518 Best Movies to Watch by Female director (Page 30)

Not a lot of people will like Stress Positions, a COVID-era film filled with characters whose ballooning egos make isolation all the more claustrophobic. Critics have used the word “unlikeable” and “obnoxious” to describe them, these mostly queer New Yorkers who populate the decrepit apartments where the film is set in, but if you have room for them, they’ll deliver some of the sharpest criticism of liberal and leftist hypocrisies in a while. The self-awareness of their jokes might get lost at times, but it’s there, and it can be enlightening if you let it in. Together, Terry (John Early) and his friends parse things like race and identity—specifically misogyny and transphobia among gay males, and the rampant exoticism of white people over dark-skinned immigrants. The latter is a subject explored poignantly and delicately through Terry’s nephew Bahlul (Qaher Harhash), a young model from Morocco who seems to be the only one smart enough to identify the follies of the people surrounding him. At its best, the film is a darkly funny exploration of even darker themes, as well as an impressively non-cringe throwback to the early days of the COVID lockdown. But it can also be quite difficult to watch, especially if you’ve had enough of New York solipsistic fare.

Genre: Comedy

Actor: Amy Zimmer, Faheem Ali, John Early, John Roberts, Qaher Harhash, Theda Hammel

Director: Theda Hammel

Rating: NR

Miranda’s Victim often feels like two different movies smushed into one. On the one hand, it tells the story of how Trish finds the courage to speak up against her abuser, who happens to be a person of color. On the other hand, it shows us the legal intricacies that led to the founding of what we now know as Miranda Rights. In better hands, these two stories (one emotional and one technical) could’ve worked well together, and they would’ve spoken to the intersectionality at the heart of this complicated case. But instead of going for nuance, instead of exploring the complex racial and gender politics that inform this case, Director Michelle Danner goes in all sorts of odd directions as if herself confused about what the focus should be. 

Breslin is heartbreaking and powerful as Trish, but she’s only given so much to act with. Despite being based on a real person, her character is reduced to trauma and tears—a caricature of abuse—and nothing more. The movie is at its strongest when it converts into pure courtroom drama by the third act. Suddenly, it’s brisk and intelligent, bolstered by the compelling one-two punches of the judge (a commanding Donald Sutherland) and the two lawyers (Ryan Philippe, a revelation, and Luke Wilson, only slightly better here than in his earlier turn in Legally Blonde). As a story about violation and abuse, there’s surprisingly little compassion to be found, despite the title. But as a legal drama, it’s as informative as it can be. 

Genre: Drama, History

Actor: Abigail Breslin, Andy Garcia, Brent Sexton, Brian Colin Foley, Brian Drillinger, Dan Lauria, Donald Sutherland, Emily VanCamp, Enrique Murciano, James Healy Jr., Jann Ellis, John Buffalo Mailer, Josephine Hies, Joshua Bowman, Kyle MacLachlan, Luke Wilson, Michael Mulheren, Mireille Enos, Najah Bradley, Nolan Gould, Ryan Phillippe, Sebastian Quinn, Sheilagh Weymouth, Taryn Manning, Travis Staton-Marrero

Director: Michelle Danner

The 1868 semi-autobiographical novels of Louisa May Alcott have been adapted into film, television and theatre so many times: 6 movies, 4 TV shows, even a broadway musical. It’s a compelling story to watch as it unfolds, and it’s easy to see why many hold this one as the best adaptation of the novels. For one, the cast is top-notch and perfect for the roles: Christian Bale as Laurie, Susan Sarandon as Mrs. March, and Winona Ryder, Trini Alvarado, Claire Danes and a very young Kirsten Dunst as the four sisters. Little Women is the story of these four girls living in post-civil war America. We watch them grow together, find love, have their little fights, and try to find their place in the world. Everything from the costumes and settings to the dialogue do an excellent job of conveying the heartwarming story and the emotional impact behind it.

