114 Best Movies From Germany On Itunes (Page 7)

Appropriately for its literary focus, The Lesson feels, in places, like the gripping adaptation of a bestselling psychological thriller. Unfortunately, though, its initial cleverness peters out in a contrived ending that ironically feels like it belongs to the pulpy airport fiction that one character accuses another of writing.

The Lesson’s early chapters (another way the movie’s form mirrors its content) crackle with tension, as Oxford grad and aspiring writer Liam observes the icy dynamics of the Sinclair family, whose son he’s been hired to provide university admission tuition to. The Sinclairs are still grieving the loss of another child, a process made more painful by the brittle ego of their patriarch — JM (Richard E. Grant), a celebrated author who happens to be Liam’s literary hero. Liam’s career ambitions complicate his position: he’s as much an enthusiastic student as he is a teacher here, and among the screenplay’s many suggestions is also Tom Ripley-style envy. The Lesson ultimately scuppers this complexity, though, as the writing eventually abandons its psychological study aspirations and swerves into melodrama, leaving the cast struggling to make it all believable. Still, while the ending may disappoint, there are juicy, intelligent ideas to be pondered over — not quite a bestseller, then, but definitely not airport fiction either.

Genre: Drama, Thriller

Actor: Crispin Letts, Daryl McCormack, Julie Delpy, Richard E. Grant, Stephen McMillan, Tomas Spencer

Director: Alice Troughton

Rating: R

The Reader is a German-American drama from 2008, based on the best-selling novel by author Bernhard Schlink. The storyline begins with adult Michael (Ralph Fiennes) reminiscing about his adolescence in post-World War II Berlin and his fateful relationship with an older woman named Hannah (Kate Winslet). 15-year old Michael is beset by Scarlet Fever and helped off the street one day by Hannah. Taken into her care, they soon begin a passionate affair, quickly forsaking family and friends for every opportunity to ensconce themselves in a world of lust and desire. As their time together progresses, Hannah begins urging Michael to read to her daily—to which he draws from many classic novels and delights in their rich interchange. Hannah suddenly disappears from Michael’s life, however, only reappearing several years later when young law student Michael is stunned to find her facing a World War II war-crimes tribunal. Tied to a real-life series of trials against former Auschwitz employees, The Reader is a strikingly original and exceptionally well-made film that is recommended to those who appreciate sophisticated, emotionally mannered cinema.

Genre: Drama, Romance

Actor: Alexandra Maria Lara, Benjamin Trinks, Bruno Ganz, Burghart Klaussner, Carmen-Maja Antoni, David Kross, Fabian Busch, Florian Bartholomäi, Hannah Herzsprung, Heike Hanold-Lynch, Jeanette Hain, Jürgen Tarrach, Karoline Herfurth, Kate Winslet, Kirsten Block, Lena Olin, Linda Bassett, Ludwig Blochberger, Margarita Broich, Marie Gruber, Martin Brambach, Matthias Habich, Moritz Grove, Ralph Fiennes, Susanne Lothar, Sylvester Groth, Vijessna Ferkic, Volker Bruch

Director: Stephen Daldry

Rating: R

There's something rich at the heart of Afire that, whether intentionally or not, is kept at arm's length from the viewer. Over the course of Leon's (Thomas Schubert) quiet summer retreat to work on the manuscript for his second book, we come to understand his generally irritable nature as not just creative but existential. Through his eyes and writer-director Christian Petzold's expertly restrained sensibilities for drama, every moment becomes tinged with a vague jealousy—insecurity about other people leading satisfied lives, and his inability to let anything be without finding fault in it first. Leon is meant to be difficult to sympathize with, but at his core is an emptiness that comes with the acknowledgement of how limited one's future really is.

And on the opposite end is Nadja (Paula Beer), a woman who just happens to be staying at the same vacation home due to an overlap in booking, whom Leon sees as a reminder for everything he lacks: romance, thoughtful attentiveness, and a love of life that helps her to stop focusing on what she thinks she lacks. The film stops short of having these characters undergo change that feels truly meaningful, but just seeing them dance around each other with a sharpening tension is well worth the experience.

Genre: Comedy, Drama, Romance

Actor: Enno Trebs, Esther Esche, Jennipher Antoni, Langston Uibel, Matthias Brandt, Paula Beer, Thomas Schubert

Director: Christian Petzold

Rating: NR

Arch-provocateur Paul Verhoeven received widespread acclaim for his assured and darkly funny adaptation of Philippe Dijan’s award-winning novel, his first film in the French language. 

It’s a controversial revenge thriller about a domineering businesswoman who is raped in her home by a masked man. Refusing to let the attack affect her life, she refuses to report the incident and tracks down the assailant herself.

