843 Contributions by: Renee Cuisia (Page 52)

Staff & contributors

Renee Cuisia is the lead curator at A Good Movie to Watch. In her spare time, she likes to watch K-dramas and analyze them to death. She’s also seen You’ve Got Mail one too many times but is still convinced it’s one of the greatest films out there.

Directed by Indonesian filmmaker Mouly Surya (Marlina the Murderer in Four Acts), Trigger Warning is a technically impressive film that boasts beautiful cinematography and a handful of skillfully choreographed action sequences. Unfortunately, it’s let down by a mediocre and occasionally inconsistent script, as well as a less-than-stellar lead performance by Jessica Alba. Alba’s stunt double does well enough, but the actress herself is too lightweight to hold her own scenes. The CGI-ridden cold open doesn’t do it any favors too, sadly setting the tone of this promising but ultimately disappointing film.

Genre: Action, Thriller

Actor: Aaron Matthews, Alejandro De Hoyos, Anthony Michael Hall, Ben Smith-Petersen, Ben Vazquez, Crystal Mayes, Daniel Norris, David DeLao, David Loving, Efka Kvaraciejus, Gabriel Basso, Gianna Gallegos, Hari Dhillon, Jake Weary, James Cady, Jerry G. Angelo, Jessica Alba, Josh Horton, Juanita Trad, Kaiwi Lyman, Kieran Gallagher, Kyle Potter, Luis Valladares, Mark Webber, Matthew Blood-Smyth, Monica Sanchez, Nadiv Molcho, Ross Kohnstam, Stephanie Jones, Tait Fletcher, Tone Bell, Yvette Fazio-Delaney

Director: Mouly Surya

Rating: R

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The Supremes at Earl's All-You-Can-Eat (what a mouthful) is mostly formulaic and clunky. Everything tragic that can happen will happen, and they don’t unfold organically, so the film feels like a smushed version of every tearjerker drama produced in movie history. There’s also a surprising amount of death, which the film sadly doesn’t leave enough room to parse through. There is grief, sure, and sorrow, but there are also a whole lot of other things going on that distract from the lessons of those events. But to its credit, The Supremes is headlined by three strong actresses that make the film almost worth watching. The best parts of the movie are when they confront each other. These women are dynamic, passionate, and bursting with so much life, it’s a shame that the film would rather stick to conventions than follow the natural flow of their conversations, outbursts, and celebrations. I know it’s based on a novel of the same name, but it would’ve done well to narrow down the plotlines and tell them in a fresher and more dynamic way—you know, adapt it to film as opposed to just transplanting everything.

Genre: Comedy, Drama

Actor: Abigail Achiri, Angela Davis, Aunjanue Ellis-Taylor, Cleveland Berto, Craig Tate, Deja Dee, Donna Biscoe, Jason Turner, Jesse Gallegos, Julian McMahon, Kyanna Simone Simpson, Mekhi Phifer, Russell Hornsby, Ryan Paynter, Sanaa Lathan, Tati Gabrielle, Tony Winters, Uzo Aduba, Vondie Curtis-Hall, Xavier Mills

Director: Tina Mabry

Rating: PG-13

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With the high-caliber list of actors starring in The Instigators, you’d think the movie would be better—not necessarily novel or smart, but funny or entertaining, at least. You keep waiting for that moment to happen, but it never comes. If there are jokes, they're delivered in a deadpan manner that doesn’t seem to fit with the movie’s tone. The Instigators is an okay film to put on when you’re scrambling to look for something to watch with your dad. He’ll recognize more than a few faces and enjoy the banter between hardcore Bostonians Damon and Affleck (the other one). Backed by Apple’s deep pockets, it’s also a spectacle of an action film, with explosions and car crashes to spare. Just don’t expect anything more than that, then you should be able to sit through the movie.

