854 Contributions by: Isabella Endrinal (Page 32)

While painfully accurate, Lost in America is a cutting satire of the white-collar mid-life crisis that’s so hilarious, but in a depressing sort of way. When denied his expected promotion and then fired, David Howard (director Albert Brooks) convinces his wife Linda (Julie Haggerty) that they should “drop out of society”, pursuing a freewheeling lifestyle to travel across the country. Brooks and Haggerty lead the film – their back-and-forth dynamic feels compelling, whether they’re arguing, pouting, or tenderly reconciling. And while the couple stays compatible with each other, the film reveals them (and us) at our most shallow.

Genre: Comedy, Drama

Actor: Albert Brooks, Art Frankel, Bob Hughes, Candy Ann Brown, Charles Boswell, Donald Gibb, Garry Marshall, Herb Nanas, James L. Brooks, Julie Hagerty, Larry King, Maggie Roswell, Michael Cornelison, Michael Greene, Priscilla Cory, Radu Gavor, Raynold Gideon, Rex Reed, Tom Tarpey

Director: Albert Brooks

Rating: R

At an older age, love can feel like it’s overrated, but watching Little Manhattan easily makes you remember the way love felt growing up, starting to explore all the feelings one had of the opposite gender, with childhood imagination and freedom from responsibilities making it seem so much more wonderful than it is now. Admittedly, it does suffer from a bit of the 2000s stereotypes and gender essentialism that stupid kids spouted, but as long as you remember the film comes from the perspective of a well-meaning, if a bit immature, 10-year-old boy, Little Manhattan feels like a charming recollection of how first love felt.

Genre: Comedy, Romance

Actor: Aaron Grady Shaw, Alex Trebek, Austin Majors, Bradley Whitford, Charlie Ray, Connor Hutcherson, Cynthia Nixon, J. Kyle Manzay, Jess Weixler, John Dossett, Jonah Meyerson, Josh Hutcherson, Josh Pais, Mike Chaturantabut, Talia Balsam, Timothy Adams, Tonye Patano, Willie Garson

Director: Mark Levin

Rating: PG

Most computer screen films take the horror film route as a cautionary tale about technology and how we use it. However, when the world was on lockdown, one screenlife film takes a look at its positive side. Simple, straightforward, and comforting, Language Lessons celebrates technology as a means for connection. Through surprise Spanish lessons purchased by his husband, Adam (Mark Duplass) forms a friendship with his instructor Cariño (Natalie Morales). At times, watching the film feels like listening into someone else’s Zoom call, however, their back-and-forth feels engaging because of Morales and Duplass’ chemistry. And when loss hits, on both sides, it’s only natural that their relationship deepens as they console each other. Expressive without being melodramatic and intimate without being too pushy, Language Lessons is a rare optimistic take towards the way we connect to each other through technology.

Genre: Comedy, Drama, Romance

Actor: Desean Terry, Mark Duplass, Natalie Morales

Director: Natalie Morales

Rating: Not Rated

When it comes to thinking about past atrocities, most of us would like to imagine that we would do our best to do the right thing, or at least, that if we did participate, we were forced into it. The thing is, that’s what plenty of perpetrators would like everyone to believe of them as well. Labyrinth of Lies delves deep into the way German institutions covered up Nazi crimes in World War II, easily excusing these cases as people who were under duress on paper, but, as writer-director Giulio Ricciarelli slowly uncovers, were just protected by fellow Nazis who still hold power. Following the ambitious lead makes this investigation a thrilling mystery, and it holds an earnestness, if not the polish, that nonetheless makes doing the right thing compelling.

Genre: Drama, History

Actor: Alexander Fehling, André Szymanski, Ellen Schulz, Ercan Öksüz, Franziska Junge, Friederike Becht, Gert Voss, Hansi Jochmann, Hartmut Volle, Johann von Bülow, Johannes Krisch, Lisa Martinek, Martin Rentzsch, Susanne Schäfer, Teresa Rizos, Timo Dierkes, Victor Tremmel, Werner Wölbern

Director: Giulio Ricciarelli

Rating: R

There is goodness within everyone… supposedly. However, there are some instances where the belief is almost foolish, some sins done against humanity that can't be explained, reasoned out, or defended. Henry: Portrait of a Serial Killer challenges that notion in three characters (the titular serial killer, his fellow ex-con Otis, and Otis’ sister Becky) and in the silent, unprotesting way writer-director John McNaughton makes us witness their lives. While true crime aficionados and horror fans might find this rather tame, the true horror of this portrait isn't in the kills, but rather in the way we’ve become accustomed to this violence, the same way a literal serial killer would be.

Genre: Crime, Horror, Thriller

Actor: Anne Bartoletti, Mary Demas, Michael Rooker, Tom Towles, Tracy Arnold

Director: John McNaughton

Rating: NR

There are some people that would do everything for love, they would do everything just to make their lovers happy. But finding their favorite singer of all time to convince them to perform at your nightclub isn’t something these hopeless romantics would, or even could, do, and that’s what makes Hear My Song such a unique romantic comedy. As club owner Micky O'Neill does all he can to make this happen, director Peter Chelsom and co-writer Adrian Dunbar takes reportedly real life events and weaves them into a charming memory of the tight-knit community formed within their hometown’s pub, and the earnest hope of making up with them through something real.

Genre: Comedy

Actor: Adrian Dunbar, Agnes Bernelle, Anna Manahan, Brian McGrath, Britta Smith, David McCallum, Frank Kelly, Gina Moxley, Harold Berens, James Nesbitt, Jimmy Keogh, John Dair, Laurie Morton, Liam O'Callaghan, Mary MacLeod, Ned Beatty, Norman Vaughan, Pat Laffan, Rúaidhrí Conroy, Shirley Anne Field, Stephen Marcus, Tara Fitzgerald, William Hootkins

Director: Peter Chelsom

Rating: R

Normally, a film like this would be a straightforward documentary with archival footage and key interviews with experts in the issue. But instead of taking that approach in Four Daughters, writer-director Kaouther Ben Hania takes a more personal approach, understanding that the topic in question isn’t just about extremism, but that this is a tragedy experienced by the Hamrouni family. As such, the approach doesn’t try to mine the drama to make the film more engaging. Hania just tries to introduce us to the family, with the archival footage interspersed with conversations filmed behind-the-scenes of the documentary, and with the past recreated by both the real family and by actors. It’s because of this that Hania cedes unparalleled control for Olfa Hamrouni to tell her story. With this issue spreading throughout the globe, Four Daughters is a necessary documentary. The personal, compelling approach helps drive that home.

Genre: Documentary, Drama

Actor: Eya Chikahoui, Hend Sabry, Ichraq Matar, Nour Karoui, Olfa Hamrouni, Tayssir Chikhaoui

Director: Kaouther Ben Hania

Rating: NR