286 Contributions by: Renee Cuisia

1. Pachinko, 2022

Both poetic and epic in scale, Pachinko (adapted from the bestselling novel of the same name) tells the story of a family spanning four generations, three nations, and one dream: to ensure a better life for their children, and their children, and so on. Because the story is rooted both in the unique experience of immigrant life and in the universal values of family life, it can seem painfully striking and relatable all at once.

Despite the many places and eras it traverses, Pachinko also feels less nostalgic and more real-time, deeply immersed in whatever setting it’s in, taking us breathlessly for the ride.

Sensitively directed by Kogonada (Columbus, After Yang) and movingly acted by veteran Youn Yuh-jung and breakout star Minha Kim, Pachinko is certainly one for the books: an arresting adaptation through and through.

2. Yi Yi, 2000

Edward Yang’s masterful and lush Yi Yi follows the lives of the Jian family and their respective, middle-class worries. The father agonizes over a business deal and, at the back of his mind, an old flame. The mother struggles with emptiness, the daughter with sensuality, and the son with his burgeoning artistry. In the periphery are other family members trying to get by as best they can despite having no certain future to look forward to. The story, which is bookended with life and death, is punctuated with these lingering anxieties but also, crucially, with moments of potent, profound joys.

The premise seems simple, but Yang weaves a breathtaking epic out of the mundane. The mise-en-scene is immersive, the dialogue delicate, and the direction effectively real. The understated elegance of each piece coming together to build a rich whole is what makes YiYi Yang’s legacy to the world of cinema.

3. Severance, 2022

In Lumon, a company that resembles the increasingly intrusive oligarchs of Big Tech, Mark (Adam Scott) and his colleagues undergo a procedure that allows them to separate their work memories from their non-work memories. It sounds like a dream: the perfect work-life balance. But things get complicated when one colleague mysteriously leaves and is replaced by confused new hire, Helly (Britt Lower). Mark and Helly dig into shocking truths about what they really do, and for whom.

Just like the endless halls of Lumon, Severance is filled with twists and turns, many of which are impossible to see coming. Slow, smart, and sneaked with a dystopian eerieness that doesn’t feel all that far off, Severance is sure to leave you wary of corporate slavishness, if you aren’t already.

4. Saint Omer, 2022

Nothing about Saint Omer is easy. A female Senegalese migrant (Guslagie Malanga) is put to trial for committing infanticide, but throughout the film, it becomes clear how much of a victim she is too, of an uncaring and deeply prejudiced society. “What drove her to madness?” Her attorney asks at one point. We’re not sure. We're not necessarily asked to side with her, nor answer the many hard-hitting questions brought up in the film, but we sit with the uneasiness of it all and, in that silence, confront our ideas about motherhood, womanhood, personhood.

This confusion is what makes the film so compelling. Despite the court’s best efforts, Laurence isn’t meant to be understood. She’s meant to be an example of the ever-ambiguous, forever-complicated, always-hurt person. It’s human nature after all to be this complex and messed up. The film shows us that the best that we can do in situations like this is to listen, understand, and as our protagonist Rama (Kayije Kagame) does, make peace with the noise.

5. Marcel the Shell with Shoes On, 2021, 2022

There’s a lot of good to be found in the charming, poignant, and endlessly quotable Marcel the Shell With Shoes On. It follows a documentarian named Dean, who has as his subject the one-inch talking shell that is Marcel. Marcel looks after an empty house along with his grandma Connie, and together they run a delightfully intricate system subsisting on electric mixers, tennis balls, and the occasional human hair.

Despite his small size, Marcel unwittingly makes big observations about life and the world around him, often moving Dean (and this writer) close to tears. It’s a simple film with a grand message, with lots to say about the importance of participating in life as opposed to merely observing it. But ultimately this is a movie with a precocious talking shell at the heart of it all, so really, what’s not to like?

6. All the Beauty and the Bloodshed, 2022

In All the Beauty and the Bloodshed, documentarist Laura Poitras (Citizenfour, My Country, My Country) lends her empathetic and incisive lens to a subject so passionate and imaginative, she ends up collaborating with Poitras to co-create the documentary about her life. The subject is Nan Goldin, one of the most influential photographers of the late 20th century.

The documentary captures Goldin’s work as a queer artist and anti-opioids activist, intertwining both aspects to tell a nuanced and incredibly important story about freedom, identity, and self-expression. This incredibly complex, encompassing, and vibrant feature won the top award at the Venice Film Festival, besting 19 other films from around the world.

7. Aftersun, 2022

In Aftersun, Sophie recalls a holiday she took as an eleven-year-old in the ‘90s with her father. Video recordings help jog her memory, but she’s looking for more than just a blast from the past. Rather, she seems to be seeking answers to fill in the gaps between who she knew as her father and who he really was: an immensely nice but deeply troubled man.

At first, Aftersun looks like a simple but beautiful story about father and daughter bonding over the course of a summer trip. But within minutes, it’s clear that there are layers to Aftersun, emotionally and editorially, that aren’t always explained but nonetheless enrich the movie with profound meaning. Stirring, complex, and surprisingly inventive, it’s not surprising that Aftersun is one of the most beloved films of the past year.

8. A Brighter Summer Day, 1991

At nearly four hours long, A Brighter Summer Day is a sprawling, beautifully composed film that follows young Xiao Si’r and his eventual entanglements in nearly everything, from love to youth gangs to politics. While parts of the story, particularly its bone-chilling climax, are based on true events, the film is largely reconstructed from Edward Yang’s memories of the era he grew up in. As a result, the visuals feel crisp and true, tinged with just the right amount of nostalgia to balance the grittiness of its realism.

