518 Best Movies to Watch by Female director (Page 2)

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Capernaum is both the highest-grossing Middle Eastern movie of all time and the highest-grossing movie in Arabic of all time. Lebanese director Nadine Labaki was the first female Arab director to be nominated for Best Foreign Language Film at the Academy Awards. Capernaum is thus duly considered a masterpiece, as it follows an angry 12-year-old kid in Lebanon, who leaves his negligent parents and tries to make it in the streets on his own. It's a tale of grinding poverty as experienced by a boy with a good heart, who meets many kindly people on the way as well as sinister characters. An acting tour de force by the fierce child actors, especially Zain Al Rafeea, Capernaum is harrowing, emotional, and, maybe, a touch melodramatic. However, it doesn't compromise when asking some hard questions about parental failure and love, putting them into the context of the bigger regional picture. It can be a tough watch, but the furious acting and pitch-black humor, ultimately, make this an uplifting movie, likely to stir up some debate.

Genre: Drama

Actor: Alaa Chouchnieh, Boluwatife Treasure Bankole, Cedra Izzam, Elias Khoury, Fadi Kamel Yousef, Farah Hasno, Joseph Jimbazian, Kawsar Al Haddad, Nadine Labaki, Yordanos Shifera, Yordanos Shiferaw, Zain Al Rafeea

Director: Nadine Labaki

Rating: R

Do you keep re-watching Superbad when you're hungover? Next time you are, try the film that has been praised as 'the female Superbad”: the amazing Booksmart. Yes, it's coming-of-age comedy, but, like Superbad, it tried something a little different. Like its two main characters, one could say it's a bit smarter than Greg Mottola's seminal bromedy. Molly (Beanie Feldstein, incidentally, Jonah Hill's younger sister) and Amy (Kaitlyn Dever) are best friends, class presidents, and academic overachievers. Nice girls, too. With excellent grades in their pockets, they head off to college only to find that the same in-crowd from high school that was doing nothing but partying, now goes to the same college as them. Why, oh why, did they choose academic success over partying, when, clearly, they could have had both? On their last day in high school, now here's a trope, they decide to make up for all the years of lost partying on one night. This sets off a raucous, raunchy, and wildly entertaining ride. And with a feminist twist!

Genre: Comedy

Actor: Adam Krist, Austin Crute, Beanie Feldstein, Ben Harris, Billie Lourd, Billie Lourde, Christopher Avila, David Horton, Deb Hiett, Diana Silvers, Eduardo Franco, Ellen Doyle, Jason Sudeikis, Jessica Williams, John Hartman, Kaitlyn Dever, Kyle Samples, Lisa Kudrow, Mason Gooding, Maya Rudolph, Michael Patrick O'Brien, Mike O'Brien, Molly Gordon, Nico Hiraga, Noah Galvin, Skyler Gisondo, Stephanie Styles, Victoria Ruesga, Will Forte

Director: Olivia Wilde

Rating: R

Orcas killing people? Saving whales? There was indeed a time when these issues were frontpage news and that might be the reason why this sounds like a 90s cliché to you. You might agree that this issue should be staunchly dealt with once you've watched Gabriela Cowperthwaite's 2013 documentary. Orcas still being held captive by marine parks like SeaWorld to perform stunts and to parade around swimming pools to entertain ticket-buying families. Blackfish is the story of one of them in particular: a bull Orca named Tilikum, who has killed several people as a result of their immoral imprisonment. Similar incidents tend to be covered up by the parks' operators and management. They are, however, attributable to the fact that the animals are quiet simply driven mad by the unnatural conditions they are subjected to. They are not born as killers, they are turned into them. First-hand accounts by former whale trainers and experts deliver fascinating truths about Tilikum and the species as whole, elaborating on their remarkable intelligence and social behaviors. For those unaware of this, this passionate documentary makes for a chilling watch.

