Genre: Drama
Actor: Alexandra Maria Lara, Andrew Sheridan, Ben Naylor, Craig Parkinson, George Newton, Harry Treadaway, Herbert Gronemeyer, James Anthony Pearson, Joanna Swain, Joe Anderson, John Cooper Clarke, Margaret Jackman, Mary Jo Randle, Matthew McNulty, Monica Axelsson, Nicola Harrison, Paul Arlington, Richard Bremmer, Robert Shelly, Sam Riley, Samantha Morton, Tanya Myers, Tim Plester, Toby Kebbell
Director: Anton Corbijn
A peculiar Western that might not please everyone if it wasn't for its main star, Kurt Russel. It's a mix between classic western material, a horror flick, and a fantasy movie. Yes, it's a lot. And not only that, it can be slow at times. However, in those perks it also finds a lot of originality in a saturated genre, and one more time: Kurt Russel. He's amazing as can be expected, playing the sheriff of a quiet town that gets struck by sudden disappearances. The suspect is a faraway tribe known for its cannibalism practices, the movie follows the sheriff as he leads an expedition to save a disappearing woman.
Genre: Drama, Horror, Western
Actor: Alex Meraz, Brandon Molale, David Arquette, David Midthunder, Eddie Spears, Erick Chavarria, Evan Jonigkeit, Fred Melamed, Geno Segers, James Tolkan, Jamison Newlander, Jay Tavare, Jeremy Tardy, Kathryn Morris, Kurt Russell, Lili Simmons, Maestro Harrell, Mario Perez, Matthew Fox, Michael Emery, Michael Pare, Omar Leyva, Patrick Wilson, Raw Leiba, Richard Jenkins, Robert Allen Mukes, Sean Young, Sid Haig, Zahn McClarnon
Director: S. Craig Zahler
The selling point of the series Alphonse, apart from raunch and romance, is that it gets its talented lead Jean Dujardin to transform into a different character each time he meets with a different client. Sometimes, he’s a World War II soldier, other times, he’s part of the academic elite. Always, he’s the object of fantasy of Parisian women. His real self, however, the titular Alphonse, is a sad sack going through a midlife crisis. On paper, this sounds like a recipe for pure fun: a lost guy tries out different masks and costumes until he discovers his true self in the process. The execution, however, feels wonky and uneven, as if the series is unable to balance all the things it tries to be. To be clear, Dujardin is excellent as the chameleonic Alphonse and Charlotte Gainsbourg is arresting as his mercurial wife Margot. But there’s a murkiness and vagueness to the overall style, tone, and direction of the series that leaves you wanting more. It’s okay, but there’s a sense that it could’ve been great if it tighten its screws a bit more.
Genre: Comedy, Drama
Actor: Charlotte Gainsbourg, Claire Romain, Jean Dujardin, Laura Morante, Marie-Christine Barrault, Nicole Garcia, Pierre Arditi
Director: Nicolas Bedos
As glad as I am to see a film celebrating the complex joys of interracial love and debunking the stigma of arranged marriages, I can’t help but wonder how and why a film about love got to be so dry and passionless. Is dating really this painfully awkward? Is marriage really this burdensome? Realistically, yes, but when you’re trying to make a point about true love supposedly trumping it all, including cultural differences and age-old traditions, then you should at least make it seem like the winner. The movie tries to have its cake and eat it too by serving us heaps of realism and fantasy on one plate, failing to understand that you only have to pick one to be palatable. “Love Contractually” is the title of Zoe’s documentary, but it’s also the name this movie should’ve gone with, seeing as how everyone acts like they’re obligated to be here.
Genre: Comedy, Romance
Actor: Alexander Owen, Alice Orr-Ewing, Asim Chaudhry, Ben Ashenden, Emma Thompson, Haqi Ali, Jamal Andreas, Jeff Mirza, Lily James, Michael Marcus, Mim Shaikh, Munir Khairdin, Nikkita Chadha, Nosheen Phoenix, Oliver Chris, Peter Sandys-Clarke, Ravi Aujla, Sajal Ali, Shabana Azmi, Shaheen Khan, Shazad Latif, Sindhu Vee, Taj Atwal, Wasim Zakir
Director: Shekhar Kapur
In the vein of crime spoofs like The Naked Gun and The Pink Panther, Sentinelle follows a bumbling police chief who, almost purely by error, gets closer and closer to solving a complex case. Sentinelle himself is stupidly hilarious, a narcissistic dolt who unwittingly makes himself the butt of every joke. But he’s also the only person in this film who is committed to the bit—everyone else plays straight man to his foils, unwilling to participate in the cookiness the movie seems to want to achieve. It’s almost as if Sentinelle accidentally wandered onto a different set, one that’s set to make a straightforward police thriller instead of a silly little comedy. It doesn’t help that Sentinelle’s humor is the only thing he has going for him; outside of the jokes, he’s just a sketch of a character. Besides his music, what does he live for? Besides his ego, what really hurts him? He’s the saving grace of the movie, but we don’t learn enough about him to care.
