561 Contributions by: Renee Cuisia (Page 10)

Staff & contributors

Renee Cuisia is the lead curator at A Good Movie to Watch. In her spare time, she likes to watch K-dramas and analyze them to death. She’s also seen You’ve Got Mail one too many times but is still convinced it’s one of the greatest films out there.

Director Thomas Vinterberg (The Hunt) reunites with Mads Mikkelsen to tell the story of four teachers going through a mid-life crisis. They’re not sad, exactly—they have homes and jobs and are good friends with each other—but they’re not happy either. Unlike the ebullient youth they teach, they seem to have lost their lust for life, and it’s silently eating away at them, rendering them glassy-eyed and mechanic in their everyday lives. 

Enter an experiment: what if, as one scholar suggests, humans were meant to fulfill a certain alcohol concentration in order to live as fully and present as possible? The teachers use themselves as the subjects and the tide slowly starts to turn to mixed effects. Are they actually getting better or worse?

With an always-satisfying performance by Mikkelsen and an instant classic of an ender, it’s no surprise Another Round took home the award for Best Foreign Film in the 2020 Academy Awards.

Genre: Comedy, Drama

Actor: Albert Rudbeck Lindhardt, Christiane Gjellerup Koch, Diêm Camille G., Dorte Højsted, Frederik Winther Rasmussen, Helene Reingaard Neumann, Lars Ranthe, Mads Mikkelsen, Magnus Millang, Magnus Sjørup, Maria Bonnevie, Martin Greis-Rosenthal, Mercedes Claro Schelin, Michael Asmussen, Morten Thunbo, Niels Jørgensen, Per Otto Bersang Rasmussen, Silas Cornelius Van, Susse Wold, Thomas Bo Larsen

Director: Thomas Vinterberg

Rating: 0, Not Rated

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On the one hand, American Fiction is a razor-sharp satire that pokes fun at the hypocrisy of the literary and entertainment industry. It's only when Monk (Wright), a genius but esoteric writer, decides to pander and give in to what publishers have come to expect from Black authors (that is: trauma porn) that he is finally celebrated for his work. But on the other hand, the film is also a tender family drama. Monk sells out, as it were, partly because he’s fascinated by the stupidity of decision-makers and supposed intellectuals, but mostly because he needs to pay for his ailing mother’s care. His relationship with his siblings and deceased father likewise informs much of his character, and they complicate what could’ve been just an intellectual approach to a social issue. This is an educational and entertaining film, yes, one that looks at the complex intersection between identity, craft, and profit. But it’s also an empathetic film, told with a big heart and a surprisingly light touch.

Genre: Comedy, Drama

Actor: Adam Brody, Alexander Pobutsky, Bates Wilder, Celeste Oliva, David De Beck, Dustin Tucker, Erika Alexander, Greta Quispe, Issa Rae, J. C. MacKenzie, Jeffrey Wright, Jenn Harris, John Ales, John Ortiz, Kate Avallone, Keith David, Leslie Uggams, Michael Cyril Creighton, Michael Jibrin, Michael Malvesti, Miriam Shor, Myra Lucretia Taylor, Neal Lerner, Okieriete Onaodowan, Patrick Fischler, Raymond Anthony Thomas, Skyler Wright, Sterling K. Brown, Tracee Ellis Ross

Director: Cord Jefferson

Rating: R

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On one level, Alcarràs is a story about land, about how inextricable it is to livelihood, about how ownership of it has bred conflict since time immemorial. Director Carla Simón emphasizes this even more by hiring actual Catalan farmers as the leads. We’re not just watching the Solés sing and fight for their land, but Alcarràs natives who are also very much at risk of losing what’s theirs in real life. The acting comes off as natural because it is. 

But on another level, Alcarràs is also a story about family, in particular about how family ties run so deep, they’re bound to coil around each other under the ground they’re rooted in. Like a family portrait come to life, Alcarràs shows us the beauty and the peril of loving your family and the legacy they leave behind as much as the Solés do. 

