375 Best Movies to Watch From France (Page 11)

Set in one of Morocco’s oldest medinas, Blue Caftan is a tender portrayal of pure love and the different forms it takes. It follows traditional tailor Halim (Saleh Bakri) and his wife Mina (Lubna Azabal) who, despite their imperfect marriage, prove their affection in small but moving ways. He peels tangerines for her and washes her hair, she preps his meals and defends his craft from demanding customers. When a third person, Youssef (Ayoub Missioui), enters the picture, even more manifestations of passion (and the lack and longing and excess of it) emerge. 

It’s a dramatic film, but never overly so. Like the silky fabric Halim handles with expert care, it’s rich but soft, detailed but delicate. In the face of poverty, sickness, and discrimination, the film mines moments of joy, friendship, and pleasure, subverting the expectation that tragic circumstances must mean tragic outcomes. 

Blue Caftan, even in its saddest moments—and there are plenty—is a film full of love, made even more memorable by the deft performances and palpable chemistry of its three leads.

Genre: Drama, Romance

Actor: Lubna Azabal, Saleh Bakri, Zakaria Atifi

Director: Maryam Touzani

Summer Hours centers on three siblings tasked with sorting the valuable pieces their mother left behind. Frédéric (Charles Berling), the eldest, has different ideas about inheritance than his overseas siblings. Will their beloved house stay or go? Will the art? The furniture? Can they afford to keep all these for sentimental reasons or would it be wiser to sell them? They go back and forth on these questions, rarely agreeing but always keeping in mind the life these seemingly inanimate objects occupy, as well as the memories they evoke, which are beyond priceless.  

Summer Hours resists melodrama, opting instead for the simple power of restraint—of unspoken words and charged glances. And the result is a quietly affecting movie that basks in the details to paint a wonderful, overall picture of home and family.

Genre: Comedy, Drama, Family

Actor: Alice de Lencquesaing, Charles Berling, Dominique Reymond, Edith Scob, Émile Berling, Eric Elmosnino, Gilles Arbona, Isabelle Sadoyan, Jean-Baptiste Malartre, Jérémie Renier, Juliette Binoche, Kyle Eastwood, Philippe Paimblanc, Sara Martins, Valérie Bonneton

Director: Olivier Assayas

Rating: Not Rated

A delightfully screwy comedy about a guy and his struggling bar (of the title). The film is full of food, music, dancing, romance, and crazy coincidences. Our hero, Zinos, has just be abandoned by his girlfriend. On top of that his bar is struggling, he’s recently thrown his back out, he desperately needs to find a new chef, and his shady brother has just come to the Soul Kitchen looking for a job after being let out of on “partial parole.” Will it all work out in the end? Of course it will! This film is a lot lighter than Akin’s previous features, but maybe after all those challenging pictures he just felt the need to have a good time, which this film definitely delivers.

Genre: Comedy, Drama

Actor: Adam Bousdoukos, Anna Bederke, Bernd Gajkowski, Birol Ünel, Birol Ünel, Catrin Striebeck, Cem Akin, Demir Gökgöl, Demir Gökgöl, Dorka Gryllus, Gustav-Peter Wöhler, Hendrik von Bültzingslöwen, Herma Koehn, Jan Fedder, Lars Rudolph, Lucas Gregorowicz, Marc Hosemann, Maria Ketikidou, Markus Imboden, Monica Bleibtreu, Moritz Bleibtreu, Peter Jordan, Peter Lohmeyer, Pheline Roggan, Philipp Baltus, Simon Görts, Till Huster, Udo Kier, Uğur Yücel, Wotan Wilke Möhring, Wotan Wilke Möhring, Zarah Jane McKenzie

Director: Fatih Akin

Rating: N/A, Unrated

Our Children opens at the harrowing end of the true story it’s based on: with the image of a distraught mother (Émilie Dequenne) in a hospital bed, begging a police officer to ensure that her children — who have just predeceased her — are buried in Morocco. From this ominous beginning, the film rewinds into a jarringly sunny flashback of lovebirds Murielle (Dequenne) and Mounir (Tahar Rahim) to tell this horrifying story from the start.

What follows is much less obviously dramatic: Our Children shifts into slow-burn psychological thriller territory as we watch the gradual breaking down of Murielle at the hands of Mounir’s adoptive father André (Niels Arestrup), a wealthy white doctor who has used his status to insinuate himself into the lives of Mounir and his family back home in Morocco. This is a very subtle study of manipulation, one that hinges entirely on the performances of the trio, who fill with nuance roles that could easily have been tabloid caricatures. Above all, though, this is Dequenne’s film, and it’s the devastating ways she shows the life gradually being sucked out of Murielle that makes Our Children so difficult to shake off.

Genre: Drama, Romance

Actor: Baya Belal, Claire Bodson, Émilie Dequenne, Mounia Raoui, Niels Arestrup, Redouane Behache, Stéphane Bissot, Tahar Rahim

Director: Joachim Lafosse

Rating: NR

Marona’s Fantastic Tale is a rich story about life and death and everything in between, told entirely through the eyes of a dog. With breathtaking visuals and unmatched empathy, the film implores us to think about what might count as joyous and heartbreaking for our four-legged friends. Told normally and in any other way, we might not care as much, but in a story as artful and compassionate as this, we can't help but listen. 

