843 Contributions by: Renee Cuisia (Page 14)

Renee Cuisia is the lead curator at A Good Movie to Watch. In her spare time, she likes to watch K-dramas and analyze them to death. She’s also seen You’ve Got Mail one too many times but is still convinced it’s one of the greatest films out there.

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196. American Fiction, 2023

	
On the one hand, American Fiction is a razor-sharp satire that pokes fun at the hypocrisy of the literary and entertainment industry. It's only when Monk (Wright), a genius but esoteric writer, decides to pander and give in to what publishers have come to expect from Black authors (that is: trauma porn) that he is finally celebrated for his work. But on the other hand, the film is also a tender family drama. Monk sells out, as it were, partly because he’s fascinated by the stupidity of decision-makers and supposed intellectuals, but mostly because he needs to pay for his ailing mother’s care. His relationship with his siblings and deceased father likewise informs much of his character, and they complicate what could’ve been just an intellectual approach to a social issue. This is an educational and entertaining film, yes, one that looks at the complex intersection between identity, craft, and profit. But it’s also an empathetic film, told with a big heart and a surprisingly light touch.Genre: Comedy, Drama
Actor: Adam Brody, Alexander Pobutsky, Bates Wilder, Becki Dennis, Carmen Cusack, Celeste Oliva, David De Beck, Dustin Tucker, Erika Alexander, Greta Quispe, Issa Rae, J. C. MacKenzie, Jeffrey Wright, Jenn Harris, John Ales, John Ortiz, Kate Avallone, Keith David, Leslie Uggams, Michael Cyril Creighton, Michael Jibrin, Michael Malvesti, Miriam Shor, Myra Lucretia Taylor, Neal Lerner, Okieriete Onaodowan, Patrick Fischler, Raymond Anthony Thomas, Skyler Wright, Sterling K. Brown, Tracee Ellis Ross
Director: Cord Jefferson
Rating: R

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197. Am I Being Unreasonable?, 2022

It’s hard to shock viewers nowadays, with TV being saturated with every type of show imaginable. But Am I Being Unreasonable? succeeds at standing out with deceptive simplicity. The six-part series asks us to follow Nic (Daisy May Cooper) and Jen (Selin Hizli), seemingly ordinary mothers living seemingly ordinary lives. Predictably, it starts with their midlife malaise, but the more we learn about the pair, the more complex and fearsome they become, and the more it becomes clear how difficult it is to know (and much less trust) another person.

The show swerves from drama to comedy to romance to horror all in a flash, and in lesser hands these changes can be frustrating and jarring. But here they feel welcome and fresh, thanks in large part to confident direction, a whipsmart script, and the wonderful relationship that forms between Nic and Jen. Every twist feels justified and every genre shift feels ingenious. Like its leads, Am I Being Unreasonable? can seem simple at first, but it dives into unexpected depths with every new episode.

Genre: Comedy

Actor: Daisy May Cooper, Seline Hizli

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198. A Spy Among Friends, 2023

Based on true events, A Spy Among Friends tells the story of Kim Philby (Guy Pearce) and Nicholas Elliot (Damian Lewis), best friends who worked for MI6, that is until Philby defected to the Soviet Union. Subject to inquisition and intense scrutiny, Philby and Elliot test the strength of their friendship against growing political turmoil.

The series starts slow and the dialogue, while smart, can get heavy-handed. But if you give it some time, the payoffs are rewarding. The sets are immersive as it spans different eras and countries; the actors are charismatic as they present enigmatic layers for us to unfold; and the particulars of espionage manage to feel freshly shocking in a story told many times before.

Artful, well-performed, and gripping, A Spy Among Friends is a great watch for fans of voluble but intelligent thrillers.

