845 Contributions by: Renee Cuisia (Page 43)

Renee Cuisia is the lead curator at A Good Movie to Watch. In her spare time, she likes to watch K-dramas and analyze them to death. She’s also seen You’ve Got Mail one too many times but is still convinced it’s one of the greatest films out there.

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631. Misfortune, 2023

Misfortune (Mala fortuna) is a telenovela that doesn’t shy away from the genre’s goofy qualities. It’s predictable and a little bit ridiculous, but like most enjoyable soap operas, it knows how to draw you in and keep you invested in all the drama. Our protagonists are two peas in a pod: Julio and Victoria, ordinary people who seduce their way into scamming the ultra-rich family known as the Urquizas. Of course, their feelings (both for the family and for each other) get in the way of their schemes, but the resulting entanglement makes for a sexy and hilarious watch.

Genre: Comedy

Actor: Antonia Zegers, Fátima Molina, Jorge López, Macarena Achaga, Octavio Hinojosa Martínez

Director: Analeine Cal y Mayor, Joe Rendón

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632. Metropolitan, 1990

It’s very interesting, if not startling, to see an earnest movie made about the white upper class these days. Metropolitan is one such film, and even though it was released in the ’90s, it still stands the test of time precisely because it neither judges nor defends the group of WASPs it follows. It simply shows them in all their elegance and sophistication, as well as their insulation and irony.

Metropolitan takes place in the upper crust of New York debutante society, during Christmas vacation, where soirees are rampant and afterparties even more so. The young-adult leads who navigate the scene in their expensive clothes and self-important aura recall a Scott Fitzgerald novel, or if you like, Gossip Girl episode. But instead of falling into tragedies, these characters just end up in silly but relatable mishaps and misunderstandings: they’re just kids after all. And as high and mighty as they may seem, whiling away in tall Park Avenue apartments, they’re still prone to the universal pains that haunt and shape teenagers. Expect to see heartbreak, jealousy, and longing even among the brightest and wealthiest of New York.

Genre: Comedy, Drama, Romance

Actor: Alice Connorton, Bryan Leder, Carolyn Farina, Chris Eigeman, Donal Lardner Ward, Edward Clements, Francis Creighton, Isabel Gillies, Taylor Nichols, Thomas R. Voth, Will Kempe

Director: Whit Stillman

Rating: PG-13

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633. Martha, 2024

	
It’s hard to botch a documentary about Martha Stewart, she who lived so many lives (she was a model, a stockbroker, a convict, a homemaker, and now a TikTok darling) and she who came back from one of the hardest celebrity downfalls stronger than ever. Her life is a roller coaster ride and watching the documentary certainly feels like being in one too. Whenever Stuart dodged a question, director R.J. Cutler did well to zoom in on a twinge on her face or show a previous photo or clip that may reveal the answer. It’s well made that way. Only the prison scenes left a bitter taste in the mouth—why should I feel sorry for her hundred-day stint when so many other wrongly imprisoned women with less privilege are still stuck there?—but everything else about this dense portrait is very filling and entertaining.Genre: Documentary
Actor: Martha Stewart
Director: R.J. Cutler
Rating: R

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634. Let the Canary Sing, 2023

	
You don’t have to be an avid fan to enjoy Let the Canary Sing, which presents itself as a joyous blast to the past and an enlightening account of How to Make a Superstar in the ‘80s. Lauper had some help from the industry of course (not that she always listened) but she was a self-made, self-promoting artist who reveled in her outsider status and defiantly punk style. It’s a joy to see her find her voice and cement her status in an overcrowded market, and it’s just as great to see how much work was put into musical gems “Girls Just Wanna Have Fun” and “True Colors,” which have served and continues to serve as anthems of sorts for her unwavering advocacies for women and the queer community.Genre: Documentary, Music
Actor: Cyndi Lauper
Director: Alison Ellwood

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635. Killer Coaster, 2023

A murder mystery with an absurdist comedic bent, Killer Coaster initially comes off as too much. It struggles to juggle different genres and poses many questions it doesn’t immediately answer. There are also too many elements—including warring families, star-crossed lovers, secret identities, and complicated pasts—that make the mystery of the Ghost Train Killer seem incidental, even though it is the show’s throughline, the main event that kickstarts the entire thing. But it’s easy to forgive all this whenever Alexandra Lamy does her magic onscreen. As the well-meaning but clumsy police officer Sandrine, Lamy is likable and hilarious, a clown with just enough heart to pull you into her antics. She soars even more when paired with real-life sister Audrey Lamy, who plays the carnival owner Yvanne—also good-hearted but even slower (and at times funnier) than Sandrine. Together, their amusing weirdness saves the show from loose ends and uneven tones.

