846 Contributions by: Renee Cuisia (Page 27)

Renee Cuisia is the lead curator at A Good Movie to Watch. In her spare time, she likes to watch K-dramas and analyze them to death. She’s also seen You’ve Got Mail one too many times but is still convinced it’s one of the greatest films out there.

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391. Conclave, 2024

	
It’s always refreshing to see people in esteemed positions let their guard down, not to mention smoke a vape or gossip feverishly, as we mere mortals do. But Conclave is more than just a candid look at what goes down in a process as elaborate as a papal election. It’s a portrait of man’s innate thirst for power. And since it has more to do with humanity than divinity, it’s also rightfully silly. Cardinals are scrambling for votes and fighting over politics. They can be peaceful and reasonable, but they can also be petty and spiteful, just like any person pressured to vote for their future (or just like any person, period). Conclave is far from perfect—its intentions are murky at times and the visuals, though beautiful, are oddly sparse—but it works because no one in the film, not even the protagonist, is infallible. It’s a welcome reminder of our limitations, regardless of faith.Genre: Drama, Mystery, Thriller
Actor: Balkissa Souley Maiga, Brian F. O'Byrne, Carlos Diehz, Garrick Hagon, Isabella Rossellini, Jacek Koman, John Lithgow, Joseph Mydell, Loris Loddi, Lucian Msamati, Madhav Sharma, Merab Ninidze, Ralph Fiennes, Roberto Citran, Romuald Kłos, Sergio Castellitto, Stanley Tucci, Thomas Loibl
Director: Edward Berger
Rating: PG

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392. Class Act, 2023

The real-life Tapie may be more or less interesting than the Tapie Laurent Lafitte brings to life in Class Act, but that doesn’t really matter. The series introduces the French tycoon as if he were a completely new character, which is helpful to those of us going in the series blind. There is drama, there is scandal, and since Tapie is so tied to French life, there is also history. But more than anything else, there is business. Tapie is by no means perfect, but he is a smart businessman, and Class Act’s sharp and strong writing brilliantly conveys the addictive highs and soul-crushing lows of commerce. Narrative cliches are inevitable, but that doesn’t make this well-crafted series any less enjoyable.

Genre: Drama

Actor: Alexandre Blazy, Antoine Reinartz, Camille Chamoux, Fabrice Luchini, Hakim Jemili, Joséphine Japy, Laurent Lafitte, Ophélia Kolb, Patrick d'Assumçao, Sarah Suco

Director: Tristan Séguéla

Rating: TV-MA

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393. C'mon C'mon, 2021

Mike Mills has always had an obsession with childhood and parenthood, often honing in on the beautiful, frustrating, and inevitable mess that comes with them. C’mon C’mon is no exception, but here, Mills blurs the lines between the two even more. Sometimes the kid acts more like an adult, and the adult more like a kid; sometimes the uncle acts as a surrogate mother, and the mother (unsurprisingly) takes on the role of an everywoman, attempting to be breadwinner, caretaker, and friend all at once.

C’mon C’mon has no allegiances; it simply shows us the dynamics between one family and mirrors what we already know about ours. Shot in black and white, grounded in simple conversations, and interwoven with moving essay excerpts and real interviews, C’mon C’mon feels at once personal and universal; a moving feat of a film.

Genre: Drama

Actor: Artrial Clark, Brandon Rush, Callan Farris, Cooper Jack Rubin, Deborah Strang, Elaine Kagan, Gabby Hoffman, Gaby Hoffmann, Gita Reddy, Jaboukie Young-White, Jenny Eliscu, Joaquin Phoenix, Joseph Bishop, Kate Adams, Keisuke Hoashi, Leslie Feist, Mahfuzul Islam, Mary Passeri, Molly Webster, Scoot McNairy, Sunni Patterson, Todd D'Amour, Woody Norman

Director: Mike Mills

Rating: R

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394. BS High, 2023

The particulars of the scandal are enough to shock, enrage, and move anyone, but the directors of BS High also put Johnson in the hot seat and skewer the guy until they wring all ego and delusion out of him. The result is a compelling and terrifying look into a con man’s mind. Johnson alternates between justifying and denying his fraudulent ways and even tries to draw empathy from the audience by explaining his upbringing. But cleverly, the directors intercut his wild speeches with heartfelt testimonies from the real victims of this scam: the young recruits who were promised a better life if they played in Johnson’s team, only to be abused and marked for life. It’s impossible not to feel for the young men, who even up until the documentary’s end, wonder out loud how they could possibly move on from such a traumatic experience.

