads here– the right to self-determination, on both the individual and national level, the loss of youth, and the way war makes cities turn on themselves– which are all emotionally carried by the performances, but the structure fails to organize these ideas into a daring and cohesive statement. The Boxer isn’t a terrible watch, but it just feels like it could have delved more deeply into the conflict, or better yet, could have been at least two separate movies.

Genre: Drama, Romance

Actor: Brian Cox, Brian Milligan, Britta Smith, Ciarán Fitzgerald, Daniel Day-Lewis, David Hayman, Des Braiden, Don Foley, Eleanor Methven, Emily Watson, Frances Tomelty, Gavin Kennedy, Gerard McSorley, Ian McElhinney, Jer O'Leary, Joan Sheehy, John Cowley, John Wall, Ken Stott, Kenneth Cranham, Liam Carney, Lorraine Pilkington, Maria McDermottroe, Mark Mulholland, Mick Tohill, Niall Shanahan, Nye Heron, Paul Ronan, Peter Sheridan, Tom Bell, Tom Maguire, Veronica Duffy, Vinny Murphy

Director: Jim Sheridan

Rating: R

In Marlowe, Liam Neeson joins the lofty lineup of actors who have stepped into the shoes of Raymond Chandler's titular detective, famously played by Humphrey Bogart, Robert Mitchum, and Elliott Gould. These are big boots to fill — and, if you’ve been paying attention to Neeson’s career over the last decade or so, you’ll be aware that he hasn’t exactly been stretching himself, dramatically speaking.

But Marlowe is something of a happy anomaly in Neeson’s filmography, because it has more than just adrenaline-pumping ambitions. Written by director Neil Jordan (of Michael Collins fame) and William Monahan (the screenwriter behind The Departed), the 1930s Hollywood-set plot is steeped in noir’s characteristic cynicism, giving it the seductive pull of that well-loved genre. It’s true that a not insignificant portion of the dialogue is so hard-boiled you can see the cracks — a clunkiness that’s repeated in a couple of the phoned-in supporting performances and the movie’s awkward action sequences. However, with a couple of bright spots in the starry cast, handsome production values, and a labyrinthine plot that just about passes muster as homage and not muddle, there are enough noir trappings here to keep the movie slinking along well enough, even if it ultimately isn't nearly as memorable as Marlowe’s previous screen incarnations.

Genre: Crime, Mystery, Thriller

Actor: Adewale Akinnuoye-Agbaje, Alan Cumming, Alan Moloney, Colm Meaney, Daniela Melchior, Danny Huston, Darrell D'Silva, Diane Kruger, François Arnaud, Gary Anthony Stennette, Ian Hart, Jessica Lange, Julius Cotter, Kim DeLonghi, Liam Neeson, Mark Schardan, Michael Garvey, Minnie Marx, Mitchell Mullen, Patrick Muldoon, Roberto Peralta, Seána Kerslake, Stella Stocker, Tony Corvillo

Director: Neil Jordan

Rating: R

This biopic of the little-known Chevalier de Saint-Georges, the world’s first prominent Black classical composer, opens with a fierce indictment of history’s ignorance of its subject. Even if it’s one example of the movie’s dramatic license-taking, the scene — in which the Chevalier (Kelvin Harrison Jr.) challenges his eminent contemporary Mozart to an onstage musical “duel” and easily bests him — is a dramatically thrilling statement of intent for the movie.

Unfortunately, the rest of its overlong runtime doesn’t quite fulfill the promise of that opener. That’s largely because of the writing, which leaves uber-talented performers like Harrison Jr. with only a limited range of notes to play. What’s more, Chevalier stops short of exploring some of the most fascinating facts of its multihyphenate subject’s life — like the role he played in the French Revolution, commanding the first all-Black regiment in Europe — in favor of hewing to a predictable screenwriting formula that demands a romantic element to the plot, even if the one in question is only thinly backed by actual evidence. Still, while some of Chevalier’s filmmaking choices seem to misjudge what makes its subject so interesting, the key facts of his life — his extraordinary skill at music and fencing, the role racism played in blocking his greatest ambitions — still get enough exposure here to make it an enlightening watch.

Genre: Drama, History, Music

Actor: Alec Newman, Alex Fitzalan, Ben Bradshaw, Henry Lloyd-Hughes, Jessica Boone, Jim High, Joseph Prowen, Kelvin Harrison Jr., Lucy Boynton, Marton Csokas, Minnie Driver, Ronkẹ Adékoluẹjo, Sam Barlien, Samara Weaving, Sian Clifford

Director: Stephen Williams

As far as destination romantic comedies go, Irish Wish is at least self-aware enough to commit to its corniness without making its characters too insufferable to follow. For once avoidable misunderstandings don't drive the conflict, as the story progresses as one extended "be careful what you wish for" journey of self-discovery. Still, one can't help but feel like this exact same message could have been told even without the central fantasy plot device—and it probably would have earned its resolutions much more this way. Every move the film makes is predictable, but it definitely still possesses the energy of a group of filmmakers who probably enjoyed their time making it.

Genre: Comedy, Fantasy, Romance

Actor: Alexander Vlahos, Ayesha Curry, Carl Shaaban, Dakota Lohan, Dawn Bradfield, Ed Speleers, Elizabeth Tan, Jacinta Mulcahy, James Rottger, Jane Seymour, Lindsay Lohan, Matty McCabe, Maurice Byrne, Steve Hartland, Tim Landers

Director: Janeen Damian

Rating: PG