Genre: Action & Adventure, Comedy, Crime

Actor: Alex Lutz, Alexandra Lamy, Audrey Lamy, Chloé Jouannet, Lola Le Lann, Oscar Berthe, Yvan Naubron

Director: Nikolay Lange-Nielsen

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636. KAOS, 2024

It’s no surprise that we’re bound to hear another retelling of Greek mythology every few years or so—those tales are classic for a reason. But what makes Kaos feels fresher is its irreverence. The show is unapologetically dark and bawdy and unafraid to paint the gods as evil. More than that, it makes them stand-ins for the corrupt and powerful of today (i.e. the one percent who couldn’t care less about the rest of us). Kaos’ ambition, however, is both its strength and weakness. Yes, showing us how the ancient, god-ruled city of Crete would look like today provides an endless source of delight and entertainment, but it also often feels like it’s doing way too much. Even with Prometheus (Stephen Dillane) all-too-conveniently narrating the plot to us, it can be hard to follow. But these slights are easy to forgive, especially when you have someone as delightfully cooky as Jeff Goldblum playing the father of all gods.

Genre: Comedy, Drama, Sci-Fi & Fantasy

Actor: Debi Mazar, Jacob Utzon Krefeld, Jeff Goldblum, Layo-Christina Akinlude, Robert Emms

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637. Interview with the Vampire, 2024

	
Interview with the Vampire is a remarkable remake that takes place in 1910s New Orleans. It centers on Louis (Jacob Anderson), a wealthy Black man who is turned into a vampire by his lover Lestat (Sam Reid). The series is a sprawling gothic tale that explores the relationship between Louis and Lestat, as well as the politics of race and the ethics of being undead. In other words, it's a lofty love story with some bite to it. Watch if you're a fan of the lore, action, and melodrama that comes with addictively ambitious vampire stories such as this.Genre: Drama
Actor: Assad Zaman, Bailey Bass, Delainey Hayles, Eric Bogosian, Jacob Anderson, Sam Reid
Rating: TV-MA

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638. Inside the Mind of a Dog, 2024

	
Dog lovers will think they already know everything there is to know about their favorite furry companions, while those indifferent to the animal might think a film will do little to sway their opinion. But Netflix’s Inside the Mind of a Dog makes a surprisingly compelling case for diving deeper into canine psychology. Experts weigh in on their intelligence, which many believe surpasses that of apes, our closest mammal relative, as well as their loyalty and charm. People take the latter two for granted, but they’re actually part of a successful evolution strategy experts have dubbed “survival of the friendliest.” The documentary is full of interesting takes like these, but what really tugs at the heartstrings are the stories of the service dogs we follow. It helps, too, that the movie is narrated by an enthusiastic-sounding Rob Lowe, himself an eager dog owner, and peppered with engaging animations and adorable pup clips.Genre: Documentary
Actor: Rob Lowe
Director: Andy Mitchell

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639. Inside Job, 2021

What if the Deep State was real and every conspiracy theory you laughed off was true? There is such a thing as Area 51, John F. Kennedy was killed by the CIA, and somewhere out there, Tupac Shakur is still alive. If you added even more ridiculous theories like reptile people existing underground and Avril Lavigne being a clone, then you'd have Inside Job, a bonkers adult animated sitcom that hails from some of the people behind Gravity Falls and Bojack Horseman.

Inside Job is crazy and creative, with each episode delving into a different "theory," but it also has room for character introspection and development. Lizzy Caplan lends her voice to the lead Reagan Ridley, a scientist and manager who is ambitious but difficult, genius but always tired. The show does well to show her and her team's growth in a show otherwise jam-packed with (admittedly hilarious) insanity.

Genre: Animation, Comedy, Science Fiction

Actor: Andrew Daly, Andy Daly, Bobby Lee, Brett Gelman, Chris Diamantopoulos, Christian Slater, Clark Duke, John DiMaggio, Lizzy Caplan, Suzy Nakamura, Timothy Simons, Tisha Campbell, Tisha Campbell-Martin

Director: Shion Takeuchi

Rating: TV-14

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640. In Vogue: The 90’s, 2024

This docuseries doesn’t say anything particularly new about the ‘90s, but that doesn’t make the journey to the past less fun and fashionable. The filmmakers behind In Vogue, seemingly aware of their limited knowledge, compensate substance with stars. There are too many celebrities to count here. There are tastemakers like Hamish Bowles, supermodels like Kate Moss and Linda Evangelista, actors like Gwenyth Paltrow and Sarah Jessica Parker, and of course Anna Wintour herself, all breathlessly recounting the revolution in ‘90s fashion. Maybe it’s just nostalgia, or a credit to the exhilarating way the documentary is edited, but the decade does come alive here and makes a convincing case for how it changed the game. Suddenly, red carpet fashion is a thing, models are instant celebrities, high fashion is synonymous with pop culture, and minorities are slowly but surely gaining recognition for their influence in setting trends. If anything, In Vogue is a pleasant way to pass the time. Not all that demanding or challenging, but an interesting reminder of the way things were.

