829 Contributions by: Isabella Endrinal (Page 5)

Staff & contributors

Isabella Endrinal is a curator at A Good Movie to Watch. She’s now free from the corporate night shift. Previous articles have been published in outlets such as NANG Magazine. She’s currently catching up on some classic films… if she isn’t coping with the fact that the Haikyu anime will end soon.

While the mixed reception of its near-faithful American remake Vanilla Sky might make some viewers pause, there’s an intuitive brilliance in the Spanish original Open Your Eyes that isn’t easy to translate. Sure, the apparent differences help– it’s shorter and less complicated, and Cesar’s face turns more grotesque than David’s does. But what’s startling about Open Your Eyes is the way writer-director Alejandro Amenábar guides the camera through its various shifts, creating a more subtle and gradual realization that something is wrong, and thus, a more terrifying dream turned nightmare. Amenábar has later deemed the film as his worst, saying it was written when he didn't know much about life, but, in our opinion, Abre Los Ojos still holds up as a groundbreaking existential sci-fi simulation, one that still puzzles and captivates years after.

Genre: Drama, Science Fiction, Thriller

Actor: Chete Lera, Eduardo Noriega, Fele Martínez, Gérard Barray, Ion Gabella, Jorge de Juan, Joserra Cadiñanos, Miguel Palenzuela, Najwa Nimri, Pedro Miguel Martínez, Penélope Cruz, Pepe Navarro, Tristán Ulloa, Walter Prieto

Director: Alejandro Amenábar

Rating: R

Many people would rather see happy, positive depictions of people like them, but sometimes, it’s important to see one’s worst sides– the sides that we don’t really like to see, but should have some awareness of, in order to address them. It’s because of this director Lee Tamahori initially thought that adapting the Maori novel Once Were Warriors would end up a flop, but through focusing on Beth Heke and her children, through ensuring that each of them have more screentime rather than only on the parents, Tamahori depicts the alienation the Heke family feels on the fringes, an alienation only healed when they choose to embrace more of their culture. Once Were Warriors isn’t an easy watch, with all the difficulties that the family goes through, but it’s a fiercely intense debut that proved to be one of the best films from New Zealand.

Genre: Drama

Actor: Cliff Curtis, Ian Mune, Julian Arahanga, Mamaengaroa Kerr-Bell, Pete Smith, Rena Owen, Taungaroa Emile, Temuera Morrison

Director: Lee Tamahori

Rating: R

If you’re expecting the sleek, playful, and totally over-the-top spy shenanigans of 2005’s Mr. & Mrs. Smith, you’re not going to find it in this 2024 version, not that it’s a bad thing. In fact, this show stands on its own, reinventing the spy couple into a professional partnership rather than an immediate spark that leads to marriage. This decision makes the show feel like the film’s opposite– as the longer runtime and naturalistic aura enables more focus on the incomparable Donald Glover and Maya Erskine rather than the explosions– but it makes the danger feel more unpredictable and not just action set pieces. Mr. & Mrs. Smith may not be the star-powered, guns-blazing action comedy we’re familiar with, but it’s certainly a more thoughtful, fresh take that improves on the concept.

Genre: Action & Adventure, Comedy, Drama

Actor: Donald Glover, Maya Erskine

Rating: TV-MA

Is there anything more lovely than hearing Martin Scorsese talk about cinema? Maybe it’s just the film nerds in us– we are, after all, always on the hunt for A Good Movie to Watch– but it’s just wonderful to hear Scorsese talk about movies, especially from directors he loves and are inspired by. Made in England: The Films of Powell and Pressburger is about the influence of The Archers, and while it’s mostly a straightforward documentary, director David Hinton makes it something like a cohesive film course on the directors, with Scorsese as lecturer. Oftentimes letting the directors’ shots and music speak for themselves, with Scorsese adding needed context, it won’t be a surprise that Made In England would be a treat for film nerds, but it also would be a great introduction for casual viewers, or viewers that want to start watching classic films, like those of The Archers.

