40 Contributions by: Savina Petkova On Itunes Canada (Page 3)

Staff & contributors

Swiss filmmaker Alexandre O. Philippe gave us the free-flowing fandom doc The People vs. George Lucas in 2010 and hasn't stopped obsessing over his favorite filmmakers ever since. Can you blame him? Dedicating years of your life to research of the the weird Lynch-verse is a mammoth task, especially since the kernel of his new doc can be found in a single line uttered by the director. At a Q&A in 2001, he said:"There is not a day that goes by that I don't think about The Wizard of Oz," and that was reason enough to conceive of the 1939 Technicolor film as a lens to read Lynch's whole filmography through. Philippe is dedicated beyond measure, which is both an advantage and a disadvantage for the whimsical exploration of such a fascinating body of work deserves complete devotion. Perhaps even bordering on obsession. A wildcard documentary for the Lynchheads, Lynch/Oz includes not only excerpts from shorts, features, and TV he made, but also clips from various appearances. Plus, the six chapters feature different filmmakers and critics who imbue the film with their own interpretation of the enigma that Lynchian cinema is.

Genre: Documentary

Actor: Aaron Moorhead, Amy Nicholson, David Lowery, David Lynch, Jack Paar, Jay Leno, John Waters, Judy Garland, Justin Benson, Karyn Kusama, Rodney Ascher

Director: Alexandre O. Philippe

American cyclist Greg LeMond, who in 1986 won the Tour de France has been a legend in the sports world, but filmmaker Alex Holmes presents him to the wider audience with a brand-new inspirational documentary. The Last Rider is everything this kind of film can be—its hook is courage and hard work that pays off, its mode of storytelling is personal, intimate interviews, and its framework is a "modern hero" kind of narrative. By stringing together conversations with LeMond himself, his friends, family, and colleagues, Holmes tells a chronologically-sound, emotional version of a landmark career. For many, the 1986 or 1989 win wouldn't mean much (unless you're a sports fan or French), but the educational bits of The Last Rider make for good trivia material. If you need a courage boost, here's the story of a professional cyclist, injuries, perseverance, and fame, to cheer you up.

Genre: Documentary

Actor: Cyrille Guimard, Greg LeMond, Kathy LeMond, Pedro Delgado, Perico Delgado

Director: Alex Holmes

Rating: PG-13

, 2023

Golda Meir was Israel's only female Prime Minister and that's already reason enough a biopic celebrating her historical importance would be made. Oscar-winning Israeli director Guy Nattiv rose to the task and Meir's own grandson requested British actress Helen Mirren to play the role of his grandmother (a decision that was not left undisputed). However, Miren is a virtuoso of stoic, physically confined acting and delivers a strong performance as the elderly Golda in the wake of a militarized attack on Israel coming from Egypt and Syria. Instead of being caught in the web of global politics between the Arab world, Russia, and the United States, she navigates the terrain with sustained empathy, although not without failings. The film itself describes Golda as a hero outside of Israel and controversial in her own land, and it does well enough in embodying that very same controversy.

 

 

Genre: Drama, History, Thriller, War

Actor: Ben Caplan, Camille Cottin, Daniel Ben Zenou, Dominic Mafham, Dvir Benedek, Ed Stoppard, Ellie Piercy, Emma Davies, Helen Mirren, Henry Goodman, Jaime Ray Newman, Jonathan Tafler, Kit Rakusen, Liev Schreiber, Lior Ashkenazi, Mark Fleischmann, Muneesh Sharma, Ohad Knoller, Olivia Brody, Rami Heuberger, Rotem Keinan, Sam Shoubber, Sumit Chakravarti, Zed Josef

Director: Guy Nattiv

Rating: PG-13

Sophia Castuera's first feature after two indie shorts seems like a low-key affair, but it fits neatly into a canon of post-mumblecore, or a Gen Z mumblecore. It features a fumbling protagonist named Cal and played by Ali Edwards (who also wrote the script), a wanna-be actress fresh out of college who finds herself stuck between two people. Not just any people, but her childhood best friend Jay and his long-term girlfriend Emily. August at Twenty Two queers the love triangle trope and makes the most of the characters' anxieties, their hopes, and awkward daily sacrifices to climb up into each other's good books. Appearances are key, of course, since everyone's delightfully immature. The good thing is that the film knows all this very well and even sneaks a post-ironic hint or two. That said, its self-assurance is also its Achilles heel: you cannot convince me that twenty two year olds would call each other often enough to have voicemail. 

