202 Best Movies by Female director On Itunes Canada (Page 6)

Staff & contributors

, 2022

The film unfolds in the rhythm of a cow’s life: birth, mating, feeding, milking, checkups. Soon, these events become regular occurrences. Instead of showcasing the more ‘spectacular’ parts of these animal lives in order to build a narrative that's engaging in a more conventional sense, British director Andrea Arnold opts for intimacy through banal instances. Even if female cows are symbolic of labour (reared for milk, meat, and reproduction), the actual cows in the documentary are not actors in a traditional sense. Yet, Cow opens up the dialogue about the on-screen role of animals beyond the call for activism. In it, the protagonists dictate the camera movements and positions just as any other human subject would, but since Arnold is an intuitive and sharp filmmaker, she embraces the opportunity to challenge cinema's status quo. A beautiful addition here is the presence of pop music needle drops, through which the film jolts us into being more attentive, helping us to experience everything we consume in everyday life unperturbed (milk, meat, or pop songs) anew.

Genre: Documentary

Actor: Lin Gallagher

Director: Andrea Arnold

A razor-sharp script and beautiful scenery make this one of the best road movies in recent memory. When their cynical best friend dies, Seph and Alex embark on a journey to scatter his ashes over four spots he wants to go back to. Tupperware of ashes in the glove-box, they start their big adventure. Burn Burn Burn, an expression their friend quotes from Kerouac, is a chance for the two friends to escape their hectic city life and to discover themselves. It’s a beautiful movie.

Genre: Comedy, Drama

Actor: Alice Lowe, Alison Steadman, Chloe Pirrie, Eleanor Matsuura, Hannah Arterton, Jack Farthing, Jane Asher, Joe Dempsie, Julian Rhind-Tutt, Kyle Lima, Laura Carmichael, Matthew Kelly, Melanie Walters, Nigel Planer, Owen Findlay, Sally Phillips, Susan Wokoma

Director: Chanya Button

Rating: N/A

A recent holiday classic you likely haven't seen, Arthur Christmas uses its premise of the North Pole as a massive spy organization to touch on how commercialization tears people apart. It's a surprisingly smart film with a fascinating dynamic among its family of Santas, with an incredibly funny script full of dry, British wit. And while the animation may already look dated at first glance, Arthur Christmas more than makes up for its looks with truly imaginative art direction and director Sarah Smith's fast-paced set pieces. This is that rare Chirstmas movie that doesn't just surrender to schmaltz; the lessons learned by the characters here are unique, complex, and timeless.

Genre: Adventure, Animation, Comedy, Drama, Family, Kids

Actor: Adam Tandy, Alistair McGowan, Andy Serkis, Ashley Jensen, Bill Nighy, Brian Cummings, Bronagh Gallagher, Clint Dyer, Cody Cameron, Danny John-Jules, David Menkin, David Schneider, Deborah Findlay, Dominic West, Donnie Long, Emma Kennedy, Eva Longoria, Hugh Laurie, Iain McKee, Ian Ashpitel, Imelda Staunton, James McAvoy, Jane Horrocks, Jerry Lambert, Jim Broadbent, Joan Cusack, Julia Davis, Kerry Shale, Kevin Cecil, Kevin Eldon, Kris Pearn, Laura Linney, Marc Wootton, Michael Palin, Peter Baynham, Ramona Marquez, Rhys Darby, Rich Fulcher, Rich Hall, Robbie Coltrane, Sanjeev Bhaskar, Sarah Smith, Seamus Malone, Seeta Indrani, Stewart Lee, Tamsin Greig

Director: Barry Cook, Sarah Smith

Rating: PG

On one level, Alcarràs is a story about land, about how inextricable it is to livelihood, about how ownership of it has bred conflict since time immemorial. Director Carla Simón emphasizes this even more by hiring actual Catalan farmers as the leads. We’re not just watching the Solés sing and fight for their land, but Alcarràs natives who are also very much at risk of losing what’s theirs in real life. The acting comes off as natural because it is. 

But on another level, Alcarràs is also a story about family, in particular about how family ties run so deep, they’re bound to coil around each other under the ground they’re rooted in. Like a family portrait come to life, Alcarràs shows us the beauty and the peril of loving your family and the legacy they leave behind as much as the Solés do. 

Genre: Drama

Actor: Ainet Jounou, Berta Pipó, Jordi Pujol Dolcet, Josep Abad, Xenia Roset

Director: Carla Simón

At once intimate and sweeping, A Thousand and One seamlessly weaves Inez's personal turmoil and familial troubles with the systemic inequality that was rampant in '90s New York. The hideous faces of gentrification, poverty, and police brutality are constantly appearing in the film, not merely because they lend weight to the story, but because they are inevitable for people like Inez. People who, despite their best efforts at achieving upward mobility are continually pushed down by self-serving institutions. 