Genre: Documentary, Drama

Actor: Anderson Cooper, Carol Ray, Dean Gomersall, Gabriela Cowperthwaite, James Earl Jones, John Hargrove, John Jett, John Sillick, Mark Simmons, Mercedes Martinez, Nadien Kallen, Samantha Berg, Tamarie Tollison, Thomas Tobin, Tilikum, Whoopi Goldberg

Director: Gabriela Cowperthwaite

Rating: PG-13

In All the Beauty and the Bloodshed, documentarist Laura Poitras (Citizenfour, My Country, My Country) lends her empathetic and incisive lens to a subject so passionate and imaginative, she ends up collaborating with Poitras to co-create the documentary about her life. The subject is Nan Goldin, one of the most influential photographers of the late 20th century. 

The documentary captures Goldin’s work as a queer artist and anti-opioids activist, intertwining both aspects to tell a nuanced and incredibly important story about freedom, identity, and self-expression. This incredibly complex, encompassing, and vibrant feature won the top award at the Venice Film Festival, besting 19 other films from around the world.

Genre: Documentary, Drama

Actor: Annatina Miescher, Bernard Herrmann, Cookie Mueller, David Wojnarowicz, Harry Cullen, John Waters, Leonard Bernstein, Nan Goldin, Patrick Radden Keefe

Director: Laura Poitras

Sit back, relax, and wait for the feels. With amazing performances from an ensemble cast, including Julianne Moore, Mark Ruffalo, and Annette Bening, as well as excellent directing; The Kids Are Alright is a highly realistic yet entertaining take on families, growing up as children, and growing as parents. Moore and Bening play a gay LA couple, whose two kids meet their biological father, a goofy, laid-back sperm donor, portrayed perfectly by Ruffalo. Nominated for four Oscars and awarded with two Golden Globes, The Kids Are Alright is an arresting, authentic, and astute indie comedy-drama, and a pleasure to watch. Director Lisa Cholodenko and her talented cast have really created something special here!

Genre: Comedy, Drama

Actor: Amy Grabow, Annette Bening, Diego Calderón, Eddie Hassell, Eric Eisner, James MacDonald, Joaquin Garrido, Josh Hutcherson, Julianne Moore, Kunal Sharma, Mark Ruffalo, Mia Wasikowska, Rebecca Lawrence Levy, Sasha Spielberg, Stuart Blumberg, Yaya DaCosta, Zosia Mamet

Director: Lisa Cholodenko

Rating: R

Persepolis is the true story of Marjane Satrapi, the writer and illustrator whose graphic novels of the same name the film is adapted from. It details in vivid animation the trials of growing up in war-torn Iran, but also, crucially, the joys of being raised by a loving family and the significance of forming one’s own ideals and identity. In between revolving dictatorships and tightening restrictions, Marjane comes into her own and discovers what it means to live a meaningful life.

It’s a testament to Satrapi’s many talents that Persepolis never feels too flat or cynical given its 2D style and bleak backdrop. The drawings impressively morph with Marjane’s every thought, as if the ink itself were alive, and her wit persistently comes through in sharp observations and dialogues. Equally impressive is the film’s commitment to portraying war and conflict in a nuanced manner. In an autobiographical tale that is about Marjane’s coming of age as much as it is about her country’s survival, it’s never been more true that the personal is political.

Genre: Animation, Drama, History, War

Actor: Arié Elmaleh, Catherine Deneuve, Chiara Mastroianni, Danielle Darrieux, François Jerosme, Gabrielle Lopes Benites, Mathias Mlekuz, Simon Abkarian, Sophie Arthuys, Tilly Mandelbrot

Director: Marjane Satrapi, Vincent Paronnaud

Rating: PG-13

When two young brides are mistakenly swapped on a train, it’s a difficult situation, much more so when the brides in question are both veiled and wearing the same red bridal attire. This seemingly simple swap is the entire plot of Laapataa Ladies, but director Kiran Rao transforms this mishap into a hilarious, yet realistic, satire that challenges plenty of the norms enforced on women in the country. As Phool and Jaya switch places, the film understands where their respective mindsets come from– Phool having not learned much about the world, and Jaya having been jaded by it– but the film doesn’t stop there. It brings them to places that challenge those mindsets, and in turn, they challenge the people around them too, by actively making choices from the mindsets they had to hold to survive. Laapataa Ladies is what it says on the tin– Laapataa is the word for lost– but the sharply written characters, the witty dialogue, and the subtle social commentary make this charming love story one of a kind.

