854 Contributions by: Isabella Endrinal (Page 39)

Staff & contributors

Isabella Endrinal is a curator at A Good Movie to Watch. She’s now free from the corporate night shift. Previous articles have been published in outlets such as NANG Magazine. She’s currently catching up on some classic films… if she isn’t coping with the fact that the Haikyu anime will end soon.

When forming a nation, governments would like to view the entire populace as one people– for example, the Norwegians live in Norway. But plenty of these nations have smaller populations of different ethnicities, some that have been on the land far longer than the nation itself. Pathfinder is the first ever feature film depicting the Sámi people, depicting one of their tales. The film plays out like a familiar folk adventure, where a boy comes of age through clever thinking, but it also mirrors their struggle to keep their culture from Norwegianization, to protect their people from extinction. Pathfinder may not have the best special effects, but there’s a beauty in the way writer-director Nils Gaup depicts his home county of Finnmark, and the way he depicts his people’s past.

Genre: Adventure

Actor: Helgi Skúlason, Ingvald Guttorm, John Sigurd Kristensen, Knut Walle, Mikkel Gaup, Nils Utsi, Nils-Aslak Valkeapää, Svein Scharffenberg, Sverre Porsanger

Director: Nils Gaup

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There are horrors in the world that people have faced, and if they survive, they live with the trauma for a long, long time. But what happens when the perpetrator of that trauma has moved on? What happens when they resolve to be better, and pursue a different path? Our Father, the Devil is a psychological drama where an African refugee has to deal with seeing the warlord that once destroyed her entire village, but it unfolds in such a unique way, with the riveting Babetida Sadjo living a split life between her chef and caretaking career in the day, and being tormented by the past at night. It’s a fascinating portrait, one that we haven’t seen in a while, of a traumatized refugee granted the rare opportunity to exact retribution.

Genre: Drama, Mystery, Thriller

Actor: Babetida Sadjo, Franck Saurel, Jennifer Tchiakpe, Martine Amisse, Patrice Tepasso, Souleymane Sy Savane

Director: Ellie Foumbi

Rating: NR

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In certain heartbreaking instances, children are separated from their parents by the State, supposedly in hopes of finding them a better home. But for plenty of British and commonwealth orphans, the government process is, at worst, systematically designed to separate families to support the Kingdom’s colonies. While the film isn’t really focused on the details and the rationale behind the program, Oranges and Sunshine is much more concerned with the fact that it happened– that it has harmed hundreds of thousands of children for hundred years, and that it only took someone who cared enough to pay attention for things to actually change. It’s a decent depiction of Margaret Humphreys’ work, and it does a great job in promoting the Child Migrants Trust.

Genre: Drama, History

Actor: Aisling Loftus, Barbara Marten, Carolina Giammetta, Chrissie Page, David Wenham, Emily Watson, Geoff Morrell, Greg Stone, Harvey Scrimshaw, Hugo Weaving, Kate Rutter, Lorraine Ashbourne, Mandahla Rose, Marg Downey, Molly Windsor, Richard Dillane, Robert Purdy, Russell Dykstra, Stuart Wolfenden, Tanya Myers, Tara Morice

Director: Jim Loach

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Why a bar in the middle of the Belgian countryside is named Texas, we aren’t given an explanation. But North Sea Texas has a bit of the Southern small town charm that marked plenty of old American indies, with its retro neighborhood, lovers next door, and a more grounded approach to romance compared to its European neighbors of the time. The surrounding drama is a bit convoluted and, well, melodramatic, with a love triangle involving Pim’s mom, as well as a funeral, but there's a sweet simplicity to the way Pim and Gino’s romance unfolds. North Sea Texas doesn't reinvent the genre, but it's just a nice coming-of-age story that refreshingly doesn't have to deal with discrimination.

Genre: Drama, Romance

Actor: Ben Van den Heuvel, Ella-June Henrard, Eva van der Gucht, Jelle Florizoone, Luk Wyns, Mathias Vergels, Nathan Naenen, Patricia Goemaere, Thomas Coumans

Director: Bavo Defurne

Rating: NR

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While writing the classic novel Oliver Twist, Charles Dickens was also writing Nicholas Nickleby, with volumes released every month. His third novel was adapted in 2002 in a film adaptation that smooths out Dickens’ elaborate plot, with beautiful sets and costumes, and the classic good vs evil themes the classic novelist is known for. There’s a bit of a mismatch with Charlie Hunnam as the titular protagonist, but the rest of the cast slips into their characters well, most notably Christopher Plummer as the incredibly stingy uncle Ralph, and Jamie Bell, whose rendition of Smike makes his dynamic with Nickleby compelling. Nicholas Nickleby isn’t the most transformative adaptation, but it’s one that still works, especially for young viewers wanting a simplified plot for their book reports.

