68 Best Movies to Watch From India (Page 5)

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61. P.I. Meena, 2023

It definitely has all the hallmarks of a mystery series—intertwining investigations, corruption at the police level and higher, a dark past that vaguely reflects the central cast—but there's something about P.I. Meena that keeps it from being more than just a collection of genre markers. It neither feels urgent nor specific enough to separate itself from so many similar shows, and it often jumbles up the stories it tries to tell, leading to a fluctuating tone and hurried pacing. Tanya Maniktala makes for a charming lead, but she can't help but be overwhelmed by the show's attempts to hit the familiar beats we expect to see.

Genre: Crime, Drama, Mystery

Actor: Jisshu Sengupta, Parambrata Chatterjee, Samir Soni, Tanya Maniktala, Vinay Pathak, Zarina Wahab

Director: Debaloy Bhattacharya

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62. Pippa, 2023

If Pippa makes one crucial mistake that derails its drama, it's not that the film opens with a violent but necessary scene of Bangladeshi people being massacred by Pakistani troops. It's that the film never actually returns to any Bangladeshi characters, instead becoming an overly familiar story about more privileged soldiers and their sacrifices as they get to act as heroes to the camera. It's executed fairly well, with a good bit of suspense as the larger objective focuses up into a specific rescue mission. But even the flashiest production design and the most unique tank-based action can't get rid of the nagging feeling that we're being told a much less important story. In the end, this is still about the glory of military service for a greater good, which just isn't the most interesting direction for this film to take.

Genre: Drama, War

Actor: Avijit Dutt, Chandrachoor Rai, Inaamulhaq, Ishaan Khattar, Kamal Sadanah, Mrunal Thakur, Priyanshu Painyuli, Soham Majumdar, Soni Razdan

Director: Raja Menon

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63. Choona, 2023

As far as heist stories go, Choona gets points for placing so much importance on the act of getting its team together. The first two episodes watched for this review don't advance forward in plot as much as they pivot from one point of view to another around the same moments in time. Unfortunately, because the series is so particular about its own structure, it loses sight of the reasons why we should be emotionally invested in the heist in the first place. There is a world of gang violence sketched out in these early episodes, but little sense of what's actually at stake. And with the show's over-reliance on voiceover narration, Choona sucks the tension out of its plot, as this seemingly omniscient voice constantly keeps us at a distance.

Genre: Comedy, Crime, Drama

Actor: Aashim Gulati, Arshad Warsi, Atul Srivastava, Jimmy Shergill, Namit Das, Vikram Kochhar

Director: Pushpendra Nath Misra

Rating: TV-MA

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64. Irugapatru, 2023

Starting out with an ad for the protagonist’s practice, Irugapatru clearly advocates for couples therapy and marriage counseling. Dr. Mitra even recommends it as a preventative measure, not just as a cure. However, this well-meaning objective doesn’t feel like it’s been met. The film showcases common fights and situations that any couple might be familiar with, but these instances come and go without seeing any development within each marriage. It dumps a set of psychology theories and therapeutic strategies that might be useful, but it seems to come out of nowhere. But most of all, these relationships don’t feel real, because the characters themselves don’t feel like people, they feel like examples. Because of this, Irugapatru doesn’t really explore couples therapy, it only prescribes it without recognizing the love that was lost.

Genre: Drama, Family, Romance

Actor: Abarnathi, Manobala, Saniya Iyyappan, Shraddha Srinath, Sri, Vidharth, Vikram Prabhu

Director: Yuvaraj Dhayalan

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65. BRO (2023)

Remaking his own 2021 Tamil film, director Samuthirakani presents BRO, a Telugu adaptation that doesn’t compare to its original. The premise itself had proven potential, but instead of understanding Mark’s struggle as a breadwinner who took care of his family after the death of their father, the film offers spectacle in response. The larger-than-life, supernatural scenes could have worked, had the film dedicated them for character development (and a bit more time on the VFX). With the backing of the global giant Netflix, and the critical acclaim towards the original film, it’s a wonder how a film like BRO could end up this way.

Genre: Comedy, Drama, Fantasy

Actor: Ketika Sharma, Pawan Kalyan, Priya Prakash Varrier, Sai Dharam Tej, Subbaraju

Director: Samuthirakani

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66. Shaitan, 2023

Shaitan is a Telugu crime thriller series that follows the story of a family caught in the crossfire between the police, the Naxal movement, and the political establishment. Through the eldest son, Baali, we see the struggles of poverty on the decisions forced upon them; crime often being the only option they can afford. The series is dark, violent, morally ambiguous, and not for the faint of heart. It is a dark exploration of the human capacity for violence, often calling attention to the mistreatment of the working class for capitalistic gain. While it is a main staple of the plot, it becomes laborious to engage with every episode. The show excels in its immersive reality but sells itself short on a more fulfilling narrative.

Genre: Crime, Drama

Actor: Aneesha Dama, Bindu Madhavi, Deviyani Sher, Jaffer Sadiq, Lenaa, Manikanda Rajan, Nithin Prasanna, Priyamani, Ravi Kale, Shelly Kishore

Director: Mahi V. Raghav

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67. Curry & Cyanide: The Jolly Joseph Case, 2023

There's no doubt that this documentary on Jolly Joseph ought to be more interesting to those who are closer to the actual events of the case; it definitely has enough mystery and intrigue to be a good story. But the way it's been presented here is just too tedious for its own good, sticking to the same-old true crime devices and eventually devolving into discussion that sounds more like gossip. It's understandable that the primary suspect isn't in this film to be able to provide some sort of counter perspective, but the interviewees who do get to say their piece don't add particularly memorable insight into the circumstances surrounding these details, which can just be read up online.

Genre: Crime, Documentary

Actor: Jolly Joseph, M. S. Mathew, Remo Roy, Renji Wilson, Rojo Thomas

Director: Christo Tomy

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68. Bawaal, 2023

Even before its characters get to Europe, Bawaal sets itself up as a truly ludicrous romantic comedy, completely unmoored from any common sense or internal logic, and with the most cartoonishly awful protagonist at its center. There isn't a single convincing story idea here, from the way Ajay's students learn from and idolize him despite his complete lack of teaching ability, to the way he treats his wife Nisha like dirt after learning she has epilepsy. Movies about scoundrels aren't unwelcome, but it feels as if there hasn't been any thought put into how Ajay views other people and the self-image he so desperately wants to protect—and even less thought seems to have been put into the hilariously shallow ways Ajay "earns" redemption by the end.

But then the characters get to Europe, and Bawaal inexplicably becomes a history lesson about the atrocities of World War II, which are briefly recreated in corny and at times tastelessly done fantasy sequences. The idea that these grown adults who have access to knowledge and pop culture are only now finding out that genocide is bad is nothing short of mind-numbing. Even worse is how Bawaal ignores every difficult and painful truth we've learned and continue to learn from World War II, and reduces so much suffering into a contrived moral lesson about how we should accept each other's flaws and learn to forgive. No matter the efforts of its lead actors or the quality of the production values on display, the film just can't overcome the bad taste it leaves in the mouth.

Genre: Comedy, Drama, History, Romance

Actor: Anjuman Saxena, Janhvi Kapoor, Manoj Pahwa, Mukesh Tiwari, Prateek Pachori, Varun Dhawan

Director: Nitesh Tiwari

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