Genre: Comedy, Drama

Actor: Chhaya Kadam, Geeta Agrawal Sharma, Nitanshi Goel, Pratibha Ranta, Ravi Kishan, Sparsh Shrivastav

Director: Kiran Rao

Journalist LLoyd Vogel (Matthey Rhys) scoffs at the prospect of a profile commission, or a "puff piece", as he calls it. His self-respect and professional ruthlessness has driven people away and this assignment may well be a test from his editor. But it is serendipity that brings Lloyd to American TV host Mister Roger (Tom Hanks) and his child-oriented show, at a time when he, a new father, is confronted with his own paternal trauma. No heavy psychological lifting here, but A Beautiful Day in the Neighborhood might be one of the most profound films about father-son relationships ever made. Notably, the film is directed by a woman, Marielle Heller (The Diary of a Teenage Girl). In her film as in his show, Mister Roger doesn't have to do much: he listens, he speaks, he suggests, and while his kindness may seem frustrating at times, it is truly radical. Additionally, Lloyd's character is based loosely on writer Tom Junod, whose encounter with Rogers ended up a profile in Esquire magazine.

Genre: Drama, History

Actor: Alex Pérez, Carmen Cusack, Chris Cooper, Christine Lahti, Di Zhu, Edlyn Sabrina, Enrico Colantoni, Erika Shrout, Francesca Calo, Fred Rogers, Gavin Borders, Gregory Bromfield, Gretchen Koerner, Haley Jenkins, Jackson Nunn, Jessica Hecht, Joanne Rogers, Joe Fishel, Kathleen Antonia, Kelley Davis, Kevin L. Johnson, Khary Payton, Kitty Crystal, Krizia Bajos, Maddie Corman, Marc Petrosino, Maryann Plunkett, Matthew Rhys, Michael Masini, Noah Harpster, Patrick McDade, Rebecca Watson, Scott Rapp, Stephen West-Rogers, Susan Kelechi Watson, Tammy Blanchard, Tom Bonello, Tom Hanks, Tressa Glover, Wendy Makkena

Director: Marielle Heller

Rating: PG

Many films have tried to decipher the indecipherable bond between mothers and daughters. Lady Bird, Everything Everywhere All at Once, and Turning Red, to name a few, center on this particular relationship, which to outsiders may seem strange at best and dysfunctional at worst. How can mothers yell at their daughters one second and coddle them the next? How can daughters treat mothers like their best friend and enemy all at once? One of the best films to explore this complexity is Petite Maman, a fantasy-like film that brings together mother and daughter in a unique situation, forcing them both to regard the other in otherwise impossible ways. It succeeds where others haven’t precisely because it accepts that this relationship is beyond dissecting, and the only way to honor it is in the poignant, poetic, and otherworldly way that it does. It’s a quiet film that manages to say a lot, not least of which is that it’s okay to feel and love and hurt as much as one does.

Genre: Drama, Family, Fantasy

Actor: Gabrielle Sanz, Joséphine Sanz, Margot Abascal, Nina Meurisse, Stéphane Varupenne

Director: Céline Sciamma

Based on Virginia Woolf’s novel, Orlando is a fitting adaptation for a groundbreaking story. Changing from man to woman, the titular time traveler is portrayed by the incomparable Tilda Swinton, breaking the fourth wall as if daring anyone to question her casting. But Swinton’s androgynous look and stellar acting make her the perfect choice for this. Her gaze is the anchor that we hold on to as the film glides through the novel’s multiple themes with ease. Through director Grace Potter’s indescribable vision, they create a fantastic film that blurs gender, sex, identity, and time together with the original novel itself.