It's easy for social issue dramas like this to buckle under the weight of their lofty goals, but nothing about A Thousand and One feels forced. Just the opposite, the film has an authentic quality to it—almost documentary-like in its precise depiction of Harlem throughout the years. It's deeply personal and achingly tender, and everything else—the social commentary and the political beats—stems from that specificity. 

Genre: Crime, Drama

Actor: Adriane Lenox, Amelia Workman, Aven Courtney, Bianca LaVerne Jones, Delissa Reynolds, Emmy Harrington, Jennean Farmer, Josiah Cross, Naya Desir-Johnson, Rudolph Giuliani, Terri Abney, Teyana Taylor, William Catlett

Director: A.V. Rockwell

Rating: R

“As fragile as she was strong, as vulnerable as she was dynamic, she was African royalty. How does royalty stomp around in the mud and still walk with grace?”. What Happened, Miss Simone? will surprise you no matter how much you thought you knew about the soul singer - not only in its exploration of Nina Simone’s personal life and complexities, but by being both a personal and political documentary. As you discover an original singer with talents that reach all the way to performance art, you will also learn about a Civil Rights activist’s journey and an unstable woman’s struggle. The documentary is not about answering the question of what happened, Miss Simone? – it’s an exploration of why that question is so important.

Genre: Documentary, Music

Actor: Dick Gregory, Elisabeth Henry-Macari, James Baldwin, Lisa Simone, Liz Garbus, Nina Simone, Stanley Crouch, Stokely Carmichael, Walter Cronkite

Director: Liz Garbus

Rating: Not Rated

Adapted from the Lionel Shriver novel of the same name, We Need to Talk About Kevin is the story of a mother (Tilda Swinton) that never quite bonds with her child, but not by her choice. The son grows up to do a heinous act that begs the question: nature or nurture? This film is an uncompromising view on the development of an unloved child. Silent pain gets voice. Feelings are shown by actions not emotions in an authentic, comprehensible and aesthetic manner. Great work.

Genre: Drama, Thriller

Actor: Aaron Blakely, Alex Manette, Andy Gershenzon, Annie O'Sullivan, Ashley Gerasimovich, Blake DeLong, Caitlin Kinnunen, Daniel Farcher, Erin Darke, Ezra Miller, Francesca Murdoch, Georgia X. Lifsher, J. Mallory McCree, J.J. Kandel, James Chen, Jason Shelton, Jasper Newell, Jeffrey Mowery, Jennifer Kim, John C. Reilly, Jose Joaquin Perez, Joseph Basile, Joseph Melendez, Kenneth Franklin, Kimberley Drummond, Lauren Fox, Leland Alexander Wheeler, Leslie Lyles, Louie Rinaldi, Mark Elliot Wilson, Maryann Urbano, Paul Diomede, Paul Marra, Polly Adams, Rebecca Dealy, Rock Duer, Rocky Duer, Simon MacLean, Siobhan Fallon Hogan, Suzette Gunn, Tilda Swinton, Ursula Parker

Director: Lynne Ramsay

Rating: R

Good movies usually aren't lengthy movies, unless we're talking about cases like Toni Erdmann. It's a supremely smart German-Austrian comedy that depicts the story of a Father-Daughter tandem in light of life’s weirdest, most inconvenient moments. Deciding to visit his daughter on a whim after his dog dies, Winfried (Peter Simonischek)—a man known for his outrageous pranks and many a disguise—flies to Bucharest. Ines (Sandra Huller), the daughter, buzzing with work to the brim in a very challenging job, to say the least, isn’t impressed. This leads to even more uncomfortable encounters as the estranged father poses as the title character, life coach to the disapproving daughter’s boss. On top of being a shrewdly observed and relevant movie, the brilliant writing by Maren Ade crafts something thoroughly enjoyable and heartfelt here, highlighting the importance of family bond in an oddly sweet way, and criticizing modern-day work ethic and the toll its taking on us. The beginning is a bit slow, but if you're a bit patient you will be surprised how much this movie will reward you.

