443 Best Movies to Watch From France (Page 17)

Staff & contributors

What Lynne Ramsay's Ratcatcher intentionally refuses to give you by way of plot or resolution, it more than makes up for in sharp visuals, a beautifully sparse score, and an unscratchable feeling of restlessness. It's a downer for sure, watching 12-year-old James hounded by guilt as he navigates the mundane bleakness of his everyday life. But in every detail and in every interaction he has in this rundown scheme in Glasgow is a window into the simple joys James wishes he could be enjoying. The more trouble the boy walks into, the more the guitar string tightens, and the more you wish something could finally break the cycle. There's still beauty even in these conditions, Ratcatcher tells us—but it isn't right that anyone should have to live like this.

Genre: Drama

Actor: Jackie Quinn, James Ramsay, John Comerford, Leanne Mullen, Lisa Taylor, Mandy Matthews, Mick Maharg, Molly Innes, Robert Farrell, Rory McCann, Tommy Flanagan

Director: Lynne Ramsay

Read also:

A great example of frank, emotionally honest filmmaking with three totally vulnerable lead performances, Passages takes a subject that can so easily be reduced into clichés—infidelity—and approaches it with a genuine sense of melancholy. It can still be frustrating to watch fully developed adults refuse to communicate more clearly about their feelings, but director and co-writer Ira Sachs also understands the nuanced gender dynamic that informs some of these bad decisions. Tomas understands that his commitment to Martin may not give him the "easy" satisfaction of a traditional romance, but there is also a sense that his attraction to Agathe (supposedly the first time he's truly fallen for a woman) might be more of an impulsive attempt to settle for something safer, something that he has more control over.

Ben Whishaw is reliably sympathetic as Martin, and Adèle Exarchopoulos carries herself with the unembellished authenticity that many of the best French actors do. And Franz Rogowski makes Tomas both entirely pathetic and still so very heartbreaking in the predicament he's put himself into. There are no cheap histrionics or outbursts of emotion here—just performers living fully within each moment and selling us on the situation they're in.

Genre: Drama, Romance

Actor: Adèle Exarchopoulos, Arcadi Radeff, Ben Whishaw, Caroline Chaniolleau, Erwan Kepoa Falé, Franz Rogowski, Léa Boublil, Olivier Rabourdin, Radostina Rogliano, Théo Cholbi, Thibault Carterot, William Nadylam

Director: Ira Sachs

Rating: NR

Read also:

It's difficult to portray Cinderella stories nowadays without making them feel cliche and irrelevant, but Mrs. Harris Goes to Paris seems to have achieved the impossible: it tells a well-worn tale without losing any of its charms, and Lesley Manville is the person to thank for this surprising triumph. As the titular Mrs. Harris, Manville is so sweet and likable —thoroughly convincing in her rags-to-riches journey—that it's impossible to watch her without grinning from ear to ear. Sure, the beats are predictable, polished to a fault even, but Manville makes every scene worth it. This is a feel-good movie if ever there was one, made even more enjoyable for fans of earnest performances, beautiful dresses, and clean, straightforward storytelling.

Genre: Comedy, Drama, History

Actor: Alba Baptista, Anna Chancellor, Barnabás Réti, Ben Addis, Bertrand Poncet, Christian McKay, Csémy Balázs, Declan Hannigan, Delroy Atkinson, Ellen Thomas, Freddie Fox, Guilaine Londez, Harry Szovik, Igor Szász, Isabelle Huppert, Jade Lopez, Jason Isaacs, Jeremy Wheeler, Lambert Wilson, Lesley Manville, Lucas Bravo, Panka Murányi, Philippe Bertin, Rose Williams, Roxane Duran, Saruul Delgerbayar, Vincent Martin, Wayne Brett, Zsolt Páll

Director: Anthony Fabian

Read also:
It would be understandable if it only occurs to you midway through that Little Girl isn't actually a narrative feature but a gorgeously made documentary. Director Sébastien Lifshitz approaches his main character of Sasha not just with respect and empathy for her identity, but with a dedication to bring out the euphoria of feeling comfortable in one's skin. As a result, Lifshitz seems to intentionally avoid any and all scenes where Sasha may face discrimination (especially at school), but even if this choice occasionally make the material feel thin, getting to see Sasha gradually learning to express herself more—or even just just seeing her enjoy a quiet moment on her own—is more precious than anything.