Genre: Documentary

Director: Martin Desmond Roe, Travon Free

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395. Better Off Dead..., 1985

	
A lot of 80s comedies have not stood the test of time (remember when racism was funny?) but this smart and surreal black comedy narrowly escapes that black hole. Instead of simply leaning into stereotypes, it parodies them, and instead of simple banter, it imagines an absurd world where hamburgers come to life and paperboys have formed gangs to collect their due. There’s no plot here, not really; the fun of watching this comes from seeing how the one absurd scene can top the last. The nostalgic factor also helps, because where else can you hear someone says “spastic nerdbag” with such solemnity?Genre: Comedy, Romance
Actor: Amanda Wyss, Chuck Mitchell, Curtis Armstrong, Dan Schneider, David Ogden Stiers, Demian Slade, Diane Franklin, Elizabeth Daily, Frank Burt Avalon, John Cusack, Kim Darby, Laura Waterbury, Rick Rosenthal, Steven Williams, Taylor Negron, Vincent Schiavelli, Yano Anaya, Yuji Okumoto
Director: Savage Steve Holland
Rating: PG

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396. Bad Genius, 2017

It looks like something you’ve already seen before: a student genius turns a simple high school cheating scheme into a full-blown, high-stakes heist. But layered with great acting, taut writing, and sharp observations about the ways in which education (and society in general) fails its students, Bad Genius turns a familiar premise into something genuinely exciting and impressively affecting. It’s everything you want a caper movie to be: smart and thrilling, with almost no moment to breathe, and of course, peppered with characters you can’t help but root and be nervous and excited for.

Genre: Comedy, Crime, Drama, Thriller

Actor: Aokbab Chutimon Chuengcharoensukying, Chanon Santinatornkul, Chutimon Chuengcharoensukying, Ego Mikitas, Eisaya Hosuwan, Kanjana Vinaipanid, Nopawat Likitwong, Pasin Kuansataporn, Sahajak Boonthanakit, Sarinrat Thomas, Suquan Bulakul, Teeradon Supapunpinyo, Thaneth Warakulnukroh, Valerie Bentson, Vittawin Veeravidhayanant

Director: Nattawut Poonpiriya

Rating: PG-13, TV-MA

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397. Bad Axe, 2022

	
Bad Axe is an intimate documentary that follows the Sievs, a tight-knit family that runs a restaurant in the city of Bad Axe, Michigan. When the rise of COVID restrictions and racist hate groups put their business at risk, the Sievs try to hold on to each other while also carefully, in their own way, fighting back.

Mostly shot in the unforgettable year that is 2020, Bad Axe captures the fraught intensity and existential panic we all spiraled into during the global pandemic. It’s a charged film, but underneath all that buzz is a story about a family with its own tensions and histories and contradictions to deal with. Bad Axe is at once simple and complex, and like family, you just kind of love it, flaws and all.Genre: Documentary, Drama
Actor: Austin Turmell
Director: David Siev

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398. Babes, 2024

	
Babes tells the story of Eden (Ilana Glazer) and Dawn (Michelle Buteau), codependent best friends who are forced to reevaluate their relationship when Eden finally joins Dawn in becoming a mother. While Eden learns how to be more mature and independent, Dawn struggles to feel like herself again after two exhausting pregnancies. Burdened by these personal problems, they evaluate the boundaries of their friendship and ask themselves, what do they owe each other? It sounds like heavy stuff, but the script—co-written by Glazer and Josh Rabinowitz—has an uncanny ability to make even the most serious parts of the film feather-light. Glazer and Buteau are fiercely funny, charming, lovable, and relatable, and everything comes together seamlessly with Pamela Adlon, who makes her directorial debut with Babes, on the helm. Fans of Glazer’s Broad City and Buteau’s Survival of the Thickest will find much to laugh (and cry) at here.Genre: Comedy
Actor: Darren Criss, Hasan Minhaj, Holly Chou, Ilana Glazer, John Carroll Lynch, Katy Grenfell, Keith Lucas, Kenneth Lucas, Mario Polit, Michelle Buteau, Oliver Platt, Paul Borghese, Rosa Gilmore, Sandra Bernhard, Shola Adewusi, Stephan James, Susanna Guzman, Whoopi Goldberg
Director:  Pamela Adlon
Rating: R