Genre: Drama, Romance

Actor: Adrian Burke, Ali Edwards, Clay Singer, Jorge Felipe Guevara, Lilli Kay, Mia Rose Kavensky

Director: Sophia Castuera

The Cabin in the Woods came to be as Buffy The Vampire Slayer writers Drew Goddard and and Joss Whedon set themselves on a mission to upgrade the slasher genre. With this film, they wanted to satirize the way it slips into torture porn. In other words, they aspired to make a clever, punchy new classic. Amassing a 30 million dollar budget attests to their hopes: a massive backend of VFX work provided an elaborate film world, where different levels of 'reality' are at play. As six college students head into the woods to spend a debaucherous weekend undisturbed, a whole underground laboratory monitors their every move. It appears that a big operation is underway to trap the unsuspecting crowd into a curated murder scenario, straight out of a horror movie. Among the victims, we see Chris Hemsworth at the time his career was just taking off, so that's history in the making for you.

Unfortunately, in its devotion to provocatively render some horror tropes irrelevant, The Cabin in the Woods cannot help but reinforce others. It still carries the whiff of the late 2000s' misogyny in the way it portrays women and it certainly doesn't try hard enough to disrupt the genre's opposition to female sexuality. The characters of Dana (the virgin) and Jules (the experienced one) are sure to make you wince, as they're written as flat as a piece of paper. So you say no to torture porn, but embrace misogyny...?

Genre: Comedy, Fantasy, Horror, Mystery, Science Fiction, Thriller

Actor: Adrian Holmes, Amy Acker, Anna Hutchison, Aya Furukawa, Brad Dryborough, Bradley Whitford, Brian J. White, Chelah Horsdal, Chris Hemsworth, Dan Payne, Dan Shea, Ellie Harvie, Fran Kranz, Greg Zach, Heather Doerksen, Jesse Williams, Jodelle Ferland, Kristen Connolly, Lori Stewart, Matt Drake, Matt Phillips, Maya Massar, Nels Lennarson, Patrick Gilmore, Patrick Sabongui, Peter Kelamis, Phillip Mitchell, Richard Cetrone, Richard Jenkins, Rukiya Bernard, Sigourney Weaver, Terry Chen, Terry Notary, Tim DeZarn, Tom Lenk

Director: Drew Goddard

Rating: R

One wouldn't expect to see Count Dracula's youthful-looking helper at your local 12-step self-help group for people in codependent relationships, but Renfield holds more than one surprise up its sleeve. By translating the working relationship (or master-slave, since the latter doesn't get any pay) into the vocabulary of common relationship counselling parlance, the film actually elevates its symbolic status. Even more, I'd dare call it a hoot. Not that many vampire films have managed to make a proper comedy out of the figure in question, and Renfield with its simplistic appeal puts to shame even the artsy Netflix production El Conde, which also came out earlier this year. With Awkwafina in the mix and iconic lines such as "I don't want your murder cookies", how can you resist?

Genre: Comedy, Fantasy, Horror

Actor: Adrian Martinez, Anil Bajaj, Awkwafina, Ben Schwartz, Bess Rous, Betsy Borrego, Brandon Scott Jones, Brian Egland, Camille Chen, Caroline Williams, Chloe Adona, Christopher Winchester, Derek Russo, Gabriel 'G-Rod' Rodriguez, James Moses Black, Jenna Kanell, Joshua Mikel, Keith Brooks, Lacey Dover, Lena Clark, Lucy Faust, Marcus Lewis |, Marvin Ross, Mike Harkins, Nicholas Hoult, Nicolas Cage, Rhonda Johnson Dents, Shohreh Aghdashloo, Stephen Louis Grush, Susan McPhail, T.C. Matherne, William Ragsdale

Director: Chris McKay

Rating: R

Irish director Lorcan Finnegan's follow-up to the social dystopia Vivarium, too, centers around the trials and tribulations of a nuclear family. Overwhelmed by work and struck by an inexplicable disease, Christine (played by Eva Green) seems to have forgotten she employed a caretaker for her daughter Bobs. The plot thickens when a Filipino woman named Diana rings the door bell: what kind of mother forgets something like that? What follows is as nightmarish as it sounds, the film's visual potency summoning one's deepest fears and anxieties about reality slipping away. Green and Chai Fonacier (Diana) play an exquisite game of cat and mouse, but even the psychological thrill of that chase is not significant enough to overthrow the dubious racial politics at play. By the end, Nocebo makes an effort to position itself on the right side of history, but the power of its political critique wanes and wanes.