Genre: Drama, Family, Romance

Actor: A.J. Unger, Alan Robertson, Andrea Libman, Bethoe Shirkoff, Beverley Elliott, Billie Pleffer, Cameron Labine, Charles Baird, Christian Bale, Christine Lippa, Claire Danes, Corrie Clark, Dale Resteghini, Daniel Olsen, David Adams, Demetri Goritsas, Donal Logue, Eric Bruno Borgman, Eric Stoltz, Florence Paterson, Gabriel Byrne, Heather Feeney, Irene Miscisco, James Leard, Janet Craig, Janie Woods-Morris, Janne Mortil, Jay Brazeau, John Neville, Kate Robbins, Kirsten Dunst, Mar Andersons, Marco Roy, Marilyn Norry, Mary Wickes, Matthew Walker, Michele Goodger, Peter Haworth, Rebecca Toolan, Robin Collins, Samantha Mathis, Sarah Strange, Scott Bellis, Susan Sarandon, Tegan Moss, Trini Alvarado, Winona Ryder

Director: Gillian Armstrong

Rating: G, PG

Starring a sad-sack Steve Carrell and an ensemble cast with brilliant timing and real heart, Little Miss Sunshine is a rare understated comedy that brings laughter and tears. As a dysfunctional family's youngest member gets chosen to be in a pageant in California, the family must come together and support her through her journey. Along the path that they take, they learn and cope with each other. A great movie filled with phenomenal acting and writing with a real heart that will leave you breathless.

Genre: Comedy, Drama

Actor: Abigail Breslin, Alan Arkin, Beth Grant, Brenda Canela, Bryan Cranston, Chuck Loring, Dean Norris, Geoff Meed, George W. Bush, Gordon Thomson, Greg Kinnear, Jerry Giles, Jill Talley, Joan Scheckel, John Walcutt, Julio Oscar Mechoso, Justin Shilton, Lauren Shiohama, Marc Turtletaub, Mary Lynn Rajskub, Matt Winston, Mel Rodriguez, Paul Dano, Paula Newsome, Steve Carell, Steven Christopher Parker, Terry Bolo, Toni Collette, Wallace Langham

Director: Jonathan Dayton, Valerie Faris

Rating: R

Last Days in Vietnam is a documentary that recounts the final weeks of the conflict in 1975, as North Vietnamese forces surged toward Saigon and U.S personnel anxiously awaited word of an evacuation plan. At the time, U.S. Ambassador Graham Martin was reluctant to accept defeat, and delayed a U.S. withdrawal in his (rapidly diminishing) hopes that a solution could be reached. Once the fall of Saigon became imminent, U.S. diplomatic, military and intelligence personnel were left piecing together a bare bones plan to escape via military helicopter support. The moral dilemma they soon faced was the harsh reality of leaving behind so many South Vietnamese citizens who had supported the American effort—many of whom faced likely imprisonment and/or death. Featuring remarkable footage and first-hand accounts from many involved, the film recounts those final days of chaos and confusion in stunningly dramatic fashion. Director Rory Kennedy has put together a gripping and emotionally compelling film that balances broad historical exposition with concise detail related to the evacuation complexities—all of it punctuated by remarkable examples of bravery and heroism.

Genre: Documentary, War

Actor: Henry Kissinger, Juan Valdez, Richard Nixon, Stuart Herrington

Director: Rory Kennedy

Rating: Not Rated

What happens to genius and complex filmmakers once they reach old age? Agnès Varda at 89 is one example. She maintains an interest in the same deep questions but portrays them in a casual way - basically tries to have a little more fun with things. She finds a friend in JR, a young artist with a truck that prints large portraits. Together they go around French villages (the French title is “Visages Villages”), connecting with locals and printing their photos on murals. Their interactions are researched, but not worked. In fact, they are deeply improvised. Because of this and because the movie is structured in an episode format, it will completely disarm you. And when you least expect it you will be met with long-lasting takes on mortality, loss, but also gender, the environment and the evasiveness of life and art.

Genre: Documentary

Actor: Agnès Varda, Amaury Bossy, Jean-Luc Godard, Jean-Paul Beaujon, Jeannine Carpentier, JR, Yves Boulen

Director: Agnès Varda, JR

Rating: PG

Electrick Children is the debut film for director Rebecca Thomas and one of the most unique and visually stunning films I’ve seen in a while. This gem is about a teenager born and raised in a religious community who believes she has been impregnated with the son of God from a cassette tape she listened to. She decides to run away to neighboring Las Vegas in search of the real father, “the man who sings on the cassette tape.” Heavy stuff, man. Electrick Children is one of those films you see once and it stays with you. It deals with teenagers so delicately and accurately, depicting the butterflies, the excitement, the romance, the heartbreak, the trials and tribulations of this age and beyond. Its cinematography is hypnotizing and its soundtrack is divine (listen to Top of the Hill by Conduits on repeat and it’ll start to have an impact on your life.) Its plot is completely fresh and is able to grab and keep your attention from the first second until the very end. Watching this film made me want to go back in time and fall in love all over again. It made me feel lusty and gave me butterflies and made my heart flutter unlike any other film I’ve seen. You can’t pass this one up.