Genre: Comedy, Drama

Actor: Alexandru Papadopol, Andrei Mateiu, Bryan Jardine, Cezara Dafinescu, Cosmin Pădureanu, Dana Marineci, Daniel Filipescu, Hadewych Minis, Hans Löw, Hartmut Stanke, Ingrid Bisu, Ingrid Burkhard, Irene Rindje, John Keogh, Julischka Eichel, Jürg Löw, Klara Höfels, Luana Stoica, Lucy Russell, Manu Sabo, Manuela Ciucur, Michael Wittenborn, Miriam Rizea, Nicolas Wackerbarth, Niels Bormann, Ozana Oancea, Peter Simonischek, Radu Bânzaru, Ruth Reinecke, Sandra Hüller, Sava Lolov, Thomas Loibl, Trystan Putter, Ursula Renneke, Valentin Popescu, Victoria Cocias, Victoria Malektorovych, Vlad Ivanov

Director: Maren Ade

Rating: R

“What is happiness?” is one of those philosophical questions that seem destined to go unanswered, one that, when asked, starts a debate that splinters into smaller debates, all of which lead to nowhere. This film is sort of an embodiment of that question, but instead of being vague and pointless, it revels in mystery and multitudes. What is happiness? We follow five different people who attempt to answer that in their own ways. 

It might seem gimmicky to try to link strangers’ lives with the concept of happiness,  but in the hands of a brilliant director and ensemble, it becomes a treat. With its deeply human characters, smartly structured plot, and eloquent dialogue, Thirteen Conversations About One Thing is a rare gem of a film, as perceptive as it is poignant. 

Genre: Drama

Actor: A.D. Miles, Alan Arkin, Alex Burns, Allie Woods, Allie Woods Jr., Amy Irving, Avery Glymph, Barbara Andres, Barbara Sukowa, Beth Shane, Brian Smiar, Charlie Schroeder, Clea DuVall, Daryl Edwards, David Connolly, Deirdre Lovejoy, Dion Graham, Eliza Pryor Nagel, Elizabeth Reaser, Fernando López, Frankie Faison, Gammy Singer, James Murtaugh, James Yaegashi, Jeff Robins, Joel Marsh Garland, John Turturro, Joseph Siravo, Leo V. Finnie III, Malcolm Gets, Matthew McConaughey, Melissa Maxwell, Miles Thompson, Paul Austin, Paul Klementowicz, Peggy Gormley, Phyllis Bash, Richard Council, Rob McElhenney, Robert Colston, Robertson Carricart, Shawn Elliott, Sig Libowitz, Tia Texada, Victor Truro, Walt MacPherson, William Severs, William Wise

Director: Jill Sprecher

Rating: R

This drama was the first feature written and directed by an out Black lesbian, Cheryl Dunye, and it is an absolute joy: a cheeky faux-documentary that ingeniously blends lesbian dating life with a historical dive into Black actors in 30s Hollywood.

Dunye plays Cheryl, a self-effacing version of herself, an aspiring director working at a video store who begins to research an actress known as the Watermelon Woman for a documentary. The more Cheryl dives into her research, the more she sees parallels between her subject and her own relationship. 

As incisive as it is funny, The Watermelon Woman shares some common ground with other major indie debuts of the era like Spike Lee’s She’s Gotta Have It and funnily enough Kevin Smith’s Clerks, but Dunye’s style is wholly her own and a dazzling treat to experience.

 

Genre: Comedy, Drama, Romance

Actor: Brian Freeman, Camille Paglia, Cheryl Clarke, Cheryl Dunye, David Rakoff, Guinevere Turner, Irene Dunye, Lisa Marie Bronson, Sarah Schulman

Director: Cheryl Dunye

Val is a housekeeper for a wealthy family in São Paulo. She is close with every family member, and acts as the title would suggest - as a second mother, but there are clear reminders of her status. One is the sheer amount of work she has to do, from cooking to cleaning and responding to random demands.

Val’s estranged daughter visits her, a bright kid who is on her way to university. This brings out more of the maid/employer dynamics: if Val is “family”, why would she and her daughter have to sleep in a small cramped room when the guest room is empty?

Questions like these threaten the family’s balance and the uneasy existence that millions around the world have as housekeepers.

It’s a great and well-thought-out drama, one that would make the perfect centerpiece for a movie night or a movie club pick.

Genre: Drama

Actor: Camila Márdila, Helena Albergaria, Hugo Villavicenzio, Karine Teles, Lourenço Mutarelli, Luci Pereira, Luis Miranda, Michel Joelsas, Regina Casé, Theo Werneck

Director: Anna Muylaert

Documentaries about people suffering from dementia, Alzheimer's, or other neurodegenerative diseases will always occupy a bit of an uneasy space—how much consent can they really provide in their condition? At what point does presenting their struggles become exploitative? Maite Alberdi's The Eternal Memory doesn't entirely assuage these concerns, but it certainly knows better than to define its characters by the things that they lack. In fact, much of this film's romance comes from the image of Pauli and Augusto (who sadly passed away earlier this year) simply sharing space together, present in one another's routines even as the gap between their shared understanding grows. Their life is one populated by art and literature, which seems to act as both a cage and a liberating escape throughout their relationship.