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399. Are You There God? It's Me, Margaret., 2023

That this film, an adaptation of a beloved classic and girlhood staple for 50 years and counting, is able to retain the same power, charm, and wisdom as the source material by Judy Blume is impressive in and of itself. Director Kelly Fremon Craig (Edge of Seventeen) turns the must-read novel into a must-see film, as urgent and relevant as ever in its frank portrayal of feminine woes and joys. Buying your first bra, getting your first period, losing a friend, doubting your faith, seeing—really seeing—your family for the first time, and knowing in your heart what you stand for...these are some of the thorny requisites of womanhood, and Craig navigates them with a bittersweet ease that never feels pandering nor patronizing. Like the book, the film honors this young person's big feelings by centering them in a sprawling story that involves other characters, who are just as fleshed-out as the lead. Rachel McAdams deserves special mention for turning in a sweetly nuanced performance as Margaret's mother Barbara, an artist attempting to balance her domestic role with her career goals. The film may be 50 years in the making, but it tells a timeless tale that will continue to hold the hands of teenage girls for generations to come.

Genre: Comedy, Drama

Actor: Abby Ryder Fortson, Aidan Wojtak-Hissong, Benny Safdie, Echo Kellum, Eden Lee, Elle Graham, Ethan McDowell, Gary Houston, George Cooper, Holli Saperstein, Isol Young, JeCobi Swain, Jim France, Johnny Land, Judy Blume, Kate MacCluggage, Kathy Bates, Mia Dillon, Rachel McAdams, Sloane Warren, Wilbur Fitzgerald

Director: Kelly Fremon Craig

Rating: PG-13

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400. A Very Royal Scandal, 2024

	
It’s been five years since the bombshell interview between the BBC’s Emily Maitlis and the the British monarchy’s Prince Andrew took place, yet it continues to intrigue, if the nonstop release of dramatizations are anything to go by. The latest entry is the three-part series A Very Royal Scandal, which mainly focuses on Maitlis as a workaholic journalist intent on getting the scoop, even if it means sacrifcing time spent at home. Apart from Maitlis, we’re also privy to His Royal Highness’ point of view, which is a mix privileged naivitie, paternal sweetness, and dumb lust. Compared to Netflix’s Scoop, which is more interested in the BBC booker Sam McAlister’s POV, Amazon Prime’s A Very Royal Scandal is by nature deeper and more explorative. It’s also more exciting and less salacious in tone. Paired with a suspenseful score, smart editing, and rich backdrops, the series is a near-masterclass on how to make treaded ground feel fresh again.Genre: Drama
Actor: Alex Jennings, Claire Rushbrook, Éanna Hardwicke, Honor Swinton Byrne, Joanna Scanlan, Lydia Leonard, Michael Sheen, Nicholas Burns, Ruth Wilson, Sam Troughton, Sofia Oxenham
Rating: TV-MA

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401. A Revolution on Canvas, 2023

	
Initially, A Revolution on Canvas is about the Nodjoumi family’s quest to retrieve the patriarch’s missing paintings in post-Islamic Revolution Iran. Necessarily, it goes through Nodjoumi’s troubled childhood and shocking life as a resilient revolutionary. But the documentary eventually evolves into a knotty and heartbreaking tale about family, specifically about the sacrifices the partner of a rebel genius like Nodjoumi has to make to let the other shine. Nodjoumi’s daughter, Sara, confronts her father about his absence during their family’s formative years and, more importantly, shines a light on the sacrifices her mother--the artist Nahid Hagigat--had to make to keep them all afloat. The documentary could’ve easily been a straightforward portrait of Nodjoumi, but because it's told through such a specifically intimate lens, it’s elevated into something even more relatable and revealing.Genre: Documentary
Actor: Nahid Hagigat, Nicky Nodjoumi, Sara Nodjoumi
Director:  Sara Nodjoumi, Till Schauder
Rating: NR