Genre: Comedy
Actor: Emmanuelle Bercot, Gustave Kervern, Jonathan Cohen, Ramzy Bedia, Raphaël Quenard
Director: David Caviglioli, Hugo Benamozig
Genre: Drama
Actor: Anaïs Demoustier, Bachir Tlili, Béatrice Dalle, Mara Taquin, Martin Vischer, Tom Mercier
Director: Patric Chiha
In Marlowe, Liam Neeson joins the lofty lineup of actors who have stepped into the shoes of Raymond Chandler's titular detective, famously played by Humphrey Bogart, Robert Mitchum, and Elliott Gould. These are big boots to fill — and, if you’ve been paying attention to Neeson’s career over the last decade or so, you’ll be aware that he hasn’t exactly been stretching himself, dramatically speaking.
But Marlowe is something of a happy anomaly in Neeson’s filmography, because it has more than just adrenaline-pumping ambitions. Written by director Neil Jordan (of Michael Collins fame) and William Monahan (the screenwriter behind The Departed), the 1930s Hollywood-set plot is steeped in noir’s characteristic cynicism, giving it the seductive pull of that well-loved genre. It’s true that a not insignificant portion of the dialogue is so hard-boiled you can see the cracks — a clunkiness that’s repeated in a couple of the phoned-in supporting performances and the movie’s awkward action sequences. However, with a couple of bright spots in the starry cast, handsome production values, and a labyrinthine plot that just about passes muster as homage and not muddle, there are enough noir trappings here to keep the movie slinking along well enough, even if it ultimately isn't nearly as memorable as Marlowe’s previous screen incarnations.
Genre: Crime, Mystery, Thriller
Actor: Adewale Akinnuoye-Agbaje, Alan Cumming, Alan Moloney, Colm Meaney, Daniela Melchior, Danny Huston, Darrell D'Silva, Diane Kruger, François Arnaud, Gary Anthony Stennette, Ian Hart, Jessica Lange, Julius Cotter, Kim DeLonghi, Liam Neeson, Mark Schardan, Michael Garvey, Minnie Marx, Mitchell Mullen, Patrick Muldoon, Roberto Peralta, Seána Kerslake, Stella Stocker, Tony Corvillo
Director: Neil Jordan
Genre: Drama, Romance
Actor: André Julien, Béatrice Dalle, Catherine D'At, Claude Aufaure, Claude Confortès, Clémentine Célarié, Consuelo De Haviland, Dominique Besnehard, Dominique Pinon, Gérard Darmon, Jacques Mathou, Jean-Hugues Anglade, Nathalie Dalyan, Philippe Laudenbach, Raoul Billerey, Robin Bernard, Simon de La Brosse, Vincent Lindon
Director: Jean-Jacques Beineix
Just like with its predecessor, it can be surprising how sober Street Flow 2 is. You expect stories about street gang life to be of a certain tone, but these films are more interested in the emotional and philosophical struggle to respond to violence and poverty in a just and proper way. This sequel continues this conversation from a more stable (but therefore less interesting) position: youngest sibling Noumouké is no longer torn between the influence of his older brothers, as all three try to move forward as a united front. But without a more distinct dilemma driving the action forward, the film ends up spinning its wheels—and rushes to an incomplete ending that doesn't say enough about survival, lawfulness, or the African immigrant experience in France.
Genre: Crime, Drama
Actor: Alessandra Sublet, Alix Mathurin, Bakary Diombera, Cherine Ghemri, Foued Nabba, Georgina Elizabeth Okon, Jammeh Diangana, Kadi Diarra, Kery James, Krystel Roche, Mahamadou Coulibaly, Sana Sri
Director: Alix Mathurin, Kery James, Leïla Sy
As a sluggishly paced, three-hour spiritual drama with little dialogue and even less plot, Inside the Yellow Cocoon Shell certainly won't convert anybody who isn't already interested in slow cinema. Even those who don't mind these types of films in which "nothing happens" might feel that it doesn't weave its themes of faith and suffering tightly enough. But there's more than enough beauty to contemplate here, courtesy of Dinh Duy Hung's stunning cinematography, which invites us to simply inhabit the world and to stop looking for answers. This may sound like a copout, but it's quite the experience to have a film force you to rethink how you're viewing it, as you're viewing it.
