843 Contributions by: Renee Cuisia (Page 5)

Renee Cuisia is the lead curator at A Good Movie to Watch. In her spare time, she likes to watch K-dramas and analyze them to death. She’s also seen You’ve Got Mail one too many times but is still convinced it’s one of the greatest films out there.

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61. The Good Lord Bird, 2020

It’s often said that history is told by the victors. Thankfully, this isn’t the case in The Good Lord Bird, which tracks the tumultuous events preceding the Civil War, as led by real-life abolitionist John Brown (Ethan Hawke).

Some viewers might already be familiar with the story of how Brown "saved" slaves, but with Black teenager Henry (Joshua Caleb Johnson) as the narrator, history is repositioned and recounted through a fresh new lens. Nuanced questions about slavery, abolition, and even the revered Brown himself are brought up by Henry and his kin, such as: how much of the movement is driven by justice and how much of it by guilt? Should the white savior be absolved or are his intentions inevitably marred by ego?

Accompanying this thought-provoking tale are richly detailed costumes and backdrops, impressive cameos by historical and celebrity figures, and of course, career-defining performances by Hawke and newcomer Johnson.

Genre: Drama, Western

Actor: Beau Knapp, Daveed Diggs, Ellar Coltrane, Ethan Hawke, Jack Alcott, Mo Brings Plenty, Nick Eversman

Rating: TV-MA

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62. Sweet Tooth, 2021

Sweet Tooth is set in a post-apocalyptic America, where the population has been ravaged by a mysterious virus and the new generation of humans has evolved into animal hybrids. The circumstances are bleak and the things people do to survive even more so. Driven by fear and grief, they both isolate and attack in moves that are eerily reminiscent of the early days of our own pandemic. Sweet Tooth is a robust adventure story then, gritty and reflective and tragic, but it’s also incredibly sweet.

We’re introduced to a myriad of characters, each of them with their own arc, but we mostly follow Gus (Christian Convery), a nine-year-old human-deer hybrid who has yet to be disillusioned by the human race. Gus grounds the story’s many flights of fancy, and along with the other main characters, he gives us timely reminders of the importance of kindness and humaneness without ever being too corny. And to the show’s serious credit, no one plot line overpowers the other; instead, all feel just as vital to the larger story of survival that’s being told.

The blend of these tales is lovely, the world-building is imaginative, and the technical aspects of it—the color, the costuming, and the cinematography—are all beautiful. Ultimately, Sweet Tooth is a packed a show wrapped in gorgeous layers, sure to delight even the most casual of viewers.

Genre: Drama, Sci-Fi & Fantasy

Actor: Adeel Akhtar, Aliza Vellani, Christian Convery, Dania Ramirez, James Brolin, Nonso Anozie, Stefania LaVie Owen

Rating: TV-14

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63. Stand by Me, 1986

Stand By Me follows four young friends as they journey around their small town searching for a rumored dead body. On the surface, it moves like an adventure story. The boys narrowly avoid guard dogs and leeches, speeding trains and tough teen gangs. But along the way, they also learn much about each other, in particular about the stark reality of their home lives and the growing depths of their inner struggles, so that beneath all the small-time thrill is a beating coming-of-age story.

Based on a novella by horror master Stephen King, Stand By Me is terrifying in its ability to evoke the unique thorniness of passing through the gates of adulthood, but also warm and comforting in its reminder of the universality of this feeling.

Genre: Adventure, Crime, Drama

Actor: Bradley Gregg, Bruce Kirby, Casey Siemaszko, Chance Quinn, Corey Feldman, Dick Durock, Frances Lee McCain, Gary Riley, Jason Naylor, Jason Oliver, Jerry O'Connell, Jerry O'Connell, John Cusack, Kent W. Luttrell, Kiefer Sutherland, Korey Scott Pollard, Madeleine Swift, Marshall Bell, Matt Williams, O.B. Babbs, Richard Dreyfuss, River Phoenix, Scott Beach, Wil Wheaton, William Bronder

Director: Rob Reiner

Rating: R

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64. Say Nothing, 2024

Telling a thoughtful story about the Northern Ireland Troubles and the IRA, including all its crimes and glories, is quite the feat. But Say Nothing proves it up to the task. The nine-part miniseries features compelling performances, a whipsmart script, taut timing, and impeccable production design (despite spanning four decades, it always looks true to the era). Its most impressive trait, however, is that it manages to show all sides of this complex story in an understanding light. The rebellion has noble aims, but it’s still fallible. The British army establishes order, but their means don’t always justify their ends. The series isn’t appeasing all sides as much as it’s taking a long hard look at them. We’re invited to reexamine this crucial part of history and ask ourselves, under the circumstances, would we too say nothing or everything to save lives?

