15 Contributions by: Renee Cuisia On Max (HBO Max)

How do you make a film about the Holocaust feel new? How do you make the terrors feel fresh, like it was just in the news, without sounding redundant or without giving into the sensationalized and emotionally manipulative? For Director Jonathan Glazer, the answer lies in not what you show but what you don’t show. The Zone of Interest is shot from the point of view of Nazi Officer Rudolf Höss (Christian Friedel) and his wife Hedwig (Sandra Hüller), who live a dreamy life right next to the infamous Auschwitz death camp. Glazer frames them plainly and without flourish as they ignore (or, arguably, revel in) the glow of burning bodies, the howls of pain, and the billows of smoke coming from the torture chamber a wall away. It’s a powerful, nauseating contrast that turns the question from “How can they do this?” to “Who among us is committing the same things right now?” Who among us is casting a blind eye to the atrocities and genocide being committed at this very moment to our neighbors? The film, which is also a technical feat in terms of the way it’s shot (the crew and cameras remained hidden so that the actors were free to roam, as if in a play) is chilling and thought-provoking, and it will unnerve you for days on end.

Genre: Drama, History, War

Actor: Anastazja Drobniak, Christian Friedel, Daniel Holzberg, Freya Kreutzkam, Imogen Kogge, Jakub Sierenberg, Johann Karthaus, Klaudiusz Kaufmann, Lilli Falk, Luis Noah Witte, Marie Rosa Tietjen, Maximilian Beck, Medusa Knopf, Nele Ahrensmeier, Rainer Haustein, Ralph Herforth, Sandra Hüller, Sascha Maaz, Shenja Lacher, Thomas Neumann

Director: Jonathan Glazer

Rating: PG-13

Though the drag scene is alive and well today, Paris is Burning is an important reminder that it didn’t always used to be that way. Over the course of seven years, Director Jennie Livingston leads us underneath the crime-ridden streets of 80s New York, where a glittery drag subculture is flourishing, despite all odds. Leading the community are the so-called mothers, the best performers and most fashionable of them all, tasked with inspiring and caring for newcomers. Nevermind that they’re shunned by society and suffocated (sometimes literally) by hateful homophobes and racists; when there is a ball, all that matters is that they strut, dance, and put on the best damn show of their lives. What they do is art, and Livingston makes sure to exalt the craft and pride that goes into it. At the same time, intimate interviews with iconic queens like Pepper LaBeija and Willi Ninja reveal the heartbreaking nature of the community. Most, if not all, have endured some form of abuse, and many risk their lives to earn a decent living. But again, Livingston refuses to reduce them to pure tragedy; she gets them to share their wonderfully big dreams, then gets us to hope along with them that they might just come true.

Genre: Documentary

Actor: Dorian Corey, Kim Pendavis, Octavia St. Laurent, Pepper LaBeija, Sol Williams Pendavis, Venus Xtravaganza, Willi Ninja

Director: Jennie Livingston

Rating: R

In All the Beauty and the Bloodshed, documentarist Laura Poitras (Citizenfour, My Country, My Country) lends her empathetic and incisive lens to a subject so passionate and imaginative, she ends up collaborating with Poitras to co-create the documentary about her life. The subject is Nan Goldin, one of the most influential photographers of the late 20th century. 

The documentary captures Goldin’s work as a queer artist and anti-opioids activist, intertwining both aspects to tell a nuanced and incredibly important story about freedom, identity, and self-expression. This incredibly complex, encompassing, and vibrant feature won the top award at the Venice Film Festival, besting 19 other films from around the world.

Genre: Documentary, Drama

Actor: Bernard Herrmann, Cookie Mueller, David Wojnarowicz, Harry Cullen, John Waters, Leonard Bernstein, Nan Goldin, Patrick Radden Keefe

Director: Laura Poitras

Forget everything you know about the music biopic. One-on-one interviews, chronological storytelling, silent moments with the subjects—Moonage Daydream isn’t that kind of movie. Just as David Bowie isn’t your typical pop star, this documentary about him, directed by Brett Morgen, forgoes the usual beats for something extraordinary and fun.

Moonage Daydream is a concert, a light show, and a masterclass in collage editing. It's a feast for the senses, a fantastic neon fever dream that paints a picture of Bowie in his own words, drawn from archival footage, interviews, and concerts past.

