159 Best Movies to Watch From Canada (Page 11)

Playing the lead in an addiction drama has long been shorthand for “I’m a serious actor,” but that’s not something Florence Pugh needs to convince us of, especially not when the drama is as contrived as A Good Person is. Though it has a solid foundation from which to explore worthy subjects — Pugh’s character Allison begins abusing painkillers after accidentally causing the death of two people in a car accident —  writer-director Zach Braff overstuffs the film with too many distractingly histrionic happenings for a compelling reflection on guilt and forgiveness to really emerge.

What’s more, any potential A Good Person has is squandered by the film’s frequent and bizarre tonal swerves from tearjerking sincerity to generational comedy, a jarring effect mimicked by the soundtrack’s wild veering from moody melodies to bright piano music in a single cut. Though Pugh does her customary excellent work here, she’s ultimately undermined by all the overlong, transparently manufactured, and downright whiplash-inducing melodrama around her.

Genre: Comedy, Drama

Actor: Alex Wolff, Brian Rojas, Celeste O'Connor, Chinaza Uche, Drew Gehling, Florence Pugh, Ignacio Diaz-Silverio, Jackie Hoffman, Jessie Mueller, Lauren Yaffe, Molly Shannon, Morgan Freeman, Nichelle Hines, Oli Green, Ryann Redmond, Sydney Morton, Toby Onwumere, Victor Cruz, Zoe Lister-Jones

Director: Zach Braff

You don't need to have watched the first Code 8 (released in 2019) to enjoy Part II, which speaks to how this sequel has improved as a piece of sci-fi entertainment—but also hasn't done anything particularly interesting with its characters or themes. At the end of the day this really isn't all that different from so many other attempts at making a "gritty" superhero property, ending up as yet another crime drama that lacks personality for its characters or imagination in the way that its thrills are executed. It certainly has its heart in the right place, gesturing towards corruption in the police force, but even these insights feel half-developed and way too easy by the end.

Genre: Action, Crime, Drama, Science Fiction, Thriller

Actor: Aaron Abrams, Akiel Julien, Albert Lapi, Alex Mallari Jr., Darrin Maharaj, Hazel Gorin, J.D. Nicholsen, Jane Moffat, Jean Yoon, Kari Matchett, Mikayla SwamiNathan, Moe Jeudy-Lamour, Natalie Liconti, Nneka Elliott, Noorin Gulamgaus, Robbie Amell, Sammy Azero, Sarena Parmar, Sirena Gulamgaus, Stephen Amell

Director: Jeff Chan

Rating: R

As exciting as it sounds to have a real person transported into a fictional story, An American an Austen really doesn't do much with its protagonist's foreknowledge of the plot, nor is it particularly clear about the rules or consequences of Harriet's situation, if any. This means that much of the film consists of watching Pride and Prejudice play out in a slightly more tongue in cheek fashion, as the main character comments on things without doing too much about them. Similar to Hallmark's other recent Jane Austen-themed movies, however, there is a thoughtful message here about learning to face reality and not idealizing fictional romances—delivered in a pretty competent visual package. It's just a shame that this is buried at the end of a plot that has no stakes to speak of.

Genre: Comedy, Romance, TV Movie

Actor: Bert Seymour, Calypso Cragg, Catherine Hannay, Dominic Andersen, Eliza Bennett, Erica Ford, Grace Hogg-Robinson, J.R. Esposito, Kate Nichols, Nell Barlow, Nicholas Bishop, Richard Gibson, Robert Portal, Robin Weaver, Sarah Ferguson, Shin-Fei Chen

Director: Clare Niederpruem

Rating: G

Even if Crimes of Fashion: Killer Clutch faithfully sticks to the general template of a mystery film, that doesn't guarantee its quality. It may have structure and suspects and motive but it doesn't inject its own color into the expected story beats. Maybe it's a consequence of the film being made for a network that only really shows "safe," sanitized programming, but there isn't a particularly strong sense of danger here despite the threat of violence being established from the very beginning. And while the movie has fun with individual outsized characters meant to show off how outlandish and how expressive high fashion can be, they fall to the background and are unfortunately diluted in the rest of the film's bland tropes.

Genre: Crime, Drama, Mystery, TV Movie

Actor: Alain Van Goethem, Brooke D'Orsay, David Bowles, Gilles Marini, Harry Szovik, Martin Budny, Mohamed Belhadjine, Paloma Coquant

Director: Felipe Rodriguez

Rating: PG

Hallmark movies aren't automatically bad if they're cheesy and on the cheaper side; there are ways to make these characteristics work, of course. But these qualities definitely don't help if the story they're telling is uninteresting and if the actors in front of the camera couldn't be compelled to deliver convincing emotions if their lives depended on it. Watching Gilded Newport Mysteries: Murder at the Breakers kind of feels like watching people rehearse a family-produced parody of an Agatha Christie novel, or like visiting Westworld and seeing the robots play-act a fictional scenario. Every line over-explains everything that happens on screen, and the mystery elements just aren't coherent enough for them to lead to a satisfying conclusion or interesting statement about the characters and their world.

Genre: Drama, Mystery, TV Movie

Actor: Aisling Goodman, Alissa Skovbye, Amira Anderson, April Telek, Ava Telek, Cesare Scarpone, Danny Griffin, David Beairsto, Geoff Gustafson, Gillian Barber, James Drew Dean, John Prowse, Katherine Evans, Madeleine Kelders, Mark Humphrey, Nathan Witte, Sebastian Greaves

Director: Terry Ingram

Rating: PG