518 Best Movies to Watch by Female director (Page 18)

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This earnest documentary is about filmmaker and actress Maryam Zaree's journey to unravel the truth about her birth. Her parents are part of a generation of Iranian revolutionaries who were jailed, many executed, and now have taken exile in Europe. The torture and difficult prison conditions they experienced are cause for so much trauma that Maryam, born in prison, has not been told anything about her birth. Her mom, now Germany's first foreign-born mayor, cannot get past tears to tell a story that Maryam is determined to know. 

Her mom is not the only one who is unable to tell the story, as Maryam's quest uncovers more silence. In the end, Born in Evin is as much about the question of "is the truth worth getting told?" as it is about the truth itself. It's a heartfelt exploration of trauma, both for the generation that experienced it and for the generation that follows.

Genre: Documentary

Actor: Marya Sirous, Maryam Zaree, Soraya Zangbari

Director: Maryam Zaree

Rating: Not Rated

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Babes tells the story of Eden (Ilana Glazer) and Dawn (Michelle Buteau), codependent best friends who are forced to reevaluate their relationship when Eden finally joins Dawn in becoming a mother. While Eden learns how to be more mature and independent, Dawn struggles to feel like herself again after two exhausting pregnancies. Burdened by these personal problems, they evaluate the boundaries of their friendship and ask themselves, what do they owe each other? It sounds like heavy stuff, but the script—co-written by Glazer and Josh Rabinowitz—has an uncanny ability to make even the most serious parts of the film feather-light. Glazer and Buteau are fiercely funny, charming, lovable, and relatable, and everything comes together seamlessly with Pamela Adlon, who makes her directorial debut with Babes, on the helm. Fans of Glazer’s Broad City and Buteau’s Survival of the Thickest will find much to laugh (and cry) at here.

Genre: Comedy

Actor: Darren Criss, Hasan Minhaj, Holly Chou, Ilana Glazer, John Carroll Lynch, Katy Grenfell, Keith Lucas, Kenneth Lucas, Mario Polit, Michelle Buteau, Oliver Platt, Paul Borghese, Rosa Gilmore, Sandra Bernhard, Shola Adewusi, Stephan James, Susanna Guzman, Whoopi Goldberg

Director: Pamela Adlon

Rating: R

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That this film, an adaptation of a beloved classic and girlhood staple for 50 years and counting, is able to retain the same power, charm, and wisdom as the source material by Judy Blume is impressive in and of itself. Director Kelly Fremon Craig (Edge of Seventeen) turns the must-read novel into a must-see film, as urgent and relevant as ever in its frank portrayal of feminine woes and joys. Buying your first bra, getting your first period, losing a friend, doubting your faith, seeing—really seeing—your family for the first time, and knowing in your heart what you stand for...these are some of the thorny requisites of womanhood, and Craig navigates them with a bittersweet ease that never feels pandering nor patronizing. Like the book, the film honors this young person's big feelings by centering them in a sprawling story that involves other characters, who are just as fleshed-out as the lead. Rachel McAdams deserves special mention for turning in a sweetly nuanced performance as Margaret's mother Barbara, an artist attempting to balance her domestic role with her career goals. The film may be 50 years in the making, but it tells a timeless tale that will continue to hold the hands of teenage girls for generations to come.

Genre: Comedy, Drama

Actor: Abby Ryder Fortson, Aidan Wojtak-Hissong, Benny Safdie, Echo Kellum, Eden Lee, Elle Graham, Ethan McDowell, Gary Houston, George Cooper, Holli Saperstein, Isol Young, JeCobi Swain, Jim France, Johnny Land, Judy Blume, Kate MacCluggage, Kathy Bates, Mia Dillon, Rachel McAdams, Sloane Warren, Wilbur Fitzgerald

Director: Kelly Fremon Craig

Rating: PG-13

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A movie about a 16 year old girl who gets involved with an older more sophisticated man and how the relationship changes her life. Carey Mulligan's performance is nothing short of perfect, inevitably making herself the center of the movie. The coming-of-age story is also quite exceptional, and conveys  impressive load and variety of emotions. An Education is one of those movies that make you live an experience you haven't lived yourself, but because it is so exquisitely and realistically done, the character's problems and joys will feel like your own.

Genre: Drama, Romance

Actor: Alfred Molina, Amanda Fairbank-Hynes, Bel Parker, Cara Seymour, Carey Mulligan, Connor Catchpole, Dominic Cooper, Ellie Kendrick, Emma Thompson, James Norton, Kate Duchêne, Matthew Beard, Nick Sampson, Olivia Williams, Peter Sarsgaard, Rosamund Pike, Sally Hawkins, William Melling

Director: Lone Scherfig

Rating: PG-13

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Having an ordinary life isn't a bad thing, but it can feel like a huge disappointment, hearing of other people and characters having extraordinary lives. However, when Harvey Pekar started writing down that ordinary life, his life became… still quite ordinary, but at least with an outlet through his autobiographical comic book American Splendor. That being said, his biopic isn't quite ordinary, transforming Pekar’s eccentric musings into fourth-wall-breaking comic book panels, vignettes, and documentary-esque work, shifting between Pekar animated, acted by Paul Giamatti, and voiced occasionally by Pekar himself. And like his work, American Splendor resonates with the ordinary viewer, who, like him, just wants to try to make the best of life. It's pretty cool for someone that called himself a nobody.

