831 Contributions by: Isabella Endrinal (Page 52)

Isabella Endrinal is a curator at A Good Movie to Watch. She’s now free from the corporate night shift. Previous articles have been published in outlets such as NANG Magazine. She’s currently catching up on some classic films… if she isn’t coping with the fact that the Haikyu anime will end soon.

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766. Django, 2023

Not to be confused with Django Unchained, the Italian-French show Django recalls the classic 1966 Spaghetti Western in today’s production style. The series doesn’t share the exact same plot points, but it does acknowledge the violence towards those in the margins, specifically outcasts like Black rangers and queer people, rather than prostitutes. Fans of the genre might appreciate the casting, as it questions our assumptions of the Old West the same way the best Spaghetti Westerns have done. However, the plot does play out like a regular Western, while its grim storyline and mishmash of accents might turn off casual viewers or viewers new to the genre.

Genre: Western

Actor: Lisa Vicari, Matthias Schoenaerts, Nicholas Pinnock, Noomi Rapace, Tom Austen

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767. Deliver Me, 2024

We don’t like to think about it, but there are children around the world recruited into organized crime, and sometimes, it leads to violent tragedies, the very kind we want to protect our children from. Deliver Me is a Swedish miniseries based on the best-selling novel of the same name that explores how a teen delinquent enters this vicious world. The series starts with the aftermath of an attempted murder– with Dogge holding a gun in his hands and his best friend Billy bleeding out in front of him. The cops in charge, led by Farid, hope to help him, by gaining more information about the gang they were recruited into, but it’s not an easy investigation. It’s depressing, especially when Dogge is so convinced he’d get off scot-free, and the issue is clearly important. But it also doesn’t stand out, as the series pulls off the same Netflix flair we’re already used to.

Genre: Drama, Mystery

Actor: Ane Dahl Torp, Ardalan Esmaili, Henrik Norlen, Jhullian Carlsson, Mahmut Suvakci, Yusra Warsama

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768. Dear David, 2023

While the film attempts to depict teenage sexuality, Dear David misses the mark due to certain plot points. At the heart of the film, Dear David is all about expression – that teenagers actively seek for ways to explore their sexuality like fanfiction, photos, and clothing. In taking on this premise, the hope for these kids would be to be able to to express these feelings through safe and constructive spaces. But because the film only presents Laras’ work as porn without plot, her relationship with David doesn’t feel like it stems from genuine affection. David isn’t characterized as popular enough for everyone to have a good concept of him, to have a positive canon narrative about him, and so, as Laras’ work spreads, it’s only his objectified self people have in mind. Her creative work comes across as some form of sexual harassment, rather than innocent expression.

Genre: Comedy, Drama, Fantasy, Romance

Actor: Agnes Naomi, Anne Yasmine, Caitlin North Lewis, Chanceline Ebel, Claudy Putri, Emir Mahira, Frans Nicholas, Izabel Jahja, Jenny Zhang, Lutesha, Maya Hasan, Michael Olindo, Natalius Chendana, Palestina Irtiza, Restu Sinaga, Ricky Saldan, Shenina Cinnamon

Director: Lucky Kuswandi

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769. Captivating the King, 2024

With political intrigue, deceit, and romance, Captivating the King has all the elements we’re familiar with in Korean sageuk romances. It’s easy to appreciate the impeccable production design and every time Jo Jung-suk pulls at the heartstrings through the Grand Prince Jinhan’s tears, but the series starts incredibly slowly. Apparently, before Hee-soo can captivate said king, the first few episodes must delve into every single detail that made the prince into a king. This does help set up the political landscape Yi In has to operate in, but it keeps its viewers waiting too long for the undercover love story implied by the premise.

Genre: Drama, War & Politics

Actor: Cho Jung-seok, Cho Seong-ha, Lee Sin-young, Park Ye-yeong, Shin Se-kyung

Director: Cho Nam-guk

Rating: TV-PG

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770. Branding in Seongsu, 2024

	
Body swapping is an intriguing concept because it’s such a concrete, immediate way for two characters to intrinsically understand one another. Usually, this swap occurs between relatives, lovers, and friends, but Branding in Seongsu takes this swap between a boss and her intern, as they clash over the ethics of marketing a big name cosmetic brand with an animal cruelty scandal. With the two people fundamentally opposed in values, it feels like it should be exciting to see their views challenged, especially considering not many shows portray these corporate ethics, but the uneven power dynamic, the workplace context, and lack of professionalism makes these discussions taste sour. Eun-ho’s flirtations feel like it’s undermining Na-eon’s authority and Na-eon’s feedback feels reminiscent of horrible bosses. Branding in Seongsu has an interesting high concept, but it’s the details that just doesn’t make this work.Genre: Drama
Actor: Ahn Yeon-hong, Chae Soo-ah, Jung Yi-rang, Kim Ho-young, Kim Ji-eun, Lee Kwang-hee, Lomon, Park Ki-deok, Yang Hye-ji
Director: Jeong Heon-su

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771. Avatar: The Last Airbender, 2024