Unlike other films about pets, Marona’s Fantastic Tale isn’t cutesy—its art is dizzying and demanding, but beautiful nonetheless. And isn't afraid to confront tragedy (in fact, it begins with it). But it buoys reality with dreamy art sequences and even finds humor along the way. All in all, it’s a mature film that poses big existential questions that will intrigue adults as well as kids.

Genre: Animation, Drama, Family

Actor: Annie Mercier, Bruno Salomone, Georges Claisse, Isabelle Vitari, Lizzie Brocheré, Maïra Schmitt, Nathalie Boutefeu, Thierry Hancisse

Director: Anca Damian

Love is Strange is an even-handed drama about a Ben and George (John Lithgow and Alfred Molina), a loving couple who marry after 39 years of companionship, only to face a series of unexpected consequences of their decision. George is fired from his position as a music teacher, they’re forced to sell their home, and they find themselves living separately with various friends and relatives. The story revolves largely around their time apart, as they struggle in their separation while creating unintended commotion in the lives of their hosts. It’s a warm, wryly amusing and ultimately very touching film about the bonds of love and dedication. It may seem slow at times, but to watch it through to the end will lead you to realize how truly special it is.

Genre: Drama

Actor: Alfred Molina, Andrew Polk, Charlie Tahan, Cheyenne Jackson, Christian Coulson, Christina Kirk, Daphne Gaines, Darren E. Burrows, Eric Tabach, Harriet Sansom Harris, James Zeiss, John Cullum, John Lithgow, Manny Perez, Marisa Tomei, Olya Zueva, Sebastian La Cause, Tank Burt, Tatyana Zbirovskaya

Director: Ira Sachs

Rating: R

This gorgeous Scandinavian movie is based on a true story and stars the ever-reliable Stellan Skarsgard.

He plays the governor of a strict youth correctional facility in Norway in 1915. The arrival of a feared kid kickstarts events that are very famous in Norway but little-known elsewhere: an uprising within the facility that will eventually require the army to get involved. A strong movie with stellar (Stellan) performances.

Genre: Action, Drama

Actor: Benjamin Helstad, Ellen Dorrit Petersen, Frank-Thomas Andersen, Kimmo Rajala, Kristoffer Joner, Magnar Botten, Martin Slaatto, Per Gørvell, Stellan Skarsgård, Trond Nilssen

Director: Marius Holst

Rating: Not Rated

As a crime thriller, Holy Spider is taut and terrifying, a modern noir that manages to unnerve despite the familiar moves it employs. The cat and mouse chase between serial killer and investigative reporter, for instance, is a classic tale, but that doesn’t make Holy Spider any less gripping. The film benefits from artful camerawork, considered acting (as the daring journalist Rahimi, Zar Amir Ebrahimi nabbed the Best Actress award at Cannes), and most of all a nuanced take on the situation in Iran. 

Despite having a clear stance against violence and corruption, nothing in Holy Spider is black and white. Contradictions abound, and even when presented with brief moments of justice, we’re left scratching our heads looking for more. Such is the case when the system, and not just an individual, is the true pest. 

Genre: Crime, Drama, Horror, Thriller

Actor: Ariane Naziri, Majd Eid, Mehdi Bajestani, Nima Akbarpour, Sara Fazilat, Sina Parvaneh, Zar Amir Ebrahimi

Director: Ali Abbasi

From the brilliant minds of Jean-Pierre Jeunet and Marc Jano comes a utopian vision for the ages. After having worked together before on the short sci-fi film The Bunker of the Last Gunshots, the duo-turned-longtime-collaborators pick it up a notch in one of the best dark comedies to come out in the 90s. 

In Delicatessen, Jeunet and Jano disguise the wretchedness of modern society in a post-apocalyptic world where food is the global currency, given how scarce it’s become. We follow Louison (Dominique Pinon), an everyday man who falls in love despite all the hubbub and squalor surrounding him. But nothing comes in the way of love, and instead of discovering a salve, he encounters a snag, one that pulls him deeper into society’s most complex ethical dilemmas. 

Many films have already been made about inequality and hierarchies, but none have been quite as darkly funny and unapologetic as Delicatessen.

Genre: Comedy, Drama, Fantasy, Science Fiction

Actor: Anne-Marie Pisani, Anthony Backman, Chick Ortega, Dominique Pinon, Dominique Zardi, Edith Ker, Eric Averlant, Howard Vernon, Jacques Mathou, Jean-Claude Dreyfus, Jean-François Perrier, Jean-Luc Caron, Karin Viard, Marc Caro, Marie-Laure Dougnac, Maurice Lamy, Nikky Smedley, Pascal Benezech, Patrick Paroux, Rufus, Silvie Laguna, Ticky Holgado

Director: Jean-Pierre Jeunet, Marc Caro

Rating: R

Shot and edited in an immersive, unembellished style that makes it seem more like a work of narrative fiction than a documentary, Against the Tide begins from a personal place—the friendship between two Indigenous fishermen—before branching off into an exploration of a myriad of issues that these men and their families are involved with. Major credit goes to director Sarvnik Kaur not only for capturing life in Mumbai with loving (but never whitewashed) detail, but also for being a truly silent, invisible observer who never uses her camera to frame any of her characters as right or wrong. There's a dizzying amount of material that Kaur manages to tackle even in the simplest, candid conversations: class, caste, gender, the environment, technology outpacing the communities most affected. And to see the film's central relationships slowly be chipped away by all this change is as heartbreaking as any fictional tragedy.

Genre: Documentary

Director: Sarvnik Kaur