196 Best Movies to Watch From Canada (Page 13)

Based on the novel by Women Talking author Miriam Toews, this adaptation of All My Puny Sorrows holds clear reverence for its source material but falls short of making a case for its existence as a film. Toews's prose—significant parts of which writer/director Michael McGowan has kept intact in the dialogue—may be appropriate for a book that allows full internal access to its narrator, but on film her words come across as overly articulate and artificial, even if they speak beautiful, harsh truths about grief. And without a defined visual identity or proper flow of ideas to back up its admittedly complex characters (played with authentic tenderness and force by Alison Pill, Sarah Gadon, and Mare Winningham), the film ends up stuck in its own darkness, unable to give a proper form to all its thoughts.

Genre: Drama

Actor: Alison Pill, Aly Mawji, Amybeth McNulty, Boyd Banks, Donal Logue, Elizabeth Saunders, Mare Winningham, Marin Almasi, Martin Roach, Michael Musi, Mimi Kuzyk, Morgan Bedard, Racine Bebamikawe, Sarah Gadon

Director: Michael McGowan

Rating: R

Hallmark is the last place you'd expect to find a low-budget movie that decries excessive automation and advocates for local businesses, but for some reason this is the setting against which Love & Jane's story is told. And the movie doesn't come across as insincere either, as it uses a familiar romcom template to actually encourage its protagonist to grow beyond the romance novels she loves and to engage with her own experiences and emotions. Unfortunately, the rest of the film feels oddly obligatory, including a bland love interest and his half-baked chemistry with the heroine, and the inclusion of Jane Austen herself, who really has nothing to do here.

Genre: Comedy, Romance, TV Movie

Actor: Aadila Dosani, Alison Sweeney, Benjamin Ayres, Corina Bizim, Debbie Podowski, Dreyden Free, Eduardo Britto, John Prowse, Kehli O'Byrne, Kendra Anderson, Lynn Whyte, Matthew Kevin Anderson, Nevin Burkholder, Vivin Oommen, William Vaughan

Director: David Weaver

Rating: G

To Catch a Killer feels like a limited series shrunken down to fit a movie’s runtime: its many ideas, though potentially compelling on their own, are so underserved by the breezy treatment here that they lose all value. The film wants to hit every hot button — misogyny in the police force, demagoguery on TV news channels, high-level corruption, white supremacy, and the mental health crisis — but its frantic box-ticking makes it feel like a speed-run of topical issues rather than anything genuinely reflective. 

The characters feel similarly underdeveloped, not least star Shailene Woodley’s, a Clarice Starling wannabe who winds up delivering emotional counseling to the film’s bafflingly motivated serial killer in just one of many implausible scenes. Add to that the cringe-inducing dialogue, which is crammed to bursting point with clunky metaphors, and you can call off the manhunt —  the script is the real killer here.

Genre: Crime, Drama, Mystery, Thriller

Actor: Adam LeBlanc, Alain Chanoine, Alex Gravenstein, Arthur Holden, Ben Mendelsohn, Benz Antoine, Bobby Brown, Chip Chuipka, Christian Jadah, Christian Paul, Christine Rodriguez, Daniel Brochu, Darcy Laurie, Dawn Lambing, Dusan Dukic, Erniel Baez, Frank Schorpion, Heidi Foss, Jason Cavalier, Joan Hart, Jovan Adepo, Karine Dion, Kelly Lee, Kevin Woodhouse, Laura Mitchell, Lesley Pahl, Leyda Aleyli, Lilou Roy-Lanouette, Luc Morissette, Marcello Bezina, Mark Antony Krupa, Mark Camacho, Mark Day, Mark Trafford, Martyne Musau, Matt Langton, Maurizio Terrazzano, Michael Cram, Michael Dozier, Nabil Khatib, Nick Walker, Nir Guzinski, Patrick Abellard, Patrick Émmanuel Abellard, Patrick Labbé, Paul Ash, Ralph Ineson, Richard Zeman, Rosemary Dunsmore, Ryan Stick, Sean Tucker, Shailene Woodley, Ted Pluviose, Teneisha Collins

Director: Damián Szifron

Playing the lead in an addiction drama has long been shorthand for “I’m a serious actor,” but that’s not something Florence Pugh needs to convince us of, especially not when the drama is as contrived as A Good Person is. Though it has a solid foundation from which to explore worthy subjects — Pugh’s character Allison begins abusing painkillers after accidentally causing the death of two people in a car accident —  writer-director Zach Braff overstuffs the film with too many distractingly histrionic happenings for a compelling reflection on guilt and forgiveness to really emerge.

What’s more, any potential A Good Person has is squandered by the film’s frequent and bizarre tonal swerves from tearjerking sincerity to generational comedy, a jarring effect mimicked by the soundtrack’s wild veering from moody melodies to bright piano music in a single cut. Though Pugh does her customary excellent work here, she’s ultimately undermined by all the overlong, transparently manufactured, and downright whiplash-inducing melodrama around her.