	
Adapting Avatar: The Last Airbender for live action was always going to be a tall order, especially after the critically panned Shyamalan film. With the greater respect towards the cultures that inspired the original, Netflix’s adaptation is already slightly better than the first live-action attempt, but at least there are more reasons to appreciate this version. The cute furballs are still cute here (and not terrifying), and there’s slightly more successful attempts at humor. But this show suffers from the same mindset plenty of live action adaptations have– it prioritizes realism over story, and real-looking production design over characters.Genre: Action & Adventure, Drama, Sci-Fi & Fantasy
Actor: Dallas Liu, Daniel Dae Kim, Gordon Cormier, Ian Ousley, Kiawentiio
Rating: TV-14

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772. Air Mata di Ujung Sajadah, 2023

Air Mata di Ujung Sajadah tugs at the heartstrings because it recognizes the pain of losing one’s child, whether that be to elopement, death, or to their biological parent. This, with a stirring score, and the tears of Titi Kamal and Citra Kirana, makes Aqilla and Yumna easy to root for, as they try to settle who would best be Baskara’s mother. It’s not an easy decision, and the film thankfully refrains from turning either woman to be an antagonist. However, all the sorrow, pain, and suffering hinges on Halimah’s decision, that, in the first place, shouldn’t have been possible. As the film plays out into its inevitable conclusion, the journey there is heartwarming, maybe even tearjerking, but it doesn’t feel as satisfying as it could have been if Halimah dealt with the consequences of her actions.

Genre: Drama

Actor: Citra Kirana, Dendy Subangil, Fanny Fadillah, Fedi Nuril, Jenny Rachman, Krisjiana Baharudin, Mbok Tun, Muhammad Faqih Alaydrus, Titi Kamal, Tutie Kirana

Director: Key Mangunsong

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773. Adire, 2023

In a world when women are sexualized and objectified, but also judged and excluded under the guise of religious righteousness, Adire seeks a middle ground. It dares to explore how women’s beauty can be a force for good, rather than a source of shame, even within the religion that traditionally excludes women from its leadership. That being said, Adire focuses on this to the detriment of all other ideas loosely stitched to the narrative, such as the cultural heritage in using the adire fabric for modern lingerie, sex and desire as an impetus for art, and the need for intimacy, not just sex, in relationships. Adire has the ideas, but not the execution, especially when it loses its way in the second half of the film.

Genre: Drama

Actor: Femi Branch, Funlola Aofiyebi, Ibrahim Chatta, Kehinde Bankole, Kelechi Udegbe, Mike Afolarin, Yvonne Jegede

Director: Adeoluwa Owu

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774. A Day and a Half, 2023

	
With its grounded approach, A Day and a Half feels real, even if the exact events are fictional. Inspired by a couple of lines from a 2008 news article, Fares Fares crafts an intimate family drama for his first directorial debut, built in the bones of a hostage thriller. As a thriller, Fares consistently maintains its suspense, camera eyeing the gun present in most of the film. However, as the cop Lucas tries to defuse the situation with hostage-taker Artan, and the situation escalates to the National Task Force, Artan and Louise confront their broken family, lines opened by improvised hostage negotiations. While Artan’s understandable reasons shouldn’t absolve him of his actions, A Day and a Half effectively builds tension, only relieved at its slightly unrealistic but cathartic ending.Genre: Drama, Mystery, Thriller
Actor: Alexej Manvelov, Alma Pöysti, Annica Liljeblad, Annika Hallin, Daniel Guldstrand, Fares Fares, Richard Forsgren, Stina Ekblad
Director: Fares Fares

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775. Ride or Die, 2021

	
Love at its infancy can be pure and sweet, but sometimes, when it’s forced down, locked up inside without calm acceptance, this yearning can fester into something toxic, something too passionate to control. Ride or Die is based on the Gunjō manga, which portrays a relationship between two high school girl best friends made toxic when Nanae recruits Rei to seduce and murder Nanae’s abusive husband. Gunjō wasn’t a perfect representation of a lesbian relationship, but in the hands of a mostly male crew, the resulting lesbian road film adaptation is gorgeous, but feels a tad too long, and a tad too gratuitous with its sex and violence. Ride or Die has an intriguing, boundary-pushing premise about the dark side of devotion, but its execution makes the film an uneasy watch.Genre: Drama, Romance, Thriller
Actor: Anne Suzuki, Artemis Snow, Honami Sato, Kiko Mizuhara, Sara Minami, Setsuko Karasuma, Shinya Niiro, Shunsuke Tanaka, Tetsushi Tanaka, Yôko Maki, Yui Uemura
Director: Ryuichi Hiroki
Rating: R

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776. Dragons of Wonderhatch, 2023

	
When live-action and animation meet, it can lead to interesting results. With each medium as a separate world, this choice can lead to awesome, mind-bending, genre-breaking stuff, but not all films or shows that mix media achieve this. One such show is Dragons of Wonderhatch, which at its core, has an interesting idea of two worlds, one mundane, one fantastical, colliding, but there’s just something off with the way the show just drops the audience in the land of Upananta. Rather than take the time to introduce Nagi to us first, and then let Tyme introduce himself in the real world, the show just shifts to the other world, which might cause some confusion for new viewers. As far as the plot goes, it’s not terrible, but there was more that could have helped Dragons of Wonderhatch in taking flight.Genre: Action & Adventure, Animation, Sci-Fi & Fantasy
Actor: Daiken Okudaira, Go Morita, Mackenyu, Sena Nakajima, Sumire
Rating: TV-14