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402. A Confession, 2019

	
While eschewing protocol is often rewarded in Hollywood films, in real life, this act can cost you your career, especially if you’re in the force like Detective Superintendent Steve Fulcher (Freeman). A Confession tells two stories, essentially, that of Fulcher’s legal entanglements after he successfully got a serial killer to confess without representation, and that of Sian and Becky, the slain victims in Fulcher’s case. Though the series is slow to start (it only picks up by the end of the second episode), it’s buoyed by fantastic performances and genuinely thought-provoking questions, the main one being, how far would you go to pursue justice?Genre: Crime, Drama
Actor: Charlie Cooper, Daniel Betts, Derek Riddell, Florence Howard, Ian Puleston-Davies, Imelda Staunton, Jake Davies, Joe Absolom, Kate Ashfield, Martin Freeman, Owain Arthur, Peter Wight, Siobhan Finneran
Director: Paul Andrew Williams
Rating: TV-14, TV-PG

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403. Wild Wild Space, 2024

	
Backed by hefty research, dramatized by great players, and made relevant by the current and future impact aerospace has on the human race, Wild Wild Space makes for a surprisingly thrilling watch. Like the title suggests, outer space is a gold mine of opportunity right now, and the three startups the film zeros in on—Astra, Planet Labs, and Rocket Lab—are competing much in the same way the cowboys of the Old West are, full of ambition and lacking any mercy. It’s packed with drama, which you wouldn’t normally expect from a film that’s largely about physics, finance, and politics, but here we are. And the simultaneous storytelling works, too. They’re all equally interesting and overlap in smart ways, thanks to Kauffman’s deft editing and Vance’s knowledgable takes that tie it all together. Scientist vs capitalist vs madcap underdog is a story you’d never know to watch till the end till now.Genre: Documentary
Actor: Ashlee Vance, Chris Kemp, Jonathan McDowell, Peter Beck, Will Marshall
Director: Ross Kauffman
Rating: R

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404. The Wrath of Becky, 2023

	
There’s not much to analyze in The Wrath of Becky, which might sound like a jab, but for grindhouse thrillers such as this, it comes as a compliment. The story is lean, the action is on point, and the dialogue is whipsmart. There is little to distract from the main attraction, which is the creatively gruesome ways in which everyone tries to kill each other.

It’s so simple, in fact, that you’d be forgiven for thinking this is a standalone film, instead of a sequel to an earlier movie, simply titled Becky. Efficiently, parts of the first installment appear as flashbacks here, but they’re hardly needed to convince us of Becky’s ferocious might. Wilson already does an excellent job with minimal but evocative gestures. Seann William Scott, too, is surprisingly terrifying as the head of the Neo-Nazi group out to get Becky. It’s easy enough to paint the incel as a villain, but to portray him with such palpable terror is a challenge that Scott steps up to.Genre: Action, Horror, Thriller
Actor: Aaron Dalla Villa, Alison Cimmet, Courtney Gains, Denise Burse, Derek Gaines, Jill Larson, John D. Hickman, Kate Siegel, Lulu Wilson, Matt Angel, Michael Sirow, Seann William Scott, Zoie Morris
Director:  Matt Angel, Suzanne Coote
Rating: R

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405. The Woman in the Wall, 2023

	
On the surface, The Woman in the Wall is immediately scary. It’s riddled with jumpscares, shrieks, haunting Latin songs, blood-hued flashbacks, and, of course, incessant Catholic and Gothic imagery. But while it’s effective as a horror, it’s more meaningful as a tribute to the survivors of the Magdalene Laundries, that is, Catholic convents where nuns took care of “wayward women,” which ranged from teen girls who’ve engaged in premarital sex to prostitutes. They’re often abused and forced to work long hours, and in the case of some pregnant women, their babies were taken away from them as punishment for their sins. That’s what happened all those years ago to Lorna (Ruth Wilson), who’s never learned how to cope with her loss and trauma in the years since the laundries were banned in ‘96. She becomes the main suspect in the case of a murdered priest, and the more we learn about it, the more we question Lorna’s memories and recollections. Is she capable of this brutality? Where is her baby? And what does the detective, played ably by Daryl McCormack, have to do with all this? The show can seem too much at first, but it weaves all these questions and prickly themes deftly by the end.Genre: Crime, Mystery
Actor: Abby Fitz, Daryl McCormack, Dermot Crowley, Frances Tomelty, Hilda Fay, Mark Huberman, Ruth Wilson, Simon Delaney
Rating: TV-MA

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