Genre: Action, Comedy, Crime

Actor: Alfred Molina, André De Shields, Billy Smith, Casey Affleck, David Gborie, Don DiPetta, Hong Chau, Jack Harlow, Jason Furlani, Matt Damon, Michael Rodrick, Michael Stuhlbarg, Mike Bash, Natalie Carter, Paul Walter Hauser, Richie Moriarty, Rob Gronkowski, Robert Harvey, Ron Perlman, Shawn Fitzgibbon, Slate Holmgren, Toby Jones, Toby Onwumere, Tom Mariano, Tommy Nohilly, Ving Rhames

Director: Doug Liman

Rating: R

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Two people with different thoughts on love discover a common ground: they’re both anti-romantics. Realizing they got off on the wrong foot, they spend more time with each other and bond over realistic ideas of modern love. At one point, Maria (Rosalie Thomass) and Karl (Laurence Rupp) even diss romantic comedies for their cheesy music and naive understanding of fate and destiny. Their conversations are engaging and thoughtful, even and especially when they oppose one another. But just when you think you’re watching something smart and novel, Maria and Karl fall into the same implausible trappings they claim to hate. Suddenly, the film turns soft and transforms into the romantic comedy it once criticized. If only it had pushed into anti-romance territory even further and allowed Maria and Karl to truly hash out their differences, thorns and tension and all, then this could have been a truly interesting romantic film. Instead, it’s a standard romantic comedy that’s worse off for pretending to be above the genre, even though it’s really not.

Genre: Comedy, Drama, Romance

Actor: Arash Marandi, Charleen Deetz, Cora Trube, Denise M'Baye, Jakob Schreier, Jerry Hoffmann, Laurence Rupp, Margarethe Tiesel, Maria Hofstätter, Özgür Karadeniz, Paula Schramm, Rosalie Thomass

Director: Shirel Peleg

Rating: PG-13

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Set in the quaint city of Burlington, Vermont, Paint is a cute and folksy comedy that has a Wes Anderson-esque charm to it. The characters are dressed in blocked pastels and wooly sweaters, while the protagonist Carl seems stuck in the ‘70s, and not just sartorially, too. He drives a “Vantastic” custom van, swears off cell phones, and manages to incorporate phrases like “far out” in his daily lingo. It all makes for whimsical viewing, but underneath the flair, there’s very little substance holding this picture up. It tells the tale of an aging narcissist who learns the error of his ways when a younger version of himself is hired to aid and eventually replace him. Narratively, it’s familiar and forgettable, and it becomes immediately clear that style is a crutch that the film leans on. It’s funny, at times, thanks to a very likable Wilson and a strong supporting cast (there are occasional laugh-out-loud moments too, like when Carl does the big reveal about his portrait). But ultimately, it’s just too flat to be as special as the art it admires. 

Genre: Comedy, Drama, Romance

Actor: Aidan T.K. Baker, Brit McAdams, Ciara Renée, Colin J. Sweeney, Crystal Tweed, Denny Dillon, Elisabeth Henry-Macari, Elizabeth Loyacano, Evander Duck Jr., Jen Smedley, Joel Leffert, Kristin Hensley, Lucy Freyer, Lusia Strus, Lynda Suarez, Michael Pemberton, Michaela Watkins, Noa Graham, Owen Wilson, Paul Kosopod, Rob Figueroa, Ryan Czerwonko, Ryan Gaul, Sarah Baker, Scott Beehner, Stephen Root, Vin Craig, Wendi McLendon-Covey

Director: Brit McAdams

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The first My Spy film was a fun caper that let kids imagine what life could be like if they trained and fought alongside the country’s top agents. This second film, set in Italy and following a now-tween Sophie, tries to be more grown up than the last but instead falls flat in every aspect. The script is bland, the plot is cliched, and even the performances aren’t as exciting this time around. To be sure, there are still laughs to be had, especially when Bobbi (Kristen Schaal) is onscreen, but for the most part, the stacked cast’s talents are wasted. Bautista and Ken Jeong, who plays the boss, are perennial worrywarts, while Anna Faris (in a secret role) is stuck playing a caricature. What a waste of comedic potential! If you’re planning to see this with your kids, it’s harmless good fun, but don’t expect to pick up anything new or worthwhile watching this.