Genre: Drama, Fantasy

Actor: Andrew Watts, Anna Farnworth, Anna Healy, Barbara Hicks, Billy Zane, Charlotte Valandrey, Cyril Lecomte, Dudley Sutton, George Antoni, Giles Taylor, Heathcote Williams, Hugh Munro, Jerome Willis, Jessica Swinton, Jimmy Somerville, John Grillo, John Wood, Kathryn Hunter, Lol Coxhill, Lothaire Bluteau, Martin Wimbush, Mary MacLeod, Matthew Sim, Ned Sherrin, Oleg Pogodin, Olivia Lancelot, Peter Eyre, Quentin Crisp, Robert Demeger, Roger Hammond, Sara Mair-Thomas, Sarah Crowden, Simon Russell Beale, Terence Soall, Thom Hoffman, Tilda Swinton, Toby Jones, Toby Stephens, Viktor Stepanov

Director: Sally Potter

Rating: PG-13

Though it’s without a plot, Faya Dayi nonetheless weaves a stunning, expansive narrative about khat and the people who farm it and chew its leaves for their hallucinogenic effect. The documentary seems to take place in the same hazy dreamlike stupor that khat-chewers chase: shot in luminous black and white, the film is set to a reflective rhythm that floats from folklore to contemporary stories of romantic heartbreak, migration, and oppression.

Largely featuring members of Ethiopia's Oromo community — a marginalized ethnic group — including the farmers and workers involved in khat production, Faya Dayi is a portrait of economic hardship, emotional pain, and transcendent escape that hits straight in the chest for all the rawness and yearning it depicts. (As disembodied voice-overs put it, “people chew to get away” to the khat-induced “empty and lonely hideout where no one can ever visit you, your own dark and lonely world.”) Full of textures and images that evoke all of the senses, this is virtually a 5D movie, a hypnotic out-of-body experience that floats an astonishing expanse of ideas into your head — no talky explanations needed.

Genre: Documentary

Actor: Biniam Yonas, Destu Ibrahim Mumade, Hashim Abdi, Mohammed Arif, Urji Abrahim Mumade

Director: Jessica Beshir

Like all great documentaries, Angry Inuk is about way more than its tagline. At first glance, it's about how anti-sealing activism has been harming Inuit communities since the 1980s, to the point of instituting the highest rates of hunger and suicide anywhere in the "developed" world. But beyond, it's about the complicity of the government of Canada. A crushed seal-based economy means that the Inuit have to agree to oil and uranium mining in the Arctic.

Angry Inuk is also about the corrupt behavior of animal rights organizations like Greenpeace: seals are actually not on the endangered animal list but NGOs focus on them because they make them money.

It's an infuriating but incredibly important documentary. One that is not about how Canada has a bad history, but about how Canada is harming the Inuit right now.

Genre: Documentary

Actor: Aaju Peter, Alethea Arnaquq-Baril

Director: Alethea Arnaquq-Baril

You would expect a courtroom drama to be built around damning pieces of evidence, passionate speeches, or certain social issues lending weight to the investigation. But what makes Justine Triet's Palme d'Or-winning Anatomy of a Fall so remarkable is how direct it is. Triet doesn't treat this case like a puzzle for the audience to participate in solving; instead she fashions this trial into a portrait of a family being eroded by even just the suggestion of distrust. It ultimately has far less to do with who's responsible for the death of a man, and more to do with the challenge of facing the reality that the people we love are capable of being cruel and callous to others. Which isn't to say that Anatomy of a Fall doesn't still possess qualities that make it a great courtroom drama—doubt only continues to pile up with every new piece of information that's revealed to the audience, until we begin to interpret characters' expressions and actions in a contradictory ways. But the way Triet executes these reveals is just so skillful, choosing precisely how to let details slip and obscuring everything behind faulty memory, intentional dishonesty, or any other obstacles that usually come up during an investigation.