In the times when Augusto's struggle with basic cognition is too severe, Alberdi doesn't look away, and the resulting footage is truly painful to watch. But it should be emphasized that Alberdi displays the same attentiveness to the couple's ordinary moments of quiet contemplation or married-life silliness without allowing them to be reduced into tragedy in retrospect. The film never tries to define their bond as either purely doomed or hopeful. For them, the mere possibility of love continuing to persist even in brief flashes is enough.

Genre: Documentary

Actor: Augusto Góngora, Gustavo Cerati, Javier Bardem, Paulina Urrutia, Pedro Lemebel, Raúl Ruiz

Director: Maite Alberdi

The Breadwinner is as beautiful as it is heartbreaking. The animation is magical as it seamlessly jumps back and forth between Parvana's stark reality and richly detailed fantasy. It's a wonder to just look at, but it's a tapestry brought to life by the story at the center of it. 

Set in 2001, at the height of Taliban rule in Afghanistan, the film follows Parvana, a young girl driven to desperate measures to keep her family alive. Because of the violent restrictions imposed on women (they’re not allowed to buy, sell, study, or practically do anything without a male chaperone), Parvana disguises herself as a boy so she can work for a living. The more she gets away with it, the bolder her attempts get. It's a story of survival and standing up, but it's also a sobering reminder of what fundamentalism is capable of doing (or more accurately, ruining). As long as cruel systems like this are taking place in the world, Breadwinner remains essential viewing for all.

Genre: Animation, Drama, Family, War

Actor: Ali Badshah, Ali Hassan, Ali Kazmi, Kane Mahon, Kanza Feris, Kawa Ada, Laara Sadiq, Lily Erlinghauser, Noorin Gulamgaus, Nora Twomey, Patrick McGrath, Reza Sholeh, Saara Chaudry, Salaman Hamidkohzad, Shaista Latif, Soma Bhatia, Soma Chhaya

Director: Nora Twomey

Rating: PG-13

Often considered Claire Denis’ best film, Beau Travail is an epic exploration of both masculinity and colonialism. Inspired by Melville’s Billy Budd, she transplants the story to Djibouti where the French Foreign Legion run seemingly aimless drills in an arid desert landscape while largely alienated from the local community. 

Denis inverts the male gaze and imbues charged eroticism to the bodies in motion as the men train and wrestle. Accompanied by the music of Britten’s Billy Budd opera, these movements transform into a breathtaking modern dance. Underneath her jaw-dropping direction is a cutting allegory on repression, desire, and violence, working on both the individual and geopolitical level. This incredible tale is capped off by one of the best end credit sequences of all time. 

Genre: Drama

Actor: Adiatou Massudi, Bernardo Montet, Dan Herzberg, Denis Lavant, Gianfranco Poddighe, Grégoire Colin, Michel Subor, Mickael Ravovski, Nicolas Duvauchelle, Richard Courcet

Director: Claire Denis

Rating: Unrated

Although it opens on Janet Frame’s first steps as a baby, this Jane Campion-directed biopic of the celebrated New Zealand writer doesn’t take an exhaustive approach to its subject’s life. We frequently only learn of milestones — the many awards she won, the death of her mother — later on and in passing. In a beautiful gesture that feels like a tiny righting of the many wrongs done to Janet, it’s her perspective that guides the film. 

That embedded approach also makes the emotions that come with her heartbreaking yet uplifting story more profound. And there is much heartbreak here: alongside the several tragic losses Janet experienced as a child, she was misdiagnosed as schizophrenic as a young woman and spent eight harrowing years in psychiatric hospitals. Throughout all of this, she wrote fiction and poetry, work that saved her life in more ways than one: as well as being a rare constant source of joy, it won her a literary prize just days before she was scheduled for a lobotomy, prompting her doctors to reconsider. Neither Campion nor Janet allowed this experience to define her, however, and the film empathetically grants her real moments of joy and choice throughout — making for a deeply sensitive and uplifting watch.

Genre: Drama

Actor: Alexia Keogh, Alison Bruce, Alistair Douglas, Andrew Robertt, Brenda Kendall, Brian Flegg, Celia Nicholson, Collette Cooper, David Letch, David Stott, Edith Campion, Elizabeth McRae, Faye Flegg, Fiona Kay, Francesca Collins, Gerald Bryan, Iris Churn, Jessie Mune, Jim Rawdon, Julia Calvo, Karen Fergusson, Katherine Murray-Cowper, Kerry Fox, Kevin J. Wilson, Lilian Enting, Mark Clare, Mark Morrison, Martyn Sanderson, Melina Bernecker, Natasha Gray, Paul Norell, Peter Needham, Robert Jayne, Ruth Dudding, Sarah Smuts-Kennedy, Sheryl Stewart, Tiffany de Castro, Timothy Bartlett, Willa O'Neill

Director: Jane Campion

Rating: R