Genre: Drama
Actor: Le Phong Vu, Nguyen Thi Truc Quynh, Nguyen Thinh, Vu Ngoc Manh
Director: Pham Thien An
With expired film stock, seemingly random shots, not much dialogue, and virtually no plot, there is little to recommend It is Night in America for casual viewing. It is definitely experimental, and as director, editor, and sound designer Ana Vaz presents these shots of animals and urban landscapes, it doesn’t feel like it’s meant for entertainment. But there’s a curiously poignant tone, with the blue tint darkening the cityscape, in their eyes. Night falls for these creatures, who once had a home in this city, and all they can do is survive. É Noite na América isn’t quite the eco-horror it proclaims to be, but its moody and trancelike direction is an interesting approach to the nature documentary genre.
Genre: Documentary
Director: Ana Vaz
Not to be confused with Django Unchained, the Italian-French show Django recalls the classic 1966 Spaghetti Western in today’s production style. The series doesn’t share the exact same plot points, but it does acknowledge the violence towards those in the margins, specifically outcasts like Black rangers and queer people, rather than prostitutes. Fans of the genre might appreciate the casting, as it questions our assumptions of the Old West the same way the best Spaghetti Westerns have done. However, the plot does play out like a regular Western, while its grim storyline and mishmash of accents might turn off casual viewers or viewers new to the genre.
Genre: Western
Actor: Lisa Vicari, Matthias Schoenaerts, Nicholas Pinnock, Noomi Rapace, Tom Austen
With every chaotic fight scene, ridiculous stunts, and crazy scheme, All-Time High is a wild ride where two scammers lie to each other and fall in love. It’s fun to see these irresponsible people reap the consequences, and it’s fun to see the way Youssef and Stéphanie recognize that they’ve met their match, made all the more fun with the natural chemistry between Nassim Lyes and Zoé Marchal. That being said, the film’s irreverent humor depends a bit too much on stereotypes and gags, and can be a bit too specific for viewers outside of France.
Genre: Comedy, Romance
Actor: Adèle Exarchopoulos, Adrien Essamir, Alexandre Kominek, Ciryl Gane, Guillaume Canet, Gustave Kervern, Hakim Jemili, Hedi Bouchenafa, Ichem Bougheraba, Kenza Fortas, Nassim Lyes, Panayotis Pascot, Paul Deby, Yassine Stein, Yousef Ramal, Yovel Lewkowski, Zoé Marchal
Director: Julien Royal
At first glance, Irresistible doesn’t have the toxic ex-relationships, love triangles, or melodramatics known in the romance genre. As the main couple meet organically, and they’re able to share their ideas about love, the series had a promising slow-burn romance, that might be dialogue-heavy, but could possibly give out insights that any viewer would benefit to hear from. However, the casual way the protagonist Adele gets diagnosed with PTSD makes it feel like an insincere depiction of the disorder. And knowing that the male lead Arthur is married, and that they have such a casual fling, makes it hard to care if they’ll end up together. While there’s something that could be said about certain types of healing happening only through a relationship, Irresistible’s approach doesn’t seem to be headed that way, especially when it only has six episodes to tackle its nuances.
Genre: Comedy
Actor: Camélia Jordana, Corentin Fila, Salomé Dewaels, Simon Ehrlacher, Théo Navarro-Mussy
Director: Antony Cordier, Laure de Butler
When France is portrayed on the silver screen, we’re more used to seeing the nation’s capital, Paris. Netflix instead takes us to the coastline of Marseilles in crime thriller series Blood Coast. As the Marseilles police team, led by police officer Lyès Benamar, hunts down the people behind the drugs, Interpol agent Alice Vadal gets transferred from Paris to the coastal case, possibly for revenge for her father. It’s a familiar plot, and the crime thriller goes through the motions in a slow, but predictable fashion, alternating between the police team and the organized syndicate behind the foreign drugs flooding the coast. The resulting show feels a tad boring, though it’s thankfully limited to only six episodes.
Genre: Action & Adventure, Crime
Actor: Idir Azougli, Jeanne Goursaud, Nicolas Duvauchelle, Olivier Barthélémy, Tewfik Jallab
Director: Ivan Fegyveres, Olivier Marchal