Genre: Crime, Drama, Mystery, Thriller

Actor: Alexandre Bertrand, Anne Rotger, Anne-Lise Heimburger, Antoine Bueno, Antoine Reinartz, Arthur Harari, Camille Rutherford, Christophe Devaux, Cyril Karenine, Emmanuelle Jourdan, Florent Chasseloup, Iliès Kadri, Isaac Abballah, Jean-Pierre Bertrand, Jehnny Beth, Judicaël Ajorque, Kareen Guiock, Laura Balasuriya, Maud Martin, Milo Machado-Graner, Nesrine Slaoui, Nicholas Angelo, Nola Jolly, Pierre-François Garel, Saadia Bentaïeb, Sacha Wolff, Samuel Theis, Sandra Hüller, Sandrine Chastagnol, Savannah Rol, Sophie Fillières, Swann Arlaud, Wajdi Mouawad

Director: Justine Triet

Rating: R

This bittersweet little documentary about a Parisian newsstand will change the way you look at a kiosk forever: they’ll no longer seem like transitory stops on the way to somewhere, but a destination themselves. Director Alexandra Pianelli, whose family has run this particular newsstand for four generations, shoots from inside the tiny cabin, from where she and her mother dispense newspapers, magazines, directions, and friendly conversation with anyone who stops by.

Anyone who’s seen Agnès Varda’s Daguerréotypes — her fond portrait of the traditional shopkeepers of Rue Daguerre, the street she lived on — will recognize the same warmth and humane curiosity in The Kiosk, which documents a quickly fading way of life and the community that clings to it. As Pianelli movingly shows us, the kiosk is an invaluable fixture in the lives of an assortment of locals: regular customers (particularly elderly ones, who perhaps visit more for the company than the magazines), a big-hearted homeless man, and fellow vendors like Islam, a Bangladeshi asylum-seeker and fruit-seller who uses the kiosk to hide his merchandise so that French police don’t confiscate it. The decline of printed material that the film documents isn’t just a threat to the family business, then, but the very concept of a truly joined-up society itself.

Genre: Documentary

Actor: Aliénor de Nervaux, Damien Fourmeau, Gérard Jacq, Marcel Cierniak, Marie-Laurence Fay

Director: Alexandra Pianelli

The concepts of roads not taken and domino effects have received plenty of cinematic attention in their showier forms by way of multiverse comic book movies and dimension-hopping films like Everything Everywhere All At Once. But, though there’s no hint of sci-fi in Past Lives, Celine Song’s gentle film can count itself as one of the best treatments of that universe-spawning question: “what if?”

When her family moves from Seoul to Canada, teenage Na Young bids a loaded farewell to classmate Hae Sung and changes her name to Nora. Years later, they reconnect online and discover the spark still burns between them. This is no idealistic romance, though: Past Lives is told with sober candor. Song acknowledges real obstacles standing in the way of a relationship between the two — those pragmatic (distance) and, more painfully, personal (evolving personalities, American husbands).

Those two threads — unrealized romance and the transmutation of identity that so often takes place after migrating — are expertly entwined in Past Lives to produce a sublime, aching meditation on memory and time, practical love and idealistic romance, and all the complex contradictions that exist in between. That Song communicates so much and so delicately in only her first film makes Past Lives all the more stunning.

Genre: Drama, Romance

Actor: An Min-yeong, An Min-young, Chang Ki-ha, Chase Sui Wonders, Choi Won-young, Emily Cass McDonnell, Federico Rodriguez, Greta Lee, Hwang Seung-eon, Isaac Powell, Jack Alberts, Jane Yubin Kim, Jay Karales, John Magaro, Jojo T. Gibbs, Kristen Sieh, Moon Seung-a, Moon Seung-ah, Park Jun-hyuk, Seo Yeon-woo, Shin Hee-cheol, Teo Yoo, Yim Seung-min, Yoon Ji-hye

Director: Celine Song

Rating: PG-13