854 Contributions by: Isabella Endrinal (Page 44)

Staff & contributors

Isabella Endrinal is a curator at A Good Movie to Watch. She’s now free from the corporate night shift. Previous articles have been published in outlets such as NANG Magazine. She’s currently catching up on some classic films… if she isn’t coping with the fact that the Haikyu anime will end soon.

Pollution disproportionately affects developing nations, and when governments continue to allow the lackluster waste management processes of large-scale industries, sometimes the only option is to leave. That’s what the six protagonists do in Blood Vessel, though escaping the situation isn’t as easy as it sounds. The first half starts out fairly slow, as we get to know the group, but it’s all to bring about emotional devastation as the film unfolds into violent ends. While certain plot elements don’t have a neat resolution, and certain technical aspects sometimes feel distracting, Blood Vessel works through the strength of its six lead performances.

Genre: Drama, Thriller

Actor: Alex Budin, Bimbo Manuel, David Ezekiel, Dibor Adaobi, Jidekene Achufusi, René Mena, Slyvester Ekanem

Director: Moses Inwang

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Blood Tea and Red String is cryptic as hell. There’s no dialogue, the film was in production for around 13 years, and the stop-motion animated rats and bat-crow creatures fight over a stuffed human-like doll and her bird-bodied child, spilling some tea and sewing her together with help from frog priests and a spider woman that keeps spinning her web. Whether the film is an allegory for class struggle and the inherent destructiveness of art, or is a straightforward Alice-in-Wonderland-esque fairytale with goth and medieval motifs is up to the viewer, but either way, the symbolism of Blood Tea and Red String is interesting enough to watch and try to make your own conclusions.

Genre: Animation, Fantasy, Thriller

Actor: Christiane Cegavske

Director: Christiane Cegavske

Rating: NR

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Of course, with wartime spy romances, it’s expected to have conflicted desire, twisty betrayals, and the internal war between personal love and national duty. Black Book delivers this in spades, infusing the drama with writer-director Paul Verhoeven’s propensity for sex and violence, which he brings back to his homeland after two decades apart. The drama is well-made, especially with the talented Carice van Houten as a survival-first composite spy character inspired by several resistance members, but the familiar plot, the melodrama, and the pacing can make the 2 and a half hour runtime feel a bit tedious for some viewers. Still, for fans of the genre, Black Book isn’t a terrible choice to watch.

Genre: Drama, Thriller, War

Actor: Bert Luppes, Carice van Houten, Christian Berkel, Derek de Lint, Diana Dobbelman, Dolf de Vries, Frank Lammers, Garrick Hagon, Gijs Naber, Halina Reijn, Hugo Metsers, Johnny de Mol, Marcel Musters, Marisa van Eyle, Matthias Schoenaerts, Menno van Beekum, Merel Pauw, Michiel Huisman, Mike Reus, Nolan Hemmings, Peter Blok, Pieter Tiddens, Ronald Armbrust, Sebastian Koch, Theo Maassen, Thom Hoffman, Timothy Deenihan, Waldemar Kobus, Xander Straat

Director: Paul Verhoeven

Rating: R

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Widely considered as the dawn of Chinese animation, Big Fish & Begonia frankly isn’t as outstanding as Japan’s Spirited Away, but it does share some of its charms. The awe-inspiring natural spirit world looks something akin to the worlds of Studio Ghibli, as well as the cute creatures, this time in dolphin-fish form. Even those unfamiliar with Chinese mythology can recognize the folklorish elements in the story, particularly the magic that feels reminiscent of Little Mermaid, and as each of the teen protagonists makes a sacrifice, it still tugs at the heartstrings. It’s not perfect, and the third act does get a tad convoluted, but Big Fish & Begonia still works emotionally as an homage to Chinese folklore.

Genre: Adventure, Animation, Fantasy

Actor: Ajie, Ji Guanlin, Jie Zhang, King Shih-Chieh, Pan Shulan, Su Shangqing, Timmy Xu, Xue Lifang

Director: Liang Xuan, Zhang Chun

Rating: PG-13

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Documentaries tend to depict real subjects through grounded, true-to-life ways, but the subject matter of Beyond the Light Barrier feels quite fantastic. Based on the autobiography of a South African meteorologist, this documentary isn’t about the science of weather watching – instead, it’s about Elizabeth Klarer and her strange account of her alien lover. Director Uga Carlini reimagines her encounters through 50’s style graphics, comic book-like illustrations, and John Kani’s serene narration. The film doesn’t make the conclusion whether aliens are true, as the film’s interviews vary between believers and skeptics. However, it’s an interesting look into these encounters, and how people use these unusual accounts to express certain fears and ideologies, especially in its last fifteen minutes.