Genre: Drama, War & Politics

Actor: Adrian Edmondson, Anastasia Hille, Anna Maxwell Martin, Damian Lewis, Gershwyn Eustache Jnr, Gilly Gilchrist, Guy Pearce, Karel Roden, Lucy Akhurst, Lucy Russell, Monika Gossmann, Nicholas Rowe, Stephen Kunken, Steven Elder, Thomas Arnold

Director: Nick Murphy

Rating: TV-MA

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199. A Secret Love, 2020

Even when it necessarily tackles the difficulties that are part and parcel of same-sex love in the 20th century, there’s something pleasant about the way A Secret Love is told. The documentary puts Terry and Pat’s love above all else, so even though we hear about how they had to tear the bottom pages of their letters to avoid getting caught, or how they had to split from close family members after coming out, things never feel too heavy or dire because at the end of the day, they’re still together, their decades-old companionship a beautiful example of how love wins. And aside from giving us an intimate look at this rare win for elderly closeted couples, A Secret Love serves as an insightful portrait of elderly life. Terry and Pat, with their perseverance and unyielding support, make aging look beautiful rather than scary.

Genre: Documentary

Actor: Chris Bolan, Diana Bolan, Jack Xagas, John Byrd, Kim Donahue, Marge Summit, Pat Henschel, Tammy Donahue, Terry Donahue, Yvonne Zipter

Director: Chris Bolan

Rating: N/A

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200. Youth (Spring), 2023

Teenagers forced to grow up quickly and spend their prime years wiling away at garment factories sounds like a grim reality, and it is, but in Youth (Spring), Chinese documentarist Wang Bing captures more than just the inherent tragedy of young labor. Here, they build friendships, find love, discover an affinity for their craft, stand up for themselves against exploitative bosses, and look for ways to have fun. Even if it’s just as simple as eating street food, spending the night at an internet cafe, or finding nice clothes, we’re with them in every way. Though it’s never explicitly political, the documentary makes you think about the conditions that put the kids there in the first place, such as our insatiable need for cheap and trendy clothes, governments turning a blind eye to child labor, and a skewed system that favors these above people’s—especially young people’s—well-being and welfare.

Genre: Documentary

Director: Wang Bing

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201. Wellington Paranormal, 2022

Wellington Paranormal is a wry and highly entertaining mockumentary series that follows a special force unit and their adventures in quelling paranormal activity. Taika Waititi executive produces this cross-genre sitcom, which serves as a spin-off to Waititi’s cult classic What We Do in the Shadows.

While the film focuses on the creatures, Wellington Paranormal is decidedly about Officers Minogue and O'Leary and the hijinks that ensue as they encounter all sorts of supernatural beings, from vampires and werewolves to sea monsters and demons. The show is simple but deadpan funny: a chillingly breezy way to spend your binge time.

Genre: Comedy, Crime, Fantasy

Actor: Karen O'Leary, Maaka Pohatu, Mike Minogue

Rating: TV-14

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202. We Own This City, 2022

We Own This City is a six-part miniseries following the ins and outs of the Baltimore Police Department's Gun Trace Task Force. Hailed by critics as the “spiritual successor to The Wire” (both shows were developed by David Simon), the gritty crime drama works as a smart and gripping exposé not just of the Baltimore police department, but of big and flawed institutions, in general, and the seeming inherence of corruption. The series is based on the book We Own This City: A True Story of Crime, Cops and Corruption by Baltimore Sun reporter Justin Fenton.

Genre: Crime, Drama, Reality

Actor: Dagmara Domińczyk, Darrell Britt-Gibson, David Corenswet, Delaney Williams, Don Harvey, Jamie Hector, Jon Bernthal, Josh Charles, Larry Mitchell, Lucas Van Engen, McKinley Belcher III, Rob Brown, Wunmi Mosaku

Rating: TV-MA

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203. Vice Principals, 2017

	
Things get pretty dark pretty fast in Vice Principals, which I suppose is to be expected from any Danny McBride and Jody Hill creation (the duo is behind shows like The Righteous Gemstones and Eastbound & Down). But if you can sit through its deep cynicism, then Vice Principals proves to be a ferociously funny show. McBride and Goggins are great physical comedians by themselves, but together, riffing off of each other’s hater energy, they’re glorious. They’re like The Office’s Jim and Dwight if they actually acted on their impulsive R-rated thoughts. It’s also just hilarious to see teachers and school administrators be their righteously angry, potty-mouthed selves for a change.Genre: Comedy
Actor: Busy Philipps, Dale Dickey, Danny McBride, Georgia King, Shea Whigham, Sheaun McKinney, Walton Goggins
Rating: TV-MA