As coming-of-age films go, A Brighter Summer Day is certainly more on the tragic side. It’s also seminal in its specificity and depth—an absolute must-watch for any and all filmgoers.

9. Wheel of Fortune and Fantasy, 2021

From Drive My Car director Ryusuke Hamaguchi comes another film featuring long drives, thoughtful talks, and unexpected twists. An anthology of three short stories, Wheel of Fortune and Fantasy ponders over ideas of love, fate, and the all-too-vexing question, “what if?”

What if you didn’t run away from the one you love? What if you didn’t give in to lust that fateful day? What if, right then and there, you decide to finally forgive?

Big questions, but without sacrificing depth, Hamaguchi does the incredible task of making every single second feel light and meaningful. Wheel of Fortune and Fantasy will leave you with mixed emotions: excited, startled, dejected, hopeful. But one thing you won’t feel is regret over watching this instant classic of a film.

10. Persepolis, 2007

Persepolis is the true story of Marjane Satrapi, the writer and illustrator whose graphic novels of the same name the film is adapted from. It details in vivid animation the trials of growing up in war-torn Iran, but also, crucially, the joys of being raised by a loving family and the significance of forming one’s own ideals and identity. In between revolving dictatorships and tightening restrictions, Marjane comes into her own and discovers what it means to live a meaningful life.

It’s a testament to Satrapi’s many talents that Persepolis never feels too flat or cynical given its 2D style and bleak backdrop. The drawings impressively morph with Marjane’s every thought, as if the ink itself were alive, and her wit persistently comes through in sharp observations and dialogues. Equally impressive is the film’s commitment to portraying war and conflict in a nuanced manner. In an autobiographical tale that is about Marjane’s coming of age as much as it is about her country’s survival, it’s never been more true that the personal is political.

11. Nothing Compares, 2022

Nothing Compares weaves a poignant story about one of the most misunderstood artists of our time, Sinéad O’Connor. The iconoclast first made waves in the '80s with her catchy music, but she quickly reclaimed the reins of her own fame and used her platform to champion marginalized causes, long before pop stars were expected to do so.

The documentary zeroes in on this part of O’Connor's life: what prompted her to music and how she used it as a tool of activism. The answers are multi-faceted and handled here with extreme grace. Like the many from her generation, O’Connor struggled with religion and abuse, such was the Catholic Church's hold on Ireland at the time time.

The film contextualizes her once-shocking moments and reveals how they were all grounded on things she cared about. It’s a beautiful piece of work that reassesses and redeems a wronged artist who was ahead of her time.

12. Halt and Catch Fire, 2014, 2015, 2016, 2017

Led by visionary salesman Joe MacMillan (Lee Pace), skilled engineer Gordon Clark (Scoot McNairy), and punk prodigy Cameron Howe (Mackenzie Davis), Halt and Catch Fire trails the risky dawn of the tech revolution—beginning with the invention of the personal computer in the 80s and winding through the dark corners of the primitive internet in the 90s.

Its exciting premise is anchored by top-notch performances, but despite having all the makings of a prestige show, it never took off in the same way Mad Men, Silicon Valley, or even Succession did.

Hailed as "the best show that nobody watched,” critical darling Halt and Catch Fire struggled to secure wide viewership throughout its four-season run. But what it lacked in ratings it certainly made up for in storytelling. The series continued to one-up itself each season as it centered on its characters and their believably bumpy journeys to self-discovery, all while consistently scoring where it mattered most: quality and ingenuity.

13. Drive My Car, 2021

In Drive My Car, a widowed artist travels to Hiroshima for his latest production. There he meets a young woman enlisted to drive him around the area. They forge an unexpected bond and soon share pithy observations and long-buried secrets, which culminate in a touching scene of catharsis and forgiveness.

Not a lot is said in this three-hour film, but when words (and signals) are shared, they are always underlaid with simple but transcendent truths. Drive My Car is a gripping film that explores love and loss in its own quiet way, at once intense and intimate.

14. This Is Going to Hurt, 2022

In the dark comedy This Is Going to Hurt, Ben Whishaw stars as junior doctor Adam, who's barely keeping it together in the understaffed and under-equipped ob-gyn ward of Britain's NHS hospital. We see, often in sad and graphic detail, what goes on in a public hospital and the heavy toll this takes on both the patients’ and medical staff’s personal lives. It's hard to look away, especially when Adam addresses us in the first person.

Even more upsetting? The miniseries is based on a memoir. Former medical trainee Adam Kay wrote a best-selling book detailing his horrific time at the NHS, and now he serves as executive producer and writer of the series.

15. The Makanai: Cooking for the Maiko House, 2023

On the surface, The Makanai is a simple, slice-of-life show about food and friendship. While it is that, to be sure, it's also a substantial drama that tackles questions about art vs. love, and love vs. companionship, and career vs. purpose. Under the gentle guidance of showrunner Hirokazu Kore-eda (Still Walking, Shoplifters, Broker), who generously allows up-and-coming directors to take the helm on certain episodes, The Makanai feels at once light and hefty, comforting and challenging. We're seeing mundane events unfold before us as if we were bystanders, but we also understand that there is so much more happening than what meets the eye. A prolonged gaze, a lovingly prepped meal, an especially sharp wing-eye, all of these have much to say about the state of mind of these girls.

It’s a supremely gentle and culturally rich show with a tender heart; a truly great watch on all accounts.