21 Best Movies From Germany On Netflix Canada (Page 2)

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Penélope Cruz and Javier Bardem star in this mystery by Asghar Farhadi, the Iranian Oscar-winning director of A Separation and The Salesman. When Laura returns to her small Spanish hometown with her two daughters, she is greeted with the warm welcome worthy of someone who once was a loved member of the community. However, when an event concerning one of her daughters happens at a wedding, secrets come to the surface about her history that threaten the fabric of the whole village. Laura is masterfully played by Penélope Cruz, who seems to shift gears in this Spanish-language movie. Farhadi is outside of his usual territory, but he does what he does best: deliver a rich, thrilling family drama.

Genre: Crime, Drama, Mystery, Thriller

Actor: Barbara Lennie, Carla Campra, Eduard Fernandez, Elvira Minguez, Inma Cuesta, Iván Chavero, Jaime Lorente, Javier Bardem, Jordi Bosch, Jose Angel Egido, Mar del Corral, Penélope Cruz, Ramon Barea, Ricardo Darín, Roger Casamajor, Sara Salamo, Sergio Castellanos, Vicente Vergara

Director: Asghar Farhadi

Rating: R

Wadjda is a smart, spirited 10-year-old girl who wants nothing more than to own her own bike, something that is frowned upon in the Saudi Arabian suburb where she lives. While it’s not technically illegal for women to own bikes, it is thought of as something that is “dangerous to a girl’s virtue,” and it’s worth noting that this is a society where women are also not allowed to drive their own cars. Wadjda devises numerous schemes to earn enough money to buy a bike (selling bracelets, making mixes of Western pop songs, delivering clandestine messages between men and women), before getting caught by the headmistress at her school. It is then that Wadjda hits on the ultimate money-making scheme: there is to be a Koran-reciting contest at her school with a hefty cash prize, and she’s determined to win. There is a subplot involving a growing rift between Wadjda’s parents; while there is clearly a lot of love between both parties, it becomes increasingly clear that her father may be leaving her mother for another woman who could potentially bear him a son (a common practice). This subplot is handled with respect and little judgement though, as it is simply the way things work in this culture. Yet, as Wadjda is coming-of-age and learning about the limitations placed on her as a girl, she is obviously negotiating ingenious ways of pushing back against those limitations. The film is subtle and humane in how it handles the slowly changing cultural and gender dynamics in a traditionally conservative, patriarchal society. It wouldn’t work without a strong central performance from first-time actor Waad Mohammed though -- she is never less than believable as a clever, determined and joyful 10-year-old, and her journey towards adulthood is both heartbreaking and inspiring.

Genre: Drama

Actor: Abdullrahman Al Gohani, Ahd, Ahd Kamel, Alanoud Sajini, Dana Abdullilah, Haifaa Al-Mansour, Rafa Al Sanea, Reem Abdullah, Sultan Al Assaf, Waad Mohammed

Director: Haifaa al-Mansour

Rating: PG

While not having world-ending stakes or large-scale operations, Sixty Minutes just works as an action movie. Sure, the plot is familiar and a little far fetched, but the film maximizes the potential of its premise, with excellently choreographed fight sequences working in tandem with the cinematography to reflect the MMA fighter leading the movie. Each moment isn’t wasted, with the action escalating each time Octa finds out about the hidden information kept from him about the match he’s planned to skip, and the film easily keeps track of his journey through neon-lit stopwatch faces and maps. And when we (and Octa) feel tired from all the fighting, the film ends right on time after sixty (and twenty nine) minutes.

Genre: Action, Drama

Actor: Alain Blazevic, Aristo Luis, Balázs Megyeri, Bettina Hoppe, Bruno Salgueiro, Dennis Mojen, Emilio Sakraya, Eniko Fulop, Florian Schmidtke, Georg Blumreiter, Harry Szovik, Janna Striebeck, José Barros, Laurent Winkler, Livia Matthes, Ludger Bökelmann, Marie Mouroum, Mehmet Ateşçi, Morik Heydo, Nyamandi Adrian, Paul Wollin, Philipp Droste, Steffen Jung, Tatjana Šojić, Tayssir Khalfallah, Vassilis Koukalani

Director: Oliver Kienle

Rating: R

Pushing an already extreme activity even further beyond its limits, Ueli Steck and Dani Arnold have became the world champions of speed climbing—a variation of the sport that places much greater importance on direct competition over communing with nature. It's fascinating to hear what drives Steck and Arnold to courting death like this, and to see how their vastly different backgrounds and processes have still made them equals in the field. The documentary eventually runs out of ideas, however, as it clumsily shifts tones leading into its last third, and concludes abruptly without much synthesis of everything that had come before. It's still a worthwhile adventure whether or not one is into climbing; it's just disappointing that this story of such a unique rivalry settles into a more generic rhythm by the end.

Genre: Action, Adventure, Documentary

Actor: Dani Arnold, Ueli Steck

Director: Götz Werner, Nicholas de Taranto

Rating: PG-13

If you’re expecting a twisty and thrilling look at a dangerous group of hackers who hide deep within a military bunker in Europe, and who refer to their entire operation as “straight from a James Bond movie,” then you might be disappointed with Cyberbunker, a dragging documentary that relies too heavily on talking heads for momentum. It takes 30 minutes to establish the relevance of these figures, and a full hour before it finally explains the actual crime and wrongdoings they’re complicit in. The most interesting parts of the case, like the FBI’s involvement, Cyberbunker’s links to the propagation of child pornography, and the group’s advocacy on internet privacy, are completely buried beneath a stack of unnecessary tidbits. I appreciate the effort of the filmmakers and the interviewees coming together to make something decently informative, but by the end of it, you’re left wondering whether all this was better off as a Wikipedia article.

Genre: Crime, Documentary

Director: Kilian Lieb, Max Rainer

Rating: PG-13

Two people with different thoughts on love discover a common ground: they’re both anti-romantics. Realizing they got off on the wrong foot, they spend more time with each other and bond over realistic ideas of modern love. At one point, Maria (Rosalie Thomass) and Karl (Laurence Rupp) even diss romantic comedies for their cheesy music and naive understanding of fate and destiny. Their conversations are engaging and thoughtful, even and especially when they oppose one another. But just when you think you’re watching something smart and novel, Maria and Karl fall into the same implausible trappings they claim to hate. Suddenly, the film turns soft and transforms into the romantic comedy it once criticized. If only it had pushed into anti-romance territory even further and allowed Maria and Karl to truly hash out their differences, thorns and tension and all, then this could have been a truly interesting romantic film. Instead, it’s a standard romantic comedy that’s worse off for pretending to be above the genre, even though it’s really not.

Genre: Comedy, Drama, Romance

Actor: Arash Marandi, Charleen Deetz, Cora Trube, Denise M'Baye, Jakob Schreier, Jerry Hoffmann, Laurence Rupp, Margarethe Tiesel, Maria Hofstätter, Özgür Karadeniz, Paula Schramm, Rosalie Thomass

Director: Shirel Peleg

Rating: PG-13