Genre: Horror, Mystery, Thriller

Actor: Anthony Falcon, Billie Gadsdon, Cathy Belton, Chai Fonacier, Eva Green, Mark Strong

Director: Lorcan Finnegan

Visual artist Ann Oren's first foray into feature-length filmmaking is a sensual delight and a gift that keeps on giving. Oren approaches her film with sincere dedication to every single building block: Piaffe looks, sounds, and feels sensational while being a fairly modest production. A true indie film, Piaffe verges on experimentation as a young woman named Eva (Simone Bucio) takes over the job of a foley artist from her sister. Even though she's under-qualified, she tries her best t0 come up with the sounds for a horse-themed commercial to no avail. However, in the process, she notices a bump on her lower back that grows into a horse's tail. Piaffe is a tale of metamorphosis, not only of the flesh, but also of the heart, as the themes it explores are also directly related to sexuality, submission, and, of course, love as a manifestation of all those things.

Genre: Thriller

Actor: Bjørn Melhus, Josef Ostendorf, Lea Draeger, Nico Ehrenteit, Sebastian Rudolph, Simon(è) Jaikiriuma Paetau, Simone Bucio, Tristan Bumm

Director: Ann Oren

A first feature by stuntman-turned-director Andy Armstrong, Squealer is supposedly based on real events that shook Canada in the 1990s. Robert Pickton or the Pig Farmer Killer was perhaps the inspiration for the eponymous Squealer in the 2023 film; the physical resemblance is uncanny. Extraordinarily cruel serial killers make good gore material and we love to see it, but the problem is that the audience today wants something new and fresher. Texas Chainsaw Massacre is a classic, but it's hard to make a film as misogynistic and hit the same charge as it used to. In Squealer, it is only female bodies that are shown dismembered, cut open, sliced, and diced; for men, all this happens off screen. This is only one example of how the film reiterates some of its onerous tropes, without really updating them. It's not exactly good taste to hammer bits of comedy in the dialogue too, as it feels  disconcerting amidst the rivers of blood and cruelty. 

 

Genre: Horror, Thriller

Actor: Danielle Burgio, Graham Greene, Holly Kaplan, Katherine Moennig, Ramona DuBarry, Rebecca Knox, Ronnie Gene Blevins, Sydney Carvill, Theo Rossi, Tyrese Gibson, Wes Chatham

Director: Andy Armstrong

Rating: R

In a time where the Metaverse feels more and more a looming presence, hoping to crown our complex realities with its utopian promise, it's only natural to expect a film set precisely there. Director L.E. Staiman took a chance with Love Virtually, but his attempt to make a zany, absurdist rom-com (riffing off the title of your aunt's annual Christmas rewatch) simply fails. The premise sees a few couples on the brink of breaking up reconnect with the help of VR headsets, challenging each other's commitment, or cheating with each other (without knowing it of course). A rather funny gambit gets sucked into a vortex of dullness when the characters speak, their dialogues irksome to the point of second-hand embarrassment. Instead of exploring the possibilities of VR relations through an ironic lens, the film seems to not even care enough to look for the genuine comedic potential of the Metaverse as a concept-turned-space. Even the three separate references to Timothée Chalamet don't make a difference to how surprisingly retrograde and somehow banal all of this feels.

Genre: Comedy, Romance

Actor: Adam Ray, Cheri Oteri, Danielle Krivak, Henry Dittman, Nikki Alexis Howard, Paul F. Tompkins, Peter Gilroy, Ryan O'Flanagan, Stephen Tobolowsky, Tom Virtue, Vincent Washington

Director: L.E. Staiman