Genre: Documentary

Actor: David Niven, Deborah Kerr, Emeric Pressburger, Kim Hunter, Martin Scorsese, Michael Powell, Roger Livesey

Director: David Hinton

The manic pixie dream girl unexpectedly entering a young man’s life is the subject of plenty of romance films, to the point that this plot has become somewhat overdone, stereotypical, and overly unrealistic. However, there are moments in cinema when this archetype is portrayed well– Jab We Met is one of them. It’s joyful without being unrealistic, it’s realistic without being too jaded, and as two lost souls share the same train, writer-director Imtiaz Ali creates a feeling of freedom every time then-lovers Shahid Kapoor and Kareena Kapoor save each other from the prisons of their different, day-to-day lives. And it all comes with the song numbers as fun as the film’s leading lady.

Genre: Comedy, Drama, Romance

Actor: Asif Basra, Brijendra Kala, Dara Singh, Divya Shah, Kareena Kapoor Khan, Kiran Juneja, Pavan Malhotra, Saumya Tandon, Shahid Kapoor, Tarun Arora, Wamiqa Gabbi

Director: Imtiaz Ali

Rating: PG-13

Before gay marriage and gay adoption was legalized in America, people had plenty of hurdles to jump over when their same sex partner died. Partners weren’t guaranteed visits to their loved one, weren’t permitted to visit them at their last hours. They were the last to be informed and the last to be asked about their medical records, even though they would be the best source of knowledge after living together. Same sex parents weren’t guaranteed custody of their partner’s children. In The Family may depict these previous experiences in a dry, straightforward way for nearly three hours, but it’s a needed, respectful approach, with the lived-in knowledge of the quiet cruelties that was enforced just a decade ago.

Genre: Drama

Actor: Conan McCarty, Harriett D. Foy, Juliette Angelo, Lisa Altomare, Patrick Wang, Peter Hermann, Sebastian Banes, Susan Kellermann, Trevor St. John

Director: Patrick Wang

Biographical documentaries tend to depict exceptional people– people who are so great that everyone wants to know about them, and people who are so terrible that they serve as a warning. Great Photo, Lovely Life depicts a serial sexual abuser in photojournalist Amanda Mustard’s family, able to get away with nearly all his crimes each time he skips over state lines. It’s not an easy film. It’s deeply uncomfortable. There are certain interviews that will trigger anger, despair, and bewilderment over how someone so evil can remain out of bars all his life. Great Photo, Lovely Life doesn’t provide any easy, comforting sequence as a balm to sexual abuse survivors around the world, but it’s an urgent reminder of the consequences of maintaining silence.

Genre: Documentary

Actor: Amanda Mustard

Director: Amanda Mustard, Rachel Beth Anderson

, 2022

Based on a true story, Darin J. Sallam’s controversial debut feature Farha is, at heart, a brutal coming-of-age film. Set in 1948, the film is about a girl who gets locked into her family’s storeroom at the start of the Nakba, the Palestinian Catastrophe. Sallam’s choice to limit most of the film’s perspective to that small storeroom is brilliant – in some ways, it echoes the surrounding discussion about the conflict. Most of what the world knows of Palestine is limited due to having to deal with censorship, lost records, and only hearing word-of-mouth stories from ancestors who just barely survived. But what we see is already too horrific to begin with. And what the film knows is the tragedy of losing your home - having to leave childhood, leave your dreams, and leave a vibrant and living culture in order to survive.

Genre: Drama, History, War

Actor: Ali Soliman, Ali Suliman, Ashraf Barhom, Sultan Alkhail

Director: Darin J. Sallam

Rating: TV-14

, 1993

Part documentary yet part surreal daydream, director Derek Jarman’s final film is one last rallying cry into a blue void. Against an unchanging screen of International Klein Blue, most of the film is Jarman’s voice, drifting through various subjects, from day-to-day complications of AIDS to contemplations about the color blue. Some of his frequent collaborators chime in. Choirs singing about damnation occasionally pop up too. While essentially a radio drama, the combination of voices, foley, and scores all merge together into an ethereal, haunting soundscape, that sticks in your head long after the film ends. Mirroring his partial blindness, Jarman’s last experiment leaves an impression of his own experience. It’s absolutely devastating.

Genre: Documentary, Drama

Actor: Derek Jarman, John Quentin, Nigel Terry, Tilda Swinton

Director: Derek Jarman

Rating: Not Rated