Genre: Crime, Drama

Actor: Anthony Boyle, Hazel Doupe, Josh Finan, Lola Petticrew, Maxine Peake, Rory Kinnear, Tom Vaughan-Lawlor

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65. Mass, 2021

In the first few minutes of Mass, hushed tones, solemn movements, and awkwardly averted eyes hint at an unspoken tragedy that haunts everyone in the film. The four main characters discuss it during a sit-down, but even then it remains unspeakable; such is the dedication of first-time full-length director Fran Kranz in depicting the reality of tragic events. Not much is done in the way of plot twists and shocks, but in place of those, Mass makes clever use of close-up shots and unmoving settings to portray the privacy and paralysis of grief. For this reason, Mass often feels like a masterful play brought to life, but also more than that, a brilliant portrait of healing—or at the very least, coping with the everlasting aftermath of loss.

Genre: Drama

Actor: Ann Dowd, Breeda Wool, Jason Isaacs, Martha Plimpton, Michelle N. Carter, Reed Birney

Director: Fran Kranz

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66. Kingdom, 2020

16th century Korea—the small kingdom is governed by a royal family, but the sudden death of the king causes a power struggle among the elite, which in turn opens the window for either genuine change or further corrupt rule. At the heart of this is Crown Prince Lee Chang (Ju Ji-hoon), who conspires with the rebel scholars to bring his corrupt rivals down.

This all sounds familiar, if not a bit trite, but before you can start to pin it down, Kingdom quickly morphs into something more than just a period drama. The introduction of fantasy, terror, and neverending gore elevates Kingdom into a multi-genre feat—an impressive blend of political intrigue and pure zombie horror that never fails to keep you at the edge of your seat.

Genre: Action & Adventure, Drama, Fantasy, Horror, Mystery, Thriller

Actor: Bae Doona, Heo Joon-ho, Heo Jun-ho, Jeon Seok-ho, Ju Ji-hoon, Jun Kaname, Jun Suk-ho, Jung Suk-won, Kanata Hongo, Kanna Hashimoto, Kento Yamazaki, Kim Hye-jun, Kim Jong-soo, Kim Sang-ho, Kim Sung-kyu, Kim Tae-hoon, Kim Tae-hun, Park Byung-eun, Ryu Seung-ryong

Director: Kim Seong-hun, Shinsuke Sato

Rating: R

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67. Girl Picture, 2022

Understandably, Mimmi, Rönkkö, and Emma, the teenage girls who lead this Finnish coming-of-age drama, are bursting with emotional urgency. On the cusp of adulthood, they plunge into house parties and romantic affairs in the hope that exploring love, sex, and adventure leads them closer to being self-aware adults.

Of course, that’s a lifelong process, but they don’t need to know that just yet. For now, they’re explosive and ecstatic and awkward and angry. They’re at a point in their lives where falling head over heels is still an endearingly fresh experience and not a frustratingly repeated mistake.

The film is intense in this way, but it’s leavened by a beautiful naturalism that’s seen in the young cast’s performances, the setting’s soft lighting, and the camera’s boxy ratio and grainy finish, the latter of which recall a disposable camera capturing the indiscriminate moments shared between teens. Girl Picture is an intimate and authentic portrait of girlhood—see it if you can.