Genre: Documentary

Actor: Anna Wintour, Edward Enninful, Hamish Bowles, Tonne Goodman

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641. In the Gloaming, 1997

	
In the Gloaming has the expected constraints of a made-for-TV movie. It is set in only a handful of places, features even fewer characters, and utilizes that all-too-familiar cheesy soundtrack present in (I swear) every family drama produced in the ‘90s. That said, In the Gloaming feels more like a precious indie than a cheap TV movie. Mostly, it has the leading performances of Glenn Close and Robert Sean Leonard to thank for that. The two don’t have the big performances you’d expect from a film about AIDS, but their simple and subtle approach works even better than that. First-time director Christopher Reeve (yes, Superman) does well to stay on Close’s face for a few beats longer to show how much pain and doubt she’s hiding beneath her facade of calm. I only wish the film could’ve tied its many loose ends and that we got to know more about Leondard’s character—really know him, beyond his being gay. This would’ve made the film stronger, though it is already a moving watch.Genre: Drama, TV Movie
Actor: Bridget Fonda, David Strathairn, Glenn Close, Robert Sean Leonard, Roger Anthony, Whoopi Goldberg, Will Reeve
Director: Christopher Reeve
Rating: PG

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642. How to Die Alone, 2024

Many (if not most) recent comedies deal with depression, from Bojack Horseman to The Bear, from Fleabag to Euphoria. What How to Die Alone brings new to the table is that it’s more hopeful than these shows, or at least more hopeful than what the title would have you believe. Melissa (Natasha Rothwell) genuinely wants to get better, and the show follows her as she digs her way out of the self-sabotaging rut she’s been in for the last decade. The show is sympathetic, relatable, and comforting in how it frames Melissa and her developing sense of self, but it’s also a funny workplace comedy and a refreshingly honest look at the rockiness of adult friendships. There’s a lot to love here, in other words, and I do hope Rothwell is given the chance to showcase more of her talent—not everyone can balance vulnerability and joy the way she does—beyond eight episodes.

Genre: Comedy

Actor: Conrad Ricamora, Jocko Sims, KeiLyn Durrel Jones, Natasha Rothwell

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643. Hollywood Con Queen, 2024

True crime documentaries have a way of stretching out a thin story for views. For instance, what could have been an hour-long film is tediously and often unnecessarily extended into five or so episodes. Thankfully, that’s not the case in Hollywood Con Queen. Three hours is a reasonable length to cover Harvey Tahilramani’s wild crimes and even wilder stories. His biggest offense thus far is pretending to be bigshot Hollywood executives (among them famed producer Amy Pascal and Universal chairman Donna Langley), then luring freelancers into flying all the way to Indonesia to deposit sums of money to his account. If he’s not manipulating them, he’s demanding them to commit sexual acts, effectively abusing them. Despite that, Tahilramani is convinced that he is somehow the victim of all this scheming, and it’s his first-hand account, along with the victims’ harrowing testimonies, reporter Scott Johnson’s excellent reporting, and private detective Nicoletta Kotsianas's staunch investigation that make Hollywood Con Queen a compelling true-crime watch.

Genre: Documentary

Rating: TV-MA

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644. Hive, 2021

It’s been years since Fahrije and the women of her village lost their husbands to the war. It’s one thing to move on after their passing, but quite another to never be sure about their whereabouts, dead or alive. Hive tells the story of how, in the wake of this inexplicable loss, the women of a Kosovo village reluctantly band together and make a new life for themselves and their families.

Thanks to its grit and restraint, Hive avoids the cheesy trappings of a melodrama. The dialogues are straightforward and the performances taut but affecting. Their battle with poverty and misogyny is sadly a familiar tale, but told through the lens of single mother/burgeoning entrepreneur Fahrije, it is rendered deeply personal and illuminating.

Genre: Drama

Actor: Adem Karaga, Adriana Matoshi, Armend Smajli, Astrit Kabashi, Aurita Agushi, Bislim Muçaj, Blerta Ismaili, Çun Lajçi, Ilir Prapashtica, Kaona Sylejmani, Kumrije Hoxha, Labinot Lajçi, Yllka Gashi

Director: Blerta Basholli

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645. Hitler and the Nazis: Evil on Trial, 2024

	
Countless documentaries have been made about The Third Reich's rise to power, so Berlinger’s Hitler and The Nazis doesn’t particularly tread new ground. It starts with Hitler’s childhood and political beginnings, which anyone with a cursory knowledge of world history should know, but it picks up by the second episode, when it finally settles into a rhythm of stunning archival footage, realistic reenactments, expert commentary, and Shirer’s AI-recreated voice. The latter is chilling, not just because it recounts horrific events but also because it sounds strangely, unfittingly mechanical--to say nothing of the unnecessary use of AI when hiring a voice actor would’ve done the trick. Other than that, however, Hitler and the Nazis is a meaty historical account of a past that shouldn’t be forgotten, one that the newest generation will do well to watch.Genre: Documentary
Actor: Balázs Kató, Imre Csok, István Dankó, Károly Kozma, Soma Zámbori, William L. Shirer
Rating: TV-MA

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