Genre: Documentary, Drama

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, 1997

In this day and age, it thankfully has become less risky to come out as gay, due to the struggle of many LGBTQ+ people from the past. However, this struggle was hard won– while gay people were persecuted in the Nazi regime, it was only until decades later people started to discuss it, and one reason why research and education about it increased was due to the play Bent, depicted in film in 1997. The screen version admittedly falters compared to the West End original, with static staging and focus on the dialogue over action, but the performances are fairly decent, with an unexpected collection of cast members that maximize each moment they’re in. It’s quite depressing, and sometimes heavy handed, but Bent is a needed perspective.

Genre: Drama, History, Romance

Actor: Brian Webber, Clive Owen, Crispian Belfrage, David Meyer, David Phelan, Geraldine Sherman, Gresby Nash, Holly Davidson, Ian McKellen, Johanna Kirby, Jude Law, Lothaire Bluteau, Lou Gish, Mick Jagger, Nikolaj Coster-Waldau, Paul Bettany, Paul Kynman, Peter Stark, Rachel Weisz, Richard Laing, Rupert Graves, Rupert Penry-Jones, Sadie Frost, Stefan Marling, Suzanne Bertish

Director: Sean Mathias

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Before Wong Kar Wai made his signature romantic dramas, he first made his directorial debut As Tears Go By, a film that wouldn’t be out of place in the crime and action flicks that characterized 1980s cinema. There are moments that feel a tad derivative, such as the use of Take My Breath Away from 1986’s Top Gun, and the gangster love triangle reminiscent of Martin Scorcese’s Mean Streets, but Wong’s style starts to peek through with his use of color and light, and of course, the distinctive blurred action that transforms movement into lines. It’s not as sleek as Wong’s better known works, but As Tears Go By is still a good film to watch, marking Wong as one of the biggest names in the then-emerging Hong Kong New Wave.

Genre: Crime, Drama, Romance

Actor: Alex Man, Alex Man Chi-Leung, Andy Lau, Andy Lau Tak-Wah, Benz Kong To-Hoi, Chan Chi-Fai, Cheung Wing-Cheung, Chow Gam-Kong, Chun Kwai-Bo, Fei Pak, Ho Wing-Cheung, Hui Fan, Jacky Cheung, Jacky Cheung Hok-Yau, Kam Shan, Lam Kau, Lee Chi-Git, Ma Yuk-Sing, Maggie Cheung, Maggie Cheung Man-Yuk, Pak Yan, Ronald Wong, Ronald Wong Ban, William Chang Suk-Ping, Wong Aau, Wong Chi-Wai

Director: Wong Kar-wai

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If you want a powerful, masterful rendition of the ill-fated space mission, go and watch Apollo 13 (1995). But the documentary more than half a century after the mission, and two decades after the feature film, is not half bad. Of course, being a documentary, Apollo 13: Survival is much more factual, but the true tale still manages to hold the tension, the high stakes, and the emotional pull of the actual spaceflight, with excellent editing stitching the never-before-seen archival footage and key interviews into an exciting, compelling account. That being said, older viewers that already watched the Tom Hanks drama would likely not find anything new in this film, but Apollo 13: Survival would be a decent documentary to those who have never heard of the spacecraft.

Genre: Documentary, History

Actor: Fred Haise, Jack Swigert, Jim Lovell, Lyndon B. Johnson, Richard Nixon, Walter Cronkite

Director: Pete Middleton

Rating: PG-13

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From its title and premise, the hope for this kind of documentary would be for it to show some respect for the people who died from the Floridian opioid epidemic. At the very least, the film should dissuade people from the crimes documented here, by emphasizing the consequences of these actions. American Pain does not do this. It’s interesting to view how quickly the business gets out of hand for these unethical entrepreneurs – director Darren Foster reveals each development with enough style and flourish to be entertaining – but the film is clearly more fascinated with how the twins got away with drug dealing for so long. It’s a fun watch… if you forget people died from the events of this film.

Genre: Documentary

Director: Darren Foster

Rating: TV-MA

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Normally, when your beloved wife dies in a car crash, you would be angry at the driver responsible, maybe even avoidant, sad, or incredibly triggered. Instead, in A Zed & Two Noughts, the twin zoologists with dead wives become addicted to the idea of life and death, obsessed with watching and rewatching the origins of life, captivated in photographing decay in time lapse, and strangely attached to the one-legged driver. Because of this, the film is quite bizarre, grotesque, and it definitely wouldn’t be for everyone, even for fans of Peter Greenaway. But the way it’s all filmed is striking, which is probably why Greenaway continued collaborating with cinematographer Sacha Vierny, until his death, and with the film’s unpredictability and excellent scoring, it’s hard to look away.

Genre: Comedy, Drama

Actor: Andréa Ferréol, Brian Deacon, David Attenborough, Eric Deacon, Frances Barber, Geoffrey Palmer, Guusje van Tilborgh, Jim Davidson, Joss Ackland, Ken Campbell, Wolf Kahler

Director: Peter Greenaway

Rating: NR

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