843 Contributions by: Renee Cuisia

Staff & contributors

Renee Cuisia is the lead curator at A Good Movie to Watch. In her spare time, she likes to watch K-dramas and analyze them to death. She’s also seen You’ve Got Mail one too many times but is still convinced it’s one of the greatest films out there.

In Lumon, a company that resembles the increasingly intrusive oligarchs of Big Tech, Mark (Adam Scott) and his colleagues undergo a procedure that allows them to separate their work memories from their non-work memories. It sounds like a dream: the perfect work-life balance. But things get complicated when one colleague mysteriously leaves and is replaced by confused new hire, Helly (Britt Lower). Mark and Helly dig into shocking truths about what they really do, and for whom. Just like the endless halls of Lumon, Severance is filled with twists and turns, many of which are impossible to see coming. Slow, smart, and sneaked with a dystopian eerieness that doesn’t feel all that far off, Severance is sure to leave you wary of corporate slavishness, if you aren’t already.

Genre: Drama, Mystery, Sci-Fi & Fantasy, Science Fiction

Actor: Adam Scott, Britt Lower, Christopher Walken, Dichen Lachman, Jen Tullock, John Turturro, Michael Chernus, Patricia Arquette, Tramell Tillman, Zach Cherry

Rating: SPG

In Aftersun, Sophie recalls a holiday she took as an eleven-year-old in the ‘90s with her father. Video recordings help jog her memory, but she’s looking for more than just a blast from the past. Rather, she seems to be seeking answers to fill in the gaps between who she knew as her father and who he really was: an immensely nice but deeply troubled man. At first, Aftersun looks like a simple but beautiful story about father and daughter bonding over the course of a summer trip. But within minutes, it’s clear that there are layers to Aftersun, emotionally and editorially, that aren’t always explained but nonetheless enrich the movie with profound meaning. Stirring, complex, and surprisingly inventive, it’s not surprising that Aftersun is one of the most beloved films of the past year.

Genre: Drama

Actor: Celia Rowlson-Hall, Frankie Corio, Harry Perdios, Kieran Burton, Paul Mescal, Sally Messham, Sarah Makharine, Sophia Lamanova, Spike Fearn

Director: Charlotte Wells

Rating: R

Monster is a deceptively simple story about growing up and the many misunderstandings that come with it. It’s told through different points of view, a technique that could easily feel gimmicky in the hands of a lesser director. But with director Hirokazu Kore-eda at the helm, it feels natural and inevitable, as if there was no other way to tell this specific story. It’s a masterful mystery, but Monster is less about suspense and answering the whodunnit question than it is about navigating the murky waters of truth and real life. As corny as it sounds, watching Monster is an experience unto itself: you’ll find yourself believing something one moment and dismantling it the next, learning and unlearning in a span of two hours. But as with past Kore-eda films, it’s the story’s heartwarming sensitivity that trumps everything. You’ll likely come for the mystery but stay for its heart.

Genre: Drama, Mystery, Thriller

Actor: Akihiro Kakuta, Ayu Kitaura, Daisuke Kuroda, Eita Nagayama, Hinata Hiiragi, Kayo Noro, Mitsuki Takahata, Moemi Katayama, Pee, Ryu Morioka, Sakura Andô, Shidô Nakamura, Soya Kurokawa, Yûko Tanaka

Director: Hirokazu Kore-eda

Rating: PG-13

Though the drag scene is alive and well today, Paris is Burning is an important reminder that it didn’t always used to be that way. Over the course of seven years, Director Jennie Livingston leads us underneath the crime-ridden streets of 80s New York, where a glittery drag subculture is flourishing, despite all odds. Leading the community are the so-called mothers, the best performers and most fashionable of them all, tasked with inspiring and caring for newcomers. Nevermind that they’re shunned by society and suffocated (sometimes literally) by hateful homophobes and racists; when there is a ball, all that matters is that they strut, dance, and put on the best damn show of their lives. What they do is art, and Livingston makes sure to exalt the craft and pride that goes into it. At the same time, intimate interviews with iconic queens like Pepper LaBeija and Willi Ninja reveal the heartbreaking nature of the community. Most, if not all, have endured some form of abuse, and many risk their lives to earn a decent living. But again, Livingston refuses to reduce them to pure tragedy; she gets them to share their wonderfully big dreams, then gets us to hope along with them that they might just come true.