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204. Vanity Fair, 2018

	
British period dramas usually tend to fall under two categories: traditional or contemporary. The former risks being boring while the latter risks being obnoxious. Vanity Fair, the miniseries, thankfully falls somewhere in the middle. It sticks to the source by presenting Emma Sharpe as an unapologetic social climber, but expounds her character so that we sympathize with her circumstances. Of course she’s cunning, she has to be in order to survive. Of course she’s a flirt, she wasn’t raised to be as conservative as her contemporaries. Because of updates like these, the series feels invigorating and refreshing to watch, even though rags-to-riches and princess-and-the-pauper-like stories have been told many times. Often, it veers towards soapy territory, but it’s nonetheless fun and exciting (and sparkly for avid gown fans!) to watch.Genre: Comedy, Drama
Actor: Charlie Rowe, Claire Skinner, Claudia Jessie, David Fynn, David Ross, Ellie Kendrick, Frances de la Tour, Frances Grey, Jeremy Swift, Johnny Flynn, Martin Clunes, Michael Palin, Nathaniel Parker, Olivia Cooke, Philip Glenister, Robert Pugh, Sian Clifford, Simon Russell Beale, Tom Bateman
Director: Marc Munden

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205. Us and Them, 2018

Us and Them follows two former lovers who reminisce and reassess their decade-long relationship over one night. They both seem to be in better places, certainly financially if anything else, but their shared wistfulness for the past threatens to prove otherwise.

The film was an immediate hit when it was first released in China, and it’s easy to see why. With just the right balance of realism, romance, and comedy, the movie makes for a simple but deeply moving and involving watch. You can’t help but root for the exes to get back together, even though you know as well as they do how minimal the chances of that happening are.

Genre: Drama, Reality, Romance

Actor: Andrew Tiernan, Boran Jing, Dongyu Zhou, Jack Roth, Jing Boran, Liu Di, Liu Qiheng, Qu Zhe Ming, Qu Zheming, Rene Liu, Shi Yufei, Sophie Colquhoun, Su Xiaoming, Tian Zhuangzhuang, Tim Bentinck, Zhang Zixian, Zheming Qu, Zhou Dongyu, Zhuangzhuang Tian

Director: Rene Liu

Rating: Not Rated

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206. Triangle of Sadness, 2022

Among the sea of class satires released in the last year, Triangle of Sadness is one of the better ones. Directed by Ruben Östlund (The Square, Force Majeure), the film follows an ultra-rich group of people who get stranded on an island after their luxury cruise ship sinks. The social pyramid that has long favored them suddenly turns upside down when a crew member (a glowing Dolly de Leon) effectively runs the group of sheltered castaways.

Triangle of Sadness may not be as sharp as Östlund’s previous work, and it may not add anything particularly new to the saturated discussions of social class, but it remains a darkly humorous and engaging watch, masterfully helmed by a strong script and ensemble.

Genre: Comedy, Drama

Actor: Alex Schulman, Alicia Eriksson, Amanda Schulman, Amanda Walker, Arvin Kananian, Beata Borelius, Camilla Läckberg, Carolina Gynning, Charlbi Dean, Christina Saliba, Dolly de Leon, Emma Warg, Fredrik Quinones, Fredrik Wikingsson, Hanna Oldenburg, Harris Dickinson, Hedda Rehnberg, Henrik Dorsin, Iris Berben, Jean-Christophe Folly, Karin Myrenberg, Linda Anborg, Malte Gårdinger, Mia Benson, Nana Manu, Nikolas Chalkiadakis, Oliver Ford Davies, Ralph Schicha, Shaniaz Hama Ali, Stefan Godicke, Sunnyi Melles, Vicki Berlin, Woody Harrelson, Zlatko Burić

Director: Ruben Östlund

Rating: R

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207. Totally Completely Fine, 2023