Genre: Action, Comedy

Actor: Adam Neill, Andrew Roux, Anna Faris, Aurélia Agel, Beniamino Marcone, Billy Barratt, Chloe Coleman, Craig Robinson, Dave Bautista, Devere Rogers, Flula Borg, Kathleen Stephens, Ken Jeong, Kristen Schaal, Lara Babalola, Mo Mjamba, Nicola Correia Damude, Nkosinathi Mazwai, Noah Dalton Danby, Paul du Toit, Peter Butler, Peter Segal, Richard Wright-Firth, Taeho K, Tamer Burjaq

Director: Peter Segal

Rating: PG-13

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This a small-town, true-crime thriller that has John Hamm (Mad Men) as the detective, Nick Mohammed (Ted Lasso) as the trusty sidekick, and Tina Fey (30 Rock) as the love interest. They’re a charismatic cast helming a bizarro story whose real-life details are already teeming with juicy details, and yet, the resulting film, directed by John Slattery, is as lackluster and forgettable as can be. There is no sense of mystery, the jokes fall flat, and every scene looks like it’s shot from a studio lot. There is plenty of better fare out there for anyone looking for comedy capers, and I bet the true crime documentary of the real-life Maggie Moore case is infinitely more engaging than its filmic counterpart. 

Genre: Comedy, Crime, Mystery

Actor: Allison Dunbar, Bryant Carroll, Chance Romero, Christopher Denham, Christopher Kriesa, Debrianna Mansini, Denielle Fisher Johnson, Derek Basco, Happy Anderson, Jodi Lynn Thomas, Jon Hamm, Louisa Krause, Mary Holland, Micah Stock, Nick Mohammed, Oona Roche, Peter Diseth, Richard Lippert, Roni Geva, Sewell Whitney, Tate Ellington, Tina Fey

Director: John Slattery

Rating: R

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Love Again is cute. It’s cheesy and predictable, but it’s cute. Chopra makes for a fine leading lady who is able to switch between sorrow and sappy in a heartbeat. Heughan, though painfully generic, isn’t all that bad either; his hopelessly awkward attempts at getting Mira’s attention provides much of the film’s needed laughs. But outside of the bare minimum, Love Again doesn’t give us anything of value. The jokes are few and far between and the chemistry, if you can believe it, is even thinner. And for two people who are supposedly writers (Mira is children book’s author and Rob is a music journalist), none of their writings, much less their texts to one another, are particularly good. 

Genre: Comedy, Drama, Romance

Actor: Amanda Blake, Arinzé Kene, Celia Imrie, Céline Dion, Harry Attwell, Lydia West, Nick Jonas, Omid Djalili, Priyanka Chopra Jonas, Russell Tovey, Sam Heughan, Sofia Barclay, Steve Oram

Director: Jim Strouse

Rating: PG-13

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Between the film’s non-existent marketing and Hollywood's ongoing writers' strike, I knew not to expect much from Heart of Stone, Netflix’s latest direct-to-streaming outing. And sure enough, the spy thriller proved to be a mediocre watch. The plot is facile and generic, another one of those attempts at justifying AI and government data breaches. The acting is subpar, which is expected from the ever-stoic Gal Gadot. About the only good thing you can say about it is that it has entertaining action sequences. Gadot is precise and terrifying, a stunt wonder made for the genre. Now if only the acting matched the action, then maybe the film wouldn’t feel as plain and wooden. 