Genre: Documentary, Drama, Music

Actor: Bing Crosby, Catherine Deneuve, Charlie Chaplin, David Bowie, Dick Cavett, Elizabeth Taylor, Fred Astaire, Ginger Rogers, Iman, Keanu Reeves, Lou Reed, Maria Falconetti, Max Schreck, Max von Sydow, Mick Ronson, Mike Garson, Russell Harty, Tina Turner, Trevor Bolder

Director: Brett Morgen

Rating: PG-13

There’s a lot to think about in Dream Scenario, which posits the possibility of collectively seeing the same real man in your dreams. Norwegian filmmaker Kristoffer Borgli drops the painfully ordinary Paul (Cage) in an extraordinary reality to show us how easily one can spiral into insanity, how dangerous groupthink can be, how fickle cancel culture is, and how anything can happen to anyone, even to someone as unsuspecting as Paul. But Borgli doesn’t just experiment with ideas here, he also expertly plays with sounds and transitions, sometimes even cutting a scene before someone is done talking, to capture the skittish and unreliable language of dreams. More impressively, he takes into account how this phenomenon would play in our real, profit-oriented world. The capitalistic urge to make Paul an advertising tool, for instance, or to create tech that makes it possible for others to appear in dreams too, is both uncanny and depressingly realistic. Some might feel that Borgli is biting off more than he can chew but there’s a balance and ease to Dream Scenario that makes it feel inevitable. That’s thanks to Borgli’s brilliant direction but also, in no small part, to Cage’s inspired performance as a pathetic but harmless loser.

Genre: Comedy, Fantasy, Horror, Science Fiction

Actor: Agape Mngomezulu, Al Warren, Amber Midthunder, Ben Caldwell, Conrad Coates, David Klein, Domenic Di Rosa, Dylan Baker, Dylan Gelula, James Collins, Jennifer Wigmore, Jeremy Levick, Jessica Clement, Jim Armstrong, Jordan Raf, Josh Richards, Julianne Nicholson, Kaleb Horn, Kate Berlant, Krista Bridges, Lily Bird, Lily Gao, Liz Adjei, Maev Beaty, Marc Coppola, Marnie McPhail, Michael Cera, Nicholas Braun, Nicolas Cage, Nicole Leroux, Nneka Elliott, Noah Centineo, Noah Lamanna, Philip van Martin, Ramona Gilmour-Darling, Richard Jutras, Sofia Banzhaf, Star Slade, Stephen R. Hart, Tim Meadows, Will Corno

Director: Kristoffer Borgli

Rating: R

Teenagers forced to grow up quickly and spend their prime years wiling away at garment factories sounds like a grim reality, and it is, but in Youth (Spring), Chinese documentarist Wang Bing captures more than just the inherent tragedy of young labor. Here, they build friendships, find love, discover an affinity for their craft, stand up for themselves against exploitative bosses, and look for ways to have fun. Even if it’s just as simple as eating street food, spending the night at an internet cafe, or finding nice clothes, we’re with them in every way. Though it’s never explicitly political, the documentary makes you think about the conditions that put the kids there in the first place, such as our insatiable need for cheap and trendy clothes, governments turning a blind eye to child labor, and a skewed system that favors these above people’s—especially young people’s—well-being and welfare.

Genre: Documentary

Director: Wang Bing

Arrietty may not be as epic as other Ghibli movies, both in the literal and figurative sense, but its tiny world is so richly detailed that you could spend hours studying a single frame of the film. In Arrietty’s lovely house-underneath-a-house, stamps are hung on the walls like paintings, a flowerpot serves as the hearth, a tea canister is a cabinet, an olive a chair, a sewing pin a sword, a clothespin a hair tie, and so on. The possibilities are endless, but the film tries to exhaust them as much as it can. This alone makes Arrietty a delightful watch, but the simple story at the heart of it—one of survival, empathy, and faith—elevates into a timeless classic.

Genre: Animation, Family, Fantasy

Actor: Amy Poehler, Bridgit Mendler, Carol Burnett, David Henrie, Hiromasa Yonebayashi, Keiko Takeshita, Kirin Kiki, Mirai Shida, Moises Arias, Ryunosuke Kamiki, Shinichi Hatori, Shinobu Otake, Tatsuya Fujiwara, Tomokazu Miura, Will Arnett

Director: Hiromasa Yonebayashi

Rating: G

The Automat is a charming documentary about the historic place it names—a spacious self-service cafeteria that fed thousands of people during a good part of the 20th century. Through nostalgic footage and delightful interviews with the likes of Mel Brooks, Howard Schultz, and Ruth Bader Ginsburg, The Automat successfully convinces you that more than just some gimmick, it was a cultural landmark, a piece of Americana whose existence alone taught an entire generation integral values like democracy, diversity, and hard work. It’s also straight-up hilarious, especially when Brooks attempts to direct the film himself, or other subjects salivate as they recall the Automat’s unbeatable menu. It’s more anecdotal than academic, so if you’re looking for a sweet, sentimental, and simple watch, this is it.

Genre: Documentary, Drama, History

Actor: Carl Reiner, Colin Powell, Elliott Gould, Howard Schultz, Mel Brooks, Ruth Bader Ginsburg

Director: Lisa Hurwitz

Rating: TV-PG

Before “burnout,” “bullshit jobs,” and “quiet quitting” became part of our everyday lexicon, there was a film in the ‘90s that prophesied the rise of these workplace problems. Office Space follows three co-workers who, having had enough of their dreary low-paying jobs, fight back against their company via an embezzlement scheme. 