Genre: Drama

Actor: Ainet Jounou, Berta Pipó, Jordi Pujol Dolcet

Director: Carla Simón

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At once intimate and sweeping, A Thousand and One seamlessly weaves Inez's personal turmoil and familial troubles with the systemic inequality that was rampant in '90s New York. The hideous faces of gentrification, poverty, and police brutality are constantly appearing in the film, not merely because they lend weight to the story, but because they are inevitable for people like Inez. People who, despite their best efforts at achieving upward mobility are continually pushed down by self-serving institutions. 

It's easy for social issue dramas like this to buckle under the weight of their lofty goals, but nothing about A Thousand and One feels forced. Just the opposite, the film has an authentic quality to it—almost documentary-like in its precise depiction of Harlem throughout the years. It's deeply personal and achingly tender, and everything else—the social commentary and the political beats—stems from that specificity. 

Genre: Crime, Drama

Actor: Adriane Lenox, Amelia Workman, Aven Courtney, Bianca LaVerne Jones, Delissa Reynolds, Emmy Harrington, Jennean Farmer, Josiah Cross, Naya Desir-Johnson, Rudolph Giuliani, Terri Abney, Teyana Taylor, William Catlett

Director: A.V. Rockwell

Rating: R

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Who among us hasn’t committed a white lie to save a relationship? And who among us hasn’t yearned for the full and brutal truth? In You Hurt My Feelings, Nicole Holofcener digs into that paradox and delivers a film that is honest and funny in equal measure. Here, the writer-director doesn't just use a hilarious situation to make relatable observations and clever witticisms; she also extracts the nuances of it. She is aware, for instance, that her well-to-do characters exist in a world where it’s possible to only care about this, and not much else. And she likewise knows that Beth's (Julia Louis-Dreyfuss) and Don's (Tobias Menzies) trust issues are complicated by their age and respective mid-life career troubles. But rather than stay stuck in the specificity of those details, Holofcener uses her perceptive script to highlight the relatable and the universal. These characters hurt just the same—they're plagued with the same insecurities and seek the same validation—and they express that hurt in the petty and unvarnished language everyone else does. Watching all this come to play is a comforting delight.

Genre: Comedy, Drama, Romance

Actor: Amber Tamblyn, Arian Moayed, Clara Wong, Claudia Robinson, David Cross, Deniz Akdeniz, Doug Moe, Jeannie Berlin, John Sousa, Josh Pais, Julia Louis-Dreyfus, Kenneth Tigar, LaTanya Richardson Jackson, Michaela Watkins, Owen Teague, Rebecca Henderson, Sarah Steele, Sue Jean Kim, Sunita Mani, Tobias Menzies, Walter Brandes, Zach Cherry

Director: Nicole Holofcener

Rating: R

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“What is happiness?” is one of those philosophical questions that seem destined to go unanswered, one that, when asked, starts a debate that splinters into smaller debates, all of which lead to nowhere. This film is sort of an embodiment of that question, but instead of being vague and pointless, it revels in mystery and multitudes. What is happiness? We follow five different people who attempt to answer that in their own ways. 

It might seem gimmicky to try to link strangers’ lives with the concept of happiness,  but in the hands of a brilliant director and ensemble, it becomes a treat. With its deeply human characters, smartly structured plot, and eloquent dialogue, Thirteen Conversations About One Thing is a rare gem of a film, as perceptive as it is poignant. 