Genre: Comedy, Drama

Actor: Alex Wolff, Brian Rojas, Celeste O'Connor, Chinaza Uche, Drew Gehling, Florence Pugh, Ignacio Diaz-Silverio, Jackie Hoffman, Jessie Mueller, Lauren Yaffe, Molly Shannon, Morgan Freeman, Nichelle Hines, Oli Green, Ryann Redmond, Sydney Morton, Toby Onwumere, Victor Cruz, Zoe Lister-Jones

Director: Zach Braff

You don't need to have watched the first Code 8 (released in 2019) to enjoy Part II, which speaks to how this sequel has improved as a piece of sci-fi entertainment—but also hasn't done anything particularly interesting with its characters or themes. At the end of the day this really isn't all that different from so many other attempts at making a "gritty" superhero property, ending up as yet another crime drama that lacks personality for its characters or imagination in the way that its thrills are executed. It certainly has its heart in the right place, gesturing towards corruption in the police force, but even these insights feel half-developed and way too easy by the end.

Genre: Action, Crime, Drama, Science Fiction, Thriller

Actor: Aaron Abrams, Akiel Julien, Albert Lapi, Alex Mallari Jr., Altair Vincent, Darrin Maharaj, Hazel Gorin, J.D. Nicholsen, Jane Moffat, Jean Yoon, Jessica Allen, Kari Matchett, Mikayla SwamiNathan, Moe Jeudy-Lamour, Natalie Liconti, Nneka Elliott, Noorin Gulamgaus, Robbie Amell, Sammy Azero, Sarena Parmar, Sirena Gulamgaus, Starr Domingue, Stephen Amell, Yatharth Bhatt

Director: Jeff Chan

Rating: R

As exciting as it sounds to have a real person transported into a fictional story, An American an Austen really doesn't do much with its protagonist's foreknowledge of the plot, nor is it particularly clear about the rules or consequences of Harriet's situation, if any. This means that much of the film consists of watching Pride and Prejudice play out in a slightly more tongue in cheek fashion, as the main character comments on things without doing too much about them. Similar to Hallmark's other recent Jane Austen-themed movies, however, there is a thoughtful message here about learning to face reality and not idealizing fictional romances—delivered in a pretty competent visual package. It's just a shame that this is buried at the end of a plot that has no stakes to speak of.

Genre: Comedy, Romance, TV Movie

Actor: Bert Seymour, Calypso Cragg, Catherine Hannay, Charlotte Wakefield, Dominic Andersen, Eliza Bennett, Erica Ford, Grace Hogg-Robinson, J.R. Esposito, Kate Nichols, Nell Barlow, Nicholas Bishop, Olivia Benjamin, Richard Gibson, Robert Portal, Robin Weaver, Sarah Ferguson, Shin-Fei Chen

Director: Clare Niederpruem

Rating: G

In TV and cinema, meeting your partner’s parents is a tried-and-tested formula that’s bound to generate relatable laughs. Meet the Parents, The Proposal, and Happiest Season are some modern classics that come to mind. Yet, French Girl fumbles this opportunity by peddling cliche after cliche with zero charm. Braff’s character is supposed to possess at least an inkling of likeability for us to root for him, but he can’t even manage that. His rival Ruby (Vanessa Hudgens) is so much more inviting that the film has to create a whole new evil arc for her in the third act to convince us to turn on her. This is all too bad because, beneath the rubble that is the film’s characters and plot lines, there is something true and endearing in the form of Sophie’s family. I wish we had more of those scenes because their interactions feel real and intimate. Unrestricted by formula and pressures to be funny, they soar.

Genre: Comedy, Romance

Actor: Alex Woods, Antoine-Olivier Pilon, Catherine De Sève, Chanelle Ouellette, Charlotte Aubin, Christian Paul, Ed Weeks, Evelyne Brochu, Georges St-Pierre, Isabelle Vincent, Jeanne Roux-Coté, Karl Farah, Luc Picard, Luc-Martial Dagenais, Marc Larrivée, Melia Charlotte Cressaty, Muriel Dutil, Olivier Gervais-Courchesne, Ralph Prosper, Rémi Goulet, Sylvie Potvin, Vanessa Hudgens, William Fichtner, Zach Braff

Director: James A. Woods, Nicolas Wright

Rating: R

Even if Crimes of Fashion: Killer Clutch faithfully sticks to the general template of a mystery film, that doesn't guarantee its quality. It may have structure and suspects and motive but it doesn't inject its own color into the expected story beats. Maybe it's a consequence of the film being made for a network that only really shows "safe," sanitized programming, but there isn't a particularly strong sense of danger here despite the threat of violence being established from the very beginning. And while the movie has fun with individual outsized characters meant to show off how outlandish and how expressive high fashion can be, they fall to the background and are unfortunately diluted in the rest of the film's bland tropes.

Genre: Crime, Drama, Mystery, TV Movie

Actor: Alain Van Goethem, Brooke D'Orsay, David Bowles, Gilles Marini, Harry Szovik, Martin Budny, Mohamed Belhadjine, Paloma Coquant

Director: Felipe Rodriguez

Rating: PG