Bait 2019 / A gem of old-school filmmaking that builds with a palpable, paranoid anxiety

Shot on a hand-cranked silent camera with all the sound and dialogue added in during post, Bait immediately stands out as a film that appears lost in time. With the visual texture and slightly displaced audio of an independent film made during Hollywood’s infancy, the movie manages to convey its character and class conflicts with an additional air of surreality, even in its simplest sequences of shots. But writer/director/cinematographer/editor Mark Jenkin doesn’t approach this project with an ironic or flippant attitude. Through the most fundamental techniques of an art form that’s constantly changing, he crafts a story about the inevitability of change and those who really stand to lose the most from the passage of time.