Office Space makes the most out of its indie budget as it mostly takes place in the cramped quarters of a company, effectively bottling us into the cubicled windowless world of the characters. But the real beauty of the film is in the details, from its quick zingers and thoughtful takes on the essence of work down to its elaborate “planning to plan” scheme in the background and the employees’ forced politeness singing happy birthday to their boss. Modern viewers will notice that Office Space sits right in between the dystopian thriller Severance and the beloved sitcom The Office—a dark comedy that highlights the necessity of humanity in everyday work. 

Genre: Comedy, Drama

Actor: Ajay Naidu, Alexandra Wentworth, Ali Wentworth, Barbara George-Reiss, Charissa Allen, David Herman, Diedrich Bader, Gabriel Folse, Gary Cole, Greg Pitts, Jack Betts, Jackie Belvin, Jennifer Aniston, Jennifer Jane Emerson, Jesse De Luna, Joe Bays, John C. McGinley, Kinna McInroe, Kyle Scott Jackson, Michael McShane, Mike Judge, Orlando Jones, Paul Willson, Richard Riehle, Ron Livingston, Rupert Reyes, Spencer Kayden, Stephen Root, Todd Duffey, Tom Schuster

Director: Mike Judge

Rating: R

Survivors are often painted in a brave light; they’re applauded for their resilience and toughness, and in the case of school shootings, many of them are also expected to take up arms and fight the good fight. While this is of course laudable, many survivors are simply trying to get by. Unable to process trauma and inexplicable loss, they become withdrawn, depressed, and reckless—not exactly noteworthy traits, but understandable and equally deserving of empathy.

The Fallout shifts the focus on this side of survival by following Vada in the aftermath of a school shooting. Unlike her peers, she fails to cope positively and becomes increasingly self-destructive. But it's through this unsentimental portrayal that The Fallout achieves a frankness and rawness that few films like it have. 

Genre: Drama

Actor: Austin Zajur, Christine Horn, Elliott Roca, Jenna Ortega, John Ortiz, Julie Bowen, Lumi Pollack, Maddie Ziegler, Niles Fitch, Shailene Woodley, Will Ropp, Yindra Zayas

Director: Megan Park

Rating: R

By all appearances, Eliza and Louis have a charming marriage. They’re casual and good-humored in the morning and full of passion in the evening. So when Eliza finds a love note addressed to her husband one day, naturally, she freaks out. She enlists the help of her eccentric family and sets off to Manhattan, where they all try to get to the bottom of the affair; what follows is an endearingly awkward adventure around town.

Though the film often meanders both in plot and dialogue, the expert ensemble keeps things compelling with their convincing chemistry and wry, visual humor. Coupled with lush images of ‘90s New York and brilliantly droll writing, The Daytrippers is a joyride of a film, as unassuming as it is enthralling. 

Genre: Comedy, Drama, Family, Mystery

Actor: Adam Davidson, Amy Stiller, Anne Meara, Campbell Scott, Carol Locatell, Douglas McGrath, Hope Davis, Liev Schreiber, Marc Grapey, Marcia Gay Harden, Marcia Haufrecht, Parker Posey, Pat McNamara, Paul Herman, Peter Askin, Stanley Tucci, Stephanie Venditto

Director: Greg Mottola

Rating: R

It’s very interesting, if not startling, to see an earnest movie made about the white upper class these days. Metropolitan is one such film, and even though it was released in the ’90s, it still stands the test of time precisely because it neither judges nor defends the group of WASPs it follows. It simply shows them in all their elegance and sophistication, as well as their insulation and irony. 

Metropolitan takes place in the upper crust of New York debutante society, during Christmas vacation, where soirees are rampant and afterparties even more so. The young-adult leads who navigate the scene in their expensive clothes and self-important aura recall a Scott Fitzgerald novel, or if you like, Gossip Girl episode. But instead of falling into tragedies, these characters just end up in silly but relatable mishaps and misunderstandings: they’re just kids after all. And as high and mighty as they may seem, whiling away in tall Park Avenue apartments, they’re still prone to the universal pains that haunt and shape teenagers. Expect to see heartbreak, jealousy, and longing even among the brightest and wealthiest of New York. 

Genre: Comedy, Drama, Romance

Actor: Alice Connorton, Carolyn Farina, Chris Eigeman, Donal Lardner Ward, Francis Creighton, Isabel Gillies, Taylor Nichols, Thomas R. Voth, Will Kempe

Director: Whit Stillman

Rating: PG-13

As documentaries go, They Called Him Mostly Harmless is pretty standard, if not forgettable, fare. There isn’t a lot of information regarding the case it focuses on, so it relies heavily on interviews with related persons and “internet sleuths” who have taken it upon themselves to solve the mystery of this hiker’s identity. It moves slowly, bogged even further down by unnecessary backstories that do nothing to get us closer to cracking the case. To be sure, it’s impressive that the missing man in question was able to scrub all evidence of his existence in this digital age, but the documentary fails to build on that intrigue and instead gives us something that sputters till the end.

Genre: Documentary

Director: Patricia E. Gillespie