If great movies are usually attributed to directors and their eye for visual storytelling, great TV shows are usually credited to writers and their ability to craft compelling characters over multiple episodes or seasons. Whether they introduce us to an entire intertwining ensemble of fully fleshed-out people, or they allow us to observe incremental change within a select handful of heroes and villains, this is where TV often shines. So if you're looking for great examples of series that know how to keep the focus centered on character—to help you write your own, or to get you hopelessly invested in the life of a fictional person—we've listed 40 of the best below that you can catch on various streaming sites or on demand.
The 40 Best Character-Driven Shows to Watch Now
Watchmen
If all live-action superhero media stopped here, it would've been a triumphant conclusion. Carving its own path from the subversive Alan Moore classic and still so much gutsier than most superhero films and TV shows, Damon Lindelof's Watchmen miniseries continues interrogating the idea of powerful masked vigilantes to explore institutionalized racism, America's history of anti-Black violence, and even the phenomenon of white supremacy in "nerd culture" fandom. It's an incendiary take on a genre that's all-too-often reduced to mindless fantasy action, and it never tries to beat other properties at their own game—relying on constantly building intrigue and fantastic characters to tell its story. But even if you're not familiar with the original Watchmen story, the series should have enough style and intricate plotting for everybody. A pulsating musical score from Trent Reznor and Atticus Ross; gritty (but not flavorless) art direction; and powerful performances from Regina King, Tim Blake Nelson, and Jean Smart, among others complete this vision of a nation plunged into chaos due to collective unresolved trauma. All this makes for viewing that's never difficult, but demands trust and attention even as the story branches off to places that seem at odds with itself. How often can you say that about a superhero story these days?
Frankelda’s Book of Spooks
While it’s sort of a cheesy idea for us adults, being yourself is good, but it’s not so easy, especially as a kid. This is usually the sort of message for a coming-of-age indie, but it’s a message that works well with stop-motion animated horror series Frankelda's Book of Spooks. Instead of showing this message in day-to-day life, Frankelda instead weaves five spooky stories of kids wishing to be someone else, and gnomes, witches, sires, and the Coco monster granting their wish… but for a price. It’s the same price Frankelda herself paid as a ghostwriter, in both the literal and fantastical sense, which drives her anthology forward. Combining a Laika-esque style with Mexican folklore, and incredibly catchy tunes, Frankelda's Book of Spooks is an underrated series for horror fans, especially those younger in age.
Better Things
This bittersweet comedy centers on Sam Fox (Pamela Adlon), a single mother and working actress doing her best to get by in LA. In between juggling the pressures of both parenthood and Hollywood, Sam lets loose in brave and funny ways. Things often get the better of her and her three young daughters, but her bold, funny, and always loving approach to life is what makes Sam—and indeed the show—a true knockout. Better Things is a semi-autobiographical story, with Adlon also having daughters of her own, so it's no surprise that many things ring true in this big-hearted show about single motherhood.
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High Maintenance
One of the most original, underseen, and unexpectedly wholesome shows on HBO, High Maintenance spends each episode looking into the everyday lives of various New Yorkers, often with eccentric jobs or alternative lifestyles. The only thing that connects them is that they all happen to be clients of an unnamed weed dealer (played by Ben Sinclair), who becomes a witness to their ordinary joys and struggles. Barely any of the stories we get to see throughout the show's four seasons have a traditional dramatic arc to them, but the series remains a one-of-a-kind comfort nonetheless—showing us just how colorful and interesting a mundane life can be when we have well-meaning people surrounding us. And it's a prime example of how television should be allowed to tell stories in any form, making perfect use of the half-hour episodic format to capture these fleeting, beautiful snapshots.
The Diplomat
It’s amazing how shows fueled only by fast talk can feel as gripping as any thriller out there. The Diplomat is cerebral and heavy on geopolitical jargon, but somehow, it manages to feel genuinely exciting, each new episode impossible to not play next. Thanks is due in large part to Keri Russell who, fresh out of her incredible stint in The Americans, returns here as messy and intense and endearing as ever.