Genre: Adventure, Drama

Actor: Alan Cumming, Andrew Havill, Angela Curran, Angus Wright, Anne Hathaway, Barry Humphries, Bruce Cook, Charlie Hunnam, Christopher Plummer, Daisy Haggard, David Bradley, Edward Fox, Edward Hogg, Eileen Walsh, Gerard Horan, Hugh Mitchell, Jamie Bell, Jim Broadbent, Juliet Stevenson, Kevin McKidd, Lucy Davis, Mark Wells, Nathan Lane, Nicholas Rowe, Phil Davis, Roger Ashton-Griffiths, Romola Garai, Sophie Thompson, Stella Gonet, Timothy Spall, Tom Courtenay, William Ash

Director: Douglas McGrath

Rating: PG

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For better or for worse, we have no choice in the country we’re born in, the citizenship we first attain, and sometimes we’re forced to leave that country for our own safety. My Name is Loh Kiwan depicts a North Korean defector seeking refugee status in Belgium, but while the government deliberates, it’s a hard life he has to face, one that changes when he meets a fellow Korean who may not be an immigrant, but who’s just as lost as he is. While there are some subplots that falter halfway, My Name is Loh Kiwan still manages to stick the landing of being both a moving romance and an empathetic survival drama that highlights the struggles of refugees.

Genre: Drama, Romance

Actor: Choi Sung-eun, Heo Seon-haeng, Jo Han-chul, Kang Gil-woo, Kim Sung-ryung, Lee Il-hwa, Lee Sang-hee, Seo Hyun-woo, Song Joong-ki, Waël Sersoub, Woo Kang-min

Director: Kim Hee-jin

Rating: R

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Why do we cling to the people that we love, but who clearly don’t treat us well? It’s a common question in romance films, one that often leads to a conclusion that people shouldn’t feel shackled to partners that don’t treat them right, but sometimes other films seem to shame these unfortunate lovers for making the wrong choice. My King doesn’t do that. Sure, Georgio can seem like an obvious asshole (he is), but writer-director Maïwenn makes clear that the same things that make him erratic– his spontaneity, his enjoyment of life, and his open acceptance– which Vincent Cassel superbly embodies, are also the same things that attracted Tony in the first place. And as Tony recovers her knee, the careful interstitching between her time at the center and her romance with Georgio visually parallels the physical and emotional wounds in an interesting way. Mon Roi is familiar romance stuff, but it’s the approach that makes the film work.

Genre: Drama, Romance

Actor: Chrystèle Saint-Louis Augustin, Emmanuelle Bercot, Félix Bossuet, Isild Le Besco, Laetitia Dosch, Louis Garrel, Paul Hamy, Vincent Cassel

Director: Maïwenn

Rating: NR

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Aspiring writer-director Vita of My First Film is insufferable. When she starts out making her first feature, she’s pleasantly surprised by the people who came to help her, but the repetition of the shoot, the scene not matching the idea in her head, which she tries to put into image and word, but can’t quite make the vision clear, the anxiety and pressure to be a professional filmmaker blinding her from the concerns of her cast and crew all combine to an inevitable failure of her first feature, which also happens to inspired by Vita’s actual life. Vita is insufferable, but writer-director Zia Anger manages to make her real in an eclectic meta multimedia patchwork that won’t work for everyone, but uniquely depicts an experience filmmakers, aspiring or otherwise, haven’t wanted to talk about.

Genre: Drama

Actor: Cole Doman, Devon Ross, Eamon Farren, Eléonore Hendricks, Jane Wickline, Joanna Fang, Odessa Young, Philip Ettinger, Sage Ftacek, Zia Anger

Director: Zia Anger

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When it comes to romance films, Hollywood casts young women with older men so often that this age gap is rarely questioned, even when the characters are supposed to be around the same age range. Murphy’s Romance does have an age gap, but it’s one of the few romances that actually cares to examine the age difference, having the age dynamic in canon and with casting intentionally reflecting it. It’s also one of the few that justifies it with the folksy, old-fashioned charm exuded by James Garner, the stability, wisdom, and kindness Emma isn’t used to, and good ol’ chemistry between two leads that’s more heartwarming than heartracing. Murphy’s Romance won’t be the feet-sweeping romance that Hollywood placed on the pedestal, but it’s just the right two people finding each other at the right time, albeit interstitched with randomly added saxophone and a lot of barn-fixing scenes.

Genre: Comedy, Drama, Romance

Actor: Anna Thomson, Brian Kerwin, Bruce French, Carole King, Charles Lane, Corey Haim, Dennis Burkley, Georgann Johnson, Henry Slate, Irving Ravetch, James Garner, Michael Crabtree, Peggy McCay, Sally Field, Ted Gehring

Director: Martin Ritt

Rating: PG-13

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Most of us don't get to live our lives with our first loves, but sometimes that separation leads us to the love of our lives. This is true of the Orked trilogy, the third installment of which is named after the one other love Orked had before Jason. Without the interracial dynamic, one might expect that the dynamic between Orked and Mukhsin would be more simple, and sure, with her tomboyish self-confidence, it starts in that familiar way we would expect from a coming-of-age movie. However, writer-director Yasmin Ahmad challenges this expectation through a nostalgic, but no less honest, depiction of this love in a rural Malay village. It may not have the same obvious challenges, but Mukhsin proves through an endearing first love story that there are much more factors that could make or break even the most innocent childhood relationships, specifically Orked doesn't exactly fit in the ideal her community expects of her. It's not totally groundbreaking, but Mukhsin nonetheless sets the stage for Orked, and girls like her, to understandably seek for connection elsewhere.

Genre: Comedy, Drama, Family

Actor: Adibah Noor, Ho Yuhang, Mislina Mustaffa, Noorkhiriah, Sharifah Aleya, Sharifah Amani, Sharifah Aryana, Syafie Naswip, Taiyuddin Bakar, Yasmin Ahmad

Director: Yasmin Ahmad

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