Genre: Drama

Actor: Bill Sage, Billy Zane, Cassidy Gard, Cynthia Watros, John Patrick Amedori, Julia Garner, Liam Aiken, Rachel Pirard, Rory Culkin

Director: Rebecca Thomas

Rating: R

An innocent-fun movie, Always Be My Maybe is a lovely thing to turn your brain off to. Sasha and Marcus are high-school best friends who dated briefly and went their separate ways. 16 years later, they meet again - Sasha is a famous chef, and Marcus is still living with his dad.

What really makes this movie is the writing from Ali Wong and Randall Park, who also play the two leads. The dialogue is sharp, believable and smart - going as far as covering themes of gender and parenting. But also, because a rom-com about two Asians from San Francisco is not exactly a common occurrence, the characters are fresh, the jokes are fresh - everything is fresh.

Watch out for the character who plays Marcus' dad, he plays the character of an overly honest Korean dad perfectly. And also watch out for Keanu Reeves, he plays a crazy version of himself!

Genre: Comedy, Romance

Actor: Adam Farnsworth-Lautsch, Ali Wong, Ashley Liao, Brian Cook, Byron Noble, Casey Wilson, Charlyne Yi, Chris Hlozek, Corey Seaver, Daniel Dae Kim, Eddie Flake, Ellen Ewusie, Emerson Min, Emilio Merritt, Jackson Geach, Jagen Johnson, James Saito, Jason Canela, JayR Tinaco, Johnny Walkr Jr., Karan Soni, Karen Holness, Keanu Reeves, Kenan Zeigler-Sungur, Kipp Glass, Latonya Williams, Maddie Dixon-Poirier, Marcella Bragio, Marco Soriano, Michelle Buteau, Miya Cech, Neil Webb, Nevin Burkholder, Oliver Rice, Omar Khan, Panta Mosleh, Peggy Lu, Peter New, Randall Park, Raymond Ma, Sean Amsing, Simon Chin, Sonia Beeksma, Steven E. Rudy, Susan Park, Tana Yu, Tyler McConachie, Vivian Bang, Xiao Qing Li, Yaroslav Poverlo

Director: Nahnatchka Khan

Rating: PG-13

While morbidly titled, there’s an unexpected playfulness to Sometimes I Think About Dying that makes a fairly mundane office relationship into a charming romance. Writer-director Rachel Lambert and lead Daisy Ridley capture Fran’s introversion in inventive ways, with score and image to make her daydreams of death more surreal than morbid, with quiet wistfulness of someone that hasn’t quite figured out how to create casual connection. Some viewers might not jive with the way the film focuses more on visual ideas rather than plot, but Sometimes I Think About Dying sweetly depicts social awkwardness and the alluring curiosity a crush can sometimes create.

Genre: Comedy, Drama, Romance

Actor: Ayanna Berkshire, Bree Elrod, Brittany O'Grady, Daisy Ridley, Dave Merheje, Jeb Berrier, Marcia DeBonis, Megan Stalter, Parvesh Cheena

Director: Rachel Lambert

Rating: PG-13

You can see what director J.J. Anderson is trying to do with Sacred Soil: chronicle the lives of current Piney Woods students and connect them with their school’s storied past. It’s an admirable task that speaks to how, despite all the innovations we’ve made since the school’s founding in 1909, we still have a ways to go to achieve true racial equality. And it’s a story worth telling, set in a school brimming with bright minds unafraid to engage in important discourse. However, these ideas are muddled in Anderson’s unfocused storytelling. There is no narrator, so we’re left listening to clips of conversations and meetings that go on for too long (it often feels like sitting in a forum we’re not invited to). There are inserts of archival photos and beautiful shots of the school, but there’s little context provided to them, so those of us outside of the Piney Woods ecosystem are left feeling confused. Is the documentary about Black teenhood or is it about the history of the school? I imagine there’s a smoother way to interweave the two, but Sacred Soil ultimately fails to bridge the gap between the then and now.

Genre: Documentary

Director: J.J. Anderson

Rating: PG