Genre: Documentary

Actor: Dorian Corey, Freddie Pendavis, Kim Pendavis, Octavia St. Laurent, Pepper LaBeija, Sol Williams Pendavis, Venus Xtravaganza, Willi Ninja

Director: Jennie Livingston

Rating: R

As in his previous films, Director Andrew Haigh explores the delicate nature of loneliness, grief, and love in All of Us Strangers, except this time he does so through a supernatural lens. The result is mesmerizing: amid the tenderness the film draws from its characters, there’s a swirl of mystery too: how is it possible that Adam is conversing with his dead parents? Who, exactly, is Harry? The intrigue is there, and Haigh builds to a satisfying climax that answers all these questions. The mystery also lends the film an ethereal style that makes it visually resemble a horror or thriller more than it does a romance or drama. But as superb as it looks and as compelling as the ambiguity is, they never distract from the film’s central goal, which is to bring us into the complex emotional journey Adam goes through as he simultaneously develops a relationship with Harry and parses his childhood trauma with his parents. It’s a hefty film, filled with big emotional moments that will have you crying, smiling, longing, and healing all at the same time. And like any good film, it will haunt you for days on end.

Genre: Drama, Fantasy, Romance

Actor: Ami Tredrea, Andrew Scott, Carter John Grout, Claire Foy, Jamie Bell, Paul Mescal

Director: Andrew Haigh

Rating: R

, 2000

Edward Yang’s masterful and lush Yi Yi follows the lives of the Jian family and their respective, middle-class worries. The father agonizes over a business deal and, at the back of his mind, an old flame. The mother struggles with emptiness, the daughter with sensuality, and the son with his burgeoning artistry. In the periphery are other family members trying to get by as best they can despite having no certain future to look forward to. The story, which is bookended with life and death, is punctuated with these lingering anxieties but also, crucially, with moments of potent, profound joys. 

The premise seems simple, but Yang weaves a breathtaking epic out of the mundane. The mise-en-scene is immersive, the dialogue delicate, and the direction effectively real. The understated elegance of each piece coming together to build a rich whole is what makes YiYi Yang’s legacy to the world of cinema.

Genre: Drama, Family, Romance

Actor: Adriene Lin, An-an Hsu, Chen Yi-wen, Chen Yiwen, Cheryl Yang, Christian Storms, Danny Deng, Edward Yang, Elaine Jin, Hsi-Sheng Chen, Hsu Kuei-ying, Hsu Shu-Yuan, Issey Ogata, Jerry Sun, Jonathan Chang, Kai-Li Peng, Kate Yeung, Kelly Ko, Kelly Lee, Kenjiro Tsuda, Lawrence Ko, Lawrence Ko Yu-Luen, Leon Dai, Liang-Tso Liu, Luo Bei An, Ru-Yun Tang, Sharon Mao, Shau-Ching Sung, Shu-shen Hsiao, Shu-Yuan Hsu, Su-Yun Ko, Tang Ru-Yun, Tang Tsung Sheng, Tao Chuang Cheng, Wang Chi-tsan, Wu Nien-Jen, Yi-Wen Chen, Yung-Feng Lee

Director: Edward Yang

The Teacher’s Lounge is one of those movies where a simple misunderstanding is blown out of proportion, so much so that it causes the fabric of a community to unravel into chaos. Aided by a precise score, it ticks like a timebomb, with every second filled with so much dread and anxiety you have to remind yourself to breathe. It’s an impeccable and taut thriller, but it also works as an allegory about modern-day surveillance and authority. Director İlker Çatak gives the Gen-Z students and their much older teachers a level field where they struggle for control, and the result is both bleak and funny. It’s often said that schools are a microcosm of the real world, but nowhere is that more apparent than here.

Genre: Drama, Thriller

Actor: Anne-Kathrin Gummich, Antonia Luise Krämer, Canan Samadi, Eva Löbau, Katharina M. Schubert, Kathrin Wehlisch, Katinka Auberger, Leonard Stettnisch, Leonie Benesch, Lisa Marie Trense, Michael Klammer, Özgür Karadeniz, Rafael Stachowiak, Sarah Bauerett, Uygar Tamer

Director: İlker Çatak

Rating: PG-13

Nothing about Saint Omer is easy. A female Senegalese migrant (Guslagie Malanga) is put to trial for committing infanticide, but throughout the film, it becomes clear how much of a victim she is too, of an uncaring and deeply prejudiced society. “What drove her to madness?” Her attorney asks at one point. We’re not sure. We're not necessarily asked to side with her, nor answer the many hard-hitting questions brought up in the film, but we sit with the uneasiness of it all and, in that silence, confront our ideas about motherhood, womanhood, personhood. This confusion is what makes the film so compelling. Despite the court’s best efforts, Laurence isn’t meant to be understood. She’s meant to be an example of the ever-ambiguous, forever-complicated, always-hurt person. It’s human nature after all to be this complex and messed up. The film shows us that the best that we can do in situations like this is to listen, understand, and as our protagonist Rama (Kayije Kagame) does, make peace with the noise.

Genre: Crime, Drama

Actor: Adama Diallo Tamba, Alain Payen, Aurelia Petit, Charlotte Clamens, Guslagie Malanda, Kayije Kagame, Louise Lemoine Torrès, Roald Iamonte, Robert Cantarella, Salimata Kamate, Seyna Kane, Thomas De Pourquery, Valérie Dréville, Xavier Maly

Director: Alice Diop