Every episode of Totally Completely Fine begins with a trigger warning, and rightly so—the show's entire premise is about mental health, grief, and self-harm. Vivian, the lead (a captivating Thomasin McKenzie), is an orphan who goes on benders and ideates about killing herself. Things escalate when she inherits a cliffside house that doubles as a popular suicide spot and gains a prying (albeit good-natured) psychiatrist as a neighbor. All these elements, and a couple more, force her to confront her repressed trauma once and for all. It sounds bleak, and it should be difficult to watch, but the show is a successful dark comedy. It strikes that rare deft balance between tragedy and comedy, highlighting painful truths with cutting humor and delivering jokes tinged with poignant insight. Vivian and her siblings are not entirely likable, but their brokenness and vulnerability make them all the more relatable, the perfect guides to hold your hand through this totally messy, completely enthralling, and finely compassionate show.

Genre: Comedy, Drama

Actor: Devon Terrell, Rowan Witt, Thomasin McKenzie

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208. To Live and Die in L.A., 1985

	
If I told you this was a crime thriller from the ‘80s, you’d probably conjure cheesy music, title cards, big hair, unearned machismo, and a Miami Vice-esque vibe. You wouldn’t be completely far off. To Live and Die in LA, directed by William Friedkin (The French Connection, The Exorcist) has some of those, but they don’t define the movie. Starring some familiar faces (including Willem Dafoe and John Turturo), the LA-set thriller is lean and fast-paced. While some films of the era might be padded with fillers to evoke machismo and cool, this one is primarily interested in the hunt and its complicated characters. It’s probably why it’s one of the few that have stood the test of time.Genre: Action, Crime, Thriller
Actor: Anne Betancourt, Bobby Bass, Brian Bradley, Christopher Allport, Dar Robinson, Darlanne Fluegel, Dean Stockwell, Debra Feuer, Dwier Brown, Gary Cole, Jacqueline Giroux, Jane Leeves, John Pankow, John Turturro, Michael Chong, Michael Greene, Michael Zand, Robert Downey Sr., Steve James, Thomas F. Duffy, Valentin de Vargas, Willem Dafoe, William Petersen
Director: William Friedkin
Rating: R

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209. Three Minutes: A Lengthening, 2022

In this documentary by Bianca Stigter, a three-minute home video of a nondescript Jewish town in Poland is examined in great detail to reveal the history and humanity behind it. Taken just before the Holocaust, it’s one of the few remaining proofs of life the town has before its population was decimated in the war. And so the footage is repeated and stretched in this documentary, because as the narrator puts it, “as long as we are watching, history is not over yet,” and the people have yet to be gone.

Glenn Kurtz, the grandson of the person who shot the home video, takes it upon himself to investigate the history of the town and its citizens: what they were and what became of them. The results are often grim and unsettling, and the eerie editing matches them with great effect. But when it's not haunting, the film is oddly hopeful—for a future that remembers its past and preserves it in meaningful ways. Couple this sentiment with the narrator’s own poetic observations, and you get a powerfully moving elegy about loss and memory.

Genre: Documentary, Drama, History

Actor: Helena Bonham Carter

Director: Bianca Stigter

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210. They Shall Not Grow Old (2018)

	
On paper, They Shall Not Grow Old’s concept doesn’t seem exciting: interviews of old soldiers reminiscing about The Great War are superimposed on archival footage from the same era. Sounds straightforward enough. Except, there’s an art to Jackon’s approach to the film. For one, the interviews are brought to life by convincing voice actors. For another, the film footage is stitched together in such a way that it tells its own story. Jackson cuts to some of the same faces repeatedly, as if to suggest they’re the ones the current narrator is referring to, and at one point, nearly all of the film is colorized—by hand, mind you, no need for AI here. There are no dates, names, or even places to be found here, so it’s not your typical war documentary. But it is filled with specificities you won’t normally read about in books. The soldiers tell detailed accounts of how they relieved themselves in the trenches, what kind of beer they got to enjoy, how and they met up with girls. But the grim parts are there too, like how they witnessed heads blowing up and people dying from mere infections to bullets. This, more than anything, feels like a raw account of the war, from people you’ve met firsthand.Genre: Documentary, History, War
Actor: Attwood, John Ashby, Thomas Adlam, Walter Aust, William Argent
Director: Peter Jackson
Rating: R

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