Genre: Documentary

Director: Sébastien Lifshitz

Read also:
While named as a “how-to”, How to Have Sex is less of an instruction manual, and more of a collection of summer break moments presented as is. At the start, when Tara, Em, and Skye run to the freezing ocean water, the film seemed like it would have all the nostalgic coming-of-age moments that they would remember forever. But as the film progresses, and the girls meet other teenagers at the resort, there’s an eerie, foreboding feel that starts to build up, with every beer bottle, with every whisper, and with every insinuation Tara receives. And rather than preach about consent, writer-director Molly Manning Walker makes them fumble around without the concept of it, the same way teens tend to do, making it much more potent than a cautionary tale.

Genre: Drama

Actor: Anna Antoniades, Daisy Jelley, Eilidh Loan, Elliot Warren, Enva Lewis, Eric Manaka, Guy Lewis, Lara Peake, Mia McKenna-Bruce, Samuel Bottomley, Shaun Thomas

Director: Molly Manning Walker

Rating: NR

Read also:
The film for which Kristen Stewart became the first American actress to win the César Award. The Twilight star turned indie prodigy plays next to another award favorite, Juliette Binoche, as her assistant. When rehearsing for the play that launched her career many years earlier, Binoche's character, Maria, blurs the line between fiction and reality, her old age and her assistant's young demeanor, and the romance story portrayed in the play and her own life. The movie itself is stylized as a play, adding another interesting layer of artistic creativity to the complex plot line. A film for film lovers.

Genre: Drama

Actor: Aljoscha Stadelmann, Angela Winkler, Ben Posener, Benoit Peverelli, Brady Corbet, Caroline De Maigret, Chloë Grace Moretz, Claire Tran, Gilles Tschudi, Hanns Zischler, Jakob Köhn, Jerry Kwarteng, Johnny Flynn, Juliette Binoche, Kristen Stewart, Lars Eidinger, Luise Berndt, Nora von Waldstätten, Nora Waldstätten, Ricardia Bramley, Sean McDonagh, Steffen Mennekes, Stuart Manashil

Director: Olivier Assayas

Rating: R

Read also:

When he’s accepted into the prestigious Islamic university Al-Azhar, fisherman’s son Adam (Tawfeek Barhom) gets an eye-opening education — but not the kind he expected. A place associated with notions of purity is imagined as a hotbed of hypocrisy and corruption here, as naive young Adam finds himself unwittingly embroiled in a state plot to seize control of Al-Azhar (because, as one government official puts it, “We can’t accept having two pharaohs in the land”). Cairo Conspiracy's intricate plot confronts monsters in government and strips away religious leaders’ veneer of divinity as a reminder that they’re merely fallible men. What's more, the film grapples with the knotty mess of politics raging inside the institution’s walls in such a way that even its palatial courtyard feels claustrophobic. Rife with paranoia and subterfuge, Cairo Conspiracy feels utterly unique thanks to this skillful transposing of the shadowy machinations of courtly intrigue dramas and '70s paranoid thrillers into a very contemporary Egyptian setting.