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777. Brahmāstra Part One: Shiva, 2022

	
When Disney and Marvel drove the industry with its multi-phase superhero film franchise surrounding the collection and use of magical alien MacGuffins, it’s no wonder that some Hindi filmmakers watched it, squinted, and thought that it was small fry compared to the vast collection of stories and reinterpretations of Hindu folklore and epics. But it’s not an easy thing to do. Brahmastra: Part One - Shiva has admirable ambition, but the plot is predictable, the characterization is scant, and the film just throws so much of the mythology at the audience rather than taking its time, letting the magic build up some mystery, and letting the audience get to know the characters before they launch themselves into a spectacular fight scene. It’s not a terrible watch, but Brahmastra is off to a very shaky start.Genre: Action, Adventure, Fantasy
Actor: Aditi Joshi, Alia Bhatt, Amitabh Bachchan, Chaitanya Sharma, Deepika Padukone, Dimple Kapadia, Farida Dadi, Gurfateh Pirzada, Lehar Khan, Mouni Roy, Nagarjuna Akkineni, Ranbir Kapoor, Rashi Mal, Saqib Ayub, Saurav Gurjar, Shah Rukh Khan
Director: Ayan Mukerji
Rating: PG-13

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778. Big Girls Don’t Cry, 2024

	
Overnight dormitories, uniforms, and clubs… Boarding school has a distinct subculture that few get to experience, oftentimes limited to the privileged and academically gifted. While the United Kingdom is best known for this style of education, plenty of its former colonies, such as India, also adopted the practice, and part of this experience is shown in Big Girls Don't Cry (BGDC). It’s a familiar story, with new girl Kavya befriending the titular friend group, but BGDC is a bit scattered with its approach. Instead of establishing a strong protagonist in Kavya, or creating a dynamic somewhat like Mean Girls’ Cady and Regina, each of the seven girls in BGDC has their own plotline, has their own dilemma and conflict to deal with. It’s great to see how varied and interesting these teen concerns can be, but we wish BGDC allowed us to get to know each of them in a more natural pace, the same way Kavya would have gotten to know them.Genre: Drama
Actor: Afrah Sayed, Akshita Sood, Aneet Padda, Avantika, Dalai, Gauri Malla, Loveleen Mishra, Pooja Bhatt, Suchitra Pillai, Tanya Abrol, Tenzin Lhakyila, Vidushi, Zoya Hussain
Director: Karan Kapadia, Kopal Naithani, Nitya Mehra, Sudhanshu Saria

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779. Which Brings Me to You, 2023

	
With a boring wedding, attended by a guarded woman and a spontaneous man, starting a series of shared recollections of past heartbreak, Which Brings Me to You has all the elements needed for an early aughts romcom, releasing at a time when Y2K is trending. The original novel’s epistolary format is interestingly translated into flashbacks told in one whole day, with Will and Jane visually popping within the sequences as the two get to know each other through their past heartbreaks. It’s a unique idea, but the execution feels lackluster, with the dialogue and direction that can’t be saved through Lucy Hale’s or Nat Wolff’s efforts. There’s certainly something here about romance being a possible avenue to open up, but Which Brings Me to You doesn’t build the chemistry to get there.Genre: Comedy, Drama, Romance
Actor: Alexander Hodge, Avery Cole, Britne Oldford, Chase Liefeld, Genevieve Angelson, Jamie McRae, John Gallagher Jr., Laura Kai Chen, Lucy Hale, Marceline Hugot, Michael Mulheren, Mitzi Akaha, Nat Wolff, Reilly Walters, Ward Horton
Director: Peter Hutchings
Rating: PG-13

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780. Tini: The New Life of Violetta, 2016

	
Not many teenagers experience the life of a celebrity singer, so it’s easy to fantasize over how that life would go. It’s precisely the appeal of Violetta, one of the few forays Disney Channel made outside of America, which somewhat plays out like Hannah Montana without the double life shenanigans. Tini: The New Life of Violetta is the final film to cap off the show, and like plenty of teenybopper series, it has the cheesy miscommunications and cliche conflicts hastily strung together with aesthetic music videos and randomly arranged dance numbers supposedly in the name of finding yourself and living your life, etc. etc. But, while it isn’t the most original or romantic summer teen movie, Tini: The New Life of Violetta still manages to be a sweet send-off for the Latino fans that grew up watching the show, and one that gently eases Tini’s move from cute teenybopper sitcom lead to Argentinian pop star.Genre: Comedy, Drama, Music
Actor: Adrián Salzedo, Ángela Molina, Beatrice Arnera, Clara Alonso, Diego Ramos, Georgina Amorós, Jorge Blanco, Leonardo Cecchi, Mercedes Lambre, Sofia Carson, TINI
Director: Juan Pablo Buscarini

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