Genre: Drama, Romance

Actor: Aamu Milonoff, Amos Brotherus, Bruno Baer, Cécile Orblin, Elias Westerberg, Fathi Ahmed, Henrikki Haavisto, Linnea Leino, Mikko Kauppila, Oksana Lommi, Oona Airola, Pietu Wikström, Rebekka Kuukka, Sonya Lindfors, Yasmin Najjar

Director: Alli Haapasalo

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68. Ghostlight, 2024

	
“The healing power of art” sounds cheesy, but it’s a statement made beautiful and true in Ghostlight. It’s the sensitively told and wonderfully performed story of an ordinary man who, up until this point, doesn’t even know how Romeo and Juliet ends. That’s how detached he is from art. But when Rita (Dolly de Leon) pushes him into the arena, he surprises himself and his family by being receptive to it. It’s the only way he can get in touch with his feelings, which is vital since he’s gone through an unspeakable loss recently. What that loss is isn’t immediately revealed in the film, but the small details snowball and eventually pummel you to the ground with its sheer tragedy. You’re either grinning or crying watching this, there’s no in-between. But if there were, you’d probably be marveling at the trio at the heart of this film: the family played by a real-life family. Keith Kupferer, who plays Dan, Tara Mallen, who plays Sharon, and Katherine Mallen Kupferer, who plays their daughter Daisy, are all compelling and dazzling in their own ways.Genre: Comedy, Drama
Actor: Alma Washington, Bradley Grant Smith, Charin Alvarez, Deanna Dunagan, Dolly de Leon, Francis Guinan, H.B. Ward, Hanna Dworkin, Katherine Mallen Kupferer, Keith Kupferer, Sarab Kamoo, Tara Mallen
Director: Alex Thompson,  Kelly O'Sullivan
Rating: R

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69. Flee, 2021

When Amin sits down for a tell-all interview about his troubling past, his memories come to life in vivid animation. Sometimes they are sweet and intimate, like when he recounts his time as a playful boy in a much freer Afghanistan. But often, they’re marred by the unbelievable horrors of refugee life. Now a successful academic and soon-to-be husband, Amin discovers the inescapability of his status and identity, the reality of which continues to threaten his safety to this day.

Relevant and vital, Flee sheds some much-needed light on an often-overlooked phenomenon. More than just displaying factoids and numbers, it relays the specific unease and constant vigilance that comes with fleeing one’s home. But as Amin’s story, it is also richly detailed and wonderfully personal; for all its harsh exposés, the film leaves enough room for Amin’s stirring realizations about love, identity, and sexuality.

Genre: Animation, Documentary

Actor: Behrouz Bigdeli, Belal Faiz, Bo Asdal Andersen, Daniel Karimyar, Elaha Faiz, Fardin Mijdzadeh, Jean-Pierre Pernaut, Mikhail Belinson, Milad Eskandari, Rashid Aitouganov, Tormod Ringnes

Director: Jonas Poher Rasmussen

Rating: PG-13

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70. Five Days at Memorial, 2022

	
Five Days at Memorial recalls the real and horrifying events that went on at a New Orleans hospital during the aftermath of Hurricane Katrina. Over the course of five days, the caregivers in charge try their best to evacuate thousands of people from the building, but heavy floods, power outages, intense heat, and a sorry lack of planning result in some heartbreaking decisions about the fate of their patients.

The ongoing series is a gut-wrenching and at times excruciating watch, adeptly directed by John Ridley (American Crime) and absorbingly moored by a cast that includes Vera Farmiga (Conjuring)—by now an expert at exhibiting pure horror—and Cherry Jones (Succession).Genre: Drama
Actor: Adepero Oduye, Cherry Jones, Cornelius Smith, JR, Julie Ann Emery, Michael Gaston, Robert Pine, Sarah Allen, Vera Farmiga
Director: Carlton Cuse,  Wendey Stanzler
Rating: TV-MA

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71. Chernobyl, 2019

It’s a near-impossible feat to turn something as tragic and devastating as the Chernobyl disaster into a gripping and enlightening tale, but the HBO miniseries does just that. Through insightful storytelling, affecting performances, and sharp dialogue, Chernobyl the show stuns viewers into awareness and, at its best, galvanizes them into action.

It’s a well-crafted five-hour series that does just enough in the way of humanizing a distorted reality, bringing to light the all-too-relevant consequences of power plays and placing the interests of the political elite and national image over real, human lives.

Genre: Drama, History, Thriller

Actor: Adam Nagaitis, Adrian Rawlins, Alan Williams, Alex Ferns, Barry Keoghan, Con O'Neill, David Dencik, Emily Watson, Fares Fares, Jared Harris, Jessie Buckley, Mark Lewis Jones, Michael McElhatton, Paul Ritter, Ralph Ineson, Robert Emms, Sam Troughton, Stellan Skarsgård

Rating: TV-MA

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72. Borgen: Power & Glory, 2013

	
Netflix's resurrection of the hit Danish drama Borgen comes in the form of Borgen: Power & Glory, a miniseries that sees Birgitte Nyborg (played by powerhouse Sidse Babett Knudsen) step down as prime minister and take over the foreign minister position while wrangling over power, principle, and family. In this particular revival, Birgitte butts head with the new prime minister, who is all for drilling oil in the autonomous region of Greenland despite Birgitte’s firm stance against climate change. The event turns into a geopolitical crisis that tests Birgitte’s values.

The series is as whipsmart, relevant, and funny as ever, although if you haven't seen previous seasons of the show yet, don't fret. Borgen: Power & Glory efficiently catches you up on all you need to know in the first few minutes. It’s a standalone, engaging drama that’s a breeze to go through at just eight episodes.Genre: Drama, War & Politics
Actor: Anders Juul, Benedikte Hansen, Birgitte Hjort Sorensen, Emil Poulsen, Freja Riemann, Jens Albinus, Jens Jacob Tychsen, Julie Agnete Vang, Kristian Halken, Lars Knutzon, Lars Mikkelsen, Lisbeth Wulff, Mikael Birkkjær, Ole Thestrup, Peter Mygind, Pilou Asbæk, Sidse Babett Knudsen, Søren Malling, Søren Spanning, Thomas Levin
Rating: TV-14

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73. Bad Sisters, 2024

	
Bad Sisters is an Irish miniseries that is part romance, part murder mystery, and all-around cheeky, bold fun. It follows the Garveys, five sisters who’ve developed a tight bond after the untimely death of their parents. They protect each other mainly from their brother-in-law John Paul, whose antics have become increasingly threatening and toxic over the years.

The series is very much in the vein of Big Little Lies, Dead to Me, and Good Girls, where women who’ve kept up with so much for so long finally let loose in a fit of violent rampage. But Bad Sisters narrowly escapes cliches thanks to a winning ensemble and deft handling of its weighty subject matter.Genre: Comedy, Crime, Drama
Actor: Anne-Marie Duff, Brian Gleeson, Claes Bang, Daryl McCormack, Eva Birthistle, Eve Hewson, Sarah Greene, Sharon Horgan
Director: Dearbhla Walsh,  Josephine Bornebusch, Rebecca Gatward
Rating: TV-MA

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74. As We See It, 2022

As We See It centers on the perspectives of its three leads: Jack, Violet, and Harrison, twenty-something roommates who happen to be on the autism spectrum. Along with their caretaker Mandy and a small but loving group of friends and family, they embark on a journey of self-improvement that is sometimes heartwarming, sometimes heartbreaking, but always funny and kind.

Despite zeroing in on a very specific disorder, the struggles and accomplishments of As We See It's characters feel universal and wholly relatable. The nuanced and refreshingly humane characterizations, along with an impressive balance of comedy and drama, are what make As We See It truly special. It is an underrated, enjoyable gem of a show, and quite digestible too since it only runs for eight episodes.

Genre: Comedy, Drama

Actor: Albert Rutecki, Angela Fornero, Chris Pang, David Futernick, Jennifer Lyons, Joe Mantegna, Naomi Rubin, Rick Glassman, Sosie Bacon, Sue Ann Pien, Tal Anderson

Rating: 16

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75. Abbott Elementary, 2022

Abbot Elementary is a mockumentary that follows a group of well-meaning but cash-strapped teachers trying to make their school a better place. The premise sounds simple enough, but the show's big heart and sharp observations about the rotting U.S. education system make it a breath of fresh air in the sitcom world. Abbot Elementary's characters are funny and likable, while also being fearless, defined, and nuanced.

The show manages to do the seemingly impossible: genuinely and lightheartedly uplift the people it represents. It shines some much-needed light on the public service these undervalued teachers provide, without ever sounding too preachy or patronizing: an impressive feat for such a progressive show.

Genre: Comedy

Actor: Chris Perfetti, Janelle James, Lisa Ann Walter, Quinta Brunson, Sheryl Lee Ralph, Tyler James Williams, William Stanford Davis

Rating: TV-PG

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