Genre: Action, Drama, Thriller

Actor: Alia Bhatt, Archie Madekwe, BD Wong, Enzo Cilenti, Gal Gadot, Giulia Innocenti, Glenn Close, Jamie Dornan, Jing Lusi, Joe Reisig, Jon Kortajarena, Jónas Alfreð Birkisson, Luca Fiamenghi, Mark Ivanir, Matthias Schweighöfer, Neran Persaud, Paul Ready, Roy Sampson, Sophie Okonedo, Thomas Arnold

Director: Tom Harper

Rating: PG-13

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Based on a romantic YA novel, Geek Girl asks us to believe in its unlikely world, where a plain—beautiful, but plain—girl like Harriet can wow a top model scout (to the point where he begs her to join his agency) and have an in-demand fashion designer have her wear her latest design, all while Harriet barely even tries, much less cares, to join. In this world, too, models aren’t gig workers subject to harsh working environments, but wealthy beautiful people flitting by. This sort of premise could’ve worked in the 2000s, but as cute, wholesome, and occasionally enjoyable as Geek Girl is, it’s hard to overlook these ridiculous instances when more effective teen shows are readily available. There are some missed instances too, like when the show could’ve enlightened us on the seemingly nebulous process of deciding who has “the it factor,” because I’m having a hard time understanding why Harriet has got it. She’s not even interesting-looking in the way, say, Anya Taylor-Joy is, or knowledgeable like her friend Nat (Rochelle Harrington) is. She doesn’t strike impressive poses (come on, the lip bite?) or walk decently. I suppose that’s the point of the show; to rephrase Ratatouille, anyone can model. But I wished they gave someone genuinely different a chance.

Genre: Comedy, Drama, Family

Actor: Daisy Jelley, Emily Carey, Emmanuel Imani, Hebe Beardsall, Jemima Rooper, Liam Woodrum, Rochelle Harrington, Sandra Yi Sencindiver, Sarah Parish, Tim Downie, Zac Looker

Director: Declan O'Dwyer

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, 2024

How do you make a documentary about a man who was exploited his entire life while still respecting his true, dignified self? Whatever the answer is, it’s unlikely you’ll find it in Gary, a biography detailing the ups and downs (but mostly the downs) of Gary Coleman’s life. It’s less a holistic portrait than a he-said-she-said narrative, comprised of a cacophony of voices insisting their version of Coleman is the truth. There are only a handful of people who seem to really know Coleman. One of them, Dion Mal, mentions at one point in the film that the best way to celebrate Coleman is to remember that he enjoyed many parts of his life. It’s a shame the filmmakers disregarded that sentiment and went for a true-crime-esque tone instead.

Genre: Documentary

Actor: Gary Coleman

Director: Robin Dashwood

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Fly Me to the Moon is many things: a movie about the power of marketing, the glory of outer space, the beauty of human connection, and famous pretty people doing their thing. But what it isn’t is believable. Nothing about this movie is, except perhaps for Scarlett Johansson’s endearing performance (she’s the only one who seems to care, which tracks because she’s credited as a producer). The plot is implausible, the backgrounds are painfully flat, the tone is weirdly uneven, and maybe most disappointing of all, the acting just doesn’t pack a punch. It’s been reported that Channing Tatum, who plays Johansson’s love interest, was cast as a last-minute replacement for Chris Evans. If it’s true, it shows. He seems lost. His deadpan delivery may work in boisterous comedies like 21 Jump Street, but here it feels jarring. This is the guy Johansson’s impassioned character is supposed to have chemistry with? The guy who can’t so much as lift his eyebrows to express any emotion other than mild annoyance? To its credit, the movie has an interesting lead in Kelly (Johansson), an ad woman who isn’t defined by the men surrounding her, and who is morally complex and nuanced. I also appreciate her friendship with her secretary Ruby. They provide a fresh angle to a well-known story, it’s just too bad the direction seemed to go off the rails in the end.

Genre: Comedy, History, Romance

Actor: Anna Garcia, Channing Tatum, Christian Clemenson, Christian Zuber, Colin Jost, Colin Woodell, Dariusz Wolski, Donald Watkins, Gary Weeks, Gene Jones, Jessie Mueller, Jim Rash, Joe Chrest, Kade Pittman, Nick Dillenburg, Njema Williams, Noah Robbins, Peter Jacobson, Ray Romano, Scarlett Johansson, Stephanie Kurtzuba, Todd Allen Durkin, Victor Garber, Woody Harrelson

Director: Greg Berlanti

Rating: PG-13

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