Genre: Comedy, Drama

Actor: Daniel Tay, Donal Logue, Earl Billings, Ebon Moss-Bachrach, Hope Davis, James McCaffrey, James Urbaniak, Josh Hutcherson, Judah Friedlander, Madylin Sweeten, Maggie Moore, Molly Shannon, Paul Giamatti, Rae Sunshine Lee

Director: Robert Pulcini, Shari Springer Berman

Rating: R

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The emotional sterility of modern life comes under the microscope of this understated Korean drama in which a young woman who has built self-preserving walls around her lonely existence begins to wonder if the trade-off is worth it. Outside of the soul-sucking call center job at which Jina (Gong Seung-Yeon) excels, her interactions with others are purely parasocial: she streams mukbangs on her phone as she eats alone, wakes up to the blare of her always-on TV, and checks in on her aging father via the security camera she’s surreptitiously installed in his home. When she reluctantly agrees to train the chatty, warm newbie (Jeong Da-eun) at work, Jina is confronted with a direct challenge to her aloofness, but the provocation is easily ignored until a similarly withdrawn neighbor is discovered long after his death.

This triggers a quarter-life crisis for Jina that’s predictably resolved, but Aloners transcends the neatness of this arc thanks to its quietly persistent challenging of the instinct to contort oneself to fit an inhumane world. Hong Sung-eun’s thoughtful first-time direction and Gong’s nuanced performance as a young woman waking up to the creeping dehumanization of herself make Aloners a genuinely thought-provoking reflection on 21st-century life.

Genre: Drama

Actor: Ahn Jeong-bin, Geum Hae-na, Geum Hannah, Gong Seung-yeon, Jeong Da-eun, Ju Seok-tae, Kim Hae-na, Kwak Min-kyu, Park Jeong-hak, Seo Hyun-woo

Director: Hong Sung-eun

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Initially, A Revolution on Canvas is about the Nodjoumi family’s quest to retrieve the patriarch’s missing paintings in post-Islamic Revolution Iran. Necessarily, it goes through Nodjoumi’s troubled childhood and shocking life as a resilient revolutionary. But the documentary eventually evolves into a knotty and heartbreaking tale about family, specifically about the sacrifices the partner of a rebel genius like Nodjoumi has to make to let the other shine. Nodjoumi’s daughter, Sara, confronts her father about his absence during their family’s formative years and, more importantly, shines a light on the sacrifices her mother--the artist Nahid Hagigat--had to make to keep them all afloat. The documentary could’ve easily been a straightforward portrait of Nodjoumi, but because it's told through such a specifically intimate lens, it’s elevated into something even more relatable and revealing.

Genre: Documentary

Actor: Nahid Hagigat, Nicky Nodjoumi, Sara Nodjoumi

Director: Sara Nodjoumi, Till Schauder

Rating: NR

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"Imagine a nightmare when you had to relive your adolescence," says Cecilia Aldarondo at the beginning of her third film, You Were My First Boyfriend. Indeed, the scene recalls a teen prom that could easily be yours (if you were one of the unpopular girls): neon lights, prettier dresses that are never yours, disapproving looks, and the impression that everyone around you is having the time of their lives, while you sit awkwardly in a corner. This image sets the tone for a self-exploration in documentary form that relies on a simple, yet imaginative premise, what if you could re-enact the formative events from back then, but do so today, by directing actors to step in for your past selves. Aldarondo approaches the topic sincerely and with curiosity. Not a pang of nostalgia there, but the heartfelt doc manages to reflect on the pasts that shape us in a witty way to promote self-acceptance and, ultimately, healing.

Genre: Documentary, Drama

Actor: Cecilia Aldarondo, Gabriel Kristal, Laura Gallegos, Melissa Baker, Sarah Baker Butterfield

Director: Cecilia Aldarondo

Rating: PG

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Nisha, the daughter of conservative Pakistani immigrants in Oslo, finds ways to secretly go out with her Norwegian friends. She goes to parties, plays basketball, and dates. One day, Nisha’s father catches her with a boy, bringing what he perceives as a great shame to the family. Nisha’s delicate balance is broken, and her family acts drastically: without telling her about their plans, they move her to Pakistan. What Will People Say is based on its director and writer Iram Haq’s own experience being kidnapped to Pakistan and going back to Norway at age 16.

