16 Best Movies by Female director On Amazon Germany

1. Counterpart, 2017, 2018, 2019

While the dual lead performance concept can easily be a recipe for disaster at times (cf. Gemini Man), the always amazing J.K. Simmons (Whiplash) shows everybody how it's done in this tense sci-fi thriller. When the risk pays off, it pays off big time! Set in a counterfactual 1980s East Berlin, Counterpart unfolds in two parallel worlds that were bridged by East German scientists. When a flu pandemic kills millions in the first world, the two worlds enter a Cold War-like state. Both Simmons' characters (Simmonses?) work in the institution (“interface”) that oversee this bridge between earths: Howard Silk, a low-level employee who transmits messages he doesn't understand, and Howard Silk Prime, a clandestine agent working for the parallel world's interface institution. While this may seem like an overly complicated plot, don't fret. To be sure, Counterpart is complex, twisted, and raises some big questions, but it's also a gripping political thriller where everyone tries to kill somebody somewhere, like Bourne. It's the best of both worlds – pun intended. But if you're into the philosophical aspects of sci-fi, screenwriter Justin Marks does not disappoint, offering some new answers to the age-old question of what makes us who we are: nature or nurture.

2. The Rider, 2018

This is quite the movie. It’s based on the true story of Brady Jandereau, an ex-rodeo star who suffered from an injury that took him away from riding horses. This is the best part, in the movie, he actually plays himself. His friends in the movie are his real-life friends. And the horse taming scenes are real wild horses being trained (by him). The line between reality and the filmmaking process is so thin here. An absolutely mesmerizing movie, directed by Chinese filmmaker Chloe Zhao. The Rider. Don’t miss it.

3. Nowhere Boy, 2010

In a different change of pace, this biopic focuses on John Lennon’s reckless adolescence and family life instead of his soon-to-be iconic music. It brings an epic rockstar many of us have known our entire lives down to a more relatable level. The young Aaron Taylor-Johnston gives a very angsty performance which feels a little over the top at times. Anne-Marie Duff does comes off too flirtatious for a newly formed mother-son relationship but Kristin Scott Thomas outshines them all with her steely demeanor.

4. Portrait of a Lady on Fire, 2019

This unique romance is set during a time when a man would be sent the painting of the woman he was to marry before the wedding could take place. Héloïse, secluded with her mother and a maid on a remote island, doesn't approve of her upcoming wedding and refuses to be painted. Her mother sends for a new painter, Marianne, to try to paint her without her noticing. Marianne has to take on this near-impossible task when she starts having feelings for Héloïse. This makes for a riveting romance where Marianne has to choose between her heart and her art while keeping a huge secret from her love interest.

5. The Secret of Kells, 2009

A Franco-Gaelic animated film nominated for an Academy Award, the Secret of Kells certainly isn't your average Disney fare. Set in 8th century Ireland, it is beautifully animated, taking cues from ancient illuminated manuscripts and Gaelic folk art. Featuring a plot heavily inspired by Irish mythology, it tells the story of the Viking invasion of Ireland and the creation of the Book of Kells, an Irish national treasure. The world of the film pulses with the lush greenery of the island, populated by fairies, giants, magic and mystery.

6. Fish Tank, 2009

A sincere portrayal of the gritty British working class life through the coming-of-age story of a girl who loves rap music and dancing to it. It features a stunning and powerful performance from newcomer Katie Jarvis who had no acting experience whatsoever, and who was cast in the street after she was spotted fighting. She plays Mia, a 15 year old teenager whose world changes drastically when her mother's new boyfriend (played by Michael Fassbender) turns his eyes to her. Don't watch this movie if you are looking for a no-brainer, definitely do watch it if you are interested in films that realistically portray others' lives and let you into them.

7. Winter's Bone, 2010

A young girl is looking for her father while struggling to care for her family. The film is bleak and slow but great performances from the cast, especially the lead, will keep you engaged throughout. The story has a very real, raw, and natural feeling to it, so natural in fact that at times, you will forget it is a movie. And in many ways, it feels that Winter's Bone is to Jennifer Lawrence what The Believer was to Ryan Gosling, as her performance is nothing short of perfect.

8. Toni Erdmann, 2016

Good movies usually aren't lengthy movies, unless we're talking about cases like Toni Erdmann. It's a supremely smart German-Austrian comedy that depicts the story of a Father-Daughter tandem in light of life’s weirdest, most inconvenient moments. Deciding to visit his daughter on a whim after his dog dies, Winfried (Peter Simonischek)—a man known for his outrageous pranks and many a disguise—flies to Bucharest. Ines (Sandra Huller), the daughter, buzzing with work to the brim in a very challenging job, to say the least, isn’t impressed. This leads to even more uncomfortable encounters as the estranged father poses as the title character, life coach to the disapproving daughter’s boss. On top of being a shrewdly observed and relevant movie, the brilliant writing by Maren Ade crafts something thoroughly enjoyable and heartfelt here, highlighting the importance of family bond in an oddly sweet way, and criticizing modern-day work ethic and the toll its taking on us. The beginning is a bit slow, but if you're a bit patient you will be surprised how much this movie will reward you.

9. Time, 2020

This intimate and personal film is about Sibil Fox Rich, an entrepreneur and mother of six. Fox is driven by an unparalleled, contagious determination to succeed — so present in the mix of video diaries and present-day footage of her in Time.

For the past 20 years, Rich has channeled that tenacity towards the release of her husband, who is serving a 60-year sentence.

Through the video diaries and family footage, Time feels almost too personal. It’s like stepping into a person’s most intimate moments for 81 minutes, with all their ups and downs.