Genre: Drama, Thriller

Actor: Fares Fares, Jalal Altawil, Makram J. Khoury, Mehdi Dehbi, Mohammad Bakri, Sherwan Haji, Tawfeek Barhom

Director: Tarik Saleh

Read also:

Inspired by the Spiniak case, Blanquita reimagines the infamous scandal through mirrored interrogations and disorienting viewpoints. Blanquita rewrites the original witness, whose fictional variant, in turn, rewrites the abuse faced by victims as her own. She is transformed from a clueless liar, into someone still a liar, but one that did so when every other possible witness has been discarded for being unreliable, for being too traumatized to go through the judicial process unflinchingly. The film takes on a provocative subject matter, at a time when real life sexual abuse allegations are treated with the same scrutiny Blanca faces. However, Blanquita does so in a way that gives its complexities the weight it deserves. It’s a fascinating thriller, a quandary that tests the idea of ends justifying the means… But it’s one that’s disturbing, given the consequences to each crime.

Genre: Drama

Actor: Alejandro Goic, Alex Quevedo, Amparo Noguera, Claudio Troncoso, Daniela Ramírez, Hernán Lacalle, Jaime Vadell, José Luis Aguilera, Karen Bejarano, Laura López Campbell, Marcelo Alonso, Nelson Polanco, Nicolás Durán, Roberto Farías

Director: Fernando Guzzoni

Read also:
Organized crime and drug dealing has been a topic of many a film, sometimes even glamorizing the whole endeavor, but rarely do these depictions acknowledge the weight it can do to a culture, particularly indigenous cultures. Birds of Passage is a film about drug dealers, but it’s a much more distinct take, tackling Colombia’s reputation for the drug trade through the lens of an indigenous group that hasn’t been totally colonized, that still keeps its language, rituals, and legends, but is still pushed to the brink due to far more lucrative reasons. It does take fairly familiar plot points, but Birds of Passages transforms the narco crime drama with a different direction.

Genre: Crime, Drama

Actor: Carmiña Martínez, Greider Meza, José Acosta, José Vicente, Natalia Reyes

Director: Ciro Guerra, Cristina Gallego

Read also:

, 2004

Director Wong Kar-Wai made this loose sequel to one of the best films ever made, his 2000 classic In the Mood for Love. Much of the story is set around Christmas eve.

In the far future, people take a train to the world of 2046, where no sadness or sorrow can be experienced. No one has ever returned from that world except for a lonely Japanese writer, who narrates the first part of the film.

There are four acts to the story and as is common to Wong Kar-Wai, they are listed in non-chronological order. Not that you will care but 2046 is far from confusing. Instead, it functions as a dazzling visual poem on unreciprocated love.

Genre: Drama, Fantasy, Romance, Science Fiction

Actor: Akina Hong, Akina Hong Wah, Ben Yuen, Ben Yuen Foo-Wah, Benz Kong To-Hoi, Berg Ng, Carina Lau, Chang Chen, Chen Chang, Ching Siu-Lung, Dong Jie, Farini Cheung, Farini Cheung Yui-Ling, Faye Wong, Gong Li, Jie Dong, Li Gong, Maggie Cheung, Maggie Cheung Man-Yuk, Ping Lam Siu, Ronny Ching Siu-Lung, Siu Ping-lam, Takuya Kimura, Thongchai McIntyre, Tony Leung Chiu-Wai, Zhang Ziyi, Ziyi Zhang

Director: Kar-Wai Wong, Wong Kar-wai

Rating: R

Read also:

The performance of a pot-bellied Joaquin Phoenix is nothing short of perfection. He brilliantly portrays a hitman down on his luck who happens to rescue a kidnapped teenage girl. It’s a tight movie, running a short 89 minutes. It makes a point that sticks. Pure entertainment, pure acting, and amazing directing by Lynne Ramsay (who also directed We Need to Talk About Kevin).

Genre: Crime, Drama, Mystery, Thriller

Actor: Alessandro Nivola, Alex Manette, Christian Reeve, Claire Hsu, Cristina Dohmen, Dante Pereira-Olson, Edward Latham, Ekaterina Samsonov, Frank Pando, Jalina Mercado, Jason Babinsky, Joaquin Phoenix, John Doman, Jonathan Wilde, Judith Roberts, Kate Easton, Larry Canady, Leigh Dunham, Lucy Lan Luo, Madison Arnold, Novella Nelson, Oleg Ossayenko, Ronan Summers, Rose De Vera, Ryan Martin Brown, Scott Price, Sophie Piedras, Vinicius Damasceno

Director: Lynne Ramsay

Rating: R

Read also:

When filmmaker and actress Mélanie Laurent (Breathe, Inglorious Basterds) was pregnant with her son, she learned about a study that predicted that climate change would cause human civilization to crumble by 2050. Like many soon-to-be parents, she worried about what it means to bring a child to a world where that’s a scientific forecast.