Genre: Drama

Actor: A.D. Miles, Alan Arkin, Alex Burns, Allie Woods, Allie Woods Jr., Amy Irving, Avery Glymph, Barbara Andres, Barbara Sukowa, Beth Shane, Brian Smiar, Charlie Schroeder, Clea DuVall, Daryl Edwards, David Connolly, Deirdre Lovejoy, Dion Graham, Eliza Pryor Nagel, Elizabeth Reaser, Fernando López, Frankie Faison, Gammy Singer, James Murtaugh, James Yaegashi, Jeff Robins, Joel Marsh Garland, John Turturro, Joseph Siravo, Leo V. Finnie III, Malcolm Gets, Matthew McConaughey, Melissa Maxwell, Miles Thompson, Paul Austin, Paul Klementowicz, Peggy Gormley, Phyllis Bash, Richard Council, Rob McElhenney, Robert Colston, Robertson Carricart, Shawn Elliott, Sig Libowitz, Tia Texada, Victor Truro, Walt MacPherson, William Severs, William Wise

Director: Jill Sprecher

Rating: R

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The Breadwinner is as beautiful as it is heartbreaking. The animation is magical as it seamlessly jumps back and forth between Parvana's stark reality and richly detailed fantasy. It's a wonder to just look at, but it's a tapestry brought to life by the story at the center of it. 

Set in 2001, at the height of Taliban rule in Afghanistan, the film follows Parvana, a young girl driven to desperate measures to keep her family alive. Because of the violent restrictions imposed on women (they’re not allowed to buy, sell, study, or practically do anything without a male chaperone), Parvana disguises herself as a boy so she can work for a living. The more she gets away with it, the bolder her attempts get. It's a story of survival and standing up, but it's also a sobering reminder of what fundamentalism is capable of doing (or more accurately, ruining). As long as cruel systems like this are taking place in the world, Breadwinner remains essential viewing for all.

Genre: Animation, Drama, Family, War

Actor: Ali Badshah, Ali Hassan, Ali Kazmi, Kane Mahon, Kanza Feris, Kawa Ada, Laara Sadiq, Lily Erlinghauser, Noorin Gulamgaus, Nora Twomey, Patrick McGrath, Reza Sholeh, Saara Chaudry, Salaman Hamidkohzad, Shaista Latif, Soma Bhatia, Soma Chhaya

Director: Nora Twomey

Rating: PG-13

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Booksmart but wished it was more action-packed, you'll surely love this show.  

Genre: Action & Adventure, Comedy, Drama

Actor: Anjelica Bette Fellini, Charity Cervantes, Devon Hales, Eric Graise, Kadeem Hardison, Mackenzie Astin, Maddie Phillips, Method Man, Myles Evans, Shirley Rumierk, Spencer House, Virginia Williams, Wynn Everett

Rating: TV-MA

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If it weren’t for his knack for writing, Max Fischer (Jason Schwartzman) would never have gotten into a prep school like Rushmore. But his art secures him a scholarship, and what he lacks in smarts and money, he makes up for in school pride. As he flunks more and more of his academics, however, he is eventually kicked out, and it’s outside the halls of his beloved Rushmore, stripped of all titles and insignia, where he learns to be his true self.  

As the film’s comedic and emotional core, Schwartzman is a revelation as the ambitious and sharp-tongued Max. Equally captivating is Bill Murray’s deadpan but lovable turn as Max’s millionaire friend, Herman Blume. It’s a role so fitting, in fact, that the poor-rich-man character will follow Murray well into his career, long after the curtains close on Mr. Blume. Meanwhile, Wes Anderson will go on to do more colorful and stylized pictures than Rushmore, but thanks to its unbeatable wit and down-to-earth charm, the film remains to be one of the auteur’s most delightful and hilarious works to date. 

Genre: Comedy, Drama

Actor: Alexis Bledel, Andrew Wilson, Antoni Scarano, Bill Murray, Brandon Trost, Brian Cox, Brian Tenenbaum, Connie Nielsen, Dipak Pallana, Ed Geldart, Eric Chase Anderson, George Farish, Jason Schwartzman, Jason Trost, Kim Terry, Kumar Pallana, Lucille Sadikin, Luke Wilson, Marietta Marich, Mason Gamble, Morgan Redmond, Olivia Williams, Paul Schiff, Sara Tanaka, Seymour Cassel, Stephen Dignan, Stephen McCole, Wallace Wolodarsky

Director: Wes Anderson

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