It could be seen as a commentary on the deeply flawed American justice system, but at its core Time is an uplifting portrayal of resilience, true, long-lasting love (she and her husband were high-school sweethearts), and boundless hope.

10. Monster, 2003

Monster is a biographical depiction of Aileen Wuornos (Charlize Theron), a prostitute and serial killer who murdered seven men in Florida between 1989 and 1990. The film follows the burgeoning relationship between Wuornos and young Selby Wall (Christina Ricci, in a role based on Wuornos' real-life girlfriend Tyria Moore), as she grows increasingly desperate to provide for her young companion financially. Her desperation and her rage against men, brought on by years of both childhood and adult abuse, leads her down a dark path of murder and theft, even as she struggles to shield Selby from the horror of her crimes. The overwhelming highlight of the film is Theron’s mesmerizing performance as Wuornos—a role that won her a well-deserved Academy Award for Best Actress in 2004. She’s almost unrecognizable and altogether phenomenal as the volatile and increasingly unstable Wuornos, whose ferocity is interwoven with surprising affection for young Selby. This unexpected tenderness lends the film an air of tragic poignancy, and provides a bittersweet portrayal of a severely troubled woman. Very much intended for mature audiences only, Monster is a fascinating recreation of a disturbing yet compelling chapter in the annals of true crime in America.

11. The Babadook, 2014

In an age where recent horror films mostly use the jump-scare as a crutch to make their CGI-spawned (not to mention generic) creatures seem scary, The Babadook portrays real scares, relatable characters and a moving story. Jennifer Kent (director and writer) sets this on the backdrop of heavily Lars von Trier-inspired cinematography, elevating The Babadook from a shot at an amazing horror to a resemblance of an art house film. The unease felt during this film only increases as it creeps towards its conclusion. Whenever the Babadook (the monster of the film) is seen lurking in the peripherals of the camera, appearing in television sets and the shadows to create a sense of omnipresence that disturbs the viewer on a deeper, more primal level than that of so many recent horror films could even hope to reach. It leaves the audience with the sensation that they are being lowered onto a lit candle, spine-first. In short; the seamless acting, the beautiful shots, the slow-burning terror together creates a masterpiece that strides past any horror film of the past decade (maybe even further) and stands toe-to-toe with the greats without even breaking a sweat.

12. Things We Lost in the Fire, 2007

Things We Lost in the Fire is a touching drama about Audrey (Hall Berry), a married mother-of-two, whose husband Brian (David Duchovny) is killed tragically in a random act of violence. Amidst her grief she comes to connect with Jerry (Benicio Del Toro), Brian’s childhood friend who is living an isolated life as a junkie, and ultimately invites him to live with her and her children. What may sound like a formulaic set-up, with broken souls coming together to find mutual reconciliation, is elevated immeasurably by Susanne Bier’s deft directorial hand. The celebrated director of After the Wedding and In A Better World weaves a poignant narrative about loss and human connectivity, featuring stunningly good performances by both Berry and Del Toro. It’s a film that’s likely to surprise you with its heartfelt tenderness and compassion.

13. Stories We Tell, 2012

Stories We Tell got on everyone’s radar when, back in 2015, it made the list of the all-time top ten list of Canadian films. That speaks to both the caliber of this movie and its relevance to North America. It’s in fact a first-person account about (and made by) actress Sarah Polley (Mr. Nobody, Exotica, Away from Her, Take This Waltz). In the film, she investigates the rumor that she was the product of an affair, and that her father might not be her biological father. Her family and suspected fathers are all storytellers, and many of them Academy Award winners. Ultimately, the movie becomes about her family’s remembrance of her now-deceased mother (the famous actress Diane Polley). It’s an examination of how the same story can be told so differently by different people and across time. Lies get added and truths are hidden, and all of that enriches Polley’s pursuit.

14. Queen of Hearts, 2019

This Danish film which was the country's submission to the Oscars is about a delicate subject. A lawyer who specializes in defending children, and who is used to developing closeness with her clients including meeting with them in her home, starts having an affair with her teenage step-son.

There is inherent tension to this obviously very explicit plotline: how would a serious, non-erotic (or not-only-erotic) movie like this one portray such attraction. And of course, afterwards, what are the implications?

15. Wadjda, 2012

Wadjda is a smart, spirited 10-year-old girl who wants nothing more than to own her own bike, something that is frowned upon in the Saudi Arabian suburb where she lives. While it’s not technically illegal for women to own bikes, it is thought of as something that is “dangerous to a girl’s virtue,” and it’s worth noting that this is a society where women are also not allowed to drive their own cars. Wadjda devises numerous schemes to earn enough money to buy a bike (selling bracelets, making mixes of Western pop songs, delivering clandestine messages between men and women), before getting caught by the headmistress at her school. It is then that Wadjda hits on the ultimate money-making scheme: there is to be a Koran-reciting contest at her school with a hefty cash prize, and she’s determined to win. There is a subplot involving a growing rift between Wadjda’s parents; while there is clearly a lot of love between both parties, it becomes increasingly clear that her father may be leaving her mother for another woman who could potentially bear him a son (a common practice). This subplot is handled with respect and little judgement though, as it is simply the way things work in this culture. Yet, as Wadjda is coming-of-age and learning about the limitations placed on her as a girl, she is obviously negotiating ingenious ways of pushing back against those limitations. The film is subtle and humane in how it handles the slowly changing cultural and gender dynamics in a traditionally conservative, patriarchal society. It wouldn’t work without a strong central performance from first-time actor Waad Mohammed though -- she is never less than believable as a clever, determined and joyful 10-year-old, and her journey towards adulthood is both heartbreaking and inspiring.