Instead of despairing, she chose to make this movie about solutions. She traveled the world with an activist friend documenting how human ingenuity is getting in the way of the situation worsening. The documentary goes to 10 countries to investigate solutions on five levels: agriculture (food), energy, economy, education, and democracy.

Genre: Documentary

Actor: Angela Merkel, Anthony Barnosky, Barack Obama, Cyril Dion, Elizabeth Hadly, Jan Gehl, Jeremy Rifkin, Mélanie Laurent, Olivier De Schutter, Vandana Shiva

Director: Cyril Dion, Mélanie Laurent

Rating: G

Read also:
If it’s true that to cook is to love, then Dodin and Eugenie must be enraptured by one another. They use the exquisite language of food to express their feelings for one another, and watching their exchange, you can’t help but feel honored, if not embarrassed, to witness such an intimate and love-filled act. Food is everywhere here, delicately prepared and sumptuously consumed, but the film is more than just a glorified Food Network program. It’s a painting come to life, a love letter to craft, and a beautiful example of a life fully lived.

Genre: Drama, Romance

Actor: Benoit Magimel, Bonnie Chagneau-Ravoire, Emmanuel Salinger, Frédéric Fisbach, Galatéa Bellugi, Jan Hammenecker, Jean-Marc Roulot, Juliette Binoche, Mhamed Arezki, Patrick d'Assumçao, Sarah Adler, Yannik Landrein

Director: Tran Anh Hung

Rating: PG-13

Read also:
Arrietty may not be as epic as other Ghibli movies, both in the literal and figurative sense, but its tiny world is so richly detailed that you could spend hours studying a single frame of the film. In Arrietty’s lovely house-underneath-a-house, stamps are hung on the walls like paintings, a flowerpot serves as the hearth, a tea canister is a cabinet, an olive a chair, a sewing pin a sword, a clothespin a hair tie, and so on. The possibilities are endless, but the film tries to exhaust them as much as it can. This alone makes Arrietty a delightful watch, but the simple story at the heart of it—one of survival, empathy, and faith—elevates into a timeless classic.

Genre: Animation, Family, Fantasy

Actor: Amy Poehler, Bridgit Mendler, Carol Burnett, David Henrie, Hiromasa Yonebayashi, Keiko Takeshita, Kirin Kiki, Mirai Shida, Moises Arias, Ryunosuke Kamiki, Shinichi Hatori, Shinobu Otake, Tatsuya Fujiwara, Tomokazu Miura, Will Arnett

Director: Hiromasa Yonebayashi

Rating: G

Read also:

The Promise has all the trappings of a sleazy crime drama, but there's a sense of innocence buried underneath all the dirt that helps set it apart. Even as Igor helps his father do the shadiest things to exploit the illegal immigrants under their care, you can see the boy slowly wake up to the realization that life can't just be a series of transactions, rewards, and punishments. As writers and directors, the Dardenne brothers present Igor's coming of age with frankness and without pretension—even when a hint of the mystical begins to compel him to tell the truth. It might not seem all that complex at first, but the details that make up this world are fully immersive from start to finish.

Genre: Drama

Actor: Florian Delain, Frédéric Bodson, Jean-Michel Balthazar, Jean-Paul Dermont, Jérémie Renier, Norbert Rutili, Olivier Gourmet, Rasmané Ouédraogo, Sophia Leboutte

Director: Jean-Pierre Dardenne, Luc Dardenne

Read also: