845 Contributions by: Renee Cuisia (Page 44)

Renee Cuisia is the lead curator at A Good Movie to Watch. In her spare time, she likes to watch K-dramas and analyze them to death. She’s also seen You’ve Got Mail one too many times but is still convinced it’s one of the greatest films out there.

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646. Hello, Love, Goodbye, 2019

Joy is a dutiful, overseas Filipino worker supporting her entire family back home. Ethan is a well-off bartender who has, time and again, put himself first before others. They couldn’t be any more different, yet in Hong Kong, their alien status and ambitious goals make them kindred spirits. What starts as a low-stakes bond quickly turns into an essential relationship, one that puts their personal commitments to the test.

Hello, Love, Goodbye may appear formulaic at first, but it is heightened by a keen understanding of life overseas. It avoids romanticizing the migrant experience and sees it for what it truly is: a harsh but necessary means to an end. If this seems too severe, it’s also softened by an enchanting romance and some welcome comic relief in the form of the pair’s friends. Because of this nice mix, it’s no surprise that Hello, Love, Goodbye instantly broke domestic records and remains the highest-grossing Filipino movie of all time.

Genre: Drama, Romance

Actor: Alden Richards, Anthony Jennings, Jameson Blake, Jeffrey Tam, Jerome Ponce, Joross Gamboa, Kaka Bautista, Kakai Bautista, Kathryn Bernardo, Lito Pimentel, Lovely Abella, Maricel Laxa, Maxine Medina, Maymay Entrata, Pang Mei-Seung, Wilbert Ross, William Lorenzo

Director: Cathy Garcia-Molina, Cathy Garcia-Sampana

Rating: TV-PG

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647. Happiness, 1998

Happiness is a difficult, disturbing watch. Unlike films that claim to be brave, Happiness actually goes there and shows us just how deep, dark, and perverse our urges can get. But far from being controversial for the sake of it, this fearless film has important things to say about the facade of happiness, the urgency of loneliness, and the futility of feigning ignorance about both. And it does so with an impressively wry humor delivered by a talented cast that includes Philip Seymour Hoffman, Lara Flynn Boyle, and Dylan Baker. They play their complicated characters so well, they'll have you thinking about the strange ways you can, in fact, relate to them on some level, long after the credits roll.

This isn't a film you'll want to revisit often, but you will have to see it at least once in a lifetime—if anything, for the kind of painful honesty you’ll rarely find anywhere else.

Genre: Comedy, Drama

Actor: Ann Harada, Anne Bobby, Arthur J. Nascarella, Ben Gazzara, Bina Sharif, Camryn Manheim, Cynthia Stevenson, Dan Moran, Diane Tyler, Douglas McGrath, Dylan Baker, Elizabeth Ashley, Gerry Becker, Jane Adams, Jared Harris, Joe Lisi, Johann Carlo, Jon Lovitz, José Rabelo, Justin Elvin, Lara Flynn Boyle, Lisa Louise Langford, Louise Lasser, Marina Gayzidorskaya, Marla Maples, Matt Malloy, Molly Shannon, Philip Seymour Hoffman, Rufus Read, Socorro Santiago, Todd Solondz, Wai Ching Ho

Director: Todd Solondz

Rating: NC-17

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648. Glamorous, 2023

Glamorous could easily fit in the 2000s-era boom of workplace romantic comedies. Like Ugly Betty and The Bold Type before it, it follows a group of fashionable twenty-somethings hoping to climb the corporate ladder with their ideals intact, all while trying to impress their diva of a boss, who guides them with a sparkling iron first. But Glamorous is also very much of its time. Instead of a white heterosexual woman, a queer person of color leads the show. Marco is a new hire in a legacy business, and his youthful presence and acumen inspire the company to take bigger risks in capturing the Gen Z market.

Interestingly, Glamorous skips a lot of tropes that used to be par for the course in queer narratives—in this post-Glee world, gay people are no longer anomalies, so you won’t find a lot of the usual coming out and fitting in stories here. This, in turn, leaves a lot of room for the show to tackle newer issues, like how the gay community is painfully divided between masculine and feminine types (Marco’s frequent nemesis is Chad who, while openly gay, is hypermasculine and disapproving of Marco’s “Yas Queen energy”), or how corporations capitalize on queer markets (one of the best episodes in the series hilariously explores the icky gray area corporations enter whenever they launch pride campaigns). It’s easy to dismiss Glamorous as fluff, but it’s actually much smarter and more relevant than it seems.

Genre: Comedy, Drama

Actor: Ayesha Harris, Graham Parkhurst, Jade Payton, Kim Cattrall, Lisa Gilroy, Michael Rosen, Miss Benny, Zane Phillips

Rating: TV-MA

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649. Galaxy Quest, 1999

Galaxy Quest may be a parody of the sci-fi franchise, but it’s also a huge fan of it. It forgoes cynical takes for smart odes to the genre, all while retaining an endearing sense of humor about it. It’s silly and self-aware, and it has a lot of fun letting us know that they’re in on the joke. You can watch for the interesting premise, but you'll stay for the laughs and the promise of a genuine thrill ride. Everyone is a blast to watch, but Sigourney Weaver and Sam Rockwell deserve special praise for being outright hilarious, elevating Galaxy Quest from B-movie to camp classic status.

Genre: Adventure, Comedy, Drama, Science Fiction

Actor: Alan Rickman, Corbin Bleu, Daryl Mitchell, Dian Bachar, Enrico Colantoni, Heidi Swedberg, Isaac C. Singleton Jr., J.P. Manoux, Jed Rees, Jennifer Manley, Jeremy Howard, Jerry Penacoli, Joel McKinnon Miller, Jonathan Feyer, Justin Long, Kaitlin Cullum, Kevin McDonald, Marcio Rosario, Matt Winston, Missi Pyle, Morgan Rusler, Patrick Breen, Rainn Wilson, Robin Sachs, Sam Lloyd, Sam Rockwell, Sigourney Weaver, Tim Allen, Todd Giebenhain, Tony Shalhoub

Director: Dean Parisot

Rating: PG

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650. Furies, 2024

	
Like John Wick before it, Furies follows a vengeful and near-invincible (albeit rookie) assassin as she infiltrates the criminal underworld and avenges a murdered loved one. There are other similarities too, like the lofty codenames and the intricately choreographed action sequences, but otherwise, Furies is its own solid thing. Owing to its format, it has more melodrama and plot twists, and has a lot more room to flesh out its main character, Lyna. It’s also more of a team effort than a solo show since, as the name suggests, Furies is more of a team, a family even. It can get cliche at times, and my main gripe is that Lyna gets too good at her combat skills too fast, but if you can overlook those details, then Furies is wholly enjoyable: gritty, stylish, fast-paced, and most importantly, action-packed.Genre: Action & Adventure, Crime
Actor: Anne Azoulay, Axel brendemühl, Eye Haïdara, Fatima Adoum, Jérémy Nadeau, Lina El Arabi, Marina Fois, Mathieu Kassovitz, Quentin Faure, Sandor Funtek, Steve Tientcheu
Director: Cedric Nicolas-Troyan

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651. Full Circle, 2023

	
Directed by Steven Soderbergh (Oceans trilogy, Erin Brockovich, and more recently, Kimi), Full Circle is a twisty and stylish noir that takes a while to grasp, what with its epic ensemble and sweeping storylines, but once that first thread of connection is made, it becomes a series that’s very hard to leave. Each episode leaves you excited for the next, which in turn ups the ante even more. Soderbergh is in his element, and aided by a stacked cast of veterans and newcomers alike, he turns in a series that’s expertly tense and watchable throughout.Genre: Crime, Drama
Actor: CCH Pounder, Claire Danes, Dennis Quaid, Gerald W. Jones III, Jharrel Jerome, Jim Gaffigan, Phaldut Sharma, Suzanne Savoy, Timothy Olyphant, Zazie Beetz
Rating: TV-MA

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652. Faye, 2024

	
It makes sense that a documentary about Faye Dunaway doubles as a documentary about the best of late 20th-century cinema. Dunaway, after all, has starred in many defining films, including Bonnie & Clyde, Chinatown, and Network, the latter of which won her an Oscar. But there are times when it feels like the documentary equates Dunaway to her career, and we get way too many clips of these admittedly great films, as opposed to more intimate slices of Dunaway’s life. Still, it’s heartwarming to see Dunaway take control of her narrative after falling victim to the press’ relentless defamation of the star. Yes, she’s difficult and a diva, she admits that many times in the documentary. But she’s also a fastidious hard worker—someone’s gotta be, or else they wouldn’t come up with the classics that we have now.Genre: Documentary
Actor: Arthur Penn, Barbet Schroeder, Barry Primus, Bette Davis, David Newman, Dick Cavett, Elia Kazan, Faye Dunaway, Frank Perry, Gene Siskel, Hawk Koch, James Gray, Jane Fonda, Jerry Schatzberg, John F. Kennedy, John Phillip Law, Johnny Carson, Liam O'Neill, Mara Hobel, Marcello Mastroianni, María Callas, Martin Luther King Jr., Merv Griffin, Michael Caine, Mickey Rourke, Paddy Chayefsky, Pauline Kael, Richard Nixon, Robert Benton, Robert F. Kennedy, Roger Ebert, Roman Polanski, Rutanya Alda, Sam Spiegel, Sharon Stone, Theadora Van Runkle, Tom Snyder, Tova Laiter, Vera Day, Warren Beatty
Director: Laurent Bouzereau
Rating: PG-13

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653. Fantasmas, 2024

	
There are stories within stories in Fantasmas, which like most of Torres’ work, favors style, theme, and emotion over a straightforward plot. And it works because of Torres’ strong vision: you’re supposed to get lost in his kaleidoscopic world and eventually find yourself through his emotional guides. That’s what makes Fantasmas (and Torres) accessible. There is an undercurrent of relatability in everything he does, so no matter how bizarre and out there his concepts are, real hopes and fears always ground them. There’s his constant dread of being kicked out of his country, and his worry of selling out to suffocating corporations. There’s the isolation of big cities and the limitations of identity. All that in technicolor and dynamic form is what makes Fantasmas (and, again, Torres) so intoxicating to watch.Genre: Comedy
Actor: Joe Rumrill, Julio Torres, Martine Gutierrez, Tómas Matos
Rating: TV-MA

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654. Everything I Know About Love, 2022

Based on the bestselling book of the same name, Everything I Know About Love follows four roommates fresh out of college making a name for themselves in London, 2012. It's ridiculous how much of the early 2010s this show gets right, from the heavy eyeliner and skinny jeans to the girlboss mindset and the nascent social media boom. The atmosphere alone is addictively nostalgic, but the real draw of the series is the girls themselves, especially lifelong best friends Maggie (Emma Appleton) and Birdy (Bel Powley).

It’s refreshing to watch their friendship take center stage and be fleshed out and explored this much. Their dalliances are exciting, sure, but they’re also secondary to the relationship at the core of this show. In the end, this is all about bestfriendship—its thrilling highs and its depressing lows, its incomparable joy and tendency for toxicity. It's a blast to watch, especially in the company of your friends.

Genre: Drama

Actor: Emma Appleton

Rating: TV-MA

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655. Eric, 2024

	
Backed by Netflix’s deep pockets, Eric looks as good as any prestige miniseries out there. As a portrait of pre-gentrified New York, it feels so detailed and lived in you can almost smell the garbage cans collecting in the corner. And this seedy atmosphere ties well with the show’s dark themes and complicated mysteries, making Eric far from the worst thing you could watch on the platform. But there’s something about Cumberbatch’s Vincent that makes him difficult to follow. Perhaps his performance is more excessive than the script calls for, or perhaps his anti-hero character is too underwritten to sympathize with. Or maybe it’s both. Whatever it is, he’s not a strong enough lead to pull the series through, though thankfully, he’s surrounded by far more interesting and involving characters, particularly Hoffman’s Cassie and Belcher III’s Ledroit. If you’re looking for a serious thriller filled with compelling (if at times overdramatic) performances, Eric is your weekend show.Genre: Drama, Mystery
Actor: Alexis Molnar, Bamar Kane, Benedict Cumberbatch, Clarke Peters, Dan Fogler, David Denman, Gaby Hoffmann, Ivan Morris Howe, McKinley Belcher III, Phoebe Nicholls, Roberta Colindrez
Director:  Lucy Forbes
Rating: TV-MA

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656. Elton John: Never Too Late, 2024

	
Elton John’s latest concert film follows the same structure as most current music documentaries: it splices present-day footage of the musician doing his latest (and final tour) with flashbacks of his past. In either rare archival footage or lovely animation, we see snippets of his troubled childhood, his serendipitous meet-up with writing partner Bernie Taupin, his rise to fame as an unlikely rock star, and his rocky relationships with different men. If you’re an avid fan of the singer, you likely won’t see anything new here, save for excerpts from his final tour. But whether you’re familiar with John’s music or not, this documentary is sure to be a pleaser, especially aurally.Genre: Documentary, Music
Actor: Bernie Taupin, Dua Lipa, Elton John, John Lennon
Director: David Furnish, R.J. Cutler
Rating: PG-13

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657. Elsbeth, 2024

In a sea of self-serious legal dramas and police procedurals, The Good Wife spin-off Elsbeth stands out for its quirky and delightfully sunny approach. Like Columbo or (more recently) Poker Face before it, it reveals the killer right at the start. And since the hook is knowing how the crime is solved, not who does it, Elsbeth is the perfect guide to take us through the end. She’s giddy but intelligent, wide-eyed but perceptive. Though the rest of the cast’s acting is just network TV-good, Preston herself and the many guest stars are consistently stellar and a blast to watch. The writing and overall acting could be better, but it’s worth watching for Elsbeth’s magnetic presence.

Genre: Comedy, Crime, Drama

Actor: Carra Patterson, Carrie Preston, Sullivan Jones, Wendell Pierce

Rating: TV-14

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658. Ehrengard: The Art of Seduction, 2023

	
It’s slower and talkier than you’d expect from a semi-erotic film, but Ehnegard lives up to its title well enough to satisfy. It’s titillating, but in a cheeky rather than provocative way. The dialogues are lengthy, but they’re alternately witty and poetic, so despite the pace they never actually bore. Ehnegard’s real delight, however, is its beauty. Set in the old kingdom of Babenhausen, Ehnegard looks like a fairy tale come to life. The towering castles, the sprawling meadows, the twinkling forest lakes, and of course, the smartly costumed people who populate the scenery—all these and more ensure that each frame has a picturesque glow to it. And with Sidse Babett Knudsen (Borgen, Westworld) taking charge of an appealing cast, Ehnegard proves to be a charming watch.Genre: Comedy, Drama, Romance
Actor: Alice E. Bier Zandén, Christopher Laesso, Emilie Kroyer Koppel, Jacob Ulrik Lohmann, Jakob Højlev Jørgensen, Lone Rødbroe, Mikkel Boe Følsgaard, Paul Hüttel, Sara-Marie Maltha, Sidse Babett Knudsen
Director: Bille August
Rating: R

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659. Dream, 2023

Dream is a sports dramedy that is susceptible to a lot of the genre’s cliches. Yes, we follow Hong-dae’s journey from being an egomaniac lone wolf to an empathetic team player. Of course, we get to witness all the heartwrenching backstories of the homeless football members. And sure, we even see get to see ourselves in Lee So-min (IU), the hardworking filmmaker who puts her all into this documentary in the hopes that it could somehow pay off her student loan debt. These are plotlines you’ve heard of before, and there are holes in a lot of them (like how it criticizes documentaries for exploiting sob stories while doing the same in the film, for instance). But at the end of the day, Dream only wants to be an uplifting feel-good movie and in that regard, it succeeds immensely. Say what you want about Seo-joon and his exaggerated yell-all way of acting, but the man knows how to draw out a chuckle from even the most reserved viewer. And paired with IU, who brings with her a plucky charm, the two can command an audience any which way they want. If you’re looking for a serious deep dive into the world of sports, the deceit of documentaries, and the complex reality of homelessness, Dream touches on a bit of that but don’t expect it to fully deliver. However, if you’re looking for an easy watch filled with delightful performances and feel-good moments, then Dream is your film.

Genre: Comedy, Drama

Actor: Baek Ji-won, Han Jun-woo, Han Sang-chul, Heo Joon-seok, Hong Wan-pyo, IU, Jeong Soon-won, Jeong Sun-won, Jo Woo-jong, Jun Suk-ho, Jung Seung-kil, Jung Soon-won, Kang Ha-neul, Kim Il-jung, Kim Jong-soo, Kim Nam-woo, Ko Chang-seok, Lee Eun-jae, Lee Ha-nui, Lee Hae-woon, Lee Hyun-woo, Lee Ji-hyeon, Lee Seung-joon, Lee Yu-bi, Nam Min-woo, Park Hyeong-su, Park Hyoung-soo, Park Moon-sung, Park Myung-hoon, Park Seo-jun, Park Seong-jun, Park Sung-jun, Song Yeong-sik, Song Yong-sik, Yang Hyun-min, Yoon Ji-on, Yun Ji-on

Director: Lee Byeong-heon

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660. Destroy All Neighbors, 2024

It’s easy to classify Destroy All Neighbors as B-movie schlock; it unabashedly pays tribute to the low-budget comedy horror movies that pervaded the ‘80s. But it also feels too good for that. Elevated by funny bits, easy chemistry, solid production design, and a lightweight but easygoing script, Destroy All Neighbors never really wastes your time. It may confuse and drag at times, but there’s always an element that delights. As the straight man anchoring all the absurdity and gore surrounding him, Ray is also surprisingly likable. He connects easily to the colorful ensemble of characters in the film.

Destroy All Neighbors is stylish, trippy, nonsensical, and quite commendable in its creativity (the practical effects and prosthetics are the highlight). In all, it’s harmless good fun, just beware of the overflowing blood and guts!

Genre: Comedy, Horror, Music

Actor: Alex Winter, Chase Kim, Christian Calloway, Deanna Rooney, DeMorge Brown, Franco Vega, Jon Daly, Jonah Ray, Kiran Deol, Kumail Nanjiani, Madara Jayasena, Pete Ploszek, Phil Hendrie, Randee Heller, Ryan Kattner, Thomas Lennon

Director: Josh Forbes

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