Genre: Drama

Actor: Adil Hussain, Assad Siddique, Ekavali Khanna, Farrukh Jaffar, Jan Gunnar Røise, Jannat Zubair Rahmani, Kjersti Elvik, Lalit Parimoo, Maria Bock, Maria Mozhdah, Rohit Saraf, Sara Khorami, Sheeba Chaddha, Sunakshi Grover, Trine Wiggen

Director: Iram Haq

Rating: 12

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Places evoke certain emotions, but even the most rundown, cramped projects feel special when they’re home. We Grown Now is set in Chicago’s Cabrini-Green public housing complex, an area that was notorious for its crime and poverty, but to Malik and Eric, it’s a place where they became friends. The friendship they share leads them to classic coming-of-age moments like skipping school, egging each other to ask their crush out, and having fun, but unlike other coming-of-age films, these moments aren’t as carefree and consequence-less in the place they live in. We Grown Now is a genuine, full picture of growing up in a rough neighborhood, with both the happiness and hardships the place has to offer.

Genre: Drama

Actor: Avery Holliday, Blake Cameron James, Gian Knight Ramirez, Jurnee Smollett, Lil Rel Howery, Ora Jones, S. Epatha Merkerson

Director: Minhal Baig

Rating: PG

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Jenna is a young woman living a rather unhappy life in a town in the American South. The highlight of her days is inventing and baking pies at the diner where she works, giving them names like the “I Hate My Husband Pie”. Her life, however, seems to have hit an unpleasant dead-end: as her pie suggests, she no longer loves her chauvinistic pig of a husband and, as if that wasn’t enough, she’s pregnant with his child.

Waitress is about one woman’s determination to dig through the sourness of life in the hopes of finding a layer of sweetness underneath. Premiering only months after lead actress Adrienne Shelly’s tragic death at the age of 40, Waitress features wonderful performances that make for a delicious film, with the right ingredients to hold everything together.

Genre: Comedy, Drama, Romance

Actor: Adrienne Shelly, Andy Griffith, Andy Ostroy, Caroline Fogarty, Cheryl Hines, Christy Taylor, Cindy Drummond, Darby Stanchfield, Eddie Jemison, Heidi Sulzman, Jeremy Sisto, Keri Russell, Lauri Johnson, Lew Temple, Mackenzie King, Nathan Dean, Nathan Fillion, Sarah Hunley

Director: Adrienne Shelly

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There’s not much to analyze in The Wrath of Becky, which might sound like a jab, but for grindhouse thrillers such as this, it comes as a compliment. The story is lean, the action is on point, and the dialogue is whipsmart. There is little to distract from the main attraction, which is the creatively gruesome ways in which everyone tries to kill each other. It’s so simple, in fact, that you’d be forgiven for thinking this is a standalone film, instead of a sequel to an earlier movie, simply titled Becky. Efficiently, parts of the first installment appear as flashbacks here, but they’re hardly needed to convince us of Becky’s ferocious might. Wilson already does an excellent job with minimal but evocative gestures. Seann William Scott, too, is surprisingly terrifying as the head of the Neo-Nazi group out to get Becky. It’s easy enough to paint the incel as a villain, but to portray him with such palpable terror is a challenge that Scott steps up to.

Genre: Action, Horror, Thriller

Actor: Aaron Dalla Villa, Alison Cimmet, Courtney Gains, Denise Burse, Derek Gaines, Jill Larson, John D. Hickman, Kate Siegel, Lulu Wilson, Matt Angel, Michael Sirow, Seann William Scott, Zoie Morris

Director: Matt Angel, Suzanne Coote

Rating: R

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Even if it seems like nothing really "happens" for much of The Secret Garden, its characters paint quite the moving picture of neglected children and their indomitable capacity to find hope in the world. Director Agnieszka Holland tells this story with just the right amount of whimsy: at times it's spooky and magical, but everything is grounded in the charming performances of the film's young actors, who are allowed to be difficult, smart, and sorrowful whenever they need to be. It may be old-fashioned, but watching it in this new decade—when we're all trying to guard our kids from sickness and death—makes it feel all the more relevant.

Genre: Drama, Family, Fantasy

Actor: Andrea Pickering, Andrew Knott, Arthur Spreckley, Colin Bruce, David Stoll, Eileen Page, Heydon Prowse, Irène Jacob, John Lynch, Kate Maberly, Laura Crossley, Maggie Smith, Peter Moreton, Walter Sparrow

Director: Agnieszka Holland

Rating: G

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The Outrun, which follows Rona as she struggles to acknowledge and eventually overcome her alcoholism, is understandably in shambles. It’s non-linear (our only cues are her hair color) and occasionally fractured to show just how messed up Rona’s headspace is. These decisions may or may not feel necessary to the viewer, but what centers the film and makes it nonetheless worthwhile is Ronan’s performance. She is convincing and compelling as an addict—no overacting here or disrespectful flairs, just a simple performance carried by the weight of her eyes, the pain of gestures, and the occasional creak in her voice. It’s not always clear what’s happening in The Outrun despite its simple plot, but it is always watchable thanks to Ronan’s magnificent turn.

Genre: Drama

Actor: Izuka Hoyle, Lauren Lyle, Nabil Elouahabi, Naomi Wirthner, Paapa Essiedu, Saoirse Ronan, Saskia Reeves, Stephen Dillane

Director: Nora Fingscheidt

Rating: R

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