Verhoeven directs the material with confidence and a troubling lightness of touch, while fearless Isabelle Huppert gives one of the best performances of her long and illustrious career. Some people found Elle empowering while others felt it perpetuated misogynistic attitudes. Either way, it makes for a passionate post-viewing discussion.

Genre: Crime, Drama, Thriller

Actor: Alice Isaaz, Anne Consigny, Anne Loiret, Arthur Mazet, Caroline Breton, Charles Berling, Christian Berkel, David Léotard, Eric Savin, Fleur Geffrier, François Nambot, Hugo Conzelmann, Hugues Martel, Isabelle Huppert, Jean Douchet, Jean-Noël Martin, Jean-Yves Freyburger, Jina Djemba, Jonas Bloquet, Judith Magre, Laurent Lafitte, Laurent Orry, Loïc Legendre, Lucas Prisor, Marie Berto, Nicolas Beaucaire, Nicolas Ullmann, Oury Milshtein, Raphaël Kahn, Raphaël Lenglet, Stéphane Bak, Vimala Pons, Virginie Efira, Zohar Wexler

Director: Paul Verhoeven

Rating: R

Wadjda is a smart, spirited 10-year-old girl who wants nothing more than to own her own bike, something that is frowned upon in the Saudi Arabian suburb where she lives. While it’s not technically illegal for women to own bikes, it is thought of as something that is “dangerous to a girl’s virtue,” and it’s worth noting that this is a society where women are also not allowed to drive their own cars. Wadjda devises numerous schemes to earn enough money to buy a bike (selling bracelets, making mixes of Western pop songs, delivering clandestine messages between men and women), before getting caught by the headmistress at her school. It is then that Wadjda hits on the ultimate money-making scheme: there is to be a Koran-reciting contest at her school with a hefty cash prize, and she’s determined to win. There is a subplot involving a growing rift between Wadjda’s parents; while there is clearly a lot of love between both parties, it becomes increasingly clear that her father may be leaving her mother for another woman who could potentially bear him a son (a common practice). This subplot is handled with respect and little judgement though, as it is simply the way things work in this culture. Yet, as Wadjda is coming-of-age and learning about the limitations placed on her as a girl, she is obviously negotiating ingenious ways of pushing back against those limitations. The film is subtle and humane in how it handles the slowly changing cultural and gender dynamics in a traditionally conservative, patriarchal society. It wouldn’t work without a strong central performance from first-time actor Waad Mohammed though -- she is never less than believable as a clever, determined and joyful 10-year-old, and her journey towards adulthood is both heartbreaking and inspiring.

Genre: Drama

Actor: Abdullrahman Al Gohani, Ahd, Ahd Kamel, Alanoud Sajini, Dana Abdullilah, Haifaa Al-Mansour, Rafa Al Sanea, Reem Abdullah, Sultan Al Assaf, Waad Mohammed

Director: Haifaa al-Mansour

Rating: PG

Fourteen-year-old Segundo dreams of being just like his father Noé, a revered tableau artist in their small Peruvian town. The teenage apprentice follows Noé's every move and instruction, that is until one day, he discovers a shocking truth about Noé's identity. Hurt, angered, and incredibly confused, Segundo starts detaching from his family, as well as from the life he thought he'd wanted to live. 

Retablo is a slow but vibrant film, set in Peruvian locales and spoken in the country's indigenous tongue, Quechua. Its limited dialogue smartly reflects the people's own silence when it comes to sex and gender ideas, although the movements themselves—from traditional parties to teenage fights—have a lot to say about masculinity, conservatism, and the dangers of their excess. Retablo might be a difficult watch for some, but it's just as necessary and enlightening.

Genre: Drama

Actor: Amiel Cayo, Claudia Solís, Coco Chiarella, Hermelinda Luján, Junior Béjar Roca, Magaly Solier, Mauro Chuchón

Director: Álvaro Delgado-Aparicio L., Alvaro Delgado-Aparicio

Rating: R

Visual artist Ann Oren's first foray into feature-length filmmaking is a sensual delight and a gift that keeps on giving. Oren approaches her film with sincere dedication to every single building block: Piaffe looks, sounds, and feels sensational while being a fairly modest production. A true indie film, Piaffe verges on experimentation as a young woman named Eva (Simone Bucio) takes over the job of a foley artist from her sister. Even though she's under-qualified, she tries her best t0 come up with the sounds for a horse-themed commercial to no avail. However, in the process, she notices a bump on her lower back that grows into a horse's tail. Piaffe is a tale of metamorphosis, not only of the flesh, but also of the heart, as the themes it explores are also directly related to sexuality, submission, and, of course, love as a manifestation of all those things.

Genre: Thriller

Actor: Bjørn Melhus, Josef Ostendorf, Lea Draeger, Nico Ehrenteit, Sebastian Rudolph, Simon(è) Jaikiriuma Paetau, Simone Bucio, Tristan Bumm

Director: Ann Oren