On the one hand, The Diplomat is about the delicacy of diplomacy, about how every decision made at this level has ripples of consequences throughout the globe. But it’s also, amusingly, a marriage story. Russell plays a woman who has long been defined by her more renowned if a bit egotistical husband, played perfectly by Rufus Sewell. They have a complex relationship that is as much of a career partnership as it is a romantic one, and part of the show’s charm is blending this story arc with the main one.
Fans of West Wing, Veep, and Homeland will find much to like in this series, not least of all are the informative takes and worthwhile performances.
This World Can’t Tear Me Down
This World Can’t Tear Me Down is a timely release on friendship, punk, and anti-fascism. From the Italian cartoonist Zerocalcare, his second Netflix show shifts his musings over mental health to his experiences with regard to the country's rising neo-Nazism. As xenophobia tears his friend group, it's easy to feel the fear and self-doubt Zero's cartoon counterpart feels. It's easy as well to empathize with Sarah and Cesare, characters failed by the system around them. In many ways, they themselves feel like they haven't met their potential. But the show suggests that perhaps status and achievement aren’t what being successful is all about– it's about holding onto principles. Through punk soundtracks and shifts between stop motion and 90s cartoon style, This World Can't Tear Me Down captures the millennial generation's bewilderment, as well as their hope.
Carol & the End of the World
The end of the world isn’t the most optimistic thing to think about, but the scenario leads you to thinking about unrealized dreams, pleasures, and aspirations: the way you want your life to be, if things have gone the way they planned. Dan Guterman, from Community and Rick and Morty, reimagines this idea in Carol and the End of the World. Carol is that mundane, downright boring character that we wouldn’t take notice of in real life, only because she actively chooses the ordinary life, but this show is extraordinary, shifting perspectives and even genres between episodes, taking unexpected turns, and celebrating the day-to-day monotony of life.
Youth of May
Youth of May is exactly what it says on the tin. It’s a straightforward spring-set coming-of-age drama where young adults chase after their dreams, if they have any, and try to figure out what they want otherwise. Like plenty of other K-dramas, this usually involves a romance. But in between the ordinary romance, life strikes. Students fight for democracy, and at the time, the government cracked down on them brutally, but because the show spent time getting to know Myung-hee and Hui-tae, the consequences of these events make it all the more poignant. Youth of May reminds us of the humanity behind the brave students that fought for South Korea’s democracy, and the lives that have been tragically cut short for it.
Borgen: Power & Glory
Netflix's resurrection of the hit Danish drama Borgen comes in the form of Borgen: Power & Glory, a miniseries that sees Birgitte Nyborg (played by powerhouse Sidse Babett Knudsen) step down as prime minister and take over the foreign minister position while wrangling over power, principle, and family. In this particular revival, Birgitte butts head with the new prime minister, who is all for drilling oil in the autonomous region of Greenland despite Birgitte’s firm stance against climate change. The event turns into a geopolitical crisis that tests Birgitte’s values.
The series is as whipsmart, relevant, and funny as ever, although if you haven't seen previous seasons of the show yet, don't fret. Borgen: Power & Glory efficiently catches you up on all you need to know in the first few minutes. It’s a standalone, engaging drama that’s a breeze to go through at just eight episodes.
The Good Lord Bird
It’s often said that history is told by the victors. Thankfully, this isn’t the case in The Good Lord Bird, which tracks the tumultuous events preceding the Civil War, as led by real-life abolitionist John Brown (Ethan Hawke).
Some viewers might already be familiar with the story of how Brown "saved" slaves, but with Black teenager Henry (Joshua Caleb Johnson) as the narrator, history is repositioned and recounted through a fresh new lens. Nuanced questions about slavery, abolition, and even the revered Brown himself are brought up by Henry and his kin, such as: how much of the movement is driven by justice and how much of it by guilt? Should the white savior be absolved or are his intentions inevitably marred by ego?
Accompanying this thought-provoking tale are richly detailed costumes and backdrops, impressive cameos by historical and celebrity figures, and of course, career